showing 45 results matching medium:"silk, wool, cotton"

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bag with wide shoulder strap with beaded geometric designs; back of strap and interior of bag printed brown fabric; front panel of bag beaded with geometric shapes; top panel and back of bag red wool; 17 short beaded hanging tails with red wool tassels; body of bag trimmed in blue

Bandolier Bag, c. 1870-1900

Anishinaabe (Ojibwe)

Not on View
red, blue, green; double band weave with four tassels at each end; cotton velvet ties, 9" from each end; silk braid leads to the tassels

Woman's Belt, 1950

Syria

Not on View
Braided-net fringe, embroidered band, Lined. Red wool ground with polychrome silk embroidery. The applied border on all sides is overall cross stitch embroidery in silk on a cotton ground. The backing is red cotton fabric. Part of a hanging loop is present on the PR corner.

Uuk kap Ilgich, late 19th century

Lakai

Not on View
Braided-net fringe, fringe with warp-twined (tablet) heading, warp-twined (LM) edge, cloth band, Pieced ikat and printed lining. Black wool ground with polychrome silk embroidery, red wool edge binding, braided silk fringe with wrapped tassels. The red wool panel at the center is pieced with silk/cotton ikat under the flap. The panel is backed with printed cotton fabric, same as flap backing. Chain stitch

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Wrapped and knotted lattice treatment on pieced fringe with warp-twined (tablet) heading, Pieced, printed lining. Black wool ground fabric with polychrome silk embroidery. The knotted fringe is silk. A printed cotton backing is attached to three sides by machine stitching and handsewn on the other. Center square with three borders. Top border not embroidered. Hand stitched to lining. Chain Stitch.

Ilgich, late 19th century

Kungrat

Not on View
Braided-net fringe, Bag back: striped cloth, lined. Black wool ground with polychrome silk embroidery. There is a braided silk fringe with wrapped tassels of silk, cotton, and metal. The backing is cotton twill, striped in red and white. Center square with borders on all four edges.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Braided-net fringe, Pieced ikat lining. The ground fabric is tan cotton flannel, with polychrome silk embroidery. There is a braided cotton finge with wrapped cotton tassels. Chain stitch dominates. Colorful ikat lining.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Handwoven band, Printed lining. Red wool ground, pieced in the upper six inches. Polychrome silk and synthetic embroidery. There is a woven cotton edging strip on the four sides. The hanging tabs are silk/cotton ikat. The cotton backing is printed with 'moderne' angular gray shapes on a red ground. Chain stitch separated with back stitch dominate fill.

Ilgich, late 19th-early 20th century

Lakai

Not on View
Fringe with warp-twined (tablet) heading, warp-twined (LM) edge, cloth band, Two printed linings. Black wool ground with polychrome silk embroidery. The edges are bound with cotton fabric, and finished with two varieties of red silk fringe. The central red square is outlined with a silk woven edging. The part of the square covered by the flap is red cotton fabric. There is a printed red cotton backing. Three-side designed border and red wool center square are pieced. Flap is embroidered and edged with fringe. Chain stitch.

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Braided-net fringe, Pieced, striped lining. Black wool ground with polychrome silk embroidery. There is a wide woven silk edging with silk and cotton tassels. The backing is woven striped cotton. Two tassels near bottom corners are inset bound above woven edge. Lower left corner has 2 tassels underneath.

Da-our, late 19th-early 20th century

Lakai

Not on View
Fringes with warp-twined (LM) headings, Pieced, printed lining Brushed red wool ground with polychrome silk embroidery. There are two different fringes on the edges; one, on the top and PL, is all silk; the other, on the bottom and PR, is silk and cotton. The backing is pieced from two printed cotton fabrics. There are two intact hanging loops. Chain stitch dominates.

Ilgich, late 19th-early 20th century

Dasht-i-Kipchak (probably Kungrat)

Not on View
Multiple fringes with warp-twined heading, warp-twined (LM) edge. Printed lining. Black wool ground with polychrome silk embroidery and cotton and silk fringes. There is a printed cotton backing, and a silk/cotton ikat edging on the reverse. Center square of large patterns with border on sides and bottom.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Black wool pieced ground with polychrome silk embroidery through a printed cotton substrate. There is no binding, edge finishing, or backing. Red basting stitch along one edge for 12".

Ilgich, early 20th century

Kungrat or Durmen

Not on View
Braided-net fringe, ikat band at top, Bag back: pieced, striped cloth and printed lining. Black wool ground with polychrome silk embroidery. There is a braided cotton edging which probably was originally finished with tassels. Now, it has been trimmed and turned to the reverse to form a binding. The opening of the bag is outlined in synthetic/cotton ikat fabric. Printed cotton fabric forms the inside surface of the bag. Chain stitch dominates fill.

Ilgich, late 19th-early 20th century

possibly Durmen

Not on View
Braided-net fringe with tassels, cloth band. Black wool ground with polychrome silk embroidery. The edges are trimmed with a band of silk cross stitch embroidery on a cotton ground. There is an attached braided silk fringe with wrapped cotton and silk tassels. The embroidery is presently hand stitched to a fabric covered mount. the verso is not visible. Ikat strip at top.

Ilgich, 20th century

Kungrat

Not on View
Pieced fringe with warp-twined (tablet) heading and cloth band Pieced, block-printed lining. Pieced black ground, mostly wool but with some cotton at the top. Polychrome silk embroidery in chain stitch. Silk/cotton ikat binding at the top edge. Nine medaillions, mostly red. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and stiched through white flannel on a black wool covered strainer.

Ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Fringe with warp-twined heading, warp-twined bands, Pieced, printed lining. Dark red wool ground with polychrome silk embroidery. Patterned silk tape edging with red silk fringe border all four sides. The backing is printed cotton fabric (red polka dots). Applied braid with fringe, all four edges. Chain stitch.

Ilgich, late 19th century

Kungrat or Durmen

Not on View
Black wool ground with polychrome silk embroidery. There is a block printed cotton substrate through which the embroidery is worked. A hand written inscription is seen on one edge of the substrate. There is no finish treatment on the edges, and backing. Three edges are turned under and basted; one edge is raw and partially detached. Center square surrounded by border. All is embroidered. Chain stitch.

Ilgich, early 20th century

Kungrat

Not on View
Crocheted fringe, cloth and ikat bands, Pieced, printed lining.Black wool ground with polychrome silk embroidery. Two fabrics are used in the edge binding: black cotton and silk/cotton ikat. There is a braided cotton fringe with metal discs. The backing is pieced printed cotton fabric. Center square motif with wide border, all four sides. Chain stitch.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Embroidered band Pieced, printed lining The black ground is primarily plain weave wool, with a black cotton sateen strip at the top edge. The embroidery is worked in chain stitch with silk thread. The 5/8" wide, applied red and white cross-stitched edging is worked in silk thread on cotton. There is floral print cotton backing. Pieced lining.

Uuk kap Ilgich, 19th century

Lakai

Not on View
Fringe with warp-twined heading, embroidered and cloth bands, Pieced, printed lining. Red and black plain weave wool ground in the visible area; under the flap the ground is pieced from printed cotton fabrics. The embroidery is worked in polychrome silk threads. There is an edge binding of red cotton fabric. The applied fringe is silk. There is a backing of red printed cotton fabric.

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Ikat band, Bag back: striped cloth, printed and woven linings. Black wool ground with polychrome silk embroidery. There is a silk/cotton ikat band at the top edge that folds 1 1/4" into reverse. there are two corded silk/cotton hanging loops at top center and top left. The interior of the bag is pieced of plain and printed cotton fabrics. The backing is a woven striped silk/cotton fabric.

Ilgich, late 19th century

Kungrat

Not on View
Overcast stitching attaches front to back, cloth band at top Striped lining. The face is pieced from red plain weave wool and black cotton twill fabric. The embroidery is worked in silk thread. The bag is backed with pieced red cotton flannel. The top edge of the back is bound in woven striped cotton. The edges of the bag are not finished, but simply overcast with white cotton thread. Chain stitch.

Kaichidon, 19th-20th century

Dasht-i-Kipchak

Not on View
Fringe with warp-twined heading, cloth band . The red ground is pieced from red cotton flannel and red plain weave wool fabrics. There is a pink cotton sateen strip at the top edge under the fringe. The embroidery is worked in silk. Green cotton bias-cut cotton binds the edges. The fringe is green cotton. There is a printed cotton substrate, through which the embroidery is worked. No backing is present. Chain stitch.

At torba ilgich, 19th century

Lakai

Not on View
wood circular background (support frame) covered with 100% unbleached natural linen fabric visible in some areas; long cords wrapped with yarn and sewn in rows to the background; cord ends are free, some are interlaced; several hanks of linen and skeins twisted; colors are natural, ecru, orange, dark red, purple, brown, yellow, light blues, ochre, variegated (purple, red, brown)

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Labyrinth of Communication, 1990-1991

Sheila Hicks

Not on View
Braided-net fringe, embroidered band, Pieced lining. Felt-like red wool ground with polychrome silk embroidery. The edges are finished in narrow cotton tape with overall cross-stitch embroidery in silk. A crocheted cotton edging with integral fringe is sewn to the bottom edge. There are two intact hanging loops; the PL loop is embroidered in silk cross-stitch and the PR is woven cotton/ Red, black, green, yellow designs: Nine symbols. Horizontal pieced red lining.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Printed cloth band. Red wool ground with polychrome silk embroidery and printed cotton twill binding. The gringe has been removed since photography by donor. The embroidery is worked through a substrate of printed cotton fabric. There is no backing.

Ilgich, late 19th century

Lakai

Not on View
Bag back: ikat print with printed lining, Pieced, printed linings. The wool ground was originally red, but has faded to orange. Embroidery threads are silk. The backing is red cotton fabric. The bag is lined with two different red cotton printed fabrics. There is a cotton binding on all edges, but it is worn and mostly missing on the face of the bag. Chain stitch dominates. Six large motifs filled with different symbols.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Embroidered bands, Pieced, printed lining. Red wool flannel ground with polychrome silk embridery. Cross stitch embroidered bands form a border on all edges. Hanging loops are also embroidered in cross stitch; the bands and hanging loops are worked in silk thread on cotton fabric. There is a red print cotton backing on the shield. The uppermost of the two embroidered motifs forming the design is unusually fine in execution. Lined in red cotton.

Uuk kap Ilgich, late 19th century

Lakai

Not on View
Fringe with warp-twined (LM) heading, cloth band, Pieced, printed lining. Five medallions on red wool ground with polychrome silk embroidery. There is a woven striped cotton edge binding, and cotton fringe. The borders are pieced of black and dark red wool, with black cotton at the PR upper corner. The backing is printed red cotton with yellow motifs.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Embroidered bands. Pieced dark red wool ground with polychrome silk embroidery. Chain stitch bands in two designs outline the edges; one pattern on top edge and upper inch of PR side, and a different pattern on the other edges. Three tassels are composed of cotton, silk, and metallic threads over a cotton core. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and stitched to white scrim and sheer screen and a white linen covered strainer. Red.

Uuk kap ilgich, late 19th century

Lakai

Not on View
Pieced, printed lining (also forms edge finish). Red wool ground with polychrome silk and synthetic embroidery. The printed cotton backing is turned to the front along the edges to form a self-binding. Chain stitch outlining with back stitch fill.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Cloth band, Pieced ikat lining. Green wool flannel ground with polychrome silk embroidery, red cotton edge binding, and silk/cotton ikat backing. Five-sided.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Cloth band, No backing cloth, pieced and printed lining. Red wool ground fabric pieced with black cotton pieced velvet border, embroidered with silk threads. The backing is printed cotton fabric. One hanging tab at top. Chain stitch, herrinbone.

Tent hanging, 19th-20th century

Kyrgyz or Kazak

Not on View
Warp-twined (LM) edge, Pieced lining. Loose, balanced red plain weave wool ground with polychrome silk embroidery and silk embroidered binding. There is a red cotton backing. Yellow, green, black designs completely covered in chain stitch type embroidery. Center pineapple shape with scrolls and tooth-edge extenders.

Uuk kap ilgich, late 19th century

Lakai

Not on View
Braided-net fringes with tassels, warp-twined (LM) and embroidered bands, assumed LM braid. Pieced, printed lining. Chain stitch, black wool ground with polychrome silk embroidery. There is a woven silk fringe with wrapped silk/cotton tassels on all four sides. There is a silk-on-cotton embroidered finishing band on the bottom edge. The backing is pieced from two different printed cotton fabrics. The fringe and tassels at the upper edge appear to be a later addition; they are a different pattern and color from the rest. woven fringe is in sections of random colors. Some tassels are wrapped with metal wire or wrapped metallic cord.

Da-our, late 19th-early 20th century

Kungrat

Not on View
Cloth band, Pieced, printed lining. Red wool round with polychrome silk embroidery, cotton edge binding and printed cotton backing. Square center design and four corner images. Pieced, red print lining. Chain stitch dominates.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Fringe with warp-twined heading, warp-twined band, Printed cloth bands on reverse edge, No backing cloth. Pieced black wool ground with polychrome silk embroidery. The panel is edged with cotton woven tape and fringe. There is no backing. There are printed cotton bands on the edges of the reverse.

Tabaklau ilgich, late 19th century

Semiz

Not on View
Embroidered band at top, Striped lining. Red plain weave wool ground with polychrome silk embroidery. The diagonally pattered silk edge binding is embroidered. Cotton tape cross-stitched in silk thread forms a border at the upper edge. The hanging loops are cotton. Sewn on tassels are constructed of cotton and metallic threads, in bundles of three. Striped cotton fabric is secured to the reverse of the panel with starch paste, There is no finished backing.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Embroidered band at top, Pieced ikat lining. Heavy plain weave wool ground with tan warp and black weft. Polychrome silk embroidery. embroidered chain stitch borders are integral on the sides and bottom edge. The top border is applied, embroidered in silk on silk and hand sewn in place. There is a silk/cotton ikat backing. Raw and frayed edges are seen on the face, suggesting a missing fringe or binding.

Da-our fragment, late 19th-early 20th century

Lakai

Not on View
Fringes with warp-twined (LM) heading, wide embroidered bands . Overall cross stitch embroidery in silk, synthetic, and cotton threads on a cotton ground with center vertical join. The borders are attached red wool bands with chain stitch dominating, backed with cotton fabric. The panel is trimmed with cotton fringe. There are two intact hanging loops. No backing is present; the construction technique is clearly visible on the reverse.

Wall hanging, 19th century

Shahrisabs or Kitab center with Kungrat borders

Not on View
Braided-net fringe, cloth band, Pieced plaid lining. Red cotton flannel ground with polychrome silk embroidery. There is a wide braided band at left and lower edge, with silk and metallic wrapped tassels. A green silk binding finishes the upper edge. There is a woven plaid cotton packing, secured to the reverse with starch paste. Made to lie flat at corner with fringe hanging over edge.

Segusha, 1930-1940

Lakai

Not on View

Band, late 19th century

Uzbekistan

Not on View

Band, late 19th century

Uzbekistan

Not on View

Mahratta, 1973

Larsen Design Studio, New York; Mill: Thai Silk; Producer: Jack Lenor Larsen, Inc.

Not on View

showing 45 results matching medium:"silk, wool, cotton"

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