🔎 room:"G310" | Mia

showing 38 results matching `room:"G310"`

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower. — The Coaci Inkstand, 1792
Vincenzo Coaci

G310

Two men lying on rocky outcrop, one on his back in a blue shirt, the other on his stomach in a white shirt; blue sky and clouds at UR. Frame: painted black with open carving of birds and flowers. — Santos Dumont - The Father of Aviation II, 2009
Kehinde Wiley

G310

Portrait Bust of Pope Clement X, Circle of Gianlorenzo Bernini — Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)
Circle of Gianlorenzo Bernini

G310

Genre. Interior of a bedroom with a lady dressed in bright golden yellow silk, a small dog in her lap, seated at a dressing table with toilet articles on it. A maid pinning a bow into her long wavy blonde hair is standing behind her. In the background a canopied bed with gray draperies. — Lady at Her Toilet, c. 1650-1660
Netherlands

G310

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date — Florence or Venus, first half of the 17th century
Italy

G310

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division — Bust of General Guillaume Brune, c. 1800
Joseph Chinard

G310

oak veneered with ebony, mounted on all four sides and lid with rectangular slate plaques inlaid with lapis, agate, and marble; design of flowers tied with ribbons, a parrot and butterflies, ormolu leaf sprays on sides, corners have female masks in agate with ormolu ribbons — Jewelry box, c. 1730
Giovanni Battista Foggini; Maker: Grand Ducal Workshops

G310

Triptych — Triptych: Prisoners of the Mountain Mist, c. 1910
Giovanni Battista Crema

G310

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

German Renaissance, probably made in Nuremberg for the residence of Archbishop Sigismund of Magdeburg; metal handles, locks — Schrank (cabinet), c. 1640
Germany

G310

three panels of façade inlaid with designs of Nonesuch Palace, upper and lower portions with dormer windows of the same; panels framed by bead-and-real border; three drawers in lower portion; hardware of iron — Chest, c. 1590-1610
England

G310

landscape with Cornard Church in the distance — The Fallen Tree, probably between 1750 and 1753
Thomas Gainsborough R.A.

G310

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund — Wooded Landscape with Watermill, c. 1665
Meindert Hobbema

G310

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook — The Grand Staircase of the Villa d'Este at Tivoli, 1760
Jean-Honoré Fragonard

G310

Dims of vase(a) only, 'b' stored in D12.10 MS — Vase, c. 1758
Chelsea Porcelain Manufactory

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange — Covered vase, from a five-piece garniture set, c. 1710
Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange — Covered Vase, from a five-piece garniture set, c. 1710
Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange — Covered Vase, from a five-piece garniture set, c. 1710
Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange — Vase, from a five-piece garniture set, c. 1710
Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange — Vase, from a five-piece garniture set, c. 1710
Netherlands

G310

Daedalus Attaching the Wings to his Son, Icarus, France — Daedalus Attaching the Wings to his Son, Icarus, early 18th century
France

G310

Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue — Dish, late 18th century
Netherlands

G310

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period. — Console table, c. 1775-1800
Italy (?)

G310

panels with landscape scenes of a high-gabled house on the bank of a river; sailboat on river; cloudy sky with birds. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray; underglaze blue — Vase, one of a pair, 17th century
Netherlands

G310

panels bearing landscape which shows high-gabled house on a river bank; sailboat in river nearly; cloudy sky with birds. Shaped panel framed in blue band with large six-petaled flower at top and bottom. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray. Colors blue, green, yellow, rust; greenish glaze. Glaze covers inside bottom of food. Underglaze blue. — Vase, one of a pair, 17th century
Netherlands

G310

Kas or Zeeuws Cupboard, oak inlaid with various woods; in two sections. Donor Kunsthandel K. and V. Waterman — Kast or Zeeuws cupboard, 17th century
Netherlands

G310

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth throught to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory

G310

Satyr and Nymph, Ferdinando Tacca — Satyr and Nymph, 17th century
Ferdinando Tacca

G310

Leather case to silver ink stand — Case for inkstand, 1792
Vincenzo Coaci

G310

Free standing figure, modeled in the round, with a rich brown patination. — Justice, early 16th century
Attributed to Niccolò Tribolo

G310

a bronze reduction fabricated by an unknown craftsman after a larger marble begun by Marsys and completed by Flamen — Boreas Abducting Orithyia, c. 1700
after Gaspard Marsy; Sculptor: after Anselme Flamen

G310

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection). — Anatomical Man (Ecorché), c. 1600
Italy

G310

Free standing figure, modeled in the round, with a rich brown patination. — Faith, early 16th century
Attributed to Niccolò Tribolo

G310

From the stroies of Apollo, a set of five illustrating the myths of Apollo, god of the sun and of music; here the satyr Marsyas is being flayed alive; the border, which is treated as though it were a carved picture frame, includes the bee emblem of the Barberini family, in whose palace the tapestry remained until the late 19th century; possibly woven after a design by Nicolas Poussin, or Gaspard Duguet — Apollo and Attendants Flaying Marsyas, 3rd quarter 17th century
Clemente Maioli; Cartoonist: Clemente Maioli; Weaver: Maria Maddalena della Riviera and workshop in the Barberini Manufactory, Rome

G310

Leda and the Swan, Antonio Montauti — Leda and the Swan, c. 1710
Antonio Montauti

G310

Ganymede and the Eagle, c. 1710
Antonio Montauti

G310

Genre. — Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660
Master of the Procession

G310

view in the Roman Forum — View in the Roman Forum, 1615
Viviano Codazzi; Artist: Michelangelo Cerquozzi

G310

showing 38 results matching room:"G310"

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