The Wu Family Reception Hall, China — The Wu Family Reception Hall, early 17th century
China

G218

red spongelike rock with white striations — Scholar's Rock, early 19th century
China

G218

Plate, famille verte; K'ang Hsi period — Plate, Kangxi period (1662-1722)
China

G218

Armchair with Continuous Yoke Back, one of a pair, China — Armchair with Continuous Yoke Back, one of a pair, c. 1600
China

G218

Roundback Armchair, 17th century

China

G218

Yokeback Armchair, China — Yokeback Armchair, c. 1550
China

G218

Portable huang hua-li table; deconstructs into nine pieces; scroll ends at table top; open work panes in legs; cloud design sides at leg joint; apron completely around — Portable Long Table, 16th-17th century
China

G218

huang hua-li yoke back arm chair; cane seat, s-shape arms and splat, round legs, apron at underside of seat — Yokeback Armchair, one of a pair, c. 1600
China

G218

chair with arms and straight back; seat of woven natural fibers; each arm and back decorated with straight spindles and two pairs of interlocked rings — Spindleback Rose Chair, one of a pair, c. 1600-1675
China

G218

reddish brown wood chair with protruding crest rail and arms — Yokeback Armchair, 16th-17th century
China

G218

top double-doored cabinet with 2 interior shelves, pin closure and 3 hanging pendant pulls rests on large cabinet; double-doored cabinet with 3 shelves, 2 drawers, pin closure and hanging pendant pulls rests on a stand with carved apron — Compound Wardrobe, one of a pair, early 18th century
China

G218

Round, straight legs; curving support from each leg to underside of tabletop; six scroll elements at corners of short apron — Small Occasional Table, late 17th century-early 18th century
China

G218

reddish brown wood chair with protruding crest rail and arms — Yokeback Armchair, 16th-17th century
China

G218

chair with arms and straight back; seat of woven natural fibers; each arm and back decorated with straight spindles and two pairs of interlocked rings — Spindleback Rose Chair, one of a pair, c. 1600-1675
China

G218

Armchair with Continuous Yoke Back, One of a Pair, China — Armchair with Continuous Yoke Back, One of a Pair, c. 1600
China

G218

Roundback Armchair, one of a pair, China — Roundback Armchair, one of a pair, 17th century
China

G218

black with some grey areas; irregular "base" with vertical upward-extending elements and forward-extending front element; pitted surface; large circular cavities; several holes in upper PL area; tiny hole at bottom center; several deep fissures on back; ringing sound when tapped — Scholar's Rock, 18th-19th century
China

G218

cabinet with open gallery on top, carved with openwork clouds and lions along lower edges; pair of hinged doors below with 2 shelves and 3 drawers on interior — Display Cabinet, one of a pair, 18th century
China

G218

cabinet with open gallery on top, carved with openwork clouds and lions along lower edges; pair of hinged doors below with 2 shelves and 3 drawers on interior — Display Cabinet, one of a pair, 18th-19th century
China

G218

narrower lower portion with slightly larger upper portion; paper with huang hua-li supports; geometric designs at top and bottom corners of upper section and on edges of lower section — Lantern, one of a pair, late 17th-early 18th century
China

G218

narrower lower portion with slightly larger upper portion; paper with huang hua-li supports; geometric designs at top and bottom corners of upper section and on edges of lower section — Lantern, one of a pair, late 17th-early 18th century
China

G218

top double-doored cabinet with 2 interior shelves, pin closure and 3 hanging pendant pulls rests on large cabinet; double-doored cabinet with 3 shelves, 2 drawers, pin closure and hanging pendant pulls rests on a stand with carved apron — Compound Wardrobe Cabinet, one of a pair, early 18th century
China

G218

Chair with arms and upper back looped into horseshoe shape; central back panel has carved organic decorative elements; woven cane seat with diamond decorations — Continuous Roundback Armchair, c. 1550
China

G218

dark stone with veins of white and grey, Swiss cheese effect perpendicular to layering of the stone, has a wood base mount with metal insert — Scholar's Rock (Mo shi), 18th century
China

G218

light and dark grey stone; angular forms; attached to a red wood stand; pink streaks, especially on back — Scholar's Rock, 19th century
China

G218

grey with white streaks; lines throughout carved into surface; attached to red wood stand — Scholar's Rock, 19th century
China

G218

black rock; roughly Y-shaped; attached to reddish wood stand — Scholar's Rock, 19th century
China

G218

vertical rock with linear striations of red and brown; wood stand attached — Scholar's Rock, 19th century
China

G218

squat upright shape of horizontal, massed volumes with horizontal striations with an overhang to the front; stone dense and resonate with distinct underlying greenish tinge with lighter green veining and some buff striations — Scholar's Rock, 18th century
China

G218

small table with stone inlay top; 4 straight corner legs, turned slightly inward at bottom; runners connect 4 feet in rectangular shape — Incense stand, late 16th century
China

G218

Panel, small, of faded red satin made from two pieces, the upper acting as valance. Both embroidered in satin stitch and couched laid work in colored silks, and in both pieces the embroidery is unfinished. Both pieces edged with much worn blue and black brocade surmounted with narrow blue and white braid and gold and blue gimp. Lining and heading of pale yellow China silk, pieced. Probably used on small altar or shrine — Table Frontal, 19th century
China

G218

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions. — Altar Banner, Yongzhong period (1723-1735)
China

G218

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions. — Imperial Altar Banner, Yongzhong period (1723-1735)
China

G218

two figures on small bridge at LL walking towards open pavilion within a small grove of trees; robed figure on trail at lower center approaches pavilion; towering, bulbous rock formation in background at R; waterway and richly foliated landscape — Meeting Along the River, c. 1492-1518
Zhu Duan

G218

ink sketches of trees, rocks and buildings; several blocks of text on paper follow sketches; separate gold-flecked sheet with Chinese text rolled into scroll — Studies of Traditional Trees and Rocks, c. 1610
Dong Qichang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background, three trees in center middle ground, two smaller trees to right in foreground with rocks, waterfall, and river from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on large rocks lower center foreground, left of trees in middle ground is a building, three smaller trees far right, mountains in background from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape large mountain in center, two or three leafy trees at mountain base foreground, two buildings (?) behind them, other trees at right middle ground, other mountains upper left and right from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with a group of four trees in center in slightly sloped landscape from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on a rock at center, large rock with vine or tree at right background, small rock at left foreground; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape, rocky foreground with three central trees with birds (2), two trees (bare) on right, mountains in background, river (?) between; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background; rocky middle ground with two buildings; trees with leaves in foreground from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

Forest landscape with building at upper right; path through forest leads to bridge over water; small figure on path; wall surrounding building and forest — Hillside with Pine Trees, Water, c. 1630
Cheng Jiasui

G218

large rock with open area in center, surrounded by tall grasses, flowers and leafy branches; 2 fields of text on L and R on silk — Plum, Narcissus and Rock, 1679
Wang Wu

G218

three larger trees in middle foreground; smaller leafier trees in URQ; rocky cliffs beneath leafy trees; rocky cliffs in LLQ; person sitting on middle of L hand rocks; chop mark in LR area; four columns of calligraphy characters plus characters above one large chop mark to L of columns accordian style album, wood covers; eight images, alternating with text, single page of text at end — Two leaves from a landscape album, 1621
Li Liufang

G218

Mountain landscape with two mounted figures and one walking on a path through the mountains; group of trees at lower center; at right lower center a small building — Mountain Grove with Path, c. 1630
Cheng Jiasui

G218

bridge between rocks — Bridge Between Rocks, c. 1630
Cheng Jiasui

G218

House with fence and trees at left center; horse and male figure at right center; figure in a boat at lower left; mountains in background — Boat on River, Travelers and House on Shore, c. 1630
Cheng Jiasui

G218

Four figures and horse (donkey ?)in a boat at center foreground, lower left foreground trees and walking figure, two small figures right center, hills in right background — Boat Carrying Figures and Horse, c. 1630
Cheng Jiasui

G218

Plate, Kangxi period (1662-1722)

China

G218

Roundback Chair, 17th century

China

G218

Yokeback Armchair, one of a pair, c. 1600

China

G218

Spirits Tablet, 18th century

China

G218

Portrait of an Official, early 20th century

China

G218

Continuous Roundback Armchair, one of a pair, c. 1550

China

G218

Calligraphy Panel, one of a pair, 18th century

China

G218

Calligraphy Panel, one of a pair, 18th century

China

G218

Vase, one of a pair, c. 1800

China

G218

Vase, one of a pair, c. 1800

China

G218

Table, 17th century

China

G218

Stand, Date Unknown

China

G218

Calligraphic hanging scroll, one of a pair, early 17th century

Unknown

G218

Calligraphic hanging scroll, one of a pair, 18th century

Shih Ko-fa

G218

Landscape in the Manner of Mi Fei, early 17th century

Cheng Jiasui

G218

Hall plaque, 19th century

Shen Maode (alias Geqing), active early 19th century

G218

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