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vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, Dorothea Lange #400

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, China #172

Figure

Warrior with Shield, Henry Moore #548

Portrait.

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes #721

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS

Rudrakshamala Necklace, #192

Landscape. Urban. Architecture.

City Night, Georgia O'Keeffe #947

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772.

Charleston Drawing Room, United States #780

Artist's multiple published in an edition of 8

Vicki! I--I Thought I Heard Your Voice!, Roy Lichtenstein #949

Raised work (stumpwork) casket depicting the story of Queen Esther and King Ahasuerus; Initialed 'BP' and dated 1662, worked in polychrome silk and metallic threads on white satin and decorated with seed pearls, English; Front King Ahasuerus presenting the royal scepter to Queen Esther; Back The hanging of Haman; Right side the search for a wife for King Ahasuerus; Left side Mordecai honored by Ahasuerus and paraded in royal regalia; Top King Ahasuerus, Queen Esther and Haman at dinner; The casket with two doors opening to reveal curious set of drawers with secret compartments; the top lifting to reveal a pink velvet interior fitted with two bottles, an inkpot and a pen tray, the back of this lid with brackets for a mirror that now is missing; a second lid at the top opening to reveal a shallow silk-lined tray. A 17th century oak box lined in marbled paper with replaced lock accompanies the casket (95.14cc Traveling Case for Stumpwork Casket); an itemized list of pieces and their dimensions is in the object file in the registration office. Surface ornamentation (Needlework)

Embroidered Box, England #927

Gesso, color, kirikane on wood, metal

Jizƍ, the Bodhisattva of the Earth Matrix, Japan #251

six scenes from the life of Christ; bottom row the Annunciation, Nativity and Adoration of the Magi; middle row Betrayal of Christ by Judas, the Crucifixion, the Resurrection; top row Ascension and Pentecost

Diptych with scenes from the life of Christ, Attributed to Master of the Passion Diptych #501

Egrets in Willow [left of the pair Egrets in Plum and Willow], Sesson Shƫkei #244

Abstraction with six horseshoe shapes.

Prospects, Philip Guston #758

new frame and border; central seated male with two children next to him, surrounded by people in a garden; scattered groups of people within nearby buildings and out of doors engaged in activities

General Guo Ziyi's Banquet, Korea #232

Interior of the house

Dining Room in the Country, Pierre Bonnard #941

Gope board, Papua New Guinea #590

four horizontal panels with multiple figures in various poses: standing, riding bicycles, riding animals, seated; incised horizontal bars divide panels

Palace door, Areogun of Osi #234

beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag

Man's Pouch, Anishinaabe (Ojibwe) or DakhĂłta #553

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, James Tissot #273

bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, Harriet Goodhue Hosmer #226

Elephant Mask, Bamileke #920

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vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, 1936

Dorothea Lange; Depicted: Florence Owens Thompson

Not on View
standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

Not on View
Figure

© The Henry Moore Foundation. All Rights Reserved%2C DACS 2014 %2F www.henry-moore.org

Warrior with Shield, 1953–1954

Henry Moore

Not on View
Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

Not on View
pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS

Rudrakshamala Necklace, early 19th century

Not on View
rigid open coat, with arms extended and hem of coat trailing on floor; exterior of coat made of horizontal rows of overlapping dog tags; interior of coat made of reflective panels; disassembles into four parts--base consists of three parts and upper body section

© Do-ho Suh

Some/One, 2005

Do Ho Suh

Not on View
black openwork barbed wire cube with 8" sections repeated

© Mona Hatoum

Cube (9 x 9 x 9), 2008

Mona Hatoum

Not on View
Landscape. Urban. Architecture.

© Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

City Night, 1926

Georgia O'Keeffe

Not on View
Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772.

Charleston Drawing Room, 1772

United States

Not on View
Artist's multiple published in an edition of 8

© Estate of Roy Lichtenstein

Vicki! I--I Thought I Heard Your Voice!, 1964

Roy Lichtenstein

Not on View
white dog standing on all four paws; upright short tail; round red nose

© 2002 Yoshitomo Nara

Your Dog, 2002

Yoshitomo Nara

Not on View
a: wire framework in organic shape with printed tin, plastic and wooden toys and noisemakers attached--Jack-in-the-boxes, various shapes of noisemakers, drums, clickers, tops and tambourines; b: suit installed over black plastic mannequin; colorful sweater fragments pieced together to create a bodysuit with head and face covering; bodysuit covered overall with crocheted doilies and hot pads, embroidered felt fragments and pieced stitched pieces; pink and white doily over face area

© Nick Cave and Jack Shainman Gallery%2C NY

Soundsuit, 2010

Nick Cave

Not on View
Western style coat with outward flaring skirt at bottom; small rectangular flap at back of neck; black, red, tan and light grey geometric painted symmetrical designs; cuffs on sleeves; light-colored hide; no closures

Hunting Coat, c. 1750

Innu (Naskapi)

Not on View
three standing men with factory in back on R

© Romare Bearden Foundation %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Factory Workers, 1942

Romare Howard Bearden

Not on View
Raised work (stumpwork) casket depicting the story of Queen Esther and King Ahasuerus; Initialed 'BP' and dated 1662, worked in polychrome silk and metallic threads on white satin and decorated with seed pearls, English; Front King Ahasuerus presenting the royal scepter to Queen Esther; Back The hanging of Haman; Right side the search for a wife for King Ahasuerus; Left side Mordecai honored by Ahasuerus and paraded in royal regalia; Top King Ahasuerus, Queen Esther and Haman at dinner; The casket with two doors opening to reveal curious set of drawers with secret compartments; the top lifting to reveal a pink velvet interior fitted with two bottles, an inkpot and a pen tray, the back of this lid with brackets for a mirror that now is missing; a second lid at the top opening to reveal a shallow silk-lined tray. A 17th century oak box lined in marbled paper with replaced lock accompanies the casket (95.14cc Traveling Case for Stumpwork Casket); an itemized list of pieces and their dimensions is in the object file in the registration office. Surface ornamentation (Needlework)

Embroidered Box, 1662

England

Not on View
Gesso, color, kirikane on wood, metal

Jizƍ, the Bodhisattva of the Earth Matrix, early 13th century

Japan

Not on View
six scenes from the life of Christ; bottom row the Annunciation, Nativity and Adoration of the Magi; middle row Betrayal of Christ by Judas, the Crucifixion, the Resurrection; top row Ascension and Pentecost

Diptych with scenes from the life of Christ, c. 1375

Attributed to Master of the Passion Diptych

Not on View

Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shƫkei

Not on View
sculpture

© Copyright Charles Biederman

Work No. 27, Red Wing, 1968-1969

Charles Biederman

Not on View
Abstraction with six horseshoe shapes.

© The Estate of Philip Guston Courtesy the Estate and Hauser %26 Wirth

Prospects, 1977

Philip Guston

Not on View

Nebuchadnezzar, 1795

William Blake

Not on View
new frame and border; central seated male with two children next to him, surrounded by people in a garden; scattered groups of people within nearby buildings and out of doors engaged in activities

General Guo Ziyi's Banquet, mid 19th century

Korea

Not on View

Fine Wind, Clear Weather, c. 1830-1831

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View
unsigned; from the Saga Palace, Kyoto; figures inside a building, mountains in background

Rice Farming in the Four Seasons, Winter [left], 1620s

Kano Sanraku

Not on View

© 2014 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Jazz, 1947

Henri Matisse; Publisher: TĂ©riade; Printer: Edmond Vairel , (stencils); Printer: Draeger FrĂšres, Paris, France , Paris, (text)

Not on View
Interior of the house

Dining Room in the Country, 1913

Pierre Bonnard

Not on View

Gope board, 18th century

Papua New Guinea

Not on View
four horizontal panels with multiple figures in various poses: standing, riding bicycles, riding animals, seated; incised horizontal bars divide panels

Palace door, early 20th century

Areogun of Osi

Not on View
sound film installation without dialogue; instrumental music with some vocals; views of landscapes and the exteriors of motels; scenes of various animals inside motel rooms--horse, birds, raccoon, deer, bison, fox, rabbits, beaver, mountain lion; total running time: 24 minutes, 28 seconds Certificate of Authenticity in presentation box (copy in object file) Installation and technical requirements: see Notes

© Doug Aitken%2C 2008

migration (empire) - linear version, 2008

Doug Aitken

Not on View
bearded man wearing coveralls, holding a model plane in each hand; house at right

© Alec Soth

Charles, Vasa, Minnesota, 2002

Alec William Soth

Not on View
five detaching sections of mixed media construction that is painted primarily maroon in center section with embracing couple

Copyright © 2008 Swoon

Alixa and Naima, 2008

Swoon

Not on View
beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag

Man's Pouch, c. 1800

Anishinaabe (Ojibwe) or DakhĂłta

Not on View
New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

Not on View
bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, c. 1854

Harriet Goodhue Hosmer

Not on View
maroon leather binding with gilding trim; "ARC TRIOMPHAL D'APRES ALBERT DURER" on spine; colorful endpapers with green, grey, yellow, red and white spots with black; text pages followed by woodcuts of portions of fantastic triumphal archway with figures (some with names and coats of armor), scenes of battle and other vignettes, animals, text and sculptural and architectural elements; detached green silk ribbon bookmark (inserted between pages)

Ehrenpforte (The Triumphal Arch of Maximilian I), 1515 (printed 1799)

Albrecht DĂŒrer

Not on View
figure in 3/4 profile with crown, and hair tied up with many wisps coming loose, looking toward R; figure holds a book out in PR hand, close to chest; light halo around head

Manjushri Bodhisattva, early 15th century

Kichizan Minchƍ

Not on View
red background with large tan and navy diamond pattern across C (over shoulder area); stepped pyramid pattern in tan and navy along lower edges; navy and lime colored stripes along borders

Poncho serape, c. 1860

Navajo

Not on View
Latin Cross placed in front of wreath. Secondary design of alternating rosettes and leaf forms along vertical edges. Woven in Egypt about 5-6th century for church use, possibly as a sanctuary curtain. Plain weave with tapestry patterning. Pall with a Latin Cross. Woven fabric

Curtain, 5th-6th century

Coptic

Not on View
flat gold bridge at right; stylized brown waves on water; water wheel at left; weeping willows at ULC and LRC

Willow Bridge and Water Wheel (Uji Bridge) [left of a pair], second half 16th century

Japan

Not on View
animal's head with squared-off snout; four tusks and six horns; diamond-shaped ears; encrusted patina-only small fragments of pigment remain

Mask, first half of 20th century

Senufo

Not on View
Blue-and-White dish, porcelain; decorated in a deep blue in the center with a large peahen flying amongst peonies, the cavetto molded with a band of peonies in white in a blue ground, the rim with a border of stylized waves and a molded foliated edge; the reverse has a typical wide unglazed base with a short foot ring and the exterior is decorated with a band of scrolling lotus

Dish, 14th century

China

Not on View
Profile view of multiple cartoon-like heads repeated over the canvas.

©Frank Gaard

Untitled (For John and Alice), 1975

Frank Gaard

Not on View

© Judd Foundation %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1970

Donald Judd

Not on View

Presentation cup with lid, 1901

Kate Harris; Manufacturer: William Hutton & Sons, Ltd.

Not on View
standing female figure who has fabric around waist that she is holding up and partially covers one breast; fabric has geometric pattern

Standing Girl, c. 1910

Egon Schiele

Not on View
profile view of seated woman wearing wide-rimmed black hat and black skirt wtih multi-colored sketchy background

Seated Woman in the Studio, 1909

Ernst Ludwig Kirchner

Not on View
Cube

© 2009 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York

Incomplete Open Cube 8/3, 1974

Sol LeWitt

Not on View

© 1974 Jerry Ott

Self-Portrait, 1974

Jerry Ott

Not on View
Abstraction. Color field.

© Robert Mangold %2F Artists Rights Society %28ARS%29%2C New York

Four Squares within a Square II, 1974

Robert Mangold

Not on View

Photograph Richard Avedon © 2008 The Richard Avedon Foundation

Marilyn Monroe, Actress, May 6, 1957

Richard Avedon; Publisher: Richard Avedon

Not on View

© Wendell Castle

Settee, 1968

Wendell Castle

Not on View
Woven fabric

Belt, 19th-20th century

Morocco

Not on View

Adam and Eve, 1504

Albrecht DĂŒrer

Not on View

Nocturne: Palaces, 1879-80 (printed 1886)

James McNeill Whistler

Not on View
large oblong plate

The Three Crosses, 1655

Rembrandt Harmensz. van Rijn

Not on View

Prostitute Hanaƍgi of the ƌgiya House, 1793-1794

Kitagawa Utamaro; Publisher: Tsutaya JĆ«zaburƍ

Not on View

The Famous American, Mariano Cebellos, 1825

Francisco José de Goya y Lucientes; Printer: Cyprien Gaulon

Not on View
Black stenciled "8" inside a red hexagon, inside a yellow circle, inside a black square.

© Morgan Art Foundation %2F Artists Rights Society %28ARS%29%2C New York

8, 1962

Robert Indiana

Not on View
Abstraction. thin ground of swirling purple, brown and green with fingerprints in green and pink at center. Unsigned (checked 2/01)

© Ross Bleckner. All rights reserved.

The Touch, 1987

Ross Bleckner

Not on View
Illustration from the 'Khamsa' (Five Poems) by the Persian poet Nizami (1141-1202). The nearly drowned hero, Majnun, has been rescued by various animals and is being revived.

Majnun in the Wilderness, c. 1600

Mughal school

Not on View

Egrets in Plum [right of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shƫkei

Not on View

©Estate of Ad Reinhardt %2F Artists Rights Society %28ARS%29%2C New York

Abstract Painting No. 9, 1960-1966

Ad Reinhardt

Not on View
multi-colored vertical stripes of uniform width

© Estate of Gene Davis %2F Smithsonian American Art Museum

Black Aces, 1966

Gene Davis

Not on View
Preliminary study for "Pieta" lithograph (1903)

Two Studies of a Woman's Head, c. 1903

KĂ€the Kollwitz

Not on View

© 1972 John McCracken %2F David Zwirner%2C New York %2F London

Mandala V, 1972

John McCracken

Not on View

© The Estate of Douglas Ohlson

Big Slate, 1974

Douglas Ohlson

Not on View
Abstraction.

Copyright of the artist%2C artist%27s estate%2C or assignees

Savanna, 1962

Urban Stanley Couch

Not on View
Abstraction.

Copyright of the artist%2C artist%27s estate%2C or assignees

Badlands, 1962

Urban Stanley Couch

Not on View
palm leaves in blues, greens, pink, red, orange and yellow; symbol in purple in LRC

© Sheila Hicks

Palm, 1985

Sheila Hicks

Not on View

The Englishman at the Moulin Rouge, 1892

Henri de Toulouse-Lautrec

Not on View

© Eggleston Artistic Trust. Courtesy Cheim %26 Read%2C New York

Memphis, c. 1970

William Eggleston

Not on View

Actor Ichikawa Ebizƍ as Takemura Sadanoshin, 1794, 5th lunar month

Sharaku; Publisher: Tsutaya JĆ«zaburƍ

Not on View
tapestry; warp undyed wool, 5-6œ ends per cm.; weft dyed wool, 22-26 ends per cm.; tapestry has been cut, and was originally any where from a yard or two wider to over three times its present width

The Falconers, 1435-1445

France

Not on View
abstracted image; mottled white ground; red goat body in URC kicking the chin of a brown dog in LRC

© Susan Rothenberg %2F Artists Rights Society %28ARS%29%2C New York

Goat over Dog, 1991-1992

Susan Rothenberg

Not on View
Sphinx, partially excavated, in foreground; three figures in front of Sphinx, pack animal behind; pyramid in background

The Great Pyramid and the Great Sphinx, Egypt, 1858

Francis Frith

Not on View
woman wearing flowered dress, seated on a red sofa at R; man, seated on a stool, cleaning art brushes, at center; woman dressing, with face partially hidden, at L

© Estate John Koch

Studio-End of the Day II, 1974

John Koch

Not on View
turned and carved; large rounded bowl form with slightly concave foot; top edge carved into leaf-like forms; tan and grey mottled colors; inherent irregular holes

© Ronald Fleming

Metamorphosis, c. 1989

Ronald Fleming

Not on View
black couple seated on a concrete bench in front of a chain link fence; woman at right wears a long dress with long sleeves, with an appliqué design with cut-outs of green flowers and gold-veined leaves, black and white beaded necklace and earrings and a black and silver headscarf, with a red purse next to her; man at left dressed as a devil, with black body paint, long black fingernails and four horns on his head, wearing a shiny black skirt-like garment

© 2008 Pieter Hugo. All rights reserved.

Chris Nkulo and Patience Umeh, Enugu, Nigeria, 2008

Pieter Hugo

Not on View
black man wearing a blue tank top and a predominately red checked skirt with leather streamers and tassels in green, cream, red and blue, and blue flip-flop sandals, holding a spotted hyena, wearing a muzzle attached to a heavy chain; man and hyena stand beneath large freeway ramps

© 2007 Pieter Hugo. All rights reserved.

Abdullahi Mohammed with Mainasara, Lagos, Nigeria, 2007

Pieter Hugo

Not on View
standing woman in profile, slightly leaning forward and with PL hand outstretched; matted with wood frame and Plexiglas

Study for the Exposition Universelle / Palais de L'Optique Poster, 1900

Georges Paul Leroux

Not on View
two soldiers with swords held overhead attacking a kneeling figure with a halo; another haloed figure with arms upraised, fleeing, at left; other soldiers in background at right; Madonna and Child at top center in clouds, with two kneeling figures; mounted on tan paper, edged in gold

Death of Saint Peter Martyr, c. 1585-1600

Denijs Calvaert

Not on View
geometric designs in a variety of colors in a sculptural form; two notched black pyramid shapes on either end of red textured bar form base; large open gold ring on one side with small yellow bar extending out on a diagonal, attached to a purple cylinder; grey triangular shaped attached to top of gold ring, topped with black double wedge shape in shiny black enamel, yellow square shape, copper-colored rod with light blue sideways pyramidal shapes, and horizontal silver ring with three black cylinders

© Peter Shire

Menorah #2, 1986

Peter Shire

Not on View
man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree

Saint Jerome by the Pollard Willow, 1648

Rembrandt Harmensz. van Rijn

Not on View
white ground with outlines of six female figures and birds; dark purple, black, pink, green and yellow; unframed

© Ghada Amer %2F Artists Rights Society %28ARS%29%2C NY

LES FLÂNEUSES, 2008

Ghada Amer

Not on View
each unit consists of a vertical framed photographic portrait of a child at top center and four rows of three framed horizontal TV snow-like photographic images in tan, grey, or blue, and a set of three bulb sockets above, each socket with one light bulb, with exposed hanging electrical wiring connecting the units together; any number of units can be installed in any configuration, with the maximum number of 22 units available for installation The framed portions of the units consist of: - 22 portraits of children in tin frames, glazed with glass (3 portraits were framed in-house and did not come with borders; an original unframed grey "snow" photo was color photocopied, and the copies were cut into strips to create borders for these portraits per the instructions of curator Patrick Noon--these are labeled on the back of the frames) - 264 total "snow" photographs in tin frames, glazed with glass: - 108 tan - 84 blue - 72 grey Additionally there are: - 3 empty tin frames without glazing (one has an unwelded corner) (ROS, Cab. 6, 4/14/09) - 3 photographic portraits of children in glassine envelope (ROS, Cab. 6, 4/14/09) Consumable components not inventoried include: - 5-watt flat top silver base bulbs (ROS, Cab. 6, 4/14/09) - 5-watt rounded silver base bulbs (ROS, Cab. 6, 4/14/09) - 7-watt rounded silver base bulb (ROS, Cab. 6, 4/14/09) - 15-watt flat top silver base bulbs (ROS, Cab. 6, 4/14/09) - 15-watt rounded elongated gold base bulbs (ROS, Cab. 6, 4/14/09) - 15-watt rounded squat silver base bulbs (ROS, Cab. 6, 4/14/09) - baggie containing European electrical plug and 8-hole electrical junctions (most stamped, "ML-150 S Sato Parts") (ROS, Cab. 6, 4/14/09) - box of brass light bulb sockets (ROS, Cab. 6, 4/14/09) - partial spool on 18/2 gauge black electrical wire (ROS, Cab. 6, 4/14/09)

©Christian Boltanski %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Monuments (Installation Salle Petriere), 1986

Christian Boltanski

Not on View
rural setting with several red buildings and hills in the background; curved black paved highway with two yellow stripes at foreground; unframed

© Alfred Leslie. All rights reserved.

Location Shooting, 1977-1990

Alfred Leslie

Not on View
cut pieces of plywood and one piece of cardboard attached together with slots, tabs and pegs on a square base; predominately green and blue faux woodgrain, with some red and pink pieces, and one dark and light yellow piece; triangular piece near top; three horizontal pieces at center

© Courtesy of the artists and David Kordansky Gallery%2C Los Angeles%2C CA

Greened Thing (Sculpture), 2011

Aaron Curry; Artist: Richard Hawkins

Not on View
standing male nude, looking up to PL, with left arm extended out straight with left hand in a fist; right hand on top of head; PR leg supporting weight and slightly ahead of PL leg, with PL foot turned outward; long curly hair

Standing Male Nude, 1760s-1780s

Nicolas-Bernard Lépicié

Not on View
Plate 6 from Carceri d'Invenzione large archways integrated with monumental stone architecture; silhouettes of figures standing below

The Smoking Fire, 1749

Giovanni Battista Piranesi

Not on View
group of seven sculptures, each consisting of a wooden base section and top white ceramic section; top sections are white, roughly bowling pin-shaped, some with spouts on the bottom, one perforated, some with geometric elements; bases are wood--four bases are constructions of laminated particle board and plywood, three are stools of two heights topped with particle board and plywood elements; see Components for individual descriptions

© 2007 Tetsuya Yamada

Morices, 2007

Yamada Tetsuya

Not on View
openwork structure with glass walls; person with head on desk inside; bedroom inside; human spine hanging at one corner; balcony on one side with figure leaning head on hand with halo on head

© Siah Armajani

An Exile Dreaming of Saint Adorno, 2009

Siah Armajani

Not on View
white and grey veined marble; carved sculpture in the form of a Chinese side chair with curved back

Copyright © Ai Weiwei 2008

Marble Chair, 2008

Ai Weiwei

Not on View
dress-shaped open-work form covered in white wax with several white candles embedded around bottom edge

© Petah Coyne %2F Courtesy Galerie Lelong%2C New York

Untitled 752, 1992-1993

Petah Coyne

Not on View
block of clear cast resin encasing three layers of four rows of Guitar brand watercolor paint tubes with extruded paint flows; aluminum stand

© Arman Studio Archives NY%0D%0AThis work is recorded in the Arman Studio Archives NY under number%3A APA%238013.68.169

Untitled (Tubes of Paint), 1968

Arman (Arman Fernandez)

Not on View
full-length portrait of a woman with straight blonde hair standing in a landscape wearing a dark purple jacket with fuschia trim, short white skirt with purple dots and blue shoes; mounted on aluminum stretchers with aluminum "frame" (applied before painting was completed)

© Chantal Joffe

Moll, 2010

Chantal Joffe

Not on View
photographic image of paper construction of dirty dishes, glasses, beverage cans, salt and pepper shakers, flowers in a vase, napkins, etc., after a meal, on a small table with a green "tablecloth"; image face mounted to Plexi with aluminum backing; aluminum "frame" on back

© Thomas Demand %2F Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Germany

Junior Suite, 2012

Thomas Demand

Not on View
quilt top (stored in box), cotton and muslin

Baltimoresignature album quilt top, 1844-45

United States

Not on View
set of 32 chessmen, sixteen red and sixteen white (natural); each chaessman stands on a carved filigree globe, within which are one or more free carved balls; the globe rests on small turned stem, and the foot is carved with double row of lotus design

Chess Set, 18th century

China

Not on View
Chilkat blankets are woven by the women of the Chilkat branch of the Tlingit tribe, using patterns devised by Chilkat men. Warp is goat hair and yellow cedar bark twine. Dyes are dervived from hemlock bark, lichen and copper. Style and technique may be traced to the Tsimshian tribe. Fringe 20 inches on bottom, 8 inches on side. Catalog card: Gift of Mrs. Folwell W. Coan from the estate of Mrs. Eugene Carpenter. Mended 1974.

Chilkat dancing blanket (Naaxin), c. 1840-1890

Tlingit or Haida

Not on View

Elephant Mask, c. 1900

Bamileke

Not on View
showing 100 of 86470 results matching room:"Not on View". (load 200 more)