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copper vase, original patina

Weed holder, c. 1895-1900

Frank Lloyd Wright; Maker: James A. Miller & Brothers

G300

Handwrought copper in the form of the wildflower, jack-in-the-pulpit

Vase, c. 1910

Theodore Hanford Pond

G379

hexagonal wire mesh formed into an inverted funnel shape with flaring top; wire covered frame with curving handle terminating in a pair of loops

Cricket Catching Net, 19th century

China

G217

metal spring with incised decoration; flat circle of metal at end of each coil, with incised lines

Currency, 20th century

Igbo

G236

round-cornered square form with plain sides, single swing handle and removable cover; domed cover decorated with openwork design with geometric shapes; inlaid silver wire on handle

Footwarmer, early 17th century

Zhang Mingqi

G214

elongated face; concave on back; spots and whiskers inlaid; leaf-shaped ears; open mouth with teeth and tongue visible; warm brown patina

Leopard Pendant, 17th-18th century

Benin

G250

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms

Triptych with the Madonna and Child, saints, and prophets, 1538

Pierre Reymond

G342

The Anointing of the Body, copper, enamel frieze

The Entombment of Christ, c. 1250

France

G340

long pin-shaped object with scalloped fan shape on top; perforated tube containing 2 metal balls below fan

Hair Ornament, Date Unknown

Peru

Not on View
three standing figures make up exterior; smooth interior; large heads and small bodies with stylized arms and legs

Bracelet, 19th century

Kongo

Not on View
image of a winged elf with a large nose and pointed ears, wearing a cap with a pompon, long neck scarf and very long shoes, seated on a bare branch; text at bottom (in reverse): "MERRY CHRISTMAS / THE HOLZSCHUHS"

%C2%A9 Joanne Hogan Nelson

Printing matrix, 20th century

Richard Holzschuh

Not on View
image of a silhouette of a walking man wearing a tall top hat and trailing neck scarf, with a cane, carrying a goose in a basket; town buildings behind man in middle ground; verso: shadowy horizontal image (under ink?) of a landscape with trees at left and right

%C2%A9 Joanne Hogan Nelson

Printing matrix, 20th century

Richard Holzschuh

Not on View
image of a cottage with two pointed roof turrets, flanked by three very tall trees with thin trunks--one on left, two on right

%C2%A9 Joanne Hogan Nelson

Printing matrix, 20th century

Richard Holzschuh

Not on View
image of walking man wearing tunic, boots and a tall fuzzy hat, carrying a large sack over one shoulder on his back

%C2%A9 Joanne Hogan Nelson

Printing matrix, 20th century

Richard Holzschuh

Not on View
engraved copper plate for printing; illustration of "Crooked Man" nursery rhyme, with stooped man walking with crooked cane; cat and mouse on path in front of man; crooked house in URC

%C2%A9 Robert G. Hogan

Printing matrix for Crooked Man, 20th century

Richard Holzschuh

Not on View
landscape with tall trees with thin trunks--two at left, one at right--flanking a landscape view with a low horizon line

%C2%A9 Joanne Hogan Nelson

Printing matrix, 20th century

Richard Holzschuh

Not on View
original copper printing plate

Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Sonia, with Head Supported in Hand, 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Male Face (Self-Portrait), 1922

Walter Gramatté

Not on View
original copper printing plate; plate is wrapped in a print from this plate

Printing plate for Wait, 1918

Walter Gramatté

Not on View
original copper printing plate; red ink in lower right corner of plate

Printing plate for Hochkamp II, 1922

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Hull (Sonia Gramatté), 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Self. Head in Hand, 1927

Walter Gramatté

Not on View
original copper printing plate from Das Gesicht (plate 8)

Printing plate for Boy's Head (Self-Portrait), from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Self. Head in Hand, 1927

Walter Gramatté

Not on View
original copper printing plate; images on front and back

Printing plate for Man in Front of the Door (recto) and Mrs. R. (verso), 1922-1923

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Till Uilenspiegel (Self-Portrait), 1919

Walter Gramatté

Not on View
original copper printing plate from Das Gesicht (plate 4)

Printing plate for Bird Girl (Sonia Gramatté), from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Outcry, 1918

Walter Gramatté

Not on View
original copper printing plate from Das Gesicht (plate 6)

Printing plate for The Couple (Self-Portrait with Wife), from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
original copper printing plate from Das Gesicht (plate 2)

Printing plate for Smiling Head (Self-Portrait), from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
original copper printing plate

Printing plate for a portrait of Sonia Gramatté, 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for The Listener (Self-Portrait in Half Profile), 1925

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927

Walter Gramatté

Not on View
original copper printing plate from Das Gesicht (plate 1)

Printing plate for Man in Room (Self-Portrait), from the series Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
original copper printing plate from Das Gesicht (plate 5)

Printing plate for Dark Face (Self-Portrait), from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Self-Portrait, 1925

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Head Resting in Hand (Self-Portrait), 1925

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Tired Man (Self-Portrait), 1923

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Self-Portrait (Hochkamp), 1922

Walter Gramatté

Not on View
incised marks on copper plate; abstract image; standing man with child, LRQ; face to right of pair of figures; standing nude man holding candle holder at top center; diagonal lines with hatching; some stick figures, URQ; square and reversed Z in ULQ; triangle and three circles at center; cube and rectangular three-dimensional shapes in LRQ; holes at corners

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Printing plate for Thoughts in a Kibbutz from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler)

Not on View
copper plate engraved with coastal scene with ships in middle ground in choppy water; small boat with three figures inside and another on shore, LLC; barrels on shore

Printing plate for The Tempest (Le Tempête), 1870-1875

Charles Amand-Durand; Artist: After Claude Gellée (called Le Lorrain)

Not on View
Foundation Figure; head and upper torso of male figure with clasped hands; copper with green patina;

Peg Figure, c. 2500 BCE

Sumerian

Not on View

Ngongo Munene Mask, late 19th century

Dzing

Not on View
Tumi with Hummingbird, copper. Arms and Armor-Edged Weapon

Knife (Tumi), 1150-1450

Chimu

Not on View
hand-wrought; flat center with small hammered circles; walls of vertical waved lines all facing the same direction

Bowl, c. 1948

Serge Nekrassoff

Not on View
Round with opening in back and protruding rectangular elements on outer edge; incised geometric designs with rows of zigzags and crosshatching alternating with football shape inside a crosshatched rectangle surrounded by alternating bands of diagonal lines and bands with two rows of dots

Chief's Collar, c. 1880

Teke

Not on View
tankard shape with hinged lid and slot in top of lid; decorated with Hebrew, lions and floral motifs

Tzedakah (justice or charity) box, early 20th century

Not on View
metal spring of coiled copper wires; flat circles on ends of coils

Currency, 20th century

Igbo

Not on View
.4 Ceremonial Blade, copper, Central Mexican n.d. NO PHOTO ON CAT. CARD cat. card dims L 4-3/4'. Arms and Armor-Edged Weapon

Ceremonial Blade, Date Unknown

Mexico

Not on View
.2 Ceremonial Blade, copper, Central Mexican n.d. fragile. Arms and Armor-Edged Weapon

Ceremonial Blade, Date Unknown

Mexico

Not on View
.1 Ceremonial Blade, copper with incrustations, Central Mexican n.d. Arms and Armor-Edged Weapon

Ceremonial Blade, Date Unknown

Mexico

Not on View
Copper alloy with traces of gold gilt; wisteria design on stipple ground.

Sword guard with wisteria, 19th century

Unknown Japanese

Not on View
small copper bottle vase with three ram's heads applied at shoulder and into body

Bactrian Vessel, c. 1800 BCE

Afghanistan

Not on View
metal spring of coiled copper wires; ends of coils are cone shaped

Currency, 20th century

Igbo

Not on View
metal spring; flat circle of metal at each end of coil, with incised lines

Currency, 20th century

Igbo

Not on View
.5 Ceremonial Blade, copper, Central Mexican. Arms and Armor-Edged Weapon

Ceremonial Blade, Date Unknown

Mexico

Not on View
hand-wrought; base wavy lines pointed out from center and waving in one direction; twisted center column; plain cup; drip cup has wavy edges

Candlestick, one of a pair, c. 1948

Serge Nekrassoff

Not on View
.3 Ceremonial Blade, copper, Central Mexican n.d. NO PHOTO ON CAT. CARD cat. card dims L 5-1/4'. Arms and Armor-Edged Weapon

Ceremonial Blade, Date Unknown

Mexico

Not on View
rounded vessel with concave underside; flat cover with openwork on top with symmetrical organic scrolling design; copper colored metal

Hand warmer, early 17th century

Zhang Mingqi

G214

molded and hand-hammered; of spherical form, worked in répeussé with four circular designs with crenelated edge, within elliptical and lozenge frame borders, raised on four spreading rectangular feet

Urn, c. 1903

Frank Lloyd Wright; Maker: James A. Miller & Brothers

G378

tall flower on each side panel; shoulder consists of four arches

Urn, 1912

George Washington Maher

G300

bronze noisemaker with a Russian Cossack in a pillory chained to a tree

Grogger (noise maker), 20th century

G362

Italian, Gothic revival style oil lamp menorah; top oil holder separate

Hanukkah lamp, 19th century

Italy

G362

Pai-Ting-yao Plate shallow circular form; light porcellaneous ware, covered with creamy white glaze; inner surface decorated beneath the glaze with floral design in slight relief; rim mounted with copper band.

Plate, mid 10th-late 13th century

China

G204

moulded design with animal and architectural forms in openwork on back; 2 birds on back corners; grids on sides; Holiday Traditions, Judaica

Hanukkah lamp, c. 1800

Poland

G362

Handwrought copper, patinated in a verde green; looping handles with foliate-organic details

Centerpiece bowl, c. 1910

Marie Zimmermann

G379

bronze lama seated on rectangular base; PR hand holding edge of robe; PL hand resting palm up on knee; underside of base consists of copper insert; black patina

Portrait of a lama (teacher), 16th century

Tibet

G212

red coral top; hand-painted European figures

Snuff Bottle, 1900-1930

China

G216

four sided pendant with curved sides; slightly domed; stepped; open tube at top for hanging cord; round elements on bottom points; some delicate engraved patterns of zigzags, wavy lines, triangles, football shapes; copper and brass elements; round finial at center; engraved inscription at top right of center

Amulet container, late 1800s

Tuareg

G242

abstract geometric openwork forms including rectangles and circles; vertical pin-like elements extending outward from base; copper and gold patinas on top, silver patina on back

Veil weight, mid 20th century

Tuareg

G254

rectangular box-like metal pendant with incised grid lines on front; stars and linear characters incised in grid squares; dark brown cord threaded through two copper loops

Amulet, first half 20th century

Niger

G242

The plate is painted on both sides in grisaille, flesh tints and gilding on a black ground, above is a scorpion representing the month of October, the scene is of two woodcutters in a landscape, the border has grotesque ornament with putti and a coat-of-arms. The reverse is decorated with a profile bust, roll work with fruits and angel heads, the border has three Renaissance anchor marks and is signed P.R. in gold.

Calendar plate (October), c. 1568

Pierre Reymond

Not on View
reclining figure on a flat leaf; figure wears pleated slacks and wide floral-patterned belt and holds a fan in her PR hand; head resting on a gourd (?), looking upward; brass-colored patina

Paperweight in the form of a reclining lady, Early 17th century

China

G214

clear glass vase with pink roses; two lemons--one partially peeled--and a snail on table; trompe l'oeil effect with sealing wax and piece of paper in LLQ at left edge; tiny spider above and to right of snail; dark wood frame

Floral Still Life, c. 1640s

Jan Davidsz. de Heem; Artist: Formerly ascribed to Cornelis de Heem

G309

New Testament parable (Luke 15:11-32): A lively scene showing the Prodigal Son at supper with courtesans at an inn, accompanied by servants and musicians. The room, whose light source comes from a high leaded window on the left, is filled with many still-life details and rich symbolism. In the far left corner is a four-postered bed completely enclosed by velvet drapery. On the opposite side of the room through the open doorway, a thief is being chased by an angry woman, while another figure in a second-story window empties a chamber pot onto his head. Just inside the doorway, hanging on the wall, is a wooden board used for recording the guest's food and wine bill. Having placed his red velvet cloak, plumed cavalier's hat, fur piece and sword on a nearby chair, the Son sits at the round dining table and holds out his glass for a serving boy to fill. On the right, a serving woman carrying a covered pewter platter exchanges a word with the woman whose back is toward us, while a small dog wags his tail in anticipation of receiving the table scraps. A fiddler and a flutist stand behind the table, merrily playing their instruments. On another cloth-covered table in the left foreground are a pitcher, two glasses, and several loaves of crusty bread. On the floor below is a copper wine cooler containing several bottles of wine. Nearby, a monkey, dressed in a striped coat and wearing a ball and chain, munches on an apple.

The Prodigal Son, c. 1640

David Teniers, the Younger

G312

Allegory. Rococo. Spring represented by scene showing human activity, usually in a landscape.

The Pleasures of the Seasons: Spring, c. 1730

Johann Georg Platzer

G314

Humidor, c. 1915

Joseph Heinrichs; Maker: Marcus & Company

G379

Allegory. Rococo.

The Pleasures of the Seasons: Summer, c. 1730

Johann Georg Platzer

G314

Allegory. Rococo.

The Pleasures of the Seasons: Winter, c. 1730

Johann Georg Platzer

G314

box with hinged lid; green and white swirled glass with copper openwork leaf and stem overlays on top and sides; ball feet

Jewel box, c. 1905

Tiffany Studios

G320

Ear Spool, c. 1200-1350

Spiro Mississippian

Not on View
Wide mouth with slightly flaring body on a tall foot rim; 2 separately attached monster head handles; 6 mythical animals (same design on each side) in low relief with 2 scrolling bands on a ring-punched ground

Censer, 16th-17th century

Hu Wenming

G214

male figure with three graduated rows of three grimacing faces on each row, wearing headdresses of smiling skulls, with two animal heads at top; figure has six arms, four legs, and pair of wings; male figure engaged in intercourse with a small female figure with long hair, wearing similar headdress with similar facial expression; base has two small figures--one reclining backward, one lying on stomach; dark patina with some red inlays remaining; received with base separate from figure; b = paper fragments removed from inner cavity

Hayagriva, 18th century

Tibet

G212

Adjustable copper shade

Table lamp, 1928

Christian Dell; Manufacturer: Belmag

G379

Copper with repoussé design of a sea creature and naturaliste / abstract motifs with inset mother-of pearl

Bowl, 1906

Ludwig Vierthaler; Manufacturer: J. Winhardt & Company

G379

Snuff bottle, carved silver with bird and blossom motive; green jade stopper.

Snuff Bottle, 1800-1900

China

G216

Armor, c. 1520

Germany

G340

open at top and bottom; rope loop at top; 2 attached tassels on one side; cluster of 3 tassels and 1 separate tassel have detached

Powder Horn, c. 1830

Not on View
seated woman wearing a thick scarf tied around her head, with the tail trailing down her back; woman also wears a wide collar or necklace; bare breasts; figure has one knee drawn up and the other leg down, with knee bent; one hand on each knee; green and brown patina

Seated Figure, Date Unknown

Djenne

Not on View
hammered copper with five cutout panels of stylized blossoms; clear glass liner (affixed to bowl)

Bowl, 20th century

Handicraft Guild of Minneapolis

Not on View
standing rooster; leaf-like delineated tail feathers; light-colored beak; green-black patina; stylized feet attached to metal sheet

Rooster weathervane, c. 1860

A.L. Jewell & Company

Not on View
legless stylized rooster; 3-dimensional throughout; very large tail; copper-colored patina

Rooster weathervane, 1871

Pekeiester A. Hazebrouck

Not on View
single strand graduated round copper beads dipped in silver; strung on thong

Necklace, Date Unknown

United States

Not on View
four-sided; tapering toward top; wide bottom with feet at corners; rectangular cutout near bottom on each side; greenish wood finish; removable cylindrical copper drip pan

Umbrella stand, model #254, Date Unknown

Charles Limbert

Not on View
standing rooster with white body, yellow feet and beak, and red comb and wattle; very long tail feathers and comb; vertical rod extending down from between legs, connected to horizontal rod under feet

Hamburg Rooster weathervane, c. 1880

L.W. Cushing & Sons

Not on View
stylized legless rooster; flat tail; greenish-black patina; turned wood post on square base

Rooster weathervane, c. 1850

Canada

Not on View
mask, hammered sheet copper, painted, with pendant copper bells, applique dragonflies on cheeks

Mask, human face with dragonflies on cheeks, 20th century

Mexico

Not on View
trough-like with 8 wells, on 4 splaying legs; organic openwork back section; top central candleholder

Hanukkah lamp, 20th century

Poland (probably)

Not on View

American Beauty vase, c. 1912

Roycroft Shops

Not on View
firescreen with floral design; copper 'petals' project outward from domed brass center; brass stand

Fire screen, c. 1900

William Arthur Smith Benson

Not on View
Covered Platter-56.21.130aplatter, ceramic, blid, enamelled copper w/bronze handle, Chin cat. card dims platter 13 x 10'; lid 11x8' H 5' overall serving dish with cover, with arms of Soldanha de Albuquerque, Portuguese market

Platter with cover, c. 1760-1770

China

Not on View

American Beauty bud vase, c. 1912

Roycroft Shops

Not on View

%C2%A9 Judd Foundation %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1970

Donald Judd

Not on View
Original finish; digital numbers with celluliod clockface in modernist design

"The Zephyr" desk clock, c. 1934

Kem (Karl Emanuel Martin) Weber; Manufacturer: Lawson Time, Inc.

Not on View
crescent resting on two posts; posts standing on rectangular base; bands of tacks on top of crescent; bands of metal wrapped around posts; incised lines decorating top of crescent and sides of base

Headrest, 19th century

Luba

Not on View
irregular spherical form, open on top and bottom with one side open forming a C-shape

Currency (Kaba), Date Unknown

Kaba

Not on View
mask, hammered sheet copper with applique nose, cut-out frog attached over mouth, pendant copper bells

Mask, human face with frog in beard, 20th century

Mexico

Not on View
hammered copper with round enamelled plaques of potted orange trees with cobalt blue background

Bookend, one of a pair, c. 1920

Rebecca Cauman

Not on View

Candlestick, one of a pair, 20th century

Mexico

Not on View

Candlestick, one of a pair, 20th century

Mexico

Not on View
small fish form with latticework body; pin-closure door on bottom; has plexi mount

Spice container, mid 19th century

Not on View
abstracted rooster; rounded body with delineated wings; flat cut-out head and tail with "buttons" at ends of tail feathers; vertical rod through center of body extending into decorative base; black patina

Rooster weathervane, early 19th century

England

Not on View
stylized rooster; four long tail feathers; hooked beak; four-pointed comb; large lidded cut-out eyes; green-black-gold patina; 3-dimensional

Rooster weathervane, c. 1870

France

Not on View
copper gooseneck swing handle kettle; small knob on cover

Kettle, c. 1812-1830

United States

Not on View
deep, heavy mask pierced through the upper lip for cord suspension; covered overall with thin overlapping plates of copper fastened to the wood with copper nails; worn surface with areas of glossy patina

Mvondo Mask, 1900-1925

Lwalwa

Not on View
floral imagery on light blue background with birds, including two birds facing away from each other on a diagonal branch (LL to UR), various other birds and ducks, purple and white wisteria, an orange spotted waterlily, pink and white morning glories, branches of dark gray leaves, and various other flora; neck of vase has dark brown, metallic gold, and black patterned background with traditional Japanese imagery throughout (dragons, butterflies, roosters, flowers) and geometric borders; base has repeating geometric border in alternating reds and gray blues; metal rims on top and bottom; interior coated with light blue enamel

Presentation vase decorated with birds and flowers, one of a pair, 1890s

Unknown Japanese

G239

floral imagery on light blue background with birds throughout, including two birds facing away from each other on a diagonal branch (UL to LR), various other birds and ducks, bamboo branches, pink and white peonies, cherry blossoms, branches of dark gray leaves and various other flora; neck of vase has dark brown, metallic gold, and black patterned background with traditional Japanese imagery throughout (dragons, butterflies, roosters, flowers) and geometric borders; base has repeating geometric border in alternating reds and gray blues; metal rims on top and bottom; interior coated with light blue enamel

Presentation vase decorated with birds and flowers, one of a pair, 1890s

Unknown Japanese

G239

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand

Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century

Unknown Japanese

G219

woman's dress; leather with beadwork, copper discs and bells; yoke completely beaded on blue ground

Dress, c. 1880-1890

Lakȟóta

Not on View
Arts and Crafts secretary with inlaid pewter and copper decoration on all drawers, doors, and exterior legs; 3 front drawers with metal knob handles; rectangular gallery with double doors (2 panels each, hinged) flanked by 3 vertical-stacked drawers on each side; gallery doors have latch closure interior of doors shows 9 compartments

Desk, c. 1903

Craftsman Workshops of Gustav Stickley

G300

Coronation of the Virgin. Virgin, brown dress, blue cape, yellow hair. God the Father, lighter blue dress, brown jeweled cope. God the Son, deep purplish cope and brownish skirt. Yellow footstool. Jeweled gold canopy with blue lining and green curtain. Blue sky, yellow walls, green tiled floor.

Coronation of the Virgin, 16th century

Nardon Penicaud

Not on View
Nativity: Virgin and Saint Joseph in browns and blues; lightened with gold. Angels: left, blue dress, green wings; right, tan robe, blue wings. Architectural details, yellow, sky blue, mountain and tree green. Sheep white; shepherds tan, blue, brown; ground green.

Nativity, 16th century

Nardon Penicaud

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with three animals, one boat and several square patterns; rounded ends and cigar end; square take-up reel

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with pierced design of open flower; wheel, string and stop entact; two metal feet at one end

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
small vessel with square opening; stepped interior; vertical steps on each side forming a stepped diamond with flat sides top view; dark reddish-brown glass with copper colored and cloudy white elements on exterior

%C2%A9 Howard Ben Tr%C3%A9. All rights reserved.

Cast Form Type VI, 1979

Howard Ben Tré

Not on View
Mary wearing blue gown with tan headscarf, seated on a tall chair; man figures gathered around Mary, seated, sanding, gesturing, wearing garments of various colors; architectural elements with squared column capitals and arches in background; tan and green books in LRC

Death of the Virgin, 16th-17th century

School of Carlo Saraceni

Not on View
Archangel Gabriel kneels at right and holds a lily in the left hand while raising the right hand and fore-finger; Mary kneels to the left in front of a lectern and book; Christ appears at top, encircled by a cloud

Annunciation, c. 1610-1615

Hans (or Johann) Rottenhammer I

Not on View
cloisonné bottle; rounded bottom section on gold ring foot; shoulder tapers to long spout which slightly flares outward at top to ring mouth; floral, leaf, and scroll designs, with dark and light blue band with geometric pattern at base of spout

Vase, 18th century

China

Not on View
slightly rounded body with fully three-dimensional head; short horns; udder with two teats; gold, green and grey patina

Cow weathervane, c. 1870

Cushing & White

Not on View
horse jumping through a hoop, at a 45° angle; horse's body, legs and head are three-dimensional; ears, tail and mane are flat; green and gold patina

Horse Jumping Through Hoop, c. 1865

A.L. Jewell & Company

Not on View
weathervane in the form of a leaping deer with two separate horns and three-dimensional ears; gold patina

Deer weathervane, c. 1885

United States

Not on View
landscape with mountains and city on the water at Left, trees at Right; Madonna and Child, donkey and three other figures in Lower Right Corner

Imaginary Landscape, after 1600

Follower of Jan Brueghel the Elder

Not on View
diamond-shaped basket with wider base; tiny, intricate weave patterns alternating between open and closed weave; small decorative coils and knots on some patterns; tall handle with ring at center of either side just above basket lip; black lacquered copper lined cylinder

Chinese-style flower basket, late 19th century

Morita Chikuami

Not on View
Key plate matrix for Untitled Portrait (Che Guevara)

Printing matrix (key plate) for Untitled Portrait (Che Guevara), 2009

Adam Helms

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Tired Girl (Sonia Gramatté), 1923

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Joseph is sold out of envy by his brothers. Plate 1, "Look, there comes the dreamer", 1923

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for November Portrait (Self-Portrait), 1918

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Girl I, 1919

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Girl II, 1919

Walter Gramatté

Not on View
original steel-faced copper printing plate

Printing plate for A Puppet Show, 1917

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for The Man at the Mirror, 1919

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Joseph is sold out of envy by his brothers. Plate II, "Let's throw him into a pit", 1923

Walter Gramatté

Not on View
original steel-faced copper printing plate

Printing plate for Woman II, 1920

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for The Distant Lovers, 1919

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Dreaming Girl, 1925

Walter Gramatté

Not on View
original steel-faced copper printing plate

Printing plate for Young Woman (Sonia Gramatté), 1920

Walter Gramatté

Not on View
original steel-faced copper printing plate

Printing plate for Miss Hella (Frau Hella), 1920

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for The Dream of the Fish, 1919

Walter Gramatté

Not on View
slightly tapering tube shape with flap cover; striped design in pink, dark blue, green and white beads; fringe at bottom and bottom of flap; awl resembling a long copper needle with very large eye

Awl Case with Awl, 1890s

Apsáalooke (Crow)

Not on View
rooster standing on a ball with rib at center; gold patina

Rooster weathervane, c. 1880

J.W. Fiske

Not on View
seated rooster with tip of feet visible under body; flat; two part comb; large tail; green patina on front

Rooster weathervane, c. 1850

United States

Not on View
two-sided flat legless rooster; red, yellow and black pigments; openwork tail wired together; central vertical rod extends through body

Rooster weathervane, c. 1890

United States

Not on View
rounded, egg-shaped form with organic opening across top; textured overall with raised smooth bumps; organic panels around and below top opening, decorated with small dots of various sizes of brass inlays; large rounded brass inlays on each side at top

%C2%A9 Rolly Munro

Hapuku I, c. 1995

Rolly Munro

Not on View
varinshed log with clock face, illegible lettering on small wooden base; copper slotted removable top; dark brown printing on clock face;

"Time to Save (tree-stump clock)" still bank, 20th century

United States (probably)

Not on View
round wood tray with vine-like carving around raised center; copper outer ring; bottom is concave with textured surface radiating from center; navy blue cloth-covered storage box with a triangular bone toggle

Copper-overlaid wood cup stand, 960-1279 or later

China

Not on View
copper plate with diamond shape in C that is made up of layered, scalloped pattern; rounded humps rendered in thin lines extend past central pattern into all quadrants; washy pigment lines throughout surface; dark ink on L edge of plate

Intaglio printing plate for "East", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
plate with grouping of many circles touching; a few have line designs in the circles, but most are empty; some circles have diagonal lines etched inside of them; other circles have fingerprints; UR circle at edge has spiral linear pattern

Intaglio printing plate for "North", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
copper plate coated in washy brown pigments; faint shadowy diamond shape with scalloped edges in C

Intaglio printing plate for "East", from Cardinal Suite, 2003

Stuart Nielsen

Not on View

Charity, c. 1560

Alessandro Allori

Not on View
Reliquary Figure, called 'Mbulu Ngulu'

Mbulu Ngulu, 19th century

Kota

Not on View
Plate 27

Three French Gentlemen, 1581

Abraham de Bruyn; Artist: Jean-Louis Boissard; Publisher: Caspar Rutz

Not on View
Ewer stand, enamel on copper, French, XVIc cat. card dims diam. 16'

Ewer stand, 1562

Pierre Reymond

Not on View
silver handle with brass vine motif; turning extension at top with a tower on the end; tower has hinged bottom with figure inside

%C2%A9 Michael Ende

Grogger (noise maker), c. 1985

Michael Ende

Not on View
Natural sisal and possible wool; two nuances colors; woven; cotton warp; five vertical panels (four sewn together); left to right reliefs as 'branches' added on the panel; seven copper rings of different sizes with branches braided inside of the rings; more relief branches and six copper rings leaving holes; three circles woven in relief and 1/2 circle in relief

%C2%A9 Ritzi Jacobi

Untitled, 1960s

Ritzi Jacobi

Not on View
The chequer motif achieved by plain bands (here with raised borders), each chequer filled with the comma pattern (cf. Karlgren Number 55, 50.46.10), is common on these flat Hu. The rising blades on the neck are bare. The t'ao-t'ieh mask on the loose ring handles has the volute with triangle as its principal decor feature (on the ring in inlay); on the cheek line there is a granulation pattern. Patina greenish-grey. With copper inlay; Huai style.

Bianhu wine vessel, 5th century BCE

China

Not on View
Virgin with gold hair, gold-brown dress, blue overdress. Angels with gold hair, garment colors reversed. Architectural background gold with blue columns and blue and green decorations; green book and floor tiles.

The Anunciation, 16th century

Nardon Penicaud

Not on View
red coral top; chinese design; three figures in mountain scene

Snuff Bottle, 19th century

China

Not on View
wrought in copper gilt embellished with blue nimbi for the terminal figures; on the obverse terminals are illustrated God the Father, the Virgin Mary, St. John the Evangelist, and St. John the Baptist, the patron saint of the city, holding the city hall, the Palazzo Signoria, in his hands; on the reverse terminals we find the symbolic personifications of the four evangelists, the angel of Matthew, the lion of Mark, the ox of Luke, and the eagle of John

Processional cross, c. 1450

Follower of Francesco Marti of Lucca

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with three distinctive floral patterns, two framed by a square border

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
enamel on copper; jade top; hand-painted European figures

Snuff Bottle, 19th century

China

Not on View
Tazza with cover depicting scenes of the life of Joseph (Genesis 43)

Covered tazza, late 16th century

Pierre Reymond

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with cloud design at nose only, circular spiral design at front end; wheel string and stop entact

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with dragon and floral motif; green pigment visible

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
tortoise top; hand-painted Chinese figures; marked

Snuff Bottle, 19th century

China

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with pierced work of a dragon's head under a sprawling tree top

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with clouds at one end; four brass feet and side discs

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
Pyriform vessel enameled in low and medium relief with arcs and circles in cobalt, turquise, gray-blue, white and black

Vase, c. 1925

Andrée Fauré

Not on View
tortoise top; hand-painted Chinese figures; marked

Snuff Bottle, 19th century

China

Not on View
Coil

"Tesla Coil" high-frequency discharge demonstrator, 1931

Nikola Tesla; Manufacturer: Welch Scientific Company

Not on View
Virgin's garments red and blue gold-flecked. Angel's garments green and brown, gold-flecked. Wings, green, red, turquoise, gold; curtains, gold-flecked peacock blue. Blue sky with gold radiations. Blue sky with gold radiations. Blue and gold tiled floor and prie-dieu. Plaque, enamel on copper, French, XVIc cat. card dims 9-1/2 x 7-3/8"

The Annunciation, late 16th century-early 17th century

Susanne de Court

Not on View
saucepan, plated on inside only, cracks made in raising soldered with silver

Saucepan, c. 1755

John Hancock

Not on View
rectangular tray with openwork designs on sides of interconnected circles; 10 squares containing symbols and 6 rectangles containing birds, insects and foliage on sides

Tray, late 18th-early 19th century

China

Not on View
Tsuba Sword guard in form of Buddhist demon (Oni), seated

Demon sitting on his toes, 18th-19th century

Nara Masayoshi

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with cloud and open floral design at one end; traces of red or orange pigment at top near wheel well

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
ink well and hand operated wheel with string wrapped around wheel and lead through inkwell; set in wood block carved with rectangular trim at base and open flower motif; ink well circular and attached by metal band

Carpenter and Cabinet Maker Ink Line, 19th century

China

Not on View
standing rooster; flat tail, with feather delineations incised in zigzag design; black rod extends down from stomach to horizontal bar below feet; green and gray patina

Rooster weathervane, c. 1855

J. Howard & Company

Not on View

Firs (A Study), 1868

Francis Seymour Haden

Not on View

The Twins-Sarah and Anne Haden (No. 2), 1885

Francis Seymour Haden

Not on View
short staff with male figure at center, squatting, with hands on chest; wedge-shaped section extending from man's head creates top of staff; lower portion wrapped with copper strip; figure wears 3 strands of red beads

Holo-Holo Staff, c. 1875-1900

Holo

Not on View
Two separate parts which are to be installed with copper-colored sections facing each other; two separate forms of slightly different shapes, with exteriors covered in short grey fur-like wires, each with an indentation with copper colored wires; interior (flattest side) of each form covered with teardrop shaped metal pallets in copper and silver

%C2%A9 Mary Giles

Copper Passage, c. 2013

Mary Giles

G301

Pair of elevator grilles, frieze, and overgrille, c. 1893-1894

Louis Henri Sullivan

G300

Allegory. Rococo.

The Pleasures of the Seasons: Autumn, c. 1730

Johann Georg Platzer

G314

Frank Lloyd Wright Hallway, c. 1912-1914

Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Hair ornament, 19th century

Unknown Japanese

Not on View

Sword guard (tsuba), 18th century

Unknown Japanese

Not on View

Sword guard (tsuba), 19th century

Unknown Japanese

Not on View

Sword guard (tsuba), 19th century

Unknown Japanese

Not on View

Sword guard (tsuba), 18th century

Unknown Japanese

Not on View

Tea Kettle, 18th century

United States

Not on View

Fish Hook, Date Unknown

Not on View

Christopher Columbus Commemorative Medal, 1892

United States

Not on View

Bookend, one of a pair, Date Unknown

Not on View

Bookend, one of a pair, Date Unknown

Not on View

Printing plate for Snow in Jerusalem from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler)

Not on View

Printing plate for Concept from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler)

Not on View

Printing plate for A Taste of the Desert from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler)

Not on View

Printing plate for Communication from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler)

Not on View

Printing plate for Middle East Complexities from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler)

Not on View

Candlestick, one of a pair, c. 1948

Serge Nekrassoff

Not on View

Ink Pot, 20th century

China

Not on View

Axe head, 29-19 BCE

Persia (Iran)

Not on View

Processional cross, 15th century

Unknown

Not on View

Bactrian Applicator, c. 1800 BCE

Afghanistan

Not on View
green jade top; hand-painted European figures

Snuff Bottle, 19th century

China

Not on View
vest on top of long-sleeved jacket with double body lining; inner layers are blue with white batik borders and plaid trim; outer layer and sleeves have white batik patterns on blue overall with plaid and gold embroidered trim

Man's Three-layer Jacket, Date Unknown

China

Not on View
lidded oval container decorated with vignettes

(Fuchi-gashira box), late 19th century

Unknown Japanese

Not on View
sculptural form; irregular doughnut shape; green, turquoise and cloudy clear mottled glass imbedded with twisted strands of wire, with rough textured surface; green element of irregular shape breaks doughnut at top; bulbous elements on edges of copper; two round copper colored dots on same element

%C2%A9 Keith Cummings

Torc II, 1991

Keith Cummings

Not on View
The artist tossed US currency pennies of random numbers and years creating patterns to be blind embossed into copper foil. A total of 28 compositions were produced. Holes corresponding to the composition were laser-cut into a 20 x 24 x 1/8 inch acrylic sheet and 3 mil copper foil was adhered to the sheet using Drytac Facemount film adhesive. Coins with corresponding dates and orientation were fitted into the sheet and embossed into the foil using an etching press. The coins were removed, the cavities filled with Durham's Rock Hard Water Putty, and the foil was wrapped around the acrylic sheet's edge and secured with Scotch Double Sided Tape. The embossed foil-wrapped acrylic sheet was then adhered to 3/8 inch medium density fiber board using DAP Weldwood Contact Cement. A label bearing the publisher's name, the artist's signature, date and inventory number was then affixed to the back. The artist chose to leave the metal surface unfinished allowing it to age and patina just as the coins they are based on expecting and welcoming the changes. The rate and amount of change will vary depending on their environment.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

Pocket Universe (Copper) #23, 2016

Mungo Thomson; Publisher: Highpoint Editions, Minneapolis

Not on View
bust-length portrait of a thin-lipped man with an angular face, spiky hair, and large expressive eyes wearing a suit jacket, vest, collared shirt, and tie

November Portrait (Self-Portrait), 1919

Walter Gramatté

Not on View
man in lower left corner cowers; man in a military uniform sits at a desk behind him with his foot on the desk and his hand on the right holding the strings of a small puppet in a solder's uniform; the puppet has both his arms and legs open and extended

A Puppet Show, 1917

Walter Gramatté

Not on View
woman in a v-neck shirt and a chin-length hairstyle sits leaning slightly forward with one arm resting in front of her and the other at her side; a jagged line surrounds her in the background

Young Woman (Sonia Gramatté), 1921

Walter Gramatté

Not on View
man with a gaunt face on the left side of the image in a suit and tie looking at the viewer; on the right side of the image an oval cosmetic mirror on a stand reflects the man's face in profile

The Man at the Mirror, 1919

Walter Gramatté

Not on View
close up of a man's face with large expressive eyes; under his chin is a bowtie and there is a row of small buildings along the margin on the right side

November Portrait (Self-Portrait), 1918

Walter Gramatté

Not on View
man with a weary, vacant look in his eyes and a listless manner sits in a chair with his arms propped on the sides of the chair; his hands hang listlessly from his wrists

Tired Soldier II (Dr. Steger), 1919

Walter Gramatté

Not on View
bust-length image of a woman with breasts visible under a garment with a collar; head of the woman is turned to the right and her hair is pulled away and straight back from her prominent forehead; a jagged line is drawn around the figure in the background

Woman II, 1920

Walter Gramatté

Not on View
man with a gaunt face at the left side of the image in a suit and tie looking at the viewer; on the right side of the image an oval cosmetic mirror on a stand reflects the man's face in profile

The Man at the Mirror, 1918

Walter Gramatté

Not on View
unsmiling man with a moustache in a military uniform and hat sits cross-legged in an upholstered chair; his head is tilted downward and his eyes look past the viewer staring into the distance

Tired Soldier I (Dr. Steger), 1919

Walter Gramatté

Not on View
man with a gaunt face and eyes that are colored over with splotches of brown ink at the left side of the image wearing a suit and tie; on the right side of the image an oval cosmetic mirror on a stand reflects the man's face in profile; sheet is trimmed at the bottom of the page cutting off part of the image and not leaving a bottom border

The Man at the Mirror, 1919

Walter Gramatté

Not on View
woman on right side of image surrounded by animals with long faces; animal on left side of woman has a large eye and its head is resting on the woman's shoulder; same motif as for publication Il Pantegan by Victor Hadwiger

Dreaming Girl, 1919

Walter Gramatté

Not on View
young woman with arms outstretched and palms facing up stands in a field with flowers and a large sun behind her

Girl II, 1919

Walter Gramatté

Not on View
man striding in center of image with a pole and a tiny flag attached to the end of it; houses and trees surround him in the background; a sun is setting in the upper right corner

The Great Madman with the Flag, 1919

Walter Gramatté

Not on View
woman and man on left and right side of image separated by three long, thick bands meant to depict the sun's rays radiating from the top of the image

The Distant Lovers, 1919

Walter Gramatté

Not on View
woman in a v-neck shirt and a chin-length hairstyle sits leaning slightly forward with one arm resting in front of her and the other at her side; a jagged line surrounds her in the background

Young Woman (Sonia Gramatté), 1921

Walter Gramatté

Not on View
figure in middle of print with thin long arms and large hands outstretched with fish of varying sizes swirling around the figure in concentric circles

The Dream of the Fish, 1919

Walter Gramatté

Not on View
in a landscape a woman on right side has her hands raised with palms facing upward; in upper left corner there is a sun with rays emanating

Girl I, 1919

Walter Gramatté

Not on View
face of a woman with a tall hairdo and her head and gaze turned slightly to the right; in the lower left corner is her hand where she gathers some cloth

Miss Hella, 1920

Walter Gramatté

Not on View
red plate; irregularly spaced horizontal lines that get longer towards the bottom; lines have a mat texture; word "RED" is etched on back of plate, in TC

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
blue plate; irregularly spaced horizontal lines that get longer towards the bottom; lines are mat in texture; word "BLUE" etched in TC on verso

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
yellow plate; irregularly spaced horizontal lines that get longer towards the bottom; word "YELLOW" etched in TC, verso

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
black key plate; roughly triagular shaped design (with flat top) with regularly spaced horizontal lines

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
Tiffany dinner knife, from a set of flat silver, hammered sterling silver with gold, copper and bronze ornaments; blade cast by Joseph Rodgers and Sons, London; flora and fauna motif, each piece being individual and distinct

"Lap-Over-Edge" Flatware, 1880

Charles T. Grosjean; Maker: Tiffany & Co.; Caster: Joseph Rodgers and Sons (knife blades)

Not on View
jar, globular shape, footed, with short straight neck; floral spray underglazed in copper-red with white glaze

Jar, 18th century

Unknown Korean

Not on View
Shaft decorated with five sections of coiled copper wire and rows of brass tacks; topped with a head with a long hairstyle, decorated with tacks and wearing a small hat

Staff, 19th-20th century

Ambundu

Not on View
Top of handle has a carved double sided head with a headdress acting as end piece. Gold colored metal pieces with hammered detail and wire below "head" that attaches the animal hide pieces.

Fly Whisk, 20th century

Teke

Not on View
The curling dragon and bird-dragon decor of this weapon is inlaid with silver. The slits in the blade served as passages for the thong that bound the haft to the kuo. Patina green Bronze with gold inlay.

Dagger-Axe (ge), 4th-3rd century BCE

China

Not on View
series of 4 textile constructions; fringe below; indigo with copper wire woven in

%C2%A9 Harriet Bart

Rivers of Silence: Knowing, Watching, Wailing, Wasting, 1978

Harriet Bart

Not on View
Japanese style

Clock, c. 1869

Emile-Auguste Reiber; Maker: Christofle

Not on View

Hands Etching - ô Laborum, 1865

Francis Seymour Haden

Not on View
pair of andirons with oval finials

Andiron, one of a pair, 18th century

United States

Not on View
Jain. Central seated figure with inlaid eyes and 3 inlaid jewels on chest; canopy overhanging figure; 23 small figures surrounding largest figure; all seated except 2 standing figures on either side of seated figure; pointed archlike structure

Caturvimsati-patta of Jina, 1579

India

Not on View
pair of andirons with oval finials

Andiron, one of a pair, 18th century

United States

Not on View

Nine Barrow Down, 1877

Francis Seymour Haden

Not on View
vase, geometric design in shades of mauve, black

Vase, 20th century

Camille Fauré

Not on View

Hands Etching - ô Laborum, 1865

Francis Seymour Haden

Not on View

Windmill Hill (No.1), 1877

Francis Seymour Haden

Not on View

The Island Opposite Boyle's Farm, 1869

Francis Seymour Haden

Not on View

Breaking up of the Agamemnon, 1870

Francis Seymour Haden

Not on View
Intaglio printing plate

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Intaglio printing plate for "Coffee Thyme" series, 1980

Sam Gilliam

Not on View

Windmill Hill (No.1), 1877

Francis Seymour Haden

Not on View
Madonna and Child

The Madonna and Child with the Infant Saint John, c. 1750

Francesco de Mura

G308

oval-shaped bowl with luster stripes at foot and rim; eagle from U.S. Seal on one side

Waste bowl, 1933

Frank Graham Holmes; Decorator: Schell Lewis; Manufacturer: Lenox

Not on View
blue-green glass; football-shaped base; wedge-shaped body with rounded top and thick "handle"; brown pigments on "trim"; copper wire wrapped around handle

%C2%A9 Daniel Clayman

Untitled, c. 1990

Daniel Clayman

Not on View
theme of 'Work' in Art Deco style; aluminum w/ copper and bronze over wood core

Copyright of the artist%2C artist%27s estate%2C or assignees

One of a pair of doors, c. 1930

Oscar Bach

Not on View
blue silk base embroidered with floral designs in multicolors; pink silk interior; nine metal figures attached to front, with dark and gold patina; four long red silk tassels; large top metal ornament with relief figures and flowers; three-dimensional metal ornament on back with dragons, flames, large red pompon and other ornaments attached with springs and dangles at bottom; metal ornament with pair of figures with four dangles with pendants; one dangle with pendant attached at back with safety pin

Hat, 19th centur