showing 23 results matching `room:"G220"`

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Japan

G220

Portrait Sculpture of Priest Gyōki, Japan — Portrait Sculpture of Priest Gyōki, early 17th century
Japan

G220

tapering stand; demon heads on bottom; birds in foliage with berries in relief at center; dragon in clouds at top below pointed finial; has storage box for five piece group — Candlestick, from a five-piece Buddhist altar set, 18th century
Japan

G220

tapering stand; demon heads on bottom; birds in foliage with berries in relief at center; dragon in clouds at top below pointed finial — Candlestick, from a five-piece Buddhist altar set, 18th century
Japan

G220

urn-like container decorated with dart designs on back and at neck; birds in foliage with berries at body, from a five-piece altar set — Flower vase, from a five-piece Buddhist altar set, 18th century
Japan

G220

urn-like container decorated with dart designs on back and at neck; birds in foliage with berries at body, from a five-piece altar set — Flower vase, from a five-piece Buddhist altar set, 18th century
Japan

G220

stemmed container on a wide foot; bulbous body; perforated domed cover with a seated animal finial; body of container decorated with birds in foliage with berries — Incense burner, from a five-piece Buddhist altar set, 18th century
Japan

G220

male figure with flames behind back; holds sword up in PR hand and beads out in PL hand; face is grimacing, with one fang pointing up on one side of his mouth, and down on the opposite; red male figure at his L foot looking down holding a staff; female figure at his PL foot — The Immovable Wisdom King (Fudō Myōō) with Two Attendants, 14th century
Japan

G220

19 lines of embroidered characters in blue, brown, beige, and green; red spots; decorative border — Chapter 9 of the Lotus Sutra, early 14th century
Japan

G220

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Japan

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Japan

G220

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Japan

G220

Incense burner, 13th century

Japan

G220

small, double pointed object with five prongs converging to form each point; center decorated with petal and concentric circle motif — Five-pronged vajra, late 14th century
Japan

G220

figure seated with one knee up; six arms; of PL arms: one pointing up, one placed on "floor", one outstretched in mudra; of PR arms: one placed next to cheek, one down and holding bracelet, one outstretched holding sphere — Nyoirin Kannon, the Bodhisattva of Compassion with the Wish-granting Jewel, 13th - early 14th century
Japan

G220

standing figure with a conical hat with ear flaps, long skirt and cloak draped over the left shoulder; figure is standing on rock formation with palms up and crossed at the wrist across the chest; base — Zaō Gongen, Manifestation of Mount Kinpu, 12th century
Japan

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Japan

G220

different images of Kannon, images of Buddha figures within large halos, with attendants, on lotus pedestals; text, some in Sanskrit — Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month
Shinken

G220

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles — Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century
Unknown Japanese

G220

standing male figure with tall hairstyle, with a gilt headband and ornament at top front of hair; elongated earlobes; glass eyes and "third eye" on forehead; figure wears long gilded skirts with a sash over his PL shoulder, across his body, with small pieces of fabric wrapped around his lower arms; arms down, with palms up in front of his waist; PR foot slightly in front of PL foot; lotus blossom stepped stand — Kannon, the Bodhisattva of Compassion, 13th century
Japan

G220

golden Buddha figure with halo stands on a cloud at center; PL hand extended downward, index finger and thumb clasped in blessing gesture; PR hand bent upward with similar gesture; two other figures below Buddha painted in gold; figure at LL stands with hands together in front bowing subtly; LR figure kneels, admiring lotus-shaped object in hands — Welcoming Descent of the Amida Buddha Triad, 15th century
Traditionally attributed to Kyosei Sonchi

G220

standing figure holding staff in PR hand and miniature pagadoa in outstretched PL hand; he is wearing elaborate crown and armour; figure attached to base with keys on the bottom of the feet; staff is removable — Bishamonten, the Guardian of the North, late 12th century
Japan

G220

standing wooden figure with flame like hair, and fierce expression wearing warrior clothing; wide stance with PR hand clenched in fist toward chest; PL hand clenched in fist with index finger pointing outward; base with carved and painted waves — Makora, one of the Twelve Divine Generals, early 14th century
Japan

G220

showing 23 results matching room:"G220"