A long sampan with several figures on board, carved with elaborate details and with wave motifs around the base, fitted with teakwood stand with white jade birds inset in the wave carving. — Pleasure Boat, 18th century
China

G210

Allegory. Rococo. Spring represented by scene showing human activity, usually in a landscape. — The Pleasures of the Seasons: Spring, c. 1730
Johann Georg Platzer

G314

Allegory. Rococo. — The Pleasures of the Seasons: Summer, c. 1730
Johann Georg Platzer

G314

Allegory. Rococo. — The Pleasures of the Seasons: Winter, c. 1730
Johann Georg Platzer

G314

Allegory. Rococo. — The Pleasures of the Seasons: Autumn, c. 1730
Johann Georg Platzer

G314

Eight-color lithograph and screenprint. — Bottomless Pleasure, 2012
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

eight, black and white images affixed to black metal plates, hanging from and attached to thin, black rods; frame structure consists of one vertical rod with three, slightly curved horizontal rods intersecting at mid points; upper rod has two fixed images (hands; landscape) and two hanging images (hands around neck; nude body); middle rod has one fixed image (hands on hairy body) and two hanging images (neck; fist); bottom rod has one hanging image (crowd of people, seen from behind) — The History of My Pleasure, 2019
Carmen Winant

Not on View

several vignettes of men and women carousing; men rowing sleeping women on boats; women performing instruments and lounging inside buildings with barred windows; scenes inside tea houses and behind screens; ivory roller ends — Scenes from the Pleasure Quarters, first half 18th century
Ōoka Michinobu

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people relaxing outdoors; mother, father and child with ball in LRQ; reclining woman with child wearing straw hat, LLC; herd of cows at left middle ground; trees and buildings, URC; printed in graduated tones of green and rust red — Modern Pastoral Pleasures, 1901
Auguste Louis Lepère

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Two Beauties in a Pleasure-Boat, Isoda Koryūsai — Two Beauties in a Pleasure-Boat, c. 1783
Isoda Koryūsai

Not on View

Modern Pastoral Pleasures, Auguste Louis Lepère — Modern Pastoral Pleasures, 1901
Auguste Louis Lepère

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Nymphs and Youths with Pleasure at Helm, Formerly attributed to William Etty R.A. — Nymphs and Youths with Pleasure at Helm, 19th century
Formerly attributed to William Etty R.A.

Not on View

previously listed as a gelatin silver print — Traprock No. 1, Route I-84, New Britain, Connecticut, 1972
Fred Pleasure

Not on View

previously listed as a gelatin silver print — Stones and Natural Breakwater, Glouchester, Massachusetts, 1972
Fred Pleasure

Not on View

previously listed as a gelatin silver print — Sand Dune No.4, Robert Moses State Park, New York, 1972
Fred Pleasure

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previously listed as a gelatin silver print — Figures in Rock, Glouchester, Massachusetts, 1973
Fred Pleasure

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previously listed as a gelatin silver print — Three Stones, Glouchester, Massachusetts, 1972
Fred Pleasure

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unsigned; six scenes of monthly festivals; a.(July) Tanabata Festival, b.(August) Moon-viewing Party, c.(September) Cho_yo_ Festival d.(October) Maple-viewing Party, e.(November) Ohitaki Festival, f.(December) Preparing for the New Year — Pleasures of the Twelve Months, part two [of a pair], late 17th - early 18th century
attributed to Sumiyoshi Gukei; Artist: attributed to Sonchō Hoshinnō

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unsigned; six scenes of monthly festivals, a.(January) Water Fight and Bathing House, b.(February) T-fukuji Temple Nehane Festival, c.(March) Cockfight, d.(April) Woman Dancing, Wisteria Tree, Family Picnic, e.(May) Mock Battle of Boys, f.(June) Gion Festival — Pleasures of the Twelve Months, part one [of a pair], late 17th - early 18th century
attributed to Sumiyoshi Gukei

Not on View

Fuchū: View of the Second Street in the Licensed Pleasure Quarter, Utagawa Hiroshige; Publisher: Sanoya Kihei — Fuchū: View of the Second Street in the Licensed Pleasure Quarter, c. 1840-1842
Utagawa Hiroshige; Publisher: Sanoya Kihei

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Plate 4 — Cigar Divan, Pleasure Boat, The Ale house and The Home, 1832
George Cruikshank

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Pleasure Quarter Party as Mitate of Seven Gods of Good Luck, Okumura Masanobu — Pleasure Quarter Party as Mitate of Seven Gods of Good Luck, c. 1735
Okumura Masanobu

Not on View

**The Pleasure of Fishes**, late 14th-early 15th century

China

Not on View

couple engaged in intercourse; man is nude; woman wears a purple kimono with pink and white flowers and orange leaves; screen with diamond/star patterns in URQ; doors with wave patterns in ULC; text in LLQ — In the Pleasure Quarters, No. 3 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

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older man with his genitals exposed, with an enlarged scrotum, wearing a grey kimono with white patterning and a green, blue and red striped obi, embracing a kissing an older woman wearing a blue kimono with darker blue flower pattern; lower bodies of couple engaged in intercourse visible through netting at left; tiny man in blue and white striped kimono seated of threshold left of center; text at top of image in cloud, above older man and older woman, below tiny man, and at bottom left of center — Pleasures of the Aged, No. 7 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

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Saddle stitched binding, photomechanical reproduction of an engraving of a group of figures, with letterpress text, printed in offset lithography on red wove paper covers; 32 pp. — Repetitions: a collection of proletarian pleasures ranging from rodent worship to ethical relativism appended with a critique of unicursal reason, 1999
Stewart Home; Publisher: Sabotage Editions, London

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**Scholarly Pleasures in a Garden Retreat**, late 13th century

China

Not on View

**Broadsides about the Pleasures of Books**, 1992

Coffee House Press, Minneapolis

Not on View

**Kuken-chō in the Shinmachi Pleasure Quarter**, c. 1834

Utagawa Hiroshige; Publisher: Mitaya Kihachi

Not on View

**Willow Tree at the Exit of the Shimabara Pleasure Quarter**, c. 1834

Utagawa Hiroshige; Publisher: Kawaguchiya Shōzō

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**On the way to taste what one is pleased to call**, . . ., the pleasures of the chase!, 1855

Honoré Daumier

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**Gulliver diverting the Queen and her Ladies by Sailing in a Pleasure Boat**, Date Unknown

Jos. Grison

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**The Pleasure of Spare Time Painting Manual** (Wen-lin Yueh-lo), late 18th early 19th century

China

Not on View

Bound album, p.2 — The Art of Pleasing, 1771
Jean-Baptiste Le Prince

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Saddle stitched binding, photomechanical illustration of fgure covering their face with a pillow, with text and designs printed in color offset lithography on coated paper covers; 40 pp. — Please Release, 2006
Nate Powell; Publisher: Top Shelf Productions, Marietta, Ga.

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Water Please, Omar Rayo — Water Please, 1965
Omar Rayo

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Pleasant Valley, Alexander Masley — Pleasant Valley, c. 1935
Alexander Masley

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Perfect bound volume, photographic image of figure in portrait bust with text and designs printed in color offset lithography on coated paper covers; 184 pp. — More Noise, Please!, 1996
Steven J. Bernstein; Author: Steven J. Bernstein; Publisher: Left Bank Books, Seattle, Wash.

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dense trees on either side of creek reflected in water — Pleasant Mills Atlantic to NJ, c. 1900-1920
James Bartlett Rich

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Standing Black woman in red robes, singing — Pleas and Thank Yous: 100 True Stories, 1991
Gwendolyn Knight

Not on View

vertical orientation, black-and-white landscape scene with central light gray unpaved road extending from the foreground into the distance though grasslands; a tree line is seen on the horizon; top half of image is gray sky; white frame — Please come here and witness | Đời Gọi Biết Bao Lần, 2018
Teo Nguyen

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Saddle stitched biniding, xerographic illustration of man and bear with designs and text printed on wove paper covers; 62 pp. — Please Don't Feed The Bears! (A Vegan Cookzine), 1999
Brad Misanthropic; Publisher: Brad Misanthropic , State College, Penn.

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Anything for Me, Please? - Post Office of the Brooklyn Fair in Aid of the Sanitary Commission, Winslow Homer — Anything for Me, Please? - Post Office of the Brooklyn Fair in Aid of the Sanitary Commission, 1864
Winslow Homer

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light moss green that fades to cream color; shape is created by two-sheet paper patterns between which was laid plain polyester fabric, heat- pressed; folds and transfer printed in different colors by hand; all edges serged; three dimensional origami pleats — Origami Pleats, 1997
Sudō Reiko; Designer: Suwa Hiroko; Project Manager: Okada Mizue; Project Manager: Suwa Hiroko; Manufacturer: Nuno Corporation

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black and white etching of a seated woman wearing a long dress and holding a piece of cloth in her PL hand, a single tear coming from her PR eye; small, hairy man on the right with arms outstretched toward seated woman; small shallow ledge in background with three pieces of fruit on center of the ledge — Pleading for the Child, 1969 (published 1970)
David Hockney

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The Pleading Woman, Oskar Kokoschka — The Pleading Woman, 1914
Oskar Kokoschka

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Incense Box and Stand, China — Incense Box and Stand, 1820-1851
China

G210

They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, Honoré Daumier — They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, 1864
Honoré Daumier

Not on View

Blind Man's Buff, Max Beckmann — Blind Man's Buff, 1945
Max Beckmann

G371

pleated, batik skirt — White Miao Pleated Skirt, 20th century
White Miao

Not on View

Woman's Pleated Skirt, Miao, Gejia — Woman's Pleated Skirt, 20th century
Miao, Gejia

Not on View

plate decorated with enamel and gilding: design of steamboat "Ruth"; 4 figures on boat; 7 figures on shore, one fishing; gold text and leaf sprays at rim — Plate, 1865
Rudolph T. Lux

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Dutch still life — Still Life, 1658
Jan Jansz. van de Velde

G309

**What Time is it Please?** (Emotions Parisiennes), from Le Charivari, 1839

Honoré Daumier

Not on View

woman holding bolt of red and gold patterned fabric; tan and silver pleated fans — No. 42, Woman with patterned fabric and pleated fans, 1902
Otake Chikuha

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Plate 15 from Carceri d'Invenzione — The Pier with the Lamp, c. 1761
Giovanni Battista Piranesi

Not on View

abstracted image; nude young man with brown hair and pale skin, standing at edge of water, with arms crossed over his chest, facing a seated man with reddish skin and brown hair, with his PR knee up, in LLQ, behind spikey foliage; arcing shoreline with bluff at left; low clouds; reddish rocks in LRC; received in black and gilt frame — Boys at the Beach, 1919
Erich Heckel

G371

Nymphs bathing — Nymphs at the Bath, c. 1600
Scarsellino (Ippolito Scarsella)

G330

Crocus, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

Not on View

Armerius, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

Not on View

Auricula, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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Cyclamen, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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Iris, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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Chrysanthemum, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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Malus, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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Iris, from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, Honoré Daumier — You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, 1848
Honoré Daumier

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couple at right with man wearing grey cloth over his head, reaching with his PR hand under the folds of young woman's kimono, and holding his PL hand over her breast, while a disapproving older woman at left wearing a green flowered jacket and pink kimono looks on; tiny man wearing grey kimono with white spots seated in a blooming cherry tree in ULQ pulls up the back of his kimono to expose his buttocks while breaking wind; text in cloud at top of image, in ULQ, to right of older woman and above and to right of younger woman — Licensed Quarter of Yoshiwara, No. 12 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

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couple engaged in intercourse; woman twists to put her arms around man's neck; woman wears orange, red and white checked kimono; man wears purple, green, orange and white striped kimono; purple garment with green and orange birds at left edge of image; text in two areas along right edge — A Sumo Hold, No. 11 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

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young couple engaged in intercourse; both figures are nude; screen with waterfall, URQ; text above young woman's head — Young Lovers, No. 10 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

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Prostitute with Two Attendants, Isoda Koryūsai — Prostitute with Two Attendants, second half 18th century
Isoda Koryūsai

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Night Rain with a Regular Customer, Eisen — Night Rain with a Regular Customer, c. 1821-1822
Eisen

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Stehende, Erich Heckel — Stehende, 1912
Erich Heckel

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An Allegory of the Power of Love, Robetta (Cristofano di Michele Martini) — An Allegory of the Power of Love, c. 1500-1520
Robetta (Cristofano di Michele Martini)

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Crown Imperial (Corona Imperialis), from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

Not on View

The White Martagon (Martagon flore alba), from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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Narcissus-- The White Double Daffodil (Narcissus albus multiples), from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers, 1629

John Parkinson

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**An Essay on the Employment of Magnifying Instruments as a Useful and Pleasant Pastime During the Spring Season**, by the Author of 'Microscopic Amusement as Much for the Eye as for the Spirit.'", 1764

Adam Ludwig Wirsing + Anon.

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**Frontispiece and Title Page from Paradisi in Sole Paradisus Terrestris or The Garden of Pleasant Flowers**, 1629

John Parkinson

Not on View

bright, colorful image of a Black man dressed in white, lying in a flower bed, surrounded by groups of flower varieties; bees hovering in the margins on a solid green background; in a blond wood frame — The Late Spring Arrival, 2022
Lamar Peterson

G301

oval-shaped print: portrait of a seated man in cap with PL elbow resting on table; holding pipe in mouth with PL hand, and a bowl or pouch to the pipe with opposite hand; paraphernalia on table — The Smoker, c. 1640
Adriaen van Ostade

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black and white image of a crow facing to the viewer's right; sight is round — Crow, 20th century
Leonard Baskin

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intertwined couple engaged in intercourse; both are nude--woman has red fabric across her belly and beneath her; kettle and tray of food at left edge; text below woman's head — Near the Go Board, No. 5 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

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Prostitute Konosumi, Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō — Prostitute Konosumi, 1793-1794
Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō

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Butterflies Dancing Episode [left of the pair Episodes from the "Butterflies" Chapter of the Tale of Genji], Tosa Mitsusada — Butterflies Dancing Episode [left of the pair Episodes from the "Butterflies" Chapter of the Tale of Genji], late 18th century
Tosa Mitsusada

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stumpwork picture, embroidered; design gentleman and lady in garden with animal in foreground and gate in distance — Embroidered panel, mid 17th century
England

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Bird (Crow), Félix Bracquemond — Bird (Crow), 1852
Félix Bracquemond

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Boating Episode [right of the pair Episodes from the "Butterflies" Chapter of the Tale of Genji], Tosa Mitsusada — Boating Episode [right of the pair Episodes from the "Butterflies" Chapter of the Tale of Genji], late 18th century
Tosa Mitsusada

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Title Page from Lucian's Ratione Conscribendae Historiae (How to Write History), Albrecht Dürer — Title Page from Lucian's Ratione Conscribendae Historiae (How to Write History), 1513-1525
Albrecht Dürer

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Pleated Panel Skirt, late 19th century

China

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**Ellen with Pleated Hat**, 1896

Paul-César Helleu

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Yoshiwara Picture Book of New Year’s Festivities, vol. 1, Kitagawa Utamaro; Author: Jippensha Ikku; Publisher: Kazusaya Chūsuke; Carver: Fuji Issō; Printer: Kakushōdō Tōemon; Assistant: Kitagawa Hidemaro — Yoshiwara Picture Book of New Year’s Festivities, vol. 1, 1804
Kitagawa Utamaro; Author: Jippensha Ikku; Publisher: Kazusaya Chūsuke; Carver: Fuji Issō; Printer: Kakushōdō Tōemon; Assistant: Kitagawa Hidemaro

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Yoshiwara Picture Book of New Year’s Festivities, vol. 2, Kitagawa Utamaro; Author: Jippensha Ikku; Publisher: Kazusaya Chūsuke; Carver: Fuji Issō; Printer: Kakushōdō Tōemon; Assistant: Kitagawa Hidemaro — Yoshiwara Picture Book of New Year’s Festivities, vol. 2, 1804
Kitagawa Utamaro; Author: Jippensha Ikku; Publisher: Kazusaya Chūsuke; Carver: Fuji Issō; Printer: Kakushōdō Tōemon; Assistant: Kitagawa Hidemaro

Not on View

elaborately-dressed couple seated at a table outdoors; woman at left holds a books in her PR hand and rests her PL arm on the shoulder of man at right, who is playing a lute; vase of flowers, footed bowl with fruit and book on table; landscape in background with windmill-like structure, hunters with bows aiming at bird, fisherman and couples beneath a tree; text at bottom below image — Sanguine, 1590s
Peter de Jode; Artist: After Maarten de Vos

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remnants of burned scroll mounted to paper decorated with gold flakes; colorful scenes of men and women interacting alternating with cursive text panels — The Tale of Usugumo, first half 18th century
Miyagawa Chōshun

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Job, Alphonse Mucha; Printer: F. Champenois, Paris — Job, 1896
Alphonse Mucha; Printer: F. Champenois, Paris

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unsigned — Prostitute on parade, with two kamuro and two shinzo, c. 1766
Suzuki Harunobu

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metal armature in main storage U12 — A Public Affair II, 1978
Claire Zeisler

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interior scene with several figures; kneeling woman, stabbing herself with a long sword, with two female figures bracing her in LLQ; group of standing figures wearing suits of armor in URQ; arched windows in TC; another window in ULC, with a nude female figure being braced by another figure inside window — Death of Lucretia, c. 1500-1503
Israhel van Meckenem

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Cherry Blossoms at Night on Naka-no-chō in the Yoshiwara, Utagawa Hiroshige; Publisher: Sanoya Kihei — Cherry Blossoms at Night on Naka-no-chō in the Yoshiwara, c. 1832-1838
Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

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