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The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

Two men lying on rocky outcrop, one on his back in a blue shirt, the other on his stomach in a white shirt; blue sky and clouds at UR. Frame: painted black with open carving of birds and flowers.

Š 2009 Kehinde Wiley

Santos Dumont - The Father of Aviation II, 2009

Kehinde Wiley

G310

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

Genre. Interior of a bedroom with a lady dressed in bright golden yellow silk, a small dog in her lap, seated at a dressing table with toilet articles on it. A maid pinning a bow into her long wavy blonde hair is standing behind her. In the background a canopied bed with gray draperies.

Lady at Her Toilet, c. 1650-1660

Netherlands

G310

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook

The Grand Staircase of the Villa d'Este at Tivoli, 1760

Jean-HonorĂŠ Fragonard

G310

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund

Wooded Landscape with Watermill, c. 1665

Meindert Hobbema

G310

landscape with Cornard Church in the distance

The Fallen Tree, probably between 1750 and 1753

Thomas Gainsborough R.A.

G310

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground

Covered vase, one of a pair, 1780

Sèvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

oak veneered with ebony, mounted on all four sides and lid with rectangular slate plaques inlaid with lapis, agate, and marble; design of flowers tied with ribbons, a parrot and butterflies, ormolu leaf sprays on sides, corners have female masks in agate with ormolu ribbons

Jewelry box, c. 1730

Giovanni Battista Foggini; Maker: Grand Ducal Workshops

G310

Dims of vase(a) only, 'b' stored in D12.10 MS

Vase, c. 1758

Chelsea Porcelain Manufactory

G310

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division

Bust of General Guillaume Brune, c. 1800

Joseph Chinard

G310

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date

Florence or Venus, first half of the 17th century

Italy

G310

three panels of façade inlaid with designs of Nonesuch Palace, upper and lower portions with dormer windows of the same; panels framed by bead-and-real border; three drawers in lower portion; hardware of iron

Chest, c. 1590-1610

England

G310

German Renaissance, probably made in Nuremberg for the residence of Archbishop Sigismund of Magdeburg; metal handles, locks

Schrank (cabinet), c. 1640

Germany

G310

Daedalus Attaching the Wings to his Son, Icarus, early 18th century

France

G310

Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue

Dish, late 18th century

Netherlands

G310

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period.

Console table, c. 1775-1800

Italy (?)

G310

panels with landscape scenes of a high-gabled house on the bank of a river; sailboat on river; cloudy sky with birds. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray; underglaze blue

Vase, one of a pair, 17th century

Netherlands

G310

panels bearing landscape which shows high-gabled house on a river bank; sailboat in river nearly; cloudy sky with birds. Shaped panel framed in blue band with large six-petaled flower at top and bottom. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray. Colors blue, green, yellow, rust; greenish glaze. Glaze covers inside bottom of food. Underglaze blue.

Vase, one of a pair, 17th century

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

Kas or Zeeuws Cupboard, oak inlaid with various woods; in two sections. Donor Kunsthandel K. and V. Waterman

Kast or Zeeuws cupboard, 17th century

Netherlands

G310

a bronze reduction fabricated by an unknown craftsman after a larger marble begun by Marsys and completed by Flamen

Boreas Abducting Orithyia, c. 1700

after Gaspard Marsy; Sculptor: after Anselme Flamen

G310

Satyr and Nymph, 17th century

Ferdinando Tacca

G310

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth throught to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground

Covered vase, one of a pair, 1780

Sèvres Porcelain Factory

G310

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection).

Anatomical Man (EcorchĂŠ), c. 1600

Italy

G310

Genre.

Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660

Master of the Procession

G310

Free standing figure, modeled in the round, with a rich brown patination.

Justice, early 16th century

Attributed to Niccolò Tribolo

G310

Leather case to silver ink stand

Case for inkstand, 1792

Vincenzo Coaci

G310

Figure

Ganymede and the Eagle, c. 1710

Antonio Montauti

G310

From the stroies of Apollo, a set of five illustrating the myths of Apollo, god of the sun and of music; here the satyr Marsyas is being flayed alive; the border, which is treated as though it were a carved picture frame, includes the bee emblem of the Barberini family, in whose palace the tapestry remained until the late 19th century; possibly woven after a design by Nicolas Poussin, or Gaspard Duguet

Apollo and Attendants Flaying Marsyas, 3rd quarter 17th century

Clemente Maioli; Cartoonist: Clemente Maioli; Weaver: Maria Maddalena della Riviera and workshop in the Barberini Manufactory, Rome

G310

Free standing figure, modeled in the round, with a rich brown patination.

Faith, early 16th century

Attributed to Niccolò Tribolo

G310

Leda and the Swan, c. 1710

Antonio Montauti

G310

overhead view of city of Rome; bottom right corner has seated female being crowned by a flying putti and accompanied by a youth with a flag and other putti in front of Classical structures; putti to left of seated woman working with surveyors' tools; left of center is a rectangular plaque with text and a putto chiseling a coat of arms; two colossal partially ruined sculpted figures in lower left--seated figure wearing helmet and holding a laurel wreath and reclining male figure with a beard; broken sculptures of dog and youths (?) in LLC; Classical architecture behind; blue edging; black wooden top bracket mount and bottom black wooden scroll bar

Plan of Rome, 1748

Giovanni Battista Nolli; Engraver: Carlo Nolli; Engraver: Rocco Pozzi; Engraver: Pietro Campana da Sorliano; Designer: Stefano Pozzi

G310

showing 37 results matching room:"G310"