showing 60 results matching room:"G310"

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The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

one of a set of four tapestries, with woodland scene in grove of trees; the huntsmen have made a fire of logs, and one of them stands before it warming his hands, while a second dressed in crimson holds two panting brown hounds on leash. Beyond, a third hunter shields face from fire with left hand, and holds in his right a trophy of the hunt; warp undyed wool, 7½-9 ends per cm., weft dyed wool and silk, 28-40 ends per cm.

The End of the Hunt, c. 1650

Unidentified designers and cartoonists, Flanders

G310

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division

Bust of General Guillaume Brune, c. 1800

Joseph Chinard

G310

German Renaissance, probably made in Nuremberg for the residence of Archbishop Sigismund of Magdeburg; metal handles, locks

Schrank (cabinet), c. 1640

Germany

G310

Dims of vase(a) only, 'b' stored in D12.10 MS

Vase, c. 1758

Chelsea Porcelain Manufactory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

panels bearing landscape which shows high-gabled house on a river bank; sailboat in river nearly; cloudy sky with birds. Shaped panel framed in blue band with large six-petaled flower at top and bottom. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray. Colors blue, green, yellow, rust; greenish glaze. Glaze covers inside bottom of food. Underglaze blue.

Vase, one of a pair, 17th century

Netherlands

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Bowl from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Sugar bowl from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Saucer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Cup from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine.

Creamer from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

Satyr and Nymph, 17th century

Ferdinando Tacca

G310

Free standing figure, modeled in the round, with a rich brown patination.

Faith, early 16th century

Attributed to Niccolò Tribolo

G310

Figure

Ganymede and the Eagle, c. 1710

Antonio Montauti

G310

Daedalus Attaching the Wings to his Son, Icarus, early 18th century

France

G310

Set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with ram's heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouche in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. .1 Awaiting the Chase In the immediate foreground trwo huntsmen, one of whom reclines against a tree and caresses a hound. The hunters wear short doublets and broadrimmed hats. Hunters' horns are slung over their shoulders.; warp undyed wool, 7-8 ends per cm., weft dyed wool and silk, 24-40 ends per cm.

Awaiting the Chase, c. 1650

Unidentified designers and cartoonists

G310

Free standing figure, modeled in the round, with a rich brown patination.

Justice, early 16th century

Attributed to Niccolò Tribolo

G310

Plate 61 from Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands, London, 1731-43 (3rd ed., 1771).

Magnolia grandiflora (The Laurel Tree of Carolina), c. 1743 (3rd ed. 1771)

Georg Dionysius Ehret; Etcher: Georg Dionysius Ehret; Publisher: Published by Mark Catesby

G310

Commode, c. 1775-1800

Antione (Pierre-Antoine) Foullet

G310

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period.

Console table, c. 1775—1800

Italy (?)

G310

panels with landscape scenes of a high-gabled house on the bank of a river; sailboat on river; cloudy sky with birds. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray; underglaze blue

Vase, one of a pair, 17th century

Netherlands

G310

a bronze reduction fabricated by an unknown craftsman after a larger marble begun by Marsys and completed by Flamen

Boreas Abducting Orithyia, c. 1700

after Gaspard Marsy; Sculptor: after Anselme Flamen

G310

Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue

Dish, late 18th century

Netherlands

G310

Kas or Zeeuws Cupboard, oak inlaid with various woods; in two sections. Donor Kunsthandel K. and V. Waterman

Kast or Zeeuws cupboard, 17th century

Netherlands

G310

Presented by Emperor Napoleon the First to Prince William of Prussia in 1808; painted with scenes from the Fables of La Fontaine

Teapot from a tea service for twelve, 1807–08

Christophe-Ferdinand Caron; Manufacturer: Sèvres Porcelain Factory

G310

Leather case to silver ink stand

Case for inkstand, 1792

Vincenzo Coaci

G310

Louis XVI Cabinet (Meuble D'Entre Deux)

Cabinet, c. 1765

Claude Charles Saunier

G310

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

One of set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with rams' heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouch in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. Hunting the Deer Rolling countryside with sturdy elm at left. In immediate foreground a huntsman holding spear and sounding horn, in middle distance one of his companions on horseback and another on foot, pursue the deet who advances towards the left.; Warp undyed wool, 7½-8 ends per cm., waft dyed wool and silk, 24-28 ends per cm.

Women Hunting the Fox, c. 1650

Unidentified designers and cartoonists

G310

oak veneered with ebony, mounted on all four sides and lid with rectangular slate plaques inlaid with lapis, agate, and marble; design of flowers tied with ribbons, a parrot and butterflies, ormolu leaf sprays on sides, corners have female masks in agate with ormolu ribbons

Jewelry box, c. 1730

Giovanni Battista Foggini; Maker: Grand Ducal Workshops

G310

One of set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with rams' heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouche in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. Hunting the Hare In immediate foreground a bearded huntsman, wearing a crimson cap, a blue doublet with half armor and short trunks, holds a spaniel in leash. He runs towards left where two hounds pursue the hare up a hill. In middle distance another huntsman, with spear, holds off two other hares.; warp undyed wool, 8-8½ ends per cm., weft dyed wool and silk, 24-36 ends per cm.

Hunting the Hare, c. 1650

Unidentified designers and cartoonists, Flanders

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered vase, from a five-piece garniture set, c. 1710

Netherlands

G310

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook

The Grand Staircase of the Villa d'Este at Tivoli, 1760

Jean-Honoré Fragonard

G310

Leda and the Swan, c. 1710

Antonio Montauti

G310

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection).

Anatomical Man (Ecorché), c. 1600

Italy

G310

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date

Florence or Venus, 17th century

Italy

G310

landscape with Cornard Church in the distance

The Fallen Tree, probably between 1750 and 1753

Thomas Gainsborough R.A.

G310

Hunting the Stag, mid 17th century

Flanders

G310

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