showing 24 results matching `room:"G261"`

Abstraction. — Savanna, 1962
Urban Stanley Couch

G261

woman's dress; leather with beadwork, copper discs and bells; yoke completely beaded on blue ground — Dress, c. 1880-1890
Lakȟóta

G261

Transformation Mask, Richard Hunt — Transformation Mask, 1993
Richard Hunt

G261

ledger book of 16 drawings of various scenes — Book of Drawings, c. 1876
Bear's Heart

G261

Untitled, 1991
Ernest Whiteman

G261

black buffalo horn with some white streaking carved into a spoon shaped, with a large elongated bowl and a long, thin handle; interior of bowl is scalloped at bottom edge; back on bowl carved with portrait of a man with a goatee wearing a hat and sunglasses, with a butterfly above his head; white and red pointing fingers at edges of bowl with text balloons; "Mixed Blood Guy" carved at bottom — Mixed Blood Guy, 2009
Kevin Pourier

G261

ledger book of 21 drawings of various scenes — Book of Drawings, c. 1870-1890
Attributed to Ohet-toint

G261

Tipi Cover, No Two Horns — Tipi Cover, c. 1915
No Two Horns

G261

cover printed "DRAWINGS" with foliate scrolls and vignettes with printed drawings of artists at work; loose drawing (smaller size--not originally from sketchbook) inserted in first page; drawings received in book in the following order: 1. smaller size sheet of ruled paper with drawing of man in uniform, connected to a small horse by a zigzag line and signed "KOBA"; 2. circle of figures wearing predominately red and blue garments; 3. two-page image (signed in URQ of left sheet) of bow hunter fallen off his horse and wounded buffalo at left; 4. two-page image of Native American men on various colored horses; 5. two-page image of buffalo hunt with man on blue horse and buffalo, many wounded; signed at top of left sheet; 6. two-page image (?) with couple on horses, facing one another, on left sheet; figure on horseback with five other figures on right sheet; signed in ULC of left sheet; 7. two-page image (?) of three teepees on left sheet and three warriors on horseback on right sheet; 8. two-page image of antelope hunt with two men on horseback and left--one with a bow and arrow and the second with a pistol; man at right lying on the ground with a rifle, his horse at right grazing; 9. two-page image (?) of four warriors on horseback; signed in URC of right sheet; 10. figures standing in a rectangle around a white and green cloth (?); pages separated by attached thin blotter/tracing sheet — Sketchbook, 1876
Koba

G261

standing Native American woman with long, straight hair; wrapped in a flowing cloak with fringe; holding a fringed bag in her PR hand — Rendezvous, 1981
Allan Houser

G261

cardboard cover with brown and blue printed designs; drawings (and one reproduction plate) received in book in the following order: 1. three figures--two on horseback--one figure skinning a buffalo; 2. two figures on horseback hunting antelope with bows and arrows; 3. row of seated figures at bottom; figure cooking, two figures with fans and figure smoking pipe at top, left of center; three teepees; 4. image of a paddle wheel boat; 5. reproduction plate printed, "PLATE SEVEN: THE HONORING"; 6. original image from reproduction with teepee at right; row of figures at bottom; two figures with horses at top; 7. yellow, brown and green steam locomotive engine with bearded conductor; 8. image with teepee at left; figures in three rows at edges of sheet, facing center, with figure on horse at ends of rows at left; 9. hunters on horseback with spears, bows, gun and tomahawk, hunting antelope and turkeys, accompanied by two dogs; 10. figures standing around a structure affixed with feather headdresses, shields and long spear; woman with papoose at left center; 11. horse at left; hunter near center with rifle, hunting antelope at right; 12. soldiers holding a line with an anchor (?) at left; boat with sails at right; 13. Native American dancers at center; European figures surrounding dancers, observing them; 14. figures on horseback hunting buffalo; 15. European sailors on a sailboat; 16. European men eating around a campfire, ULC, in a wooded area with lighthouse at right; 17. dancers with spears, gun and tomahawk; three teepees in background; pages separated by thin blotter/tracing sheet (irregularly spaced between images) — Sketchbook, 1876
William Cohoe

G261

stylized frog-like figure outlined in buttons against navy blue background; red border; figure has three-pronged head, and is seated upright, with arms to side, displaying its belly; stylized ribcage pattern and embellished stomach decoration; in plexi shadowbox — Northwest Coast Button Blanket, c. 1900
United States

G261

small nearly square bag with two deerskin handles and deerskin top decorative trim with zigzag edge; light tan bag with woven design on each side--one side has geometric stepped radiating diamonds, each with a pair of geometric claw-like elements, in red, greens, yellow and orange; opposite side has four star designs edged in black with yellow, light pink and turquoise — Corn Husk Bag, c. 1910-1960
Plateau

G261

long two-sided blade; handle wrapped with light-colored leather thong; top is carved in the form of a bear's head, baring its teeth; abalone inlay eyes — Fighting dagger, c. 1825-1830
Tlingit

G261

convex circular form, carved in high relief with a mask bearing a combination of human and hawk attributes; painted with red, yellow, green and black pigments; encircled by 14 abalone shell plaquettes in round and oval shapes — Frontlet, c. 1820
Tsimshian

G261

Chief's rattle; depicts the raven lengend a raven is shown with a human figure reclining on his back; the man holds a frog's tongue in his mouth in the act of sucking out a person which was believed to be helpful to shamans in their mystical rituals; the frog's body emerges from a hawk; the rounded underside of the raven's body is carved to represent a sparrow hawk; polychromed cedarwood sewn together with leather, inlaid abalone eyes in the raven — Rattle, c. 1850-1910
probably Haida

G261

collage image, with hand painting; headless body in Native American garments with beaded choker and longer necklaces; Xeroxed images in collage around figure, including repeated buffaloes inside boxes, Perrier labels, Bingo cards, moths, Mickey Mouse ears and hand, silhouettes of dolls with thick curly hair, flowers, pineapple labels, hand with religious figures; red, white and blue painted stripes extending from hand near center; text scattered throughout, including large text at bottom: "What is an American?"; six sheets jointed together, with grommets at top — What is an American?, 2003
Jaune Quick-to-See Smith; Publisher: Brodsky Center, New Brunswick, N.J.

G261

headdress with leather cap/headpiece with beaded band around front top with white beads with two lines of blue triangles, two red bars and two lines of red and orange triangles at either end; long red wool strips at each side of headdress, backed with buffalo hide; brown and cream eagle feathers overall; some feathers at top have light brown horsehair strands attached to ends; eagle feather at center back accented with bright red and bright purple feathers; images of cows' heads drawn on leather beneath feathers on crown of head — Headdress, late 19th-early 20th century
Tsistsistas (Cheyenne) or Lakȟóta

G261

light tan hide; beaded bodice on front and back with black, white, red, and yellow beads in arcing horizontal rows on front and back, and band of beads on top of each sleeve; hide fringe below bands of beads with larger blue, brown, black, red, and green beads; hide fringe at bottom hem, sides, beneath sleeves, and on sleeve openings — Dress, c. 1875
Nez Perce

G261

a: off-white ground with wavy horizontal red lines hand-painted in bands that extend onto edges; no backing board b: sheet of brown paper with "No baby." typed repeatedly in six columns with "Yes baby." interspersed three times; "Story of a woman" hand-written at bottom in red; signed in peach at bottom; tacked to wall with two brass tacks through upper corners — Story of a Woman, 2015
Louise Erdrich

G261

kneeling nude woman with brown linear marks and clumps of mud on her body, with her head upraised, throwing her long dark hair back — Kaa, 2017
Cara Romero

G261

drawings of figures, horses, teepees and other objects in browns and tans around the edges of a stretched canvas — Winter Count, 20th century
Lakȟóta

G261

Ecru background; pattern of a triangle with stripes in blue, green, orange, sky blue; triangle yellow — Ute Point, 1976
Kenneth Noland; Weaver: Ramona Sakiestewa

G261

Moonrise Over Little Bighorn, 1995

Marcus Amerman

G261

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