the nude boy shown crouching in an almost horizontal position, holding a bird in his left hand, the chubby face with simply carved features and the hair pulled back in double knots; carved from greenish white stone. Former Classification: Jade — Pillow, 17th-18th century
China

G218

The Wu Family Reception Hall, China — The Wu Family Reception Hall, early 17th century
China

G218

Cosmetic Case and Mirror Stand, China — Cosmetic Case and Mirror Stand, early 17th century
China

G218

vertical rock with linear striations of red and brown; wood stand attached — Scholar's Rock, 19th century
China

G218

black with some grey areas; irregular "base" with vertical upward-extending elements and forward-extending front element; pitted surface; large circular cavities; several holes in upper PL area; tiny hole at bottom center; several deep fissures on back; ringing sound when tapped — Scholar's Rock, 18th-19th century
China

G218

squat upright shape of horizontal, massed volumes with horizontal striations with an overhang to the front; stone dense and resonate with distinct underlying greenish tinge with lighter green veining and some buff striations — Scholar's Rock, 18th century
China

G218

seated male figure with PR knee drawn up; head turned slightly toward PL; figure has slightly heavy face and elongated earlobes; long hair styled in loops on top of head with two tendrils behind ears; figure wears a loose long robe open at the chest and wears a pendant with a floral design; man holds scepter in his PR hand and rests his PL elbow on a stand decorated with scrolls and a bulldog-like face; white — Guanyin, 1600-1644
Lin Xuezong

G218

two figures on small bridge at LL walking towards open pavilion within a small grove of trees; robed figure on trail at lower center approaches pavilion; towering, bulbous rock formation in background at R; waterway and richly foliated landscape — Meeting Along the River, c. 1492-1518
Zhu Duan

G218

top double-doored cabinet with 2 interior shelves, pin closure and 3 hanging pendant pulls rests on large cabinet; double-doored cabinet with 3 shelves, 2 drawers, pin closure and hanging pendant pulls rests on a stand with carved apron — Compound Wardrobe Cabinet, one of a pair, early 18th century
China

G218

white and grey veined marble; carved sculpture in the form of a Chinese side chair with curved back — Marble Chair, 2008
Ai Weiwei

G218

Armchair with Continuous Yoke Back, one of a pair, China — Armchair with Continuous Yoke Back, one of a pair, c. 1600
China

G218

Huanghuali hardwood, caning. — Roundback Armchair, 17th century
China

G218

Plate, famille verte; K'ang Hsi period — Plate, Kangxi period (1662-1722)
China

G218

chair with arms and straight back; seat of woven natural fibers; each arm and back decorated with straight spindles and two pairs of interlocked rings — Spindleback Rose Chair, one of a pair, c. 1600-1675
China

G218

large blue and white baluster jar — Baluster jar, vase, 17th-18th century
China

G218

Six-Post Canopy Bed, China — Six-Post Canopy Bed, early 17th century
China

G218

chi dragons flank top below upper crossbar; central carved panel of four pairs of Mandarin ducks, a pair in flight — Towel Rack, early 18th century
China

G218

carved with lotus flowers and leaves; small crab near base — Incense Cylinder, early 18th century
China

G218

Portable huang hua-li table; deconstructs into nine pieces; scroll ends at table top; open work panes in legs; cloud design sides at leg joint; apron completely around — Portable Long Table, 16th-17th century
China

G218

huang hua-li yoke back arm chair; cane seat, s-shape arms and splat, round legs, apron at underside of seat — Yokeback Armchair, one of a pair, c. 1600
China

G218

red spongelike rock with white striations — Scholar's Rock, early 19th century
China

G218

Four-legged table with apron on front and back and leg supports on sides; apron carved on front and back with scrolling organic designs; two drawers on front carved with flowering branches — Two-Drawer Table, 17th century
China

G218

top double-doored cabinet with 2 interior shelves, pin closure and 3 hanging pendant pulls rests on large cabinet; double-doored cabinet with 3 shelves, 2 drawers, pin closure and hanging pendant pulls rests on a stand with carved apron — Compound Wardrobe, one of a pair, early 18th century
China

G218

chair with arms and straight back; seat of woven natural fibers; each arm and back decorated with straight spindles and two pairs of interlocked rings — Spindleback Rose Chair, one of a pair, c. 1600-1675
China

G218

Round, straight legs; curving support from each leg to underside of tabletop; six scroll elements at corners of short apron — Small Occasional Table, late 17th century-early 18th century
China

G218

Armchair with Continuous Yoke Back, One of a Pair, China — Armchair with Continuous Yoke Back, One of a Pair, c. 1600
China

G218

Roundback Armchair, one of a pair, China — Roundback Armchair, one of a pair, 17th century
China

G218

Empress robe of blue satin, attributed to Cixi, embroiderd with lily bulbs in shades of grey, pale blue-green and golden yellow. Happy Augury(?) signs alternate with lily bulbs over all. Wide border of black embroidered with same motifs around bottom, opening and cuffs of robe. — Manchu Woman's Unofficial Informal Court Robe, 1875-1908
China

G218

reddish brown wood chair with protruding crest rail and arms — Yokeback Armchair, 16th-17th century
China

G218

Yokeback Armchair, China — Yokeback Armchair, c. 1550
China

G218

brush with carved cover and handle; circular medallions decorated with geometric patterning scattered over an organic leaf pattern background; meandering band at brush tip and lower end of cover — Brush and Cover, c. 1600
China

G218

reddish brown wood chair with protruding crest rail and arms — Yokeback Armchair, 16th-17th century
China

G218

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions. — Altar Banner, Yongzhong period (1723-1735)
China

G218

small table with stone inlay top; 4 straight corner legs, turned slightly inward at bottom; runners connect 4 feet in rectangular shape — Incense stand, late 16th century
China

G218

Panel, small, of faded red satin made from two pieces, the upper acting as valance. Both embroidered in satin stitch and couched laid work in colored silks, and in both pieces the embroidery is unfinished. Both pieces edged with much worn blue and black brocade surmounted with narrow blue and white braid and gold and blue gimp. Lining and heading of pale yellow China silk, pieced. Probably used on small altar or shrine — Table Frontal, 19th century
China

G218

rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

blocky rock island with three small buildings near water; five boats — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions. — Imperial Altar Banner, Yongzhong period (1723-1735)
China

G218

two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

spider at the center of a web with a flowering branch in front, across bottom and left edge — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

horse with a small pack on its back galloping across waves — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

white swooping bird at center; curving flowering branch at top and right — Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684
Gao Qipei

G218

two small buildings on stilts at the base of a waterfall; rocky outcropping above — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

small, towerlike pagoda partially covered by dark grasses; rolling, rust colored mountains behind — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

overall surface, relief floral design with Phoenix on seat and front and back of splat — Circular Armchair, one of a pair, Date Unknown
China

G218

Child's coat of imperial yellow silk embroidered in shades of blue, red, and pink. Eight 5-clawed dragons, bats, and sprawling, tight-headed clouds. Conventional border of slightly wavy short lines; tight clouds; rolling waves in which appear branches of coral. Border entirely in blue and white. Sleeves below border area are plain. Plain upstanding collar, fastening in front. Lining of long-life medallion damask. — Manchu Child's Semiformal Robe, 19th century
China

G218

flat circular covered box with squared off sides; lacquered organic motif at top and sides of cover, band of similar design carried through to base edge; brown lacquer ground, black interior — Inkstone with Fitted Box, early 19th century
Lu T'ung

G218

circular huang hua-li stool; four piece ribbed frame around central circle at top, ribbing of side individual pieces of wood, four piece foot with five feet — Drum Stool with Lobed Body, one of a pair, late 17th century
China

G218

blue and white porcelain — Garden Seat, 1736-1795
China

G218

dark stone with veins of white and grey, Swiss cheese effect perpendicular to layering of the stone, has a wood base mount with metal insert — Scholar's Rock (Mo shi), 18th century
China

G218

Chair with arms and upper back looped into horseshoe shape; central back panel has carved organic decorative elements; woven cane seat with diamond decorations — Continuous Roundback Armchair, c. 1550
China

G218

narrower lower portion with slightly larger upper portion; paper with huang hua-li supports; geometric designs at top and bottom corners of upper section and on edges of lower section — Lantern, one of a pair, late 17th-early 18th century
China

G218

narrower lower portion with slightly larger upper portion; paper with huang hua-li supports; geometric designs at top and bottom corners of upper section and on edges of lower section — Lantern, one of a pair, late 17th-early 18th century
China

G218

block of text with 4 seals at top; irregularly-shaped rock below, with holes and crevices — Immortal Rock, 1878
Wang Yin

G218

black rock; roughly Y-shaped; attached to reddish wood stand — Scholar's Rock, 19th century
China

G218

light and dark grey stone; angular forms; attached to a red wood stand; pink streaks, especially on back — Scholar's Rock, 19th century
China

G218

cabinet with open gallery on top, carved with openwork clouds and lions along lower edges; pair of hinged doors below with 2 shelves and 3 drawers on interior — Display Cabinet, one of a pair, 18th century
China

G218

cabinet with open gallery on top, carved with openwork clouds and lions along lower edges; pair of hinged doors below with 2 shelves and 3 drawers on interior — Display Cabinet, one of a pair, 18th-19th century
China

G218

The Gathering at Orchid Pavilion, 1581

You Qiu

G218

grey with white streaks; lines throughout carved into surface; attached to red wood stand — Scholar's Rock, 19th century
China

G218

Roundback Chair, 17th century

China

G218

Table, 17th century

China

G218

Stand, Date Unknown

China

G218

Display Shelf, 18th century

China

G218

Plate, Kangxi period (1662-1722)

China

G218

Calligraphy Panel, one of a pair, 18th century

China

G218

Calligraphy Panel, one of a pair, 18th century

China

G218

Hall plaque, 19th century

Shen Maode (alias Geqing), active early 19th century

G218

Spirits Tablet, 18th century

China

G218

Vase, one of a pair, c. 1800

China

G218

Vase, one of a pair, c. 1800

China

G218

Continuous Roundback Armchair, one of a pair, c. 1550

China

G218

Calligraphic hanging scroll, one of a pair, early 17th century

Unknown

G218

Calligraphic hanging scroll, one of a pair, 18th century

Shih Ko-fa

G218

Portrait of an Official, early 20th century

China

G218

Leaf from Landscape Album, 1735

Cai Jia

G218

The Road to Shu, 1675

Liu Du

G218

Landscape in the Manner of Mi Fei, 1735

Cai Jia

G218

Landscape in the Manner of Ni Tsan, 1735

Cai Jia

G218

Yokeback Armchair, one of a pair, c. 1600

China

G218

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