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Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS. — Tudor room, c. 1600
England

G325

one complete wall of pine paneling consisting of four panels; first containing door; second panels; third chimney piece with fine moulding surrounding it with fluted pilasters over which are three small panels; fourth panels; dating from first half of 18th century; prov. from a house in Foxon just northeast of New Haven Conn. — Connecticut room, c. 1740
United States

G331

Georgian drawing room, England — Georgian drawing room, c. 1740
England

G327

2 door frames, 2 pieces of molding, 2 doors, 3 panels, and miscellaneous trim — Queen Anne room, c. 1720-1730
England

G326

Dining Room from Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. The paneling is of cypress wood painted white and the overmantle shows the influence of the classical tradition in America during the XVIII century. The house from which this room came was erected in 1772. — Charleston dining room, 1772
United States

Not on View

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772. — Charleston Drawing Room, 1772
United States

Not on View

gallery installation of a fictional "period room" — Curator's Office, 2012-13
Mark Dion

G378

**Living Room from the Prindle House**, Date Unknown

United States

G320

horizontal rows of glass jars and bottles with black lids filled with bright red, green, orange and yellow fluid, on top of a reflective surface; black rimmed white rectangle behind glassware — Bottles & Jars 18c, 2015
Peri Schwartz

Not on View

square building with roof covering entryway into open courtyard; ladder in courtyard leading up to largest upper floor room with hallway connecting large room to a smaller room at L; separate roofs on each section of 2nd floor; unglazed — Model of a Farmstead, c. 1st - 2nd century
Vietnam

G213

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

Formal Audience Hall, Yasuimoku Komuten Company Ltd. — Formal Audience Hall, constructed 2001
Yasuimoku Komuten Company Ltd.

G222

unsigned; strip of paper featuring images from the Tale of Genji; two women seated behind low tables at L with two other figures outside the room facing them; three female figures within a room L of C; two men outside the room at R — Scene from the "Spring Shoots II" Chapter of The Tale of Genji, 16th century
Unknown Japanese

Not on View

Library and Rock Garden — The Studio of Gratifying Discourse, 1797
Unknown

G216

large blue and white glazed jar with dragon and 4 fantastic heads; wide foot and shoulder; narrow reel mouth — Meiping vase decorated with a dragon in underglaze blue, 1426-1435
China

G103

The Wu Family Reception Hall, China — The Wu Family Reception Hall, early 17th century
China

G218

painted and giltwood, plaster, marble and iron — Grand Salon from the Hôtel de la Bouëxière, c. 1735
France

G318

Kitchen cabinetry, sink, stool, lighting fixture; stool has three blue legs and wood seat; single-bulb light fixture is white enamelled on top and is saucer-shaped, bulb of light does not function; Siemens cookstove with small oven and two burners; 12 metal bins for dry staples; one large metal scrap bin — Frankfurt Kitchen, 1926-1930
Margarete Schütte-Lihotzky

G378

man reclining on mat in dark room, looking wistfully to L; large medallion designs on his robes; man has triangular hat, and wispy facial hair; inscription panels with grasses decoration ULC — Kakinomoto no Hitomaro, 16th century
Unknown Japanese

Not on View

abstract image; mound of fantastic animals in a room with a rug with snakes on the floor and dark clouds above; wheeled cart with smokestack at left with other piles of animals — Beast Haystacks, 1968
Maija Peeples-Bright

Not on View

unsigned; 6 panel screen with vignettes separated by golden clouds; beginning at R, a male figure on a chair, and smaller figure on green mat hold audience in a room; below, a woman inside looking through screen at other women outside; men gather around a carriage; musicians in white with male dancer entertain small audience on verandah and bridge; female figure in bushes watches male and female figure near center; men in room with green mat along with papers; women at bottom gathered in room, etc. — Scenes from the Tale of Genji [right of a pair], 17th century
Unknown Japanese

Not on View

Calligraphy Panel, one of a pair, 18th century

China

G218

Calligraphy Panel, one of a pair, 18th century

China

G216

Calligraphy Panel, one of a pair, 18th century

China

G216

Calligraphy Panel, one of a pair, 18th century

China

G218

pair of Hepplewhite Side Chairs, c.1795, mahogany. Beaded gothic arches with acorn finials, carved husks and ears of wheat which extend onto the serpentine crest rails, saddle shaped seats and moulded legs connected by stretchers. — Hepplewhite side chair, one of a pair, c. 1795
Stephen Badlam

Not on View

multicolored embroidery depicting overall scene of fanciful birds perched on curvaceous flowering trees; very bottom depicts rolling hills with a deer in the center and other small animals prancing about the ground; double layer backing; light brown background — Bed Curtain, c. 1740
United States

Not on View

unsigned; 6 panel screens with various scenes divided by gold clouds; at R, men and women are gathered in a room with two female musicians; at LR, a man on a verandah gazes inside at a kneeling woman; other groups of men around outside; other vignettes of people gathered outside, near carriages, or inside rooms with verandahs — Scenes from the Tale of Genji [left of a pair], 17th century
Unknown Japanese

Not on View

ovoid shape, with two handle-like protrusions on long sides; rust-red and brown; rim and handles painted with running geometric designs — Wine Cup, 2nd century BCE
China

G215

Vase, large, gourd handles — Large vase with gourd handles, late 19th century
Echigo-no-Kami

Not on View

red linen; solid background with a circle defined by vertical stripes 1/2 in. wide warp face; at the top left the warp is braided (1 x 28 in.); one metal rod (covered with the warp) at the top, one at the bottom; fringe 8 in. at the bottom; fringe 5-1/2 in. decrease to 2-1/2 in. at the top — Red Sea, 1974
Lenore Tawney

Not on View

green glaze; rounded shoulder; flat bottom; long neck, tapering and flaring out at top to ring mouth; two-part handle with two dragons' heads with their mouths around edge of mouth opening on spout; small chicken head with slightly open beak as pouring spout; four squared-off loops at shoulder- two on each side — Chicken-head Ewer, c. 570
China

G204

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right — Whose Sleeves?, early 17th century
Unknown Japanese

Not on View

seated lion looking over PL shoulder; curly mane and chin whiskers; open, roaring mouth; grey and reddish brown stone — Guardian Lion, one of a pair, 8th century
China

G208

armless figure--bottom edge at middle of thighs; heavily muscled torso; wearing skirt with tie at waist; frowning, angry expression; headdress; dark stone with white veins — Dvarapala (Guardian Figure), 8th century
China

G200

elongated oval form covered in orange-red lacquer on the interior, with a wide border of wing-and-scroll motifs in a complex repeating pattern painted in red on a dark brown ground around the inner mouth-rim and with a narrower rendition of the same border around the outer mouth-rim continuing along the flat outer edges of the flaring wing-shaped handles which are painted on top with detached scroll motifs, and painted on one handle, with a running deer on one handle, the other handle with a long-tailed bird with wings displayed, the underside covered with dark brown lacquer, the edge of the oval platform base with a narrow red border — Cup with winged handles, one of a pair, 4th-3rd century BCE
China

G215

cylindrical container (very slightly flaring outward at center) decorated with applied leaf decorative band at bottom resembling egg and dart patterning; several incised and relief bands around body; wide saucer-shaped conical cover with pointed finial and stepped design, with one step edged in vertical indentations and lowest widest step edged in shorter leaf design; pale greyish glaze overall; white ceramic — Sutra jar, 1127-1279
China

Not on View

torso and legs of a figure--head, PL arm at bicep and PR arm at elbow lost; clinging drapery; beaded necklace and long beaded strands from PR shoulder, around knees and down center of back; lotus blossom base; cream-colored stone — Standing bodhisattva, late 7th-early 8th century
China

Not on View

Upholstery for chair back, 18th century

France

Not on View

Upholstery for pair of chair arms, 18th century

France

Not on View

Upholstery for chair seat, 18th century

France

Not on View

stumpwork picture, embroidered; design gentleman and lady in garden with animal in foreground and gate in distance — Embroidered panel, mid 17th century
England

Not on View

Imperial Ink Cake, 18th century

Wang Chin-sheng

Not on View

Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, Yasuimoku Komuten Company Ltd. — Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, 2001 (constructed)
Yasuimoku Komuten Company Ltd.

G225

Frank Lloyd Wright Hallway, Frank Lloyd Wright; Maker: Temple Art Glass Company — Frank Lloyd Wright Hallway, c. 1912-1914
Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

red with brown interior and bottom; carved with leaf and flower design around edges of box and cover; two figures on a balcony overlooking rocks, trees and clouds on cover; six characters lightly incised on bottom — Circular Box, 1403-1427
China

G210

Easy Chair, mahogany, c.1800, serpentine crest rail, shaped wings, rolled arms, molded front legs connected by stretchers. White pine secondary wood. — Easy chair, c. 1800
Moses Grant

Not on View

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