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Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

Not on View
Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

Not on View
Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

Not on View
bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, c. 1854

Harriet Goodhue Hosmer

Not on View
maroon leather binding with gilding trim; "ARC TRIOMPHAL D'APRES ALBERT DURER" on spine; colorful endpapers with green, grey, yellow, red and white spots with black; text pages followed by woodcuts of portions of fantastic triumphal archway with figures (some with names and coats of armor), scenes of battle and other vignettes, animals, text and sculptural and architectural elements; detached green silk ribbon bookmark (inserted between pages)

Ehrenpforte (The Triumphal Arch of Maximilian I), 1515 (printed 1799)

Albrecht DĂŒrer

Not on View
Portrait Of Frank James

%C2%A9 Chuck Close%2C courtesy PaceWildenstein%2C New York

Frank, 1969

Chuck Close

Not on View
Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772.

Charleston Drawing Room, 1772

United States

Not on View

Theseus Slaying the Centaur Bianor, c. 1850 (modeled, cast c. 1891)

Antoine-Louis Barye; Caster: F. (Ferdinand) Barbedienne

Not on View

Bacchante and Satyr, 1869

Jean-Baptiste Auguste Clésinger

Not on View
landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground

The Church at Chailly, 1868-1869

Jean-François Millet

Not on View

%C2%A9 2013 The Ansel Adams Publishing Rights Trust

Graduation Dress, Yosemite Valley, California, 1948

Ansel Adams

Not on View
boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking

A Stag at Sharkey's, 1917

George Bellows

Not on View
12 sheets glued together and mounted on backing; figures at right with frontmost figure (Moses) pointing toward water with a staff; writhing horses and soldiers being engulfed by water at left; city in background, ULC; rocky element, URC; rolling clouds above city

The Submersion of the Pharaoh’s Army in the Red Sea, 1514-15 (printed 1549 or later)

Titian (Tiziano Vecelli); Publisher: Domenico dalle Greche

Not on View
Artist's multiple published in an edition of 8

%C2%A9 Estate of Roy Lichtenstein

Vicki! I--I Thought I Heard Your Voice!, 1964

Roy Lichtenstein

Not on View
close-up of face and upper chest (Face Sweating)

%C2%A9 The Gordon Parks Foundation

Muhammad Ali, 1970 (printed 1980s)

Gordon Parks

Not on View
Birds-eye view of Venice created with six joined pieces of paper; linen mat with gold edged frame

View of Venice, 1500

Jacopo de' Barbari; Publisher: Anton Kolb

Not on View
quilt top (stored in box), cotton and muslin

Baltimoresignature album quilt top, 1844-45

United States

Not on View

Copyright %C2%A9 Lee Friedlander. All rights reserved.

Man in Window, New York City, 1964 (printed 1973)

Lee Friedlander

Not on View
floating multicolored rocks/metors; four separate videos (#1, 2, 4, 5)

%C2%A92013 Jennifer Steinkamp

6EQUJ5, 2012-2013

Jennifer Steinkamp

Not on View
vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, 1936

Dorothea Lange; Depicted: Florence Owens Thompson

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Game in a White Room, c. 1954

Robert Collins

Not on View
Full bust, undraped, head turned left in profile slightly downward. The figure terminates just below the breasts by means of a shallow, saucer-like border with reeded edge and is attached to a circular socle.

Bust of the Greek Slave, after 1845-1846

Hiram Powers

Not on View
Man with halo carries sword and wears sash

Portrait of Shah Jahan, 1700-1720

India

Not on View
weight/height scale; black metal foot plate, printed in white with "STEP ON IT"; 3 etched chrome panels at front and sides; mirror with heights and weights at top

"Model S" scale, c. 1927

Joseph Claude Sinel; Manufacturer: International Ticket Scale Company

Not on View
Landscape

Copyright of the artist%2C artist%27s estate%2C or assignees

Still Life with Bananas and Calla Lilies, 1932

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View
unsigned; scene with figures in foregreound: group of attendants on L with man in white facing woman in white; landscape with water in background on R; interior on L; gold leaf background

Emperor Ming Huang and Yang Guifei, around 1600

attributed to Kano Naganobu

Not on View
Illustration from the 'Gulshan-i 'Ishq (Rose Garden of Love). A man holds a large bag of clothes seated under a tree, upper center, seven fairies playing in a pool with fountain are gesturing to him, figures surround on four sides by a garden

Raja Bikram Collecting the Clothes of the Bathing Fairies, c. 1710

Mulla Nusrati

Not on View
suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century

Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

Not on View

The Plague in Rome, 1869

Jules Elie Delaunay

Not on View

Portrait of Ursule-Anne Dubuisson, c. 1710

Antoine Pesne; Artist: Previously attributed to Nicolas de Largilliere

Not on View
Genre. Unsigned.

The Birthday Party, 1885

John Singer Sargent

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Little Girl, 1922

Otto Dix

Not on View
Chilkat blankets are woven by the women of the Chilkat branch of the Tlingit tribe, using patterns devised by Chilkat men. Warp is goat hair and yellow cedar bark twine. Dyes are dervived from hemlock bark, lichen and copper. Style and technique may be traced to the Tsimshian tribe. Fringe 20 inches on bottom, 8 inches on side. Catalog card: Gift of Mrs. Folwell W. Coan from the estate of Mrs. Eugene Carpenter. Mended 1974.

Chilkat dancing blanket (Naaxin), c. 1840-1890

Tlingit or Haida

Not on View
Woman in a white gown seated next to the sea. Picasso's Classical period.

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Woman by the Sea, 1922

Pablo Picasso

Not on View
reddish ceramic jar with incised decoration on four sides; groove design feature, around lip indicates the jar has a screw on cover

Chocolate Pot, c. 750

Maya

Not on View

Parinirvana of Sakyamuni, the Historical Buddha, 14th century

Unknown Japanese

Not on View
Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe

Royal belt, mid 20th century

Kuba

Not on View
Landscape. Architecture.

The Bronze Horses of San Marco, Venice, 1876

Charles Caryl Coleman

Not on View

%C2%A9 The Estate of Sir Frank Brangwyn %2F Bridgeman Copyright

Illustration for Canto XI of the 'RubĂĄiyaĂĄt of Omar KhayyĂĄm', c. 1912

Frank William Brangwyn

Not on View
set of 32 chessmen, sixteen red and sixteen white (natural); each chaessman stands on a carved filigree globe, within which are one or more free carved balls; the globe rests on small turned stem, and the foot is carved with double row of lotus design

Chess Set, 18th century

China

Not on View
young black man wearing a basketball uniform with the number 33, holding a basketball in his PR hand; tall city apartment buildings in background

Photograph by Richard Avedon %C2%A9The Richard Avedon Foundation

Lew Alcindor, basketball player, 61st Street and Amsterdam Avenue, New York, May 2, 1963, 1963 (printed 1990)

Richard Avedon

Not on View
Bust-length portrait of a Black female field worker

Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Sharecropper, 1952 (printed c. 1952-57)

Elizabeth Catlett; Printer: Printed by the artist and Jose Sanchez; Publisher: Published by the artist and Taller de Grafica Popular, Mexico City

Not on View
Head of a woman with a base, stone on a marble base, size; 26in.; base IRC floor area

Head, 1911–1912

Amedeo Modigliani

Not on View
applied snakes twine into and around jug; five 3-dimensional figures and one low relief figure; applied spiders, frog and lizard; incised phrases; multicolored pigment traces

Snake jug, c. 1865

Anna Pottery

Not on View

Convulsionists of Tangier, 1837-1838

EugĂšne Delacroix

Not on View
unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind

Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

Unknown Japanese

Not on View

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

Not on View

Wallpaper, 19th century

China

Not on View
see previous exhibition catalog for illustrations of all 50 paintings

%C2%A9 Cy Thao

#1, 1993-2001

Cy Thao

Not on View
Edition of 1511, Latin text

The Four Horsemen, 1498 (1511 edition)

Albrecht DĂŒrer

Not on View

Royal Tiger, 1829-1830

EugĂšne Delacroix

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
one of 53 cards for a maquette; archival material for the production of "Telex: Iran"; (archival materials include three book maquettes--one of which has 53 cards with mounted photostats--; seven preliminary versions of the cover; one back cover; and seven maquette material pieces)

%C2%A9 Gilles Peress%2FMagnum Photos

Telex: Iran (archival materials for the production of the book), c. 1983

Gilles Peress

Not on View
small; squared-off spindles on back and seat; thin, curved arms; front legs have forked hoof feet; painted with peacock feather on center back and foliage and scrolls at center front of seat, top back corners, front corners and sides

"Elastic" chair, c. 1808

Samuel Gragg

Not on View
Caricature

Le Grande Maitre de la Frisure a la Mode, c. 1770-1775

Unknown French [?], 18th century

Not on View
treatise on modern art with 10 original woodcuts and text by Vassily Kandinsky; first edition

Uber das Geistige in der Kunst, 1912

Vassily Kandinsky; Publisher: R. Piper and Co. , Munich

Not on View
Lollipop-shaped stationary central element with round medallion with bone, metal and inlays; 2 outer panels hinged and decorated on both sides with bird and flower motifs; medallions at bottom of each side panel

Two-fold screen, c. 1898

Carlo Bugatti

Not on View
plate decorated with enamel and gilding: design of steamboat "Ruth"; 4 figures on boat; 7 figures on shore, one fishing; gold text and leaf sprays at rim

Plate, 1865

Rudolph T. Lux

Not on View
polychrome with all over floral design

Delft shoe, one of a pair, 1720

England

Not on View
thinly cast with a narrow spout and pointed lip above an oblong body cast with three medial lines, a single loop handle; all standing on tall blade-form legs

Jue wine vessel, 16th-15th century BCE

China

Not on View
standing woman wearing a sleeveless dress, stockings and heels, carrying a clutch bag and a small package

%C2%A9 Walker Evans Archive%2C The Metropolitan Museum of Art

Woman on the Street, Havana, 1933

Walker Evans

Not on View
face mask of person with closed eyes; pierced ears; delineated hairline; bronze, with bib attached to neck area in green-blue and brown patina

Funerary Mask of a Young Woman, 916-1125

Unknown

Not on View
Green; tall mirror with lamp on either side; two drawers; two shelves above base

"Skyscraper" night table, 1928-1929

Kem (Karl Emanuel Martin) Weber

Not on View
Bent back, long curved seat, curved rockers and arm rests

Rocking chaise, model no. 7500, c. 1880

Attributed to August Thonet; Manufacturer: GebrĂŒder Thonet

Not on View
plant-husk form with lizard and bumble bee in relief

Pitcher, c. 1900

Attributed to M. Lucien Hirtz

Not on View
Edition of 1511, Latin text

Michael and His Angels Fight with the Dragon, 1498 (1511 edition)

Albrecht DĂŒrer

Not on View

Gorge of the St. Croix, 1847

Henry Lewis

Not on View

Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

%C2%A9 Gilles Peress%2FMagnum Photos

Shrine to Martyrs of the Revolution, Beheshtezara, c. 1980

Gilles Peress

Not on View

%C2%A9 Gilles Peress%2FMagnum Photos

Posters in Front of the U.S. Embassy, Teheran, c. 1980

Gilles Peress

Not on View

%C2%A9 Gilles Peress%2FMagnum Photos

Savak Agents on Trial at Evin Prison, Teheran, c. 1980

Gilles Peress

Not on View

%C2%A9 Gilles Peress%2FMagnum Photos

Burial, Tabriz, c. 1980

Gilles Peress

Not on View

%C2%A9 Gilles Peress%2FMagnum Photos

Photographs of the Shah's Victims in Front of the U.S. Embassy, Teheran, c. 1980

Gilles Peress

Not on View

%C2%A9 Gilles Peress%2FMagnum Photos

Pro-Khomeini Meeting,Tabriz, c. 1980

Gilles Peress

Not on View
abstract sculpture with rounded section on bottom cut into parallel arcs and separated; horizontal bar at top with wedge-shaped plate on one side at top

Gattenom%2C 1996 %C2%A9 Frank Stella %2F Artists Rights Society %28ARS%29%2C New York

Gattenom, 1996

Frank Stella

Not on View
Landscape. The subject is one of the many villages around Weimar in Thuringia that the artist visited by bicycle in Bauhaus years.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Gross-Kromsdorf I, 1915

Lyonel Feininger

Not on View
man running through flooded area, his reflection is shown in the water

%C2%A9Henri Cartier-Bresson %2F Magnum Photos

Behind the Gare Saint-Lazare, Paris, 1932

Henri Cartier-Bresson

Not on View

Judith Beheads Holofernes, 1910

Lovis Corinth

Not on View
porcelain group 'America', from a set of the Continents, nymph in feathered headdress, shawl and skirt, parrot perched on right hand, a cornucopia of fruit and flowers in left, seated on alligator on rectangular flower-encrusted base

America, c. 1745

Johann Joachim KĂ€ndler; Manufacturer: Meissen Porcelain Factory

Not on View
Edition of 1511, Latin text

The Adoration of the Lamb, 1498 (1511 edition)

Albrecht DĂŒrer

Not on View
Edition of 1511, Latin text

Saint John Devouring the Book, 1498 (1511 edition)

Albrecht DĂŒrer

Not on View
Edition of 1511, Latin text

The Apocalyptic Woman, 1498 (1511 edition)

Albrecht DĂŒrer

Not on View
Edition of 1511, Latin text

The Angel with the Key to the Bottomless Pit, 1498 (1511 edition)

Albrecht DĂŒrer

Not on View
Edition of 1511, Latin text

The Opening of the Fifth and Sixth Seals, 1498 (1511 edition)

Albrecht DĂŒrer

Not on View

%C2%A9 Arnold Newman Properties%2FGetty Images

Pablo Picasso, Vallauris, France, 1954

Arnold Newman

Not on View
portrait of Alexander Calder

%C2%A9 Arnold Newman Properties%2FGetty Images

Alexander Calder, Roxbury, Connecticut, 1957

Arnold Newman

Not on View
slightly open pair of long scissors lying on mottled grey ground; long loop of white thread over scissors

Photographs by Ansel Adams. Copyright %C2%A9 by the Trustees of the Ansel Adams Publishing Rights Trust. All Rights Reserved

Scissors and Thread, 1931

Ansel Adams

Not on View
The decor is disposed in the three areas usual in vessels of this class the foot, bulb, and neck. The foot belt, divided into four panels by deeply scored flanges, displays a mask t'ao-tieh with a C-shaped mouthline, hooked forehead shield, small eyebrows, and S-shaped norns. Above is a narrow band with consecutive trunked dragons. The decor ground is of squared spirals throughout. The bulb, also divided into four panels, displays a t'ao-tieh bodied to the extent that some simple lines of a vertical body still remain above the leg. The central line of the face, with no forehead shield, is formed by the flange. The lower zone of the high throat is filled with consecutive snakes, their heads turned EN FACE. Above are slender rising blades, the major part of each filled with a t'ao-t'ieh to be seen from above. Streaked eyebrows appear over buldging eyes, and over these, again, long-drawn-out C-shaped figures forming the horns. Below the eyes are two C-shaped figures, modifications of mouthlines. At the end of the blade, separated from the t'ao-t'ieh by a narrow, empty band, is a V-figure- a corruption of a cicada drawing. Patina grey-green and blue-green with patches of red. Except for a cross-shaped perforation between the foot and the area above, the beaker is in almost every detail exactly similar to the one with a Yin inscription published in Huang, TSUN KU CHAI.

Gu wine vessel, 12th-11th century BCE

China

Not on View
woman with her hair in a bun, wearing a black dress with a white sash, standing between 2 elephants

Photograph by Richard Avedon %C2%A9The Richard Avedon Foundation

Dovima with Elephants, Evening Dress by Dior, Cirque d'Hiver, Paris, August 1955

Richard Avedon

Not on View
black silhouette of thin elf with very long beard, wearing tall fuzzy hat with pompon on top, pulling a sled carrying a Christmas tree; view of a snowy forest with a small cottage at center; radiating gold stars in upper corners

%C2%A9 Robert G. Hogan

Untitled [elf with Christmas tree on sled], 20th century

Richard Holzschuh

Not on View
two men playing a board game while four others watch; the game is being played outdoors in a rock garden under the pine trees; two distinctive stools and various other decorative objects scattered about scene

Scholars Playing "Go" Under Pine Trees, 14th century

China

Not on View
Landscape.

Landscape, 1825

Thomas Cole

Not on View

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