showing 76 results matching miyao

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woman holding and displaying colorful headbands (?)

%C2%A9 Miyao Shigeo

Title unknown [Woman with headbands (?)], 20th century

Miyao Shigeo

Not on View
2 sharp edges with black at edges and mouth; horizontal, uneven striations in various shades of blue, lightening toward top

%C2%A9 Estate of Miyashita Zenji

Shining Sea Reflecting on Clouds, 2001

Miyashita Zenji

Not on View

Miya, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Miya, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Miyanoshita, second half 1830s

Utagawa Hiroshige; Publisher: Ibaya Senzaburō

Not on View

Miya, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Miya, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View
bulbous body on small foot; very thin spout, tapering from body of vessel; hare's fur glaze in blues and blue-green, with iridescent areas at base and top of spout and bottom of vessel

Teardrop-shaped bottle vase with blue hare's fur glaze, c. 2003

Miyamura Hideaki

Not on View
four-sided, organic, twisting form with layers of thin slip applied in cloudlike pattern in gradient ranging from dark blue to pink; diamond-shaped base and top; small, round mouth at top within black rectangle; flares widely near top

%C2%A9 Estate of Miyashita Zenji

Green Dance, early 21st century

Miyashita Zenji

Not on View
thirty five lines plus a grouping of five smaller lines, written in smaller size, at L; mounted to tan sheet with gold flecks

Letter to Shinozaki Shōchiku, second half 19th century

Miyahara Ekian (Senso)

Not on View
four full lies of calligraphy on greyish colored paper; many of the characters have feathered edges from bleeding; two characters at URC; two characters at far L

Small Calligraphy, early 18th century

Miyake Sekian

Not on View
five total lines: three full lines of calligraphy, fourth shorter line with signature; fifth longer line; red intaglio stamp URC; red relief stamp LLC

Snow Swirling in the Winter Wind, 1855

Miyahara Ekian (Senso)

Not on View
rubbing: rectangular inner border and eight character vertical inscription

Taiitsu's Grave Inscription, second half 19th century

Miyahara Setsuan

Not on View
four lines of calligraphy; fourth line is indented slightly; two shorter lines at L; red seal at URC; two dark red seals LLC

Poem at Age 67, 1871

Miyake Ryūjō

Not on View
tall, narrow, triangular vase with gently twisting angles; thin layers of colored slip in gradient from dark blue to green, yellow, and pink in cloudlike pattern; thin, tiny strands around opening

%C2%A9 Estate of Miyashita Zenji

Budding Wind, early 21st century

Miyashita Zenji

Not on View
upside-down U shape with side of one leg elongated slightly; segmented colored sections varying from dark blue to lavender to peachy pink; vented cover

%C2%A9 Estate of Miyashita Zenji

Incense burner (kōro), 20th century

Miyashita Zenji

Not on View
egg-shaped, with flattened shoulder; cover has tall ribbed knob; metallic sheen on surface, with brown undertones-bottom of jar is buffed, top is reflective

Covered box, c. 2003

Miyamura Hideaki

Not on View
delicate sprigs of bamboo extending from LRQ up to ULQ; front foliage is black, back foliage lighter grey; nine line inscription URQ

Bamboo and Poem, mid 18th century

Miyazaki Impo

Not on View
four-sided vessel with curved sides and curved edges; irregular mouth opening; panel on each side of vessel with horizontal bands of color with irregular top edges (like torn paper) in graduated shades of purple through lavender to pink at top; curved wedge-shaped elements at edges are black with pink, green, cream and blue speckles; black around mouth edge

%C2%A9 Estate of Miyashita Zenji

Day Breaks, 2010

Miyashita Zenji

Not on View
ceramic incense burner in the shape of a quail; made in two parts; scalloped cut-outs on back within feathers for venting

Incense Burner in the Shape of a Quail, late 19th-early 20th century

Miyagawa Kōzan

Not on View
woman standing under a blossoming tree, in front of a winding stream with small cascade; she is wrapped in a large, white kimono with green and red overcoat slipping off shoulder

Poetess Ise no Tayū, first half 18th century

Miyagawa Chōshun

Not on View
sculptural form; black rectangular form with small open squares at top and two sides, and large rectangular openings on two sides; inner vase-like form with cream ground and blue and green wavy lines and dots

%C2%A9 Estate of Miyashita Zenji

Cloud Melting in the Sky, 1983

Miyashita Zenji

Not on View
curved on top with long arc shape; round mouth opening at top back with irregular edge; curved on back with central vertical rib; front has three panes--convex top rounded section and two bottom wedges forming bowtie shape; black body with subtle shiny slightly diagonal striped pattern; edges of arc form are made of irregularly-edged strips of layered colored clay, with blues, greens, yellows and pinks, creating rainbow

%C2%A9 Estate of Miyashita Zenji

Dark Night Rainbow, 1997

Miyashita Zenji

Not on View
roughly rectangular shaped box with asymmetrical form; box has slightly inward-curved long sides, tapering slightly with one end shorter than the other; many small pairs of feet on long sides of box; shorter end of box slightly raised so that feet are decorative and not functional; cover is roughly rectangular with some asymmetry; interior is grey; exterior is tan with distorted and twisted checkerboard effects in light tan, olive green, and two other medium green shades on cover; wave-like shapes in similar colors on box; cover does not sit evenly with sides of box--box is larger than cover

%C2%A9 Estate of Miyashita Zenji

Colored Clay Box, 1979

Miyashita Zenji

Not on View
flattened cube form; colored horizontal bands with uneven edges (like torn paper) in shades of blue, with darker blue at bottom and lighter blue at top; interior of vessel has similar bands in pink and pale yellow with pale blue at top

%C2%A9 Estate of Miyashita Zenji

Distant, 1987

Miyashita Zenji

Not on View
image of two buildings on a ledge rendered in gold-colored pigment against a dark blue sky; left building resembles a tower with a green slanted roof, green flag at top, and square windows moving up tower to top; right building is a small red house with a slanted roof; dark shading around bottom of both buildings

%C2%A9 Miyamoto Noriaki

Old Memory, 2015

Miyamoto Noriaki

Not on View
tree in LLQ with black, spindly branches that extend upward; two smaller branches in LRQ; scattered star-shaped red blossoms in background; black edging at top and in lower right edge of image

%C2%A9 Masayuki Miyata

Blossoms, 1977

Miyata Masayuki

Not on View
scattered orange, green, and black forms against yellow background; several forms have newsprint impressions

%C2%A9 Miyashita Tokio

Work-B, late 20th century

Miyashita Tokio

Not on View
thick black tree branches that move upwards at an angle beginning in LLQ; thin green 'branches' throughout against a white background

%C2%A9 Masayuki Miyata

Pine, 1977

Miyata Masayuki

Not on View
abstracted seated woman with realistic face; orange garment; black and white areas on face and PL sleeve; PL sleeve has English text; stencils at top in French

%C2%A9 Miyashita Tokio

Evening News, 20th century

Miyashita Tokio

Not on View

(New Year's decorations), 1859, 1st month

Miyake Eisai

Not on View
remnants of burned scroll mounted to paper decorated with gold flakes; colorful scenes of men and women interacting alternating with cursive text panels

The Tale of Usugumo, first half 18th century

Miyagawa Chōshun

Not on View

Standing Prostitute in White Kimono, first half 18th century

Miyagawa Chōshun

Not on View

Prostitute Reading a Letter, c. 1750

Miyagawa Isshō

Not on View

Seated Prostitute and her Attendant, first half 18th century

Miyagawa Chōshun

Not on View
Six-panel half-height screen (chu-byobu) depicting a group of elegantly dressed women enjoying a maple leaf viewing party. Gold clouds in gold leaf cover the upper 1/5 of the top of the composition, while the lower portion is dominated by a white curtain that creates the space of the party. In the right two panels, a group of male figures, one on horseback, has arrived and seems to be communicating with some of the female figures who emerge from behind the curtain.

Maple Viewing Party, first half 18th century

Miyagawa Chōshun

Not on View
unsigned

Cherry Viewing Party, first half 18th century

Attributed to Miyagawa Chōshun

Not on View

Children in Festive Attire, 1866

Miyake Eisai

Not on View

Prostitute Walking in Snow, first half 18th century

Miyagawa Chōshun

Not on View
right sheet of a triptych; vertical ōban

Actor Ichikawa Danjūrō VIII as Aku Genta Yoshihira, c. 1847, 11th lunar month

Utagawa Kunisada; Publisher: Miyakozawa

Not on View
slightly abstracted image of bamboo branches and leaves in snow; separate panel with text and two seals above image

Bamboo in Snow, mid 18th century

Miyazaki Impo; Author: Inscription by Kashiwagi Jotei

Not on View
woman in blue and grey kimono with red undergarments; flowered skirt pools at bottom; three flower shaped crests in bodice of kimono; highly embellished obi with peach background, birds, foliage, fans, and striped; woman stands clutching skirt with PL hand, and gathers collar with PR; bare feet; two fans dropped at feet; small building in background with large, inscribed paper lantern; tree at PL; clouds and crescent moon in sky

Restaurant Shōgetsurō at Yanagibashi, 1867

Utagawa Kunisada II; Artist: Miyagi Gengyo; Publisher: Daikokuya Kinnosuke

Not on View
frowning man with eyes nearly crossed, wearing black and brown plaid and green striped garments; mounted on a thin sheet of paper which is mounted on a board

Actor Bandō Hikosaburō V as the Sumo Wrestler Onigatake Dōemon, 1861, 10th lunar month

Utagawa Kunisada; Artist: Miyagi Gengyo; Publisher: Kagiya Shōbei

Not on View

Rennyo-Pine Tree at Miyanomori, 19th century

Utagawa Yoshitaki

Not on View

Miya, Atsuta-jingū, c. 1832-1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi

Not on View
two groups of men running with ropes attached to a horse cross image field; one team is wearing red and white shirts; the other, blue and white; portion of torii gate in foreground at R; two small buildings with small bonfires and people at UL

Miya--Festival at Atsuta Shrine, c. 1832-1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi

Not on View

No.42 Shichirigahama Beach in Miya, 1865

Utagawa Hiroshige II

Not on View
large red torri gate in water; falling snow with snow on pine tree at R and on mountains in background

Snow at Miyajima Shrine, 1930s

Kawase Hasui; Publisher: Kawaguchi Jirō; Carver: Maeda Kentarō; Printer: Komatsu Wasankichi

Not on View

Miya, Atsuta-jingū, c. 1832-1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi

Not on View

Line-fishing in the Miyato River, c. 1833

Katsushika Hokusai; Publisher: Moriya Jihei

Not on View

42, Miya, 1855, 7th month

Utagawa Hiroshige; Publisher: Tsutaya Kichizō

Not on View

Wood Block Print Collection of Miyata Saburō, 1970s

Miyata Saburō

Not on View

Nanzen-ji Temple, 1970s

Miyata Saburō

Not on View

Garden of Ryo_an-ji Temple, 1970s

Miyata Saburō

Not on View

Gate of Kurama Temple, 1970s

Miyata Saburō

Not on View

Unidentified Temple Compound, 1970s

Miyata Saburō

Not on View

Daisen-in Garden in Daitoku-ji Temple, 1970s

Miyata Saburō

Not on View

Golden Pavillion, 1970s

Miyata Saburō

Not on View

Kamo River, 1970s

Miyata Saburō

Not on View

Nijo_ Castle, 1970s

Miyata Saburō

Not on View

Phoenix Hall in Uji, 1970s

Miyata Saburō

Not on View

Nishi-Hongan-ji Temple, 1970s

Miyata Saburō

Not on View

Imperial Palace, 1970s

Miyata Saburō

Not on View

Kiyomizu Temple, 1970s

Miyata Saburō

Not on View

Togetsu Bridge, 1970s

Miyata Saburō

Not on View

Temple Garden with Bloomed Tree, 1970s

Miyata Saburō

Not on View

Heian Shirine, 1970s

Miyata Saburō

Not on View

Temple Ground with Stone Lanterns, 1970s

Miyata Saburō

Not on View

Large and Small Chestnuts, 20th century

Miyazawa Ryoshū III

Not on View
vertical ōban

Engineer Sergeant First Class Miyake Heikichi, August 1895

Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View
unassembled triptych: female figure in voluminous pants and sashes standing on platforms at L, looking down over subjects, emitting white beams from head; female figures in white and red with animal-like faces stand within beams in room below; male figure on stairs at C looks alert, PL hand on sword

Miyamoto Musashi and the Exorcism of the Evil Fox of Princess Osakabe, 1863, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Yamazakiya Seishichi; Carver: Tatekawa Hatsue

Not on View

Old Story of Miyako-dori Gulls and the Sumida River, 19th century

Utagawa Hiroshige; Publisher: Wakasaya Yoichi

Not on View
group of identical soldiers--some wearing helmets of armor, others wearing tall black caps--all wearing red loincloths with heavily tattooed bodies with blue curving forms and orange flames, with spears, arrows and bows, with some riding brown horses, being overtaken by identical heavyset nude women reaching toward them and pulling them down; all figures have blank eyes rimmed in orange; lavender and slate grey background with six giant pelvis bones with long femurs attached, with grey and gold

%C2%A9 Hideo Takeda

Heike Clan Escaping from Kyoto (Heike miyako-ochi), 1985

Takeda Hideo

Not on View
standing woman holding a yellow ladle in her PR hand and a straw hat with two black inked characters in her PL hand, looking disdainfully at a portrait of a woman with many gold hair ornaments in a green roundel in URC; standing woman wears primarily green kimono with white foliage patterns

Memorial Portrait of the Actor Iwai Hanshirō VI as Shinobu with Segawa Kikunoijō as Miyagino, 1836, 4th month

Utagawa Kunisada; Publisher: Wakasaya Yoichi

Not on View

Miya: Nagoya Castle, July 1961

Sekino Jun'ichirō; Printer: Iwase Kōichi

Not on View
horizontal chūban

Streetwalkers Taking a Break in Yoshida-machi, Honjo, January 1881

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

Not on View

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