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multicolored--predominately red and blue; bands of irregular geometric designs and wavy lines with ornate patterning; white fringe on one end

Carpet, about 1990

Amazigh (Berber)

G250

Red textile with blue, green, tan, and white woven pattern; pattern consists of four white crosses with blue tips in corners, surrounded by stepped blue/white and green/tan diamond borders with a blue/white diamond outlined at center; red background is various shades of red, with more muted pink-red at top, bolder, orange-reds at center and bottom; navy blue border; small opening in center (incorporated into weaving).

Blanket, c. 1875

Navajo

G260

third phase late classic chief's blanket with mostly symmetrical pattern of stepped diamonds, partial diamonds, and stripes in reds, indigo, natural, brown, and gray; large central diamond with layers of red, indigo, and indigo/natural stripes with gray cross in center; partial diamonds on edges and corners; gray zigzag lines at corners and two opposite sides; two opposite selvedge edge indigo and other two are red; tightly woven

Chief's blanket (Hanoolchadi), c. 1865

Navajo

G230

woven wall hanging with overhead view of a hunter wearing a rust-red coat, black pants and grey and brown boots, holding a harpoon and a rope, creeping along ice and snow toward a mottled grey seal in LRC; brown and grey forms at top; sleeve bands at top and bottom with wooden cleats; white twisted rope through top sleeve as hanging cord

%C2%A9 Olassie Akulukjuk

Creeping Up, 1980

Sarah Maniapik; Weaver: Olassie Akulukjuk

G260

tulip blossom in red, orange, yellow and white in LRC; green ground; long straight stem (?) at left; black heading band on back

%C2%A92003 Helena Hernmarck

"Spring Tulips" Study, 2003

Helena Hernmarck

G281

dark blue wool with yellow, red and white stripes at one end; appliquéd silk ribbon in white, lavender, light blue and medium blue forming U-shaped section with strips of symmetrical stepped flower and leaf designs; 4 red silk hand silhouettes, trimmed in white beads; green silk trim

Friendship Blanket, c. 1900

Wazhazhe (Osage)

G261

Woman’s ceremonial half overskirt (aksu), 20th century

Quechua

Not on View
Khilim Rug A diagonal pink, flower and foliage pattern filling the center with three borders around the edge.

Khilim Rug, 19th century

Iran

Not on View
Doshalla, or long shawl, with plain white rectangular center and border of repeated palmettes with elongated neck, in soft blended colors giving and all-over tone of mauve. Embroidered fringed ends. Great weight of shawl indicates that it was probably not madein Kashmir.

Shawl (doshalla), 19th century

India

Not on View
Doshalla or long shawl bearing a maker's signature in corner; white wool ground with borders, wide at ends and narrow along sides of Buthas or cone-shaped ornaments with floral network separating borders woven separately and joined to shawl.

Shawl (doshalla), 18th-19th century

India

Not on View
Kussaba or square shawl, loom woven. Ground of yellow wool covered with small Buthas or cone-shaped ornaments; border on each end of larger Buthas made separatly and sewn on; border appears to be of a later date.

Shawl (kussaba), 18th-19th century

India

Not on View

Rug, 19th century

Not on View

Kashan rug, c. 1910

Iran

Not on View

Rug, 19th century

Turkey

Not on View
bag, piece of Kashmir shawl, large palmettes form border; all over floral design in blue, green and rose on cream background; lined with cream-colored pongee; much worn and darned

Bag, 18th century

India

Not on View
rug, prayer, with a red field fringed around the inner border with profile blossoms in dark blue. The prayer niche ahs a stepped outline in blue, white, gold, mauve, and red,a nd is flanked by red ewers in the green panel above the niche. A cross panel dircetly above carries a band of prayer-niche forms in blue, mauve, green, and gold on a red ground. Three borders, the wide central one filled with floral forms in diamond shaped panels on a gold ground, the inner on e of interlocking lozenges on a blue ground, and the outer on e of formalized blossoms alternatin, on the sides, with a gorizontal wine glass motif. Sides overcast in brown wool, ends finished with short warp threads. Ghiordes knot. Wool warp, wool woof, dyed red. Condition good.

Prayer Rug, 19th century

Turkey

Not on View
rug, long, with a blue field framed in a shaped border of yellow and red, edged with a narrow barber pole stripe, decorated with scatterd Greek crosses. In the field are six octagons in red and ivory filled with a large geometric device. Surrounding these panels are s-forms, triangular bands, animals, lozenges, and other typical Caucasian designs. Three border stripes, the central one filled with an s-shaped arrangement of the latch hook on an ivory ground, the outer and inner one carrying the barber pole stripe in red, blue, rust and white. At one end a narrow selvage with knotted warp fringe, at the other a narrow warp fringe. Sides overcast with rose-colored wool. Natural wool warp, greyish-white wool woof. Ghiordes knot. The short-cut nap of fine silky wool is worn to the warp in spots.

Rug, 19th century

Dagestan

Not on View
Prayer rug, Kulah. The field of soft green is shaded and filled with rows of conventionalized floral forms and fringed with pinks in profile along the inner border. The field above the prayer niche is soft blue with rows of pink and red blossoms. Above is a wide border of conventionalized pinks in groups of four and below the prayer field another wide border of conventionalized blossoms and leaves in blocks. The main border contains a running band of conventionalized floral sprays. Fourteen narrow borders in pale beige, brown, and green, carry single blossoms and arrowhead motifs. Sides are selvaged, and the upper end has a narrow web ending in short warp fringe. Ghiordes knot, with 12 knots per lineal inch, wool warp and woof. Selvage of one side torn. Many patches.

Prayer Rug, 18th century

Turkey

Not on View
doshalla or long shawl; pink ground entirely covered with butha and fine floral sprays; narrow borders on sides and ends were woven separatly and added; backed with a piece of soft pink woolen which has a border of blue taffeta, and a binding which shows on the right side

Shawl (doshalla), 18th century

India

Not on View
Khilim rug woven by Karamanians- nomads of Turkoman descent. Dark blue ground with bold octagon designs in red, brown and green. This Khilim has been woven in two pieces so irregularly that when placed together the octagons, woven half upon each piece, do not coincide. There is a long fringe at one end and a short one at the other.

Khilim rug, 19th century

Turkey

Not on View
Scarf of coarsely woven mustard colored woolen material embroiderd at both ends with bands of carse geometrical pattern. Both ends are finished with loose fringe.

Scarf, 19th century

Not on View
Doshalla or long shawl with yellow ground and broder of large palmettes woven in blues and green at each end. Borders of small palmettes at each end. A narrow border woven separately in blues and greens on a white ground finishes all four sides.

Shawl (doshalla), 19th century

India

Not on View
Rug, small black khilim, with a lozenge design in black and tan. Fringed ends.

Khilim rug, 19th century

Turkey

Not on View
Rugs, with floral designs in dark blue, red, green, and yellow. The corners of the field have a stiff floral design on a field of old rose, central medallion has an all-over pattern. Three borders, one being the tortoise design. This piece is woven like a Soumak but has the designs of a Persian Kurdistan. Sides overcast. Woolen warp and weft.

Rug, 19th century

India

Not on View
bag, piece of a Kashmir shawl with design of blue palmettes made up of tiny leaves and flowers; white wool lining

Bag, 19th century

India

Not on View
Prayer rug, Kuylah type, with blue prayer niche. The yellow spandrel above the arch is extended down on either side of the niche and beneath it. Seven borders of about the same size, but in various colors, henna, green, brown, yellow and white. The prayer field is covered with flowers, outer and inner borders carry typical Kulah border design. Both ends finished with a wide henna web, and at the top a braided warp fringe. At the bottom end, the fringe is loose. Sides finished wwith an added selvedge of blue wool. The pile is in inch and a half deep. Ghiordes knot. Wool. Cleaned and repaired by Jamgotch, summer 1941.

Prayer Rug, 19th century

Turkey

Not on View
bag, piece of Kashmir shawl, cream ground with floral decoration in blue and rose, made up of regularly repeated sprays; bag made with material wrong side up; cream colored pongee lining; much worn and darned

Bag, 18th century

India

Not on View
One of four pillow cases, with floral design, three borders, one wide with the tortoise design and two narrow ones with floral and vine design. Sides overcast in red wool. One end has a fringe and one has a web.

Pillow Cover, 19th century

India

Not on View
Hearth rug, Yomud type. A white field sewn with small stars (?) ('checkerboard') contains a badly designed hexagonal medallion, which in turn contains ten octagon shapes in various colors. The hearth field is enclosed by a reciprocal sawtooth band in three shades. Three borders, the main one made up of geometric single flowers divided by three triangles laid end to end. Ends-narrow web with loose warp threads. Sides-over cast with different colored yarns. Ghiordes knot.

Hearth Rug, 19th century

Turkey

Not on View
Prayer Rug, Kulah. The prayer field of rose-red is filled with diagonal rows of stiff floral motifs in soft green. The area above and around the prayer field is soft blue, becoming darker at top, with rows of single flowers in red and white. Above and below the main field is a variation of the typical Kulah S-scroll border with single blossoms on a dark blue ground. The border contains 18 narrow stripes of rose, white, brown and green filled with conventionalized blossoms and geometric motifs. Sides selvaged and the ends finished with a narrow web fringed with warp threads. Ghiordes knot with 12 knots per lineal inch. Wool warp and woof. Nap well worn down.

Prayer Rug, 18th century

Turkey

Not on View
Tree of Life rug; Ghiordes knot

Rug, 19th century

Turkey

Not on View
Rug, small, Khilim in pale green. Prayer design in red. The field contains various unrelated geometrical forms in various colors. Side and end borders of different widths and design. Side borders have a considerable amount of black. Finely woven.

Khilim rug, 19th century

Turkey

Not on View
kussaba, or square shawl, having a center of yellow wool woven with leafy sprays. The border, woven separately and added, is on a red ground covered with floral butha and fantastic leaf designs; there is a second narrower border and a final border of strips of fringed woolen

Shawl, 19th century

India

Not on View
Saddle Bag, made from a Kurdish Ghilim. Field of triangles edged with latch hooks, there are three borders with reciprocal saw tooth and lozenges, one strip of the central portion of the bag remains and has an arrow motif in red, blue and yellow. Woolen warp and woof.

Saddle bag, 19th century

Kurdish

Not on View
Rug, large, Shirvan Khilim. Three broad stripes of blue with hexagonal motives alternating with broad triple band in green, red and dark brown. This khilim has large openwork spaces. Wool

Rug, 19th century

Not on View
Prayer rug of Kazak type., Typical prayer arch, formed by narrow, ivory bands, which extend transdversely at each side to the borders. At the bottom of the field is a second, square arch. Light red field, scattered with geometric and conventionalized flower forms. Three borders carrying variations of the reciprocal clover leaf design. Sides finished with red woolen cording. Ends worn, ends in short warp fringe. Ghiordes knot. Woolen warp and woof.

Prayer Rug, 19th century

Not on View
Rug, small, Khilim; green ground with a pyramid design repeated four times in red, blue, red and grey. The side borders are white with an indented design at the edges. There are four narrow borders at the bottom. The open spaces in this rug are not very noticeable.

Khilim rug, 19th century

Turkey

Not on View
shawl piece, probably central portion of Kussaba; green ground with butha or cones and arabesques; the corner ornaments are elaborated butha

Shawl piece, 19th century

India

Not on View
shawl, four borders and corner butha woven seperastelt and stitched to black center. Pieces of embroidery carry the design over into the center; design of interlacing buthas in several colors, chiefly red; border design is a simple repeat not fitted around the corners; fringe at ends

Shawl, 19th century

India

Not on View
corner fragment of an Indian shawl; border in shades of rose with black center, conventional scroll and floral design

Corner fragment of a shawl, 19th century

India

Not on View
Doshalla, or long shawl with white ground of fine woolen material and wide border of palmettes woven at both ends in colors, mostly dark blue with some green and orange.

Shawl (doshalla), 19th century

India

Not on View
Saddle bag, portion of made from a Ghileen which has a design of tringles and latch hooks in tan and black. Woolen warp and woof. Woven Fabric.

Saddle bag, 19th century

Turkey

Not on View
Rugs, with floral designs in dark blue, red, green, and yellow. The corners of the field have a stiff floral design on a field of old rose, central medallion has an all-over pattern. Three borders, one being the tortoise design. This piece is woven like a Soumak but has the designs of a Persian Kurdistan. Sides overcast. Woolen warp and weft.

Rug, 19th century

India

Not on View

Woman’s ceremonial half overskirt (aksu), 20th century

Quechua

Not on View
Woman's shawl mantle, ceremonial, complementary warp patterning

Mantle, 20th century

Quechua

Not on View
Yattha Dhenkhep, double panel wool brocade on wool background; discontinuous supplementary weft medallion motifs in blues, pinks, orange wool in neutral ground; center seam; one end hemmed, one unfinished

Yattha Dhenkhep, 20th century

Bhutan

Not on View
multicolored stripes; sleeveless

Woman's Jumper, c. 1920s

Poland

Not on View
Yattha, single panel wool brocade on wool background; horizontal bands of geometric pattern in orange, blue, green, red wool; twill weave; discontinuous supplementary weft; one end fringed.

Panel (Yattha), 20th century

Bhutan

Not on View
multicolored stripes; embroidered ribbon waistband and tie; horizontal tuck at center

Woman's Apron, c. 1920s

Poland

Not on View
weaving in white, purple and dark blue of geometric drawings and symbols

%C2%A9 W. Logan Fry

Cosmic Code: Geometry, 2001

W. Logan Fry

Not on View
small band fragment decorated with organic repeating design; dark brown on tan

Textile Fragment, Date Unknown

Egypt

Not on View
Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1 to 1 1/4". (light olive)

%C2%A9 Jack Lenor Larsen%2C Inc.

Quimbaya Crepe, 1966

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Twill weave with vert. stripes. From .25" to 2" in width. Twill weave in blue and green stripes. Hemmed at both ends (blue/green)

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Pan Am Stripe, 1959

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". (Sage)

%C2%A9 Jack Lenor Larsen%2C Inc.

Quimbaya Crepe, 1966

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Dyed wool. Mothproofed. Scotchguarded. Acrylic latex backing. Pattern repeat 8.75" approx. Plain weave. Red, purple, puce horizontal stripes.. Poinsettia

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Tunis Stripe, 1964

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
Vert repeat 48", Horz repeat 25".Wool double weave. Rectangle shapes ranging from 1/4 to 1" in width and 1/2 to 2" length. Gradating color change in waves. Polychrome

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Richard Landis%2C Larsen Design Studio

Landis II, 1982-1990

Larsen Design Studio, New York; Designer: Richard Landis; Mill: Alliance Textiles, Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Yellow Orange

%C2%A9 Jack Lenor Larsen%2C Inc.

Quimbaya Crepe, 1966

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Hand woven plain weave. Weft threads of natural and dark tan alternating. Warp is same. Hand woven plain weave. Weft and warp threads of red and rust alternate. Backed with acrylic latex, moth-proofed. Brambleberry

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Donegal, 1969-1971

Larsen Design Studio, New York; Mill: Gaeltarra Eireann; Producer: Jack Lenor Larsen, Inc.

Not on View
Hand woven plain weave. Weft threads of natural and dark tan alternating. Warp is same. Hand woven plain weave. Weft threads of natural and dark tan alternating. Warp is same. Oyster

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Donegal, 1969-1971

Larsen Design Studio, New York; Mill: Gaeltarra Eireann; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain balanced weave. Plain balanced weave. Moonstone

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Cashel, 1970-1972

Larsen Design Studio, New York; Mill: Orr; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain balanced weave. Plain balanced weave. Moonstone

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Cashel, 1970-1972

Larsen Design Studio, New York; Mill: Orr; Producer: Jack Lenor Larsen, Inc.

Not on View
kussaba or square shawl; the ground is of black wool, parts of which have been woven separately and fastened together; shawl is completely covered with floral and arabesque designs; border woven separately and added; supplementary border of fringed strips of colored woolen; the design has been outlined in embroidered stitch; alike on both sides

Shawl (kussaba), 18th century

India

Not on View
woven panel of vertical stripes in orange, gold, black and grey; design of deer and geometric figures in tan across fabric

Panel, 20th century

Tai Dam

Not on View
long tan textile with appliquéd tan and brown geometric shapes; the geometric shapes include circles, squares, and lines bent at a 90 degree angle; edges are hemmed

Dance skirt, early 20th century

Kuba

Not on View
predominantly black textile with multicolored geometric designs; geometric figures include diamonds, triangles, and "x"s; textile constructed of six long strips; geometric patterns are white, brown, and tan in color

Bed screen (arkilla kerka), 19th century

Fulani

Not on View
saddle bag style, with pouch on each side; predominately brown; pouches woven with horizontal bands with green, red and dark tan stripes, radiating diamond designs, blocks of green, blue and tan, repeating squared-off S shapes bordered in orange, interlocking parallelograms and geometric shapes with diamond centers

Camel bag, 20th century

Afghanistan

Not on View
bright red-orange with plaid design in white, green and black; twisted fringe on all four sides

Head cloth, from a five-piece costume, 21st century

Pao

Not on View
dark blue background with supplemental weft in paisley pattern in dark red, pink, off-white and apricot; embroidered inscription of maker at top with Islamic date of 1350 i.e. 1925; used as band to wrap around waist

Shawl, Date Unknown

Iran

Not on View
slightly marled grey-brown yarn; multicolored end bands in purple, red, orange, pale orange, grey, yellow and white in geometric bands with squares, checks and chevrons; grey fringe

Man's shawl, mid 20th century

India

Not on View
striped bag with shoulder strap and tassels at lower corners; woven stripes in alternating pattern--green stripe with white center bordered with single rows of black, white and yellow; wide stripe of black and white geometric pattern with pink and green center stripe; border at edge of wide stripe of green stripe and red stripe

Bag, 20th century

White Lahu

Not on View
reversible floral and geometric design, with pair of horses; white, orange, black, red, pink

Belt, 20th century

Bolivia

Not on View
pink ground with white geometric and animal design; greens, pinks and maroon stripes at center; reversable; blue edging (may have been added later as repair)

Belt, 20th century

Bolivia

Not on View
reversible; geometric designs and birds; white, red, pink, maroon, green; maroon and white ties

Belt, 20th century

Bolivia

Not on View
reversible woven design of white, pinks, maroon, red, green and blue geometric shapes, animals, birds and figures; braided at one end

Belt, 20th century

Bolivia

Not on View
reversible weave; geometric designs, birds, horses and flowers; red, pink, maroon, green, white; repeating "V" borders

Belt, 20th century

Bolivia

Not on View
reversible weave; maroon, white, pink, green, blue with geometric designs, horses, figures, birds and other small animals

Belt, 20th century

Bolivia

Not on View
reversible; woven geometric designs and animals and birds; maroon, reds, greens, pinks

Belt, 20th century

Bolivia

Not on View
cotton label 194; tightly woven double weave geometric pattern in dark brown, off-white, dark red, green; long self braided ties

Belt, Second quarter of the 20th century

Turkey

Not on View
high and low pile, wool, high twisted wool in yellow, orange, brown and beige

Handwoven Rug, 20th century

United States

Not on View
linen warp, wool chenille filler and Philippine braids

Handwoven Floor Covering, 20th century

Cranbrook Art Museum

Not on View
wool chenille filler and handspun jute; black and beige

Handwoven Runner, reversible, 20th century

United States

Not on View
linenwarp, wool chenille weft; synthetic and Rovana pile handspun Mexican wool plus synthetics; brown, beige, black

Handwoven Area Rug, 20th century

United States

Not on View
linen warp on chenille: beige, brown, white

Handwoven High Pile Rug, 20th century

United States

Not on View
warp: linen; weft: charcoal wool, chenille

Rug or Floor Pillow, 20th century

United States

Not on View
wool warp, wool/wool chenille; purple, turquoise; mounted on masonite with staples or tacks

Handwoven Couch Upholstery, 20th century

Cranbrook Art Museum

Not on View
wool warp, wool/wool chenille filler, lime, yellow; mounted on masonite with staples or tacks

Handwoven Upholstery Fabric, 20th century

Cranbrook Art Museum

Not on View
coarse wool; woven stripes; double weft interlock weave; discontinued supplementary weft; twill; 2" fringe on one side; green, red, blue, off white

Waist Wrap, c. 1890

Iran

Not on View
alternating jacquard weave strips in red, blue and green; central floral medallion surrounded by 4 angels; floral and geometric borders with building at center on each side

Coverlet, 1875-1890

Canada

Not on View

Animal Band, 1920-1930

Turkey

Not on View
woven fabric; five panels stitched together; stripes, some with patterning; gold, red, green, blue, white, orange

Fabric, 1920-1930

Qashqai

Not on View
woven beige panels with indigo stripes and borger fringe

Panels for Overdress, c. 1970

Turkey

Not on View

Poncho, 19th-20th century

Bolivia

Not on View
four-cornered man's hat; red with black wool trim; peacock feathers with fabric flowers, embroidered ribbon streamers

Man's hat, c. 1920s

Poland

Not on View
Yattha Dhenkhep; double panel wool brocade on wool background; discontinuous supplementary weft medallion motifs in blue, red, beige wool in dark brown wool ground; center seam and 2 smaller scetions attached at one end; black cotton binding at both ends.

Yattha Dhenkhep, 20th century

Bhutan

Not on View
Yattha, single panel wool brocade on wool background; multicolored horizontal stripes with discontinuous supllementary patterns; fringe.

Panel (Yattha), 20th century

Bhutan

Not on View
multicolored stripes; embroidered ribbon waistband and tie

Woman's Apron, c. 1920s

Poland

Not on View
saddle blanket, wool, fringed on two sides, geometric design in blue, rust and beige

Saddle blanket, 20th century

Iran

Not on View
Rug, Remnant (Soumak)

Rug, 19th century

Not on View
TUNIC, strip cloth, brocaded decorative pattern woven on back panel; wool

Tunic, 20th century

Fulani

Not on View

Poncho, 1960-1970

Bolivia

Not on View

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