showing 65 results matching murai

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composition of black slightly curved wedge shapes against neutral background; four red square shapes punctuate at UR, LC, and LRC; box at L had white circle in it

%C2%A9 Murai Masanari

[black wedges and red squares], 1965

Murai Masanari

Not on View
Three quarter length self-portrait of Francesco de Mura

Self-Portrait, c. 1740

Francesco de Mura

G307

Madonna and Child

The Madonna and Child with the Infant Saint John, c. 1750

Francesco de Mura

G307

fat, round metal rabbit figure; very long, narrow ears held straight back over body; long nose; decorated with stylized swirling cloud motifs

Incense burner in the shape of a rabbit, late 18th-early 19th century

Murata Seimin

Not on View
abstract leaf like form with mother-of-pearl inlay at top and near bottom; opposite side resembles bat wing; attaches to small rectangular wooden base

© Shingo Muramoto

Wing of Foliage #37, 2010

Muramoto Shingo

Not on View
small white plastic figure with large head, blonde hair, two mouths, and many green eyes sits in meditation position atop a green plastic orb covered with brightly colored flowers, each smiling at the center; orb comes apart revealing small CD supported on white base with blue swirl; underside of top of orb is decorated with white lotus with eyeball at center; sits on silver base with eyeballs

© Murakami Takashi

Oval on a Cosmos Ball, 1999

Murakami Takashi

Not on View

(Oak branch and acorns), 19th century

Murata Kagen

Not on View
landscape with poem on fan; expressive landscape with fence in foreground and gate; tall trees and pine trees drawn with horizontal lines lie outside of fence in foreground; more pine trees in middle ground; hut with human figure just inside fence; rolling mountains, hills, and trees in background; calligraphic inscription at ULC; mounted to yellow board with gold flecks and tan border

My Natural Place, second half 19th century

Murase Taiitsu

Not on View
six lines of bold, expressive calligraphy on yellowish/tan paper; paper is decorated with impressed and highlighted image of a young woman standing next to a tall, gnarled tree, foliage and stones on ground, inscription at L; rectangular intaglio stamp LLC

Calligraphy, second half 19th century

Murakami Butsuzan

Not on View
four lines of calligraphy, closely spaced with signature line near L edge; sprigs of bamboo drawn in ink in LRQ; light grey ink line across URC, and horizontal grey line to L of bamboo; red relief seal URC; two red relief seals in LLQ

Bamboo and Poem, late 18th - early 19th century

Murase Kōtei

Not on View
three lines of calligraphy at top half of image; two sketchy walking figures at bottom, holding tall, long sticks up to their foreheads

Women of Ōhara, second half 19th century

Murase Taiitsu

Not on View
two lines of calligraphy with signature at L; brown mount

Temporary Palace at Yoshino, second half 19th century

Murase Taiitsu

Not on View
fourteen lines of calligraphy; first six lines are written with slightly larger characters; remaining eight lines are smaller, and more closely spaced; signature at far L, overlapping large square intaglio seal; smaller rectangular intaglio seal at R center edge

Calligraphy in Running Script, mid 19th century

Murase Tōjō

Not on View
rubbing of a mound-shaped monument with carved Japanese characters down center

Memorial for Buddhist Writings, 1880

Murase Taiitsu

Not on View
six lines of bold calligraphy; signature at ULC; narrow red seal at URC; two small red relief seals at L edge near bottom

Poem in Running Script, late 18th - early 19th century

Murase Kōtei

Not on View
rubbing: rectangular stone with long inscription; teal mount

Grave Inscription, 1881

Pupils of Murase Taiitsu

Not on View
assortment of red seals in different sizes and shapes

Original Seals, second half 19th century

Murase Taiitsu

Not on View
tea bowl with image of a demon smoking a pipe on one side; inscription on other side; white and gray-blue background with opalescent shimmer

Tea bowl (chawan), second half 19th century

Murase Taiitsu

Not on View
organic, leaf like form supported by forked twig that becomes portion of the form's body, and tall, narrow point; another smaller twig supporting bottom; black and rich brown lacquer with faint gold pattern

%C2%A9 Shingo Muramoto

Wing of Foliage #10-09, 2012

Muramoto Shingo

Not on View
curled leaf; red on exterior, brown on interior; some intentional holes

%C2%A9 Shingo Muramoto

Wing of Foliage: Bending in the Wind, 2015

Muramoto Shingo

Not on View
organic, gracefully curving wisp of black lacquered wood covered with tiny rectangles of mother-of-pearl; small, downturned point near end attaches to small, delicate pointed base with clear adhesive square

%C2%A9 2008 Yoshihiko Murata %2F licensed by Minneapolis Institute of Art

Living Ornamental Hairpin, No. 8, 2008

Murata Yoshihiko

Not on View
red lacquered leaf form with trailing silver dot design beginning at bottom; patterned metal on back; small angled metal tube for mounting

%C2%A9 Shingo Muramoto

Wing of Foliage #32, 2010

Muramoto Shingo

Not on View
graceful, bow-shaped figure with flat bottom, and organic, gently twisting curves; pointed ends, one wider than the other; black lacquer

%C2%A9 2013 Yoshihiko Murata %2F licensed by Minneapolis Institute of Art

Divider: Sleeping Mountain, 2013

Murata Yoshihiko

Not on View
very rounded bowl with various earth toned clays in a gradient, including green and rust colors

%C2%A9 Murase Jihei

Tea bowl, 1964

Murase Jihei

Not on View

%C2%A9 Estate Nickolas Muray

Mary Eaton, 20th century

Nickolas Muray

Not on View

Okame and Pine, 1830s

Murata Kashō

Not on View

Offering, 1830s

Murata Kashō

Not on View

(Flowering rose of sharon), c. 1818-1829

Murakami Shōdō

Not on View

Tea Pickers, c. 1830-1844

Murata Yoshikoto

Not on View

(Big tree and birds), c. 1830-1844

Murata Yoshikoto

Not on View
elongated vase with roughly triangular shaped lower body; long rounded neck with outward-flaring flat rim; clear glass with patchwork of twisted glass in various multicolored patterns

Patchwork Vase, c. 1950

A.V.E.M. (Arte Vetraria Muranese)

Not on View

Chiyo from Kaga Province, c. 1801-1804

Kitagawa Utamaro; Publisher: Murataya Jirōbei

Not on View

Ide [Jewel River] in Yamashiro Province, c. 1844-1846

Utagawa Hiroshige; Publisher: Murataya Ichigorō

Not on View

Noda [Jewel River] in Mutsu Province, c. 1844-1846

Utagawa Hiroshige; Publisher: Murataya Ichigorō

Not on View

(Prostitute and her Lover), c. 1800-1804

Kitagawa Tsukimaro; Publisher: Murataya Jirōbei

Not on View

Noji [Jewel River] in Ōmi Province, c. 1844-1846

Utagawa Hiroshige; Publisher: Murataya Ichigorō

Not on View
a very small, lone homestead with smoke rising from chimney at center sits in the valley of a vast mountain scene; brown rolling hills and snow-covered tundra in foreground (homestead is nestled at center in distance); rocky, snow-covered purple mountains in background; large, ominous cloudbank at UL

Tateyama Betsuzan, 1926

Yoshida Hiroshi (self-published); Carver: Murakami

Not on View
three men with large bundles on their backs hiking up the snowy face of a mountain; walking sticks in PR hands; a group of 4 men gathered near UR; mountain continues in background

Climbing a Snow Valley at Harinoki, 1926

Yoshida Hiroshi (self-published); Carver: Murakami

Not on View

(Boating party), 1820-1849

Nakamura Nagaharu; Artist: Murata Yoshikoto

Not on View

Masako from Mino Province, c. 1804

Kitagawa Utamaro; Publisher: Murataya Jirōbei

Not on View

Goshikigahara, 1926

Yoshida Hiroshi (self-published); Carver: Murakami

Not on View
bottom part with signature trimmed off

Murasaki Shikibu, c. 1843-1846

Utagawa Hiroshige; Publisher: Enshūya Matabei

Not on View
standing man in profile at right, with his hands held beneath his sleeves in front of his face; man wears white kimono and black cap and has short dark hair and beard; tiny figure of old bearded man emerging from a gourd-shaped sack or jug at left; old man wears a blue kimono trimmed in grey; three inscriptions at top, with seven red seals

Scholar Greets a Magician, around 1800

Shōdō; Calligrapher: Murase Taiitsu; Artist: Tanke Gessen

Not on View

  1. Grimpereau de muraille, Male. 2. Sa femelle. (Vol. I. Plate 5) (Birds.)
, 1790

Francois Nicolas Martinet; Artist: Alexandre Martinet

Not on View
letter in cursive script on gray-green paper; mounted to gold mat; black lacquered frame

Letter to Murase Heijirō, first half 19th century

Rai Baishi

Not on View
woman with very long hair wearing pink kimono with blue trim and red undergarment seated on a balcony; wall and roof lines to left and above woman; water and mountains at right

Murasaki Shikibu at Ishiyamadera, c. 1900-1910

Watanabe Seitei

Not on View
three separate sheets; demon-faced figure at right, with green skin and yellow horns, wearing a bold patterned garment in red, yellow, green and purple with large yellow tie at waist, and wearing white tabi socks; seated couple at center with woman, wearing white kimono with dark and light blue fan-like pattern with brown foliage, leaning into man wearing purple and white checked kimono; frowning man wearing brown and blue peering around a screen depicting demons around a large cauldron; moon in ULC

A Rustic Genji by a Fraudulent Murasaki, May 1884

Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

Not on View
rust-colored; dark brown-gold pigment around rim; leaf pattern on body

%C2%A9 Takeda Toshio

Jar with murasaki plant, 1982

Takeda Toshio

Not on View
mural with water, mountains and tropical foliage; three tables with chairs around them in front; row of chairs against wall below mural

%C2%A9 Estate of Robert Gene Wilcox

Untitled [tables, chairs and mural], 1966

Robert Gene Wilcox

Not on View
two courtesans - primitive, Horiz. Oban Foxed

Mitate of Matsukaze and Murasame, c. 1704-1706

Okumura Masanobu

Not on View

Muralto, 1973

Larsen Design Studio, New York; Mill: Tisca France S A; Producer: Jack Lenor Larsen, Inc.

Not on View
white, thick walled vase with 3 patches of color: yellow and brown at bottom, blue and yellow at center, and red and green at top

Vase, c. 1952

Anzolo Fuga; Maker: Luciano Ferro; Maker: A.V.E.M. (Arte Vetraria Muranese)

Not on View

Murasaki Gazing at the Moon at Ishiyama Temple, c. 1847-1848

Utagawa Hiroshige; Publisher: Mikawaya Heiroku

Not on View

The Chapters "The Twilight Beauty," "Young Murasaki," and "The Safflower", c. 1819-1820

Ryūryūkyo Shinsai; Author: Poem by Wakintei Uraginu; Author: Poem by Washōtei Uyō; Author: Poem by Wahōtei Manrai

Not on View
sketch of nude male standing with legs apart and arms stretched out to sides; sketch of limb (leg?) bones at right edge

Study for the figure of John Brown in the "Tragic Prelude" mural for the Kansas Statehouse, 1940

John Steuart Curry

Not on View

(Scene from a Play based on the Story of Matsukaze and Murasame Sister), 1790s

Utagawa Toyokuni

Not on View

The Murals of Awatobi, c. 1956

Pablita Velarde (Tse Tsan)

Not on View

Flowers on Yellow Ground, 1950

Yabashi Rokuro

Not on View
two separate sheets; beach scene; seated young man at left in profile from PR, wearing a white blouse and lavender skirt with white floral patterns, with hair tied on top of his head, and a brown, green and white fan resting against his leg; two standing topless woman with long loose hair at right, one wearing a blue flowered skirt and the other wearing a red skirt with stars and sunbursts; shells and fish on beach between man and women

Picture of the Exiled Councilor Yukihira Ason Amusing Himself with the Two Divers Murasame and Matsukaze at Suma Beach, December 1886

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

Not on View
fresco artist at work

Copyright of the artist%2C artist%27s estate%2C or assignees

Untitled [Thomas Hart Benton painting mural at Missouri State capitol, Jefferson City], 1936

Ruth Rust

Not on View

Labyrinths – Study for a Mural, 1972

John Willenbecher

Not on View

Expo 67 Mural - Firepole 33' x 17', 1967

James Rosenquist; Publisher: Universal Limited Art Editions (ULAE)

Not on View
group portrait of seven people all holding pieces of paper with line drawn portraits; man in center kneeling wears tan pants, blue shirt and glasses; first on right is man wearing baggy blue shorts, green shirt, sneakers and blue hat; second figure from right is woman wearing red shirt, blue and pink flowered dress with brown purse at hip; third figure from right is woman wearing light blue t shirt and purple pants who stands behind kneeling man; fourth figure from right is woman wearing green, orange, white and red printed dress, short hear and green bracelet on PR wrist; fifth figure from right is woman in light purple shirt, dark blue pants and light blue shoes; sixth figure from right is man standing in back with blue shirt, gray hair and glasses; faded colorful background depiction various figures; red checkered floor with black and purple designs

%C2%A9 Aliza Nisenbaum

Wise Elders Portraiture Class at Centro Tyrone Guzman with En Familia hay Fuerza, mural on the history of immigrant farm labor to the United States, 2017

Aliza Nisenbaum

Not on View

Derrière le miroir. Peintures Murales de Joan Miró, 1961

Joan Miró; Author: Josep Lluis Sert; Author: Joan Brossa; Author: Joan Prats; Publisher: Maeght, Paris; Printer: Maeght, Paris

Not on View

Lucien Murat (Les Représentans Représentés), from Le Charivari, 1849

Honoré Daumier

Not on View

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