Georgian drawing room, England — Georgian drawing room, c. 1740
England

G327

mirror, with scrolled, gilt acanthus cartouche within the swan-necked pediment; there is a gilded inner and outer moulding, and gilded rosettes in the two lower corners; moulding has the shell and dart motif; this mirror is of the architectural type, popular from 1725.; material according to curatorial file is walnut — Mirror, c. 1725
England

G327

chandelier of carved wood; baluster stem with acanthus carving; the arms are frilled with acanthus leaves and wide candle sockets of graceful shape formed of acanthus leaves — Chandelier, 1725-1730
England

G327

pair of armchairs, carved mahogany with upholstered seats; numbered IV and VIII in wood under seat; George II period — Armchair, one of a pair, c. 1755
England

G327

bureau bookcase, mahogany and secondary woods English, XVIIIc — Bureau bookcase, c. 1745
England

G327

Portrait. — Portrait of Sir Edward Walpole's Children, 1747
Stephen Slaughter

G327

Holiday Traditions, Northumberland Room — Tilt-top table, 18th century
England

G327

chairs, pair of, with fiddle backs; cabriole legs, the knees carved with a simple leaf design; Dutch grooved feet; slip seats upholstered in old wool needlework in shades of red and bright yellow cross stitch — Side chair, one of a pair, c. 1710
England

G327

chairs, pair of, with fiddle backs; cabriole legs, the knees carved with a simple leaf design. Dutch grooved feet; slip seats upholstered in old wool needlework in shades of red and bright yellow cross stitch. — Side chair, one of a pair, c. 1710
England

G327

candlestands, pair of, octagonal with baluster shafts and tripod of single-scrolled legs; walnut veneered — Candlestand, one of a pair, c. 1700
England

G327

pole screen, tripod base, lion paw feet; the base of pole and knees are carved with acanthus leaves and there is a flame finial; the screen is a petit point floral design on a reddish tan ground — Pole screen, c. 1730-1735
England

G327

card table, square, folding with corners shaped into round plates for candles. Hinged backed with stay; cabriole legs with weak claw and ball foot in front and pad feet in back; the knees are carved with a shell motif, and a simple scrolling on the inner knee forms the ear; top covered with green felt — Card table, c. 1730
England

G327

dog grate, the apron is pierced in a design of vines and salamanders; baluster-shaped firedogs support the basket, which has bowed bars of steel across the front, and baluster-shaped columns at each corner — Dog grate, 1720-1725
England

G327

candlestands, pair of, octagonal with baluster shafts and tripod of single-scrolled legs — Candlestand, one of a pair, c. 1700
England

G327

two armchairs, carved mahogany with upholstered seats; numbered IV and VIII in wood under seats; George II period — Armchair, one of a pair, c. 1755
England

G327

Three quarter length portrait of a lady in white dress with a blue satin scarf draped over right arm and shoulder, and wrapped around the figure to be held in left hand. Pink ribbon knots at belt and sleeves and pink rose at breast. The girl has dark hair and wears a necklace of pearls. She is leaning with her right arm on a column and there is a landscape in the background. Wide scrolled gold frame. — Portrait of a Lady, c. 1744
Follower of Allan Ramsay

G327

Portrait. Man dressed in red breeches and a blue velvet coat trimmed with gold braid and lined with crimson, is leaning with his left elbow on a column; dark blue tricorne in left hand; right hand on hip. He wears a white waistcoat and a white stock; frills at wrists. His slightly powdered hair is worn in a small peruke. Simple gold frame. — Portrait of a Gentleman, 1745
Allan Ramsay

G327

Portrait of a woman — Portrait of Lady Penelope Spencer, late 1660s
Sir Peter Lely

G327

vertical pillar finely carved and terminating in female caryatid; the curved neck has an open face paneled in glass, exposing the comb containing the mechanism for strings and also the signature of the maker in brass; the body of mahogany is paneled on one side with bands of ivory in the center, and the opposite side is painted with landscape scenes; near the top is a drapery on which is also painted the signature of the maker; the pedestal box is carved and gilded and sets on an octagonal wooden box of a later maker — Harp, c. 1787-1790
Cousineau Père et Fils; Artist: Formerly attributed to Pierre Joseph Cousineau

G327

Mirror, c. 1720

England

G327

Plate, Date Unknown

China

G327

Vase, one of a pair, 1662-1722

China

G327

Vase, one of a pair, 1662-1722

China

G327

Plate, Date Unknown

China

G327

Ewer, 19th century

China

G327

Vase, Date Unknown

China

G327

Ewer, 18th century

China

G327

Bottle, Date Unknown

China

G327

Plate, Date Unknown

China

G327

Vase, 1662-1722

China

G327

Teapot, Date Unknown

China

G327

Side chair, one of a pair, c. 1730

England

G327

Vase, Date Unknown

China

G327

Plate, one of a pair, Date Unknown

China

G327

Plate, 1662-1722

China

G327

Side chair, one of a pair, c. 1730

England

G327

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