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Mummy Ruins, Canyon del Muerto, Arizona, Michael A. Smith — Mummy Ruins, Canyon del Muerto, Arizona, 1975
Michael A. Smith

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Mummy and coffin, 712-663 BCE

Ancient Egyptian

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Mummy and Coffin, 712-663 BCE

Ancient Egyptian

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**Painted Mummy Mask Cloth**, Date Unknown

Peru

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Neo-Classical head resting on PR side with cloth strips wrapped around top of nose and upper lip; open eyes; deeply crackled surface; mottled patina with greens, golds and browns; two incised/drawn mummy-like heads on back of neck; interior has deeply textured surface — Eros Bendato Screpolato, 1999
Igor Mitoraj

Exterior Grounds

pendant, metal and enamel set with green scarab within Egyptian style design and hung on chain with miniature mummy as clasp — Necklace with scarab pendant, c. 1925
England

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Jar in the form of a man's head painted in polychrome to represent a mummy mask. Top of head draped in a turban. Rounded bottom, stand. — Effigy vessel, 100 BCE - 600 CE
Nasca

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Saddle stitched binding, letterpress text and photomechanical illustration of a mummy-like figure and a police officer printed in color offset lithography on wove paper covers; 30 pp. — The CIA Makes Science Fiction Unexciting, no. 2: Chemical biological weapons, CIA documents about the AIDS virus, & "cures" killing faster than AIDS!, 2003
Keith Rosson; Author: Abner Smith , et al.; Publisher: Microcosm Publishing, Bloomington, Ind.; Publisher: Valiant Death, Smithfield, Va.

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Untitled, c.1978-1986

Eddy Mumma

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Untitled, 20th century

Eddy Mumma

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Untitled (recto and verso), c. 1978-1986

Eddy Mumma

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Untitled, c. 1969-1978

Eddy Mumma

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Untitled, 20th century

Eddy Mumma

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Untitled, c. 1969-1978

Eddy Mumma

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Untitled, c. 1978-1986

Eddy Mumma

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Untitled, 20th century

Eddy Mumma

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X-ray of Lady Tashat is at column in Paintings racks in MS — Cartonnage of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Mummers, 1948

Edward Landon

Not on View

folded rectangular bottomed brown paper bag cut and drawn to form a fact with a squared-off jawline and long striped black-and-white hair; round cut out eye holes rimmed in blue; white rectangular nose; red horizontal rectangles flanking white rectangle for mouth — Untitled (Mask), 1959-1962
Saul Steinberg

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Three sheets of paper hinged together in a vertical arrangement; abstract image; X-ray-like image with white on black; top sheet has black rectangle with white spots of various sizes; middle sheet has black rectangle with white cross-hatched form with grey circle at top center; bottom sheet has black rectangle with white curling hair- or fiber-like element and black spots overall; framed without glazing. Unique monoprint screenprinted by the artist using asphaltum on paper with hand-applied asphaltum on three sheets of paper cut and hinged by the artist. Multiple monoprints were made using shared screens for printing and joined in various combinations, all entitled "Niet Voor Kinderen." — Niet voor Kinderen (6), 2015
Jay Heikes; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Three sheets of paper hinged together in a vertical arrangement; abstract image; X-ray-like image with white on black; top sheet has grey elements at top and at lower corners with white form on black rectangle; central sheet has vertical and diagonal white lines on a black rectangle, with two fuzzy forms in white at top; bottom sheet has black square with vertical and diagonal white lines; framed without glazing. Unique monoprint screenprinted by the artist using asphaltum on paper with hand-applied asphaltum on three sheets of paper cut and hinged by the artist. Multiple monoprints were made using shared screens for printing and joined in various combinations, all entitled "Niet Voor Kinderen." — Niet voor Kinderen (3), 2015
Jay Heikes; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Three sheets of different sizes hinged together, forming a vertical composition; recto: abstract image; black, grey and tan; three bold black brushstroke-like lines at bottom with spots of tan and grey behind; central black section with vertical and diagonal white lines and irregular circles in white; top section has black rectangle with irregular organic white form with tendril-like protrusions; verso: abstract image; black spots on top sheet of various sizes; bottom sheet has organic vertical form with spots; central sheet has a few black spots and smudges at outer edges. Unique monoprint screenprinted by the artist using asphaltum on paper with hand-applied asphaltum on three sheets of paper cut and hinged by the artist. Multiple monoprints were made using shared screens for printing and joined in various combinations, all entitled "Niet Voor Kinderen." — Niet voor Kinderen (9), 2015
Jay Heikes; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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four pyramids in background; man in center holding tablet; man reclining in front; two mummy cases on ground LL; cat, child and sphinx shaped container behind; below pyramids a reclining man with beard and scepter; flying horse upper right; goat on rock center right; man below rock holding smoking vessel — Antiquities of Egypt, 18th century
After Hubert François Bourguignon Gravelot; Etcher: Jean-Baptiste Lebas (Maître in 1756)

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Collar of cylindrical beads, 663-525 BCE

Ancient Egyptian

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view in rounded opening through dense foliage, vines, tree trunks of figures with guns walking and on horseback, with an orange light around them and light partial silhouettes of trees behind them — The Explorers, c. 1930
Ernest W. Watson

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Third Intermediate Period. Fragment of the funerary papyrus of the Priest of Amon, Jekhonsefonkh: There are two scenes, both perhaps incomplete. The accompanying text is lost. A: At the right of the fragment is the god Osiris, a mummiform figure, enthroned, wearing the white crown of Upper Egypt and carrying his usual attributes, a scepter in the form of the shepherd's crook and the whip. Above is a legend of three vertical lines reading in order from right to left: "May Osiris, Lord of Eternity, First of the Westerners (i.e. the beatified dead) grant a nysut dy hotep (funerary offerings; literally "an offering which the king gives"). Before the god are numerous offerings, among which one may distinguish loaves of bread, a bunch of onions, a cut of meat, grapes and lotus flowers. Standing before the god and holding a jar of milk (to judge by the form of the jar--that regularly used to contain milk and used as a hieroglyph--"milk") is the deceased, the person for whose benefit the papyrus was inscribed and decorated and in whose tomb it was preserved to modern times. His head is shorn as befitted a priest and he wears an elaborate costume of thin, white linen. Above in the legend, read from left to right: "the wab-priest-in-front-of-Amon, Jekhonsefonkh, beatified." B: At the right of the left-hand scene, Jekhonsefonkh is seen again; one hand is held by a lioness-headed goddess, who turns to look into his face, his other hand is raised in the ritualistic gesture expressing adoration. The identifying legend above the priest's figure is the same as in A. The goddess is not named and may be any one of a number of lioness-headed divinities of whom the most important is Sekhmet. Apparently the goddess is presenting the deceased to an assembly of the weird beings who people the Netherworld. Unfortunately, for the most part, their names are not recorded; instead, in every available space, Osiris, Lord of Eternity, etc. (various epithets) is called on "to grant funerary offerings." — Funerary papyrus, 1070-712 BCE
Ancient Egyptian

Not on View

Signet scarab, faience, Egyptian, XVIII Dynasty cat. card dims L. 13/16', W. 9/16' Bright blue, incised, symmetrical design, wing cases not indicated, the deep undercutting was practiced in Dynasty XVIII. — Scarab, 1567-1320 BCE
Ancient Egyptian

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five panels installed in cross shape; collaged elements with paper money and newspaper clippings throughout; a (center panel): train at top center; Day of the Dead skulls and baby in LLC; b (top panel): yellow ladder; c (right panel): Jesus on cross with insects; eyeball in the form of Earth; d (bottom center panel): bound feet by fire painted in black and white; e (right panel): elaborate totem sculpture against red ground — Mexican Crucifix, 1987-88
David Wojnarowicz

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The Follies of Old Age, from "In Praise of Folly", 1972

Fritz Eichenberg; Publisher: Aquarius Press

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Bracket clock, c. 1820

James Warwick

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