showing 14 results matching room:"G342"

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Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style.

Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501

Master of the Legend of Saint Lucy

G342

Portrait of a young woman sitting against a green background. She holds a small psalm book. The book is actually a girdle prayer book, whether it is a psalm book or something else remains to be determined. NW 03/10

Portrait of a Noblewoman, c. 1550

Unknown

G342

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms

Triptych with the Madonna and Child, saints, and prophets, 1538

Pierre Reymond

G342

Madonna and Child. No signature or markings.

Virgin and Child in a Landscape, c. 1492–98

possibly Master of the Madonna Grog; Artist: possibly Aert van den Bossche; Artist: formerly Master of the Embroidered Foliage

G342

One of a pair of marriage portraits (see 57.10)

Portrait of Moritz Buchner, c. 1520

Lucas Cranach the Elder

G342

One of a pair of marriage portraits (see 57.11)

Portrait of Anna Buchner, née Lindacker, c. 1520

Lucas Cranach the Elder

G342

Landscape panorama with figures.

Landscape with Peasants, c. 1604

Jan Brueghel the Elder

G342

Life of the Virgin Mary ; The Presentation of the Christ Child in the Temple

The Presentation in the Temple, c. 1490–1500

Jacob Jansz.

G342

Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained.

Portrait of a Girl, 1547

Georg Pencz

G342

Madonna and Child with Grapes, c. 1537

Lucas Cranach the Elder

G342

Portrait

Portrait of Charlotte of France, c. 1522

Jean Clouet the Younger

G342

Mary Magdalene, c. 1460

Attributed to Nikolaus Gerhaerts van Leyden

G342

three standing figures with Jesus' reclining body; Jesus wears gold loincloth and has curly hair and curling pointed beard; Mary at center wearing gold garment and head cloth, lined in blue; Mary Magdalene wearing gold cap and garment with red sleeve lining and holding a gold cylindrical container; man (Joseph?) with long curly hair at left wearing gold garment and cape with blue lining

Lamentation of Christ, 1490s

Hans Schnatterpeck

G342

crucified Christ at center; Mary Magdalene in green gown hugs bottom of cross; two crucified men flank Christ; two soldiers in grey armor, man in orange armor, two other men and boy at right; three women and two men at left; frame received separate from painting--blue highlighted bead on three sides

The Crucifixion, c. 1575

Follower of Lucas Cranach the Elder

G342

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