old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left — They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995
Wanbli Koyake

G259

wide shouldered vessel with no neck and wide mouth and slim foot; dark glossy red ground with deeply incised swirl pattern that is matte in the crevasses — Santa Clara Pot, 2015
Effie Garcia

G259

modified Greek key pattern at a diagonal in white on a painted black ground; thin white band around rim with wider black band nearest lip; wide shoulder with small foot and mouth; pattern is largest in center and decreases near rim and foot — Black and White Pot #1, 2014
Paula Estevan

G259

painted design in black on white ground; horizontal bands with diagonal intersecting lines; triangular shapes painted in black creating a star-like pattern that is larger at center and smaller near rim and foot; wide shoulder with small foot and mouth; thin white band around rim with wider painted band nearest lip — Black and White Pot #2, 2014
Paula Estevan

G259

%C2%A9 Susan Folwell

Why Does He Call Me Caitlyn?, 2015

Susan Folwell

G259

vessel with wide mouth and slightly wider shoulder with slim foot; rim has dip in one side; rim is black and quickly fades to terracotta color; black flecks in terracotta color; glossy around rim and matte finish on bottom; in cotton bag — Japanese Inspired Ceramic, 2015
Jody Folwell

G259

abstract image; triangles and lines directed toward a vanishing point above picture plane, toward right; black (or deep indigo?) triangles at left and right, bordered in neon yellow; yellow, orange; bright neon green, lavender, and white; received unframed — Summer Lights, 1974
Rita Letendre

G259

stylized, roughly symmetrical image; pair of Western soldiers wearing amor and helmets, one with sword and one with a cat-o-nine-tails whip, threatening a bound, kneeling, wounded nude dark-skinned figure; behind central figures is a standing figure in a brown robe, holding a bleeding heart in his PR hand and a cross in his PL hand, in front of an adobe church; solider at left with bloody sword, attacking a dark-skinned nude woman; soldier with sword at right holding a dark-skinned nude man by a rope tied around his neck; checkerboard border; printed in yellow, brown, and red — Saints and Sinners, 2017
Diego Romero; Printer: Landfall Press, Santa Fe, N.M. (formerly Chicago); Publisher: Landfall Press, Santa Fe, N.M. (formerly Chicago)

G259

black ground; Pointillist style; symmetrical design of plants, insects, birds, and amphibians in bright colors — It's a Delicate Balance, 2021
Christi Belcourt

G259

abstracted colorful image; two faces with wide eyes--LRC, with upper torso and PR arm and hand, and ULC; hand at center; snowman form at right center; bright multicolored circles, spirals, Xs, stars, arrows, and various lines and forms throughout; "NOTHING" in white above head in ULC; "I AM EVERYTHING, / AND NOTHING AT ALL" at left center; received in light-toned wood frame — Untitled, 2018
Phillip Vigil

G259

3/4 length portrait of a Native American man with his hands folded in his lap; landscape behind man with moon in UR corner — Moonrise Over Little Bighorn, 1995
Marcus Amerman

G259

FJS #76; bulbous body with narrow neck; black angular pattern with hatching on white slip; triangular pattern with brown pigment around lower portion of neck and interspersed on lower register — Olla, c. 1880-1895
A'shiwi (Zuni)

G259

Baby bonnet, Todd Yellow Cloud Augusta — Baby bonnet, 1991
Todd Yellow Cloud Augusta

G259

row of figures on horses in purple--five figures hold red and white umbrellas; green grass in foreground with elements of yellow; mottled yellow-orange sky — Indians with Umbrellas, 1970-1971
Fritz Scholder

G259

stacked vessel with three layers; each layer intricately painted; bottom layer has basket-weave pattern with bright colors; center and top levels have tiny bars with geometric designs separated by bead-like forms of bright colors; squiggle patterns in drip-form at top of lower layers; top layer has two segments of contrasting striping — Overlay, c. 2014
Les Namingha

G259

two vertical white biomorphic forms with light blue shading; field of blue at bottom of image, green at top — Landscape: Surrealist Forms, 1993
George Morrison

G259

Untitled, George Morrison — Untitled, 1959
George Morrison

G259

lozenge-shaped vessel with very wide shoulder; very small mouth with one side slightly higher; white patina; shoulder has incised decoration with three areas of repeating wavy diagonal lines alternating with three rectangular forms with stepped details, with their centers filled with silver leaf with curved incised lines — Shifting Sands, 2016
Preston Duwyenie

G259

1-1/8 in. mouth opening at top, 16 ridges extending from mouth to base spiraling downward to the right; micaceous clay body — Swirl Pot, 1995
Hubert Candelario

G259

high-heeled platform Mary Jane-style shoes embellished with beading overall; predominately light blue beads with geometric designs; gold, medium blue and dark blue triangles on heels; kiltie extending below strap made of vertical bands of porcupine quills with a black and white checkerboard design at center edged in yellow and red; ten tassels of red feathers and tin cones on kilties; soles of shoes are red; shoes are Lady Daf 160 mm Tartan, designed by Christian Louboutin — Adaptation II, 2012
Jamie Okuma; Designer: Shoes designed by Christian Louboutin

G259

black buffalo horn with some white streaking carved into a spoon shaped, with a large elongated bowl and a long, thin handle; interior of bowl is scalloped at bottom edge; back on bowl carved with portrait of a man with a goatee wearing a hat and sunglasses, with a butterfly above his head; white and red pointing fingers at edges of bowl with text balloons; "Mixed Blood Guy" carved at bottom — Mixed Blood Guy, 2009
Kevin Pourier

G259

three standing figures wearing jumpsuits, vests with many pockets, boots, knee pads, and gas masks, holding guns; head, upper body, and PR arm of a figure wearing a dark hooded sweatshirt, seen from behind, in foreground, holding up a cellphone, photographing soldiers; yellow and tan flames in background; checkerboard border; printed in yellow, tan, and brown; received in light-toned wood frame — American Diastrophism, 2020
Diego Romero; Printer: Black Rock Editions, Santa Fe, New Mexico; Publisher: Black Rock Editions, Santa Fe, New Mexico

G259

punching bag that has been covered in pony beads and studded spikes on the top half, and 12 rows of silver conical jingles on the lower half; multi colored nylon ribbon in blue, black, red, white and yellow, hangs along the bottom in four rows, 12” of fringe hangs below bag; text in beaded area reads, “each time you love love as deeply as if it were forever nothing is eternal” in four rows — NOTHING IS ETERNAL, 2017
Jeffrey Gibson

G259

Adowan, 1968

Oscar Howe

G259

Churinga, 1990

George Morrison

G259

Black and White Pot #3, 2014

Paula Estevan

G259

Morning Hummer rattle, 2015

Monty Claw

G259

Morning Hummer fan, 2015

Monty Claw

G259

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