rectangular form on bracket feet; hinged beveled cover; inlay overall with central palmette medallion with pendant element and corner pieces with cartouche borders; side with trefoils forming trellis pattern with similar borders — Storage Chest, 17th century
Turkey

G324

standing female figure holding an apple in her proper left hand — Eve with Apple, c. 1902
Aristide Maillol

G324

crouching female figure with swags of a variety of flowers on an oblong octagonal base — Flora Kneeling, c. 1871
Jean-Baptiste Carpeaux

G324

Portrait of a seated woman head turned to her proper right looking downward at an angle, she wears a white dress with two red jewels at center of dress associated with two strands of pearls and one larger central pearl, a blue cape drapes over proper right shoulder and covers lap. — Anne, Countess of Strafford, 1758–59
Sir Joshua Reynolds

G324

Portrait of a Carthusian Monk, Jean Restout II — Portrait of a Carthusian Monk, c. 1715
Jean Restout II

G324

Pitcher white ground with cloud band decoration in tomato red, green and blue; so called Rhodian ware (Iznik ware) — Jug with Cloud Motif, Fourth quarter of the 16th century
Turkey

G324

Vase with low base-rim, wide rounded body and tall,thin, flaring neck. It is covered with white opaque glaze and decorated with symetrical floral pattern with deep blue curving stems, turquoise tiny leaves and tomato red pinks, 5 petaled round flowers and conventionalized floral forms. — Vase, 16th century
Turkey

G324

Beyerle period covered faience tureen; lid finial of lobster, mushroom and leeks; decoration of flowers in delicate rococo style all over body — Covered tureen, c. 1755
France

G324

oval-shaped shallow bowl painted with a central tied-flower spray within a border of foliage scrolls and flowers suspending drapery; supported on four dolphin and female mask legs resting on an oval-shaped stepped base with stylized flowers and foliage — Compote, c. 1749–60
France

G324

Figure of a man seated on a tree stump, wearing a yellow-lined blue cape, tied in a knot in front; he holds a black and white spotted dog on his lap — Figurine, c. 1740–60
France

G324

Coffee Pot with cover, ceramic, ribbed with floral decoration in carmine and gold. Cover from smaller vessel of same design, German XVIIIc cat. dims 7-1/2 x 5-1/2' — Coffee pot, 18th century
Germany

G324

Teacup, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc cat. card dims 2-3/8 x 3-1/4' Saucer, No Dims on card catalogue — Cup and saucer, 18th century
Germany

G324

Cup and Saucer, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc NO DIMS. ON CAT. CARDS — Cup and saucer, 18th century
Germany

G324

Cup and Saucer with floral decoration in carmine. — Cup and saucer, 18th century
Germany

G324

Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room — Tea caddy, Date Unknown
Germany

G324

Jug for hot milk with cover (replica of coffee pot), German XVIIIc cat. card dims 6 x 7-1/2' — Jug, 18th century
Germany

G324

Bottle or tea caddy, ceramic-porcelain, German, XVIIIc cat. card dims 4-1/4 x 2-3/4 x 1-3/8' — Tea caddy, 18th century
Germany

G324

plate, ceramic, white ground, blue sprays near edge, center panel of water birds, cat. card dims Diam. 9-7/8', H. 1-1/4' — Plate, 1775–85
Netherlands

G324

Hexagonally lobed faience melon ball plate; brown rim; edge contains three groups of flowers in delicate shades of pink, rose and purple typical of Niderviller; center contains a three-dimensional group of green-glazed fruits; marked with monogram of the Comte de Cuisine, the donor of the factory — Melon ball plate, 1770–93
France

G324

Diamond shaped two-handled faience covered tureen with four scroll feet, decorated with polychrome flowers and insects; stylized artichoke finial — Covered tureen, c. 1748–54
France

G324

covered faience bowl in shape of a melon; vine and leaves forming handle; bottom half is attached to a lobed platter with flowers (rose and tulip at either end) — Covered bowl, c. 1749–60
France

G324

faience figure of a woman standing bare-foot on grassy mound in chintz-like peasant clothes; she leans on a tree stump, over her right arm a flower basket and in her left hand a large blossom; refined in shape and painting, these figures are much more delicate than those seen at Strasbourg during the same period — Figurine, one of a pair, 18th century
France

G324

Covered two-handled faience tureen with pierced basket-weave stand; stand decorated with a landscape containing ruins and with insects painted in carmine; border outlined in purple; tureen has four sea-scroll feet; body decorated with landscape containing ruins and with more insects painted in carmine, and with acanthus motif in purple; border of tureen has painted scallop edge; pierced basket-weave lid, outlined in purple, with bunch of chestnuts painted in green and brown serving as finial — Covered tureen with stand, 18th century
France

G324

Basket pattern border with insects, fruit and flowers — Plate, c. 1750
Austria

G324

Pitcher, ceramic, German, XVIIIc cat. card dims H 6-1/2' — Pitcher, 18th century
Germany

G324

Teapot, Germany — Teapot, Date Unknown
Germany

G324

standing nude woman with long wavy hair, with a mischievous expression, and her PR hand drawn up to her mouth; small figure with the head, torso and arms of a human and a long serpent's tale twined around a tall stump covered with a vine; small figure leans of woman's PL shoulder and pushes a tiny fruit toward her PL hand — Eve Tempted, 1874
Jean-Baptiste Carpeaux

G324

standing nude female with her arms drawn up and hands clasped, with her head resting on her PR upper arm; slightly contrapposto pose; woman wears an necklace with petal-like pendants, bracelet on her PL wrist and a headband; hair pulled back on the back of her head; woman wears sandals; turned knob element on back at vertical edge; dark coppery patina; black Neoclassical base (stone or plastic?) with round platform and square lower portion with rounded and indented corners — Phryné, 19th-20th century
Jean Alexandre Joseph Falguière

G324

Genre. Naive. Primitive. African American. Six figures picking cotton; one smaller figure headed toward a water spigot in LR. — Picking Cotton, 1950s
Clementine Hunter

G324

Genre. Naive. Primitive. African American. Three figures doing the wash in the foreground, clothesline and Africa House in the background. — The Wash, 1950s
Clementine Hunter

G324

Figure of youth seated on stump of a tree, holding a hurdy-gurdy on crossed legs; colored in reddish brown, blue and green — Figurine, 1740–60
Paul Antoine Hannong

G324

Figure standing in flowing robes with dove, round grassy base with tree stump. — Allegorical Figure of Peace, c. 1780
Sèvres Porcelain Factory

G324

Stouf's representation of the saint shows him standing and looking down at two dead infants at his feet. His facial expression registers his horror at he devastations of the "Fronde"--the civil war of 1648-1653. The resultant life-size statue was the sculptor's first major work. — Saint Vincent de Paul, c. 1787
Jean Baptiste Stouf

G324

faience figure of a gardener boy supported by a tree stump and leaning on a shovel; wearing a green coat; holding an apple in his right hand; with a watering can at his feet — Figure, one of a Pair, c. 1800
Niderviller Porcelain Manufactory

G324

Spitting cup with handle; brown decorations on scalloped edge; sprays of flowers scattered over surface; few yellows, primarily blues and reds; blue underglaze — Spitoon, 1749–60
Paul Antoine Hannong

G324

Portrait of a man, half-length, seated, three quarters right in an armchair of yellowish wood, upholstered in red, at a table covered with a red cloth on which are two upright brown leather books - and two lying down - all with red labels. His right hand rests on another similar book; a volume of Seneca, which rests on his lap. A narrow black enameled ring encircles his second finger. His blue eyes are directed to the spectator and his white hair is brushed forward over his forehead and above his ears. He wears a high collared black coat, a white standing collar, and white neckcloth. The background is plain and of grayish-brown tones. — Portrait of Judge Daniel Cony of Maine, c. 1815
Gilbert Stuart

G324

vase, ceramic-porcelain — Vase, c. 1758–69
Derby Porcelain Factory

G324

Bowl, ceramic, cat. card dims H 3-1/8 x diam 6-5/8' Two panel scene of ships landing in cloosed in border of gold with lavender sprays of flowers between; shipping scene in purple in bottom. — Bowl, c. 1750
Meissen Porcelain Factory

G324

Unfinished Portrait of Henry J. Brent, 1811-1850, Charles Loring Elliott — Unfinished Portrait of Henry J. Brent, 1811-1850, c. 1850
Charles Loring Elliott

G324

Portrait. The subject is painted half-length wearing a brown coat. — Portrait of Robert Erwin Gray, 1811
Thomas Sully

G324

oval faience bowl with scalloped edge; rim decorated in brown; twisted branches entwining rocaille scroll-form handles; both interior and exterior are decorated with roses, tulips, cowslips and other small flowers; lip at either end decorated with rococo scrollwork and stripes — Sauce boat, 1749–60
Paul Antoine Hannong

G324

faience soup plate of lobed octagonal shape; rim edged with green-brown glaze; chinoiserie scene in center; edge of plate is completed with the application of small sprays of flowers of the indianische blumen type; reverse shows double set of stilt marks, typical of petit feu wares — Plate, c. 1760–80
Joseph A. Hannong

G324

deep faience plate of fluted hexagonal shape; rim edged with green-brown glaze; center of plate contains chinoserie motif of a standing flower with a walking stick; flowers of Indianische Blumen type encircle plate edge; on reverse, two sets of stilt marks visible; colors are blue, yellow and green — Plate, c. 1760–80
Joseph A. Hannong

G324

white with floral decoration; winged dragon as handle — Ewer, c. 1760
Vauxhall China Works

G324

teacup, ceramic; cat. card dims diam 2-7/8 x H 1-5/8'; canary yellow ground with carmine flowers and landscape in panel; the nick in the paste across the sword mark on the cup indicates that the piece was sold undecorated from the factory; this decoration was probably done by a contemporary artist in touch with the Royal Meissen methods and techniques — Cup and saucer, 1701–50
Meissen Porcelain Factory

G324

teacup, ceramic; green basket pattern border, scene of river and water front; saucer, ceramic, green basket pattern border, scene of river and water front; Dietrich period — Cup and saucer, 1760–80
Meissen Porcelain Factory

G324

plate, ceramic, cat. card dims diam 8-1/8 x H 1-3/4' ; blue border, gold rim, view of castle surrounded by water — Plate from the dinner service of Willem V, c. 1772–74
Meissen Porcelain Factory

G324

Coffee Pot with lid, ceramic with wood handle German XVIIIc cat. card dims 9-1/2 x 11' — Coffee pot, 18th century
Furstenburg

G324

Plate, ceramic, cat. card dims diam 8-1/8 x H 1-5/8'; white ground, blue border, gold rim, panel view of village on water — Plate from the dinner service of Willem V, c. 1772–74
Meissen Porcelain Factory

G324

Round white body, D-shaped handle and spout in the form of an opened mouth animal; purple detailing; large flower arrangements at each side with four smaller sets interspersed throughout, 1 near handle and 3 nearest the spout. — Covered teapot, 18th century
Meissen Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Tray from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Coffee Pot with lid from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Tea Pot with lid from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Milk Jug from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Cup and saucer from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Sugar Bowl with lid from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

Teacup and Saucer, ceramic, cat. card dims diam 2-3/4 x H 2-3/4' White ground with scenes of ships landing in panel on cup and landscape panel with bridge on saucer with border of gold and lavendar. — Cup and saucer, before 1756 (?)
Meissen Porcelain Factory

G324

saucer, cermaic-porcelain, cup and saucer from a dejeuner, painted with portraits of Louis XVI and Marie Antoinette; the crossed L's in the foliage refer to Louis, and much of the iconography (rings, birds, etc.) refer to a marriage or betrothal — Saucer, 1770–74
Sèvres Porcelain Factory

G324

top and sides of backrest, front arm supports, apron and legs carved with architectural ornaments, flowers, scrolls and leaves, with gilding; gold satin patterned upholstery — Armchair, c. 1775
Jean-Baptiste II Tilliard

G324

top and sides of backrest, front arm supports, apron and legs carved with architectural ornaments, flowers, scrolls and leaves, with gilding; gold satin patterned upholstery — Armchair, c. 1775
Jean-Baptiste II Tilliard

G324

Marriage ceremony — The Marriage of the Duke and Duchess of York, 1791
Sir Henry Singleton

G324

Rococo oval base with moss applique — The Stolen Kiss, c. 1770
Karl Gottlieb Lucle; Manufacturer: Frankenthal Porcelain Factory

G324

Monteith, Date Unknown

Sèvres Porcelain Factory

G324

Montieth, Date Unknown

Sèvres Porcelain Factory

G324

Cup, 1770–74

Sèvres Porcelain Factory

G324

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