showing 22 results matching `room:"G220"`

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Japan

G220

Portrait Sculpture of Priest Gyōki, Japan — Portrait Sculpture of Priest Gyōki, early 17th century
Japan

G220

male figure with flames behind back; holds sword up in PR hand and beads out in PL hand; face is grimacing, with one fang pointing up on one side of his mouth, and down on the opposite; red male figure at his L foot looking down holding a staff; female figure at his PL foot — The Immovable Wisdom King (Fudō Myōō) with Two Attendants, 14th century
Japan

G220

figure seated with one knee up; six arms; of PL arms: one pointing up, one placed on "floor", one outstretched in mudra; of PR arms: one placed next to cheek, one down and holding bracelet, one outstretched holding sphere — Nyoirin Kannon, the Bodhisattva of Compassion with the Wish-granting Jewel, 13th - early 14th century
Japan

G220

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Japan

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Japan

G220

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Japan

G220

tapering stand; demon heads on bottom; birds in foliage with berries in relief at center; dragon in clouds at top below pointed finial; has storage box for five piece group — Candlestick, from a five-piece Buddhist altar set, 18th century
Japan

G220

tapering stand; demon heads on bottom; birds in foliage with berries in relief at center; dragon in clouds at top below pointed finial — Candlestick, from a five-piece Buddhist altar set, 18th century
Japan

G220

urn-like container decorated with dart designs on back and at neck; birds in foliage with berries at body, from a five-piece altar set — Flower vase, from a five-piece Buddhist altar set, 18th century
Japan

G220

urn-like container decorated with dart designs on back and at neck; birds in foliage with berries at body, from a five-piece altar set — Flower vase, from a five-piece Buddhist altar set, 18th century
Japan

G220

stemmed container on a wide foot; bulbous body; perforated domed cover with a seated animal finial; body of container decorated with birds in foliage with berries — Incense burner, from a five-piece Buddhist altar set, 18th century
Japan

G220

Incense burner, 13th century

Japan

G220

small, double pointed object with five prongs converging to form each point; center decorated with petal and concentric circle motif — Five-pronged vajra, late 14th century
Japan

G220

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles — Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century
Japan

G220

standing figure holding staff in PR hand and miniature pagadoa in outstretched PL hand; he is wearing elaborate crown and armour; figure attached to base with keys on the bottom of the feet; staff is removable — Bishamonten, the Guardian of the North, late 12th century
Japan

G220

dark scene with seated figure in center with halo and holding staff; small red skinned figure in LLC and small white skinned figure in LRC — Life-Prolonging Jizō Bodhisattva (Enmei Jizō Bosatsu), early 14th century
G220

standing wooden figure with flame like hair, and fierce expression wearing warrior clothing; wide stance with PR hand clenched in fist toward chest; PL hand clenched in fist with index finger pointing outward; base with carved and painted waves — Makora, one of the Twelve Divine Generals, early 14th century
Japan

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Japan

G220

standing male figure with tall hairstyle, with a gilt headband and ornament at top front of hair; elongated earlobes; glass eyes and "third eye" on forehead; figure wears long gilded skirts with a sash over his PL shoulder, across his body, with small pieces of fabric wrapped around his lower arms; arms down, with palms up in front of his waist; PR foot slightly in front of PL foot; lotus blossom stepped stand — Kannon, the Bodhisattva of Compassion, 13th century
Japan

G220

standing figure with a conical hat with ear flaps, long skirt and cloak draped over the left shoulder; figure is standing on rock formation with palms up and crossed at the wrist across the chest; base — Zaō Gongen, Manifestation of Mount Kinpu, 12th century
Japan

G220

different images of Kannon, images of Buddha figures within large halos, with attendants, on lotus pedestals; text, some in Sanskrit — Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month
Shinken

G220

showing 22 results matching room:"G220"