showing 100 of 2008 results matching medium:"Wool". (load 200 more)

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wide black band at center; narrow black bands at long sides; horizontal wide red and narrow white stripes; pairs of blue L shaped stitching on either side of neck opening

Poncho, 18th century

Aymaran

G260

predominately blue; blues with maroons/reds and cream; abstract design; received as one piece--separated into a diptych on 3/16/15

©1984 Helena Hernmarck

Blue Wash 1, 1984

Helena Hernmarck

Not on View
predominately cream; blues with maroons/reds and cream; abstract design; received as one piece--separated into a diptych on 3/16/15

©1984 Helena Hernmarck

Blue Wash 2, 1984

Helena Hernmarck

Not on View
six strips stitched together with a narrow tan, white, brown and yellow patterned band at center; cream, dark brown and tan with touches of bright yellow-orange; central motifs with diamonds and triangles--similar motifs at each end flanked by a brown band with white, brown and yellow diamonds and a brown band with broken white line at center; some twisted tassels at short sides

Blanket, second half of 20th century

Fulani

G236

two horizontal panels stitched together; four red, orange and yellow tulip blossoms on a dark green ground; black heading band on back

%C2%A91999 Helena Hernmarck

Four Tulips, 1999

Helena Hernmarck

Not on View
beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag

Man's Pouch, c. 1800

Anishinaabe (Ojibwe) or DakhĂłta

G259

tapestry; warp undyed wool, 5-6½ ends per cm.; weft dyed wool, 22-26 ends per cm.; tapestry has been cut, and was originally any where from a yard or two wider to over three times its present width

The Falconers, 1435-1445

France

Not on View
palm leaves in blues, greens, pink, red, orange and yellow; symbol in purple in LRC

%C2%A9 Sheila Hicks

Palm, 1985

Sheila Hicks

Not on View
Latin Cross placed in front of wreath. Secondary design of alternating rosettes and leaf forms along vertical edges. Woven in Egypt about 5-6th century for church use, possibly as a sanctuary curtain. Plain weave with tapestry patterning. Pall with a Latin Cross. Woven fabric

Curtain, 5th-6th century

Coptic

Not on View
alternating jacquard weave strips in red, blue and green; central floral medallion surrounded by 4 angels; floral and geometric borders with building at center on each side

Coverlet, 1875-1890

Canada

Not on View
Caucasian soumak rug

Rug, c. 1920

Not on View
Rug, wool Persian, c.1920, kilim type.

Rug, c. 1920

Iran

Not on View

Paisley Shawl, 20th century

Scotland

Not on View

Kashan rug, c. 1910

Iran

Not on View
saddle blanket, wool, fringed on two sides, geometric design in blue, rust and beige

Saddle blanket, 20th century

Iran

Not on View
woven strip with flame pattern in shades of brown

Woven Strip, 19th century

Switzerland

Not on View
Khilim Rug A diagonal pink, flower and foliage pattern filling the center with three borders around the edge.

Khilim Rug, 19th century

Iran

Not on View
Scarf of coarsely woven mustard colored woolen material embroiderd at both ends with bands of carse geometrical pattern. Both ends are finished with loose fringe.

Scarf, 19th century

Not on View
fabric sample

© Jack Lenor Larsen%2C Inc.%2C Jack Lenor Larsen

Doria, 1942-1986

Jack Lenor Larsen

Not on View

Woman’s ceremonial half overskirt (aksu), 20th century

Quechua

Not on View

Half Llklla (shawl), 1960-1970

Yampara

Not on View
Orange, yellow, purple and white pile design on brown and natural striped ground

Saddle Cover for a Mule, 20th century

Glaoua

Not on View

Rug, 1930

Diné (Navajo)

Not on View
rug, woven wool; Arizona, Indian School at Phoenix

Rug, c. 1915

Diné (Navajo)

Not on View
rug, c.1970, wool, with diagonal strips in brown, grey, black and white.

Rug, c. 1970

Diné (Navajo)

Not on View
rug, c.1880, wool, brown, and neutral on red ground, geometric patterns, Ganado type.

Rug, c. 1880

Diné (Navajo)

Not on View
SIMPLE WEDDING BLANKET, strip cloth, patterning on both terminals; wool

Simple wedding blanket, 20th century

Fulani

Not on View
TUNIC, strip cloth, brocaded decorative pattern woven on back panel; wool

Tunic, 20th century

Fulani

Not on View
BLANKET, strip cloth, white with dark braided trim along vertical edges; wool

Blanket, 20th century

Fulani

Not on View
brown and cream borders; grey ground with two stepped diamonds with brown centers and orange and dark brown borders, with orange triangles at corners; stepped squares in light brown, dark brown, cream and orange at long sides; two corners have twisted brown tassels

Red Mesa textile, c. 1920

Navajo

Not on View
predominantly black textile with multicolored geometric designs; geometric figures include diamonds, triangles, and "x"s; textile constructed of six long strips; geometric patterns are white, brown, and tan in color

Bed screen (arkilla kerka), 19th century

Fulani

Not on View
blue ground with red border with stepped motif at long sides; red text at top: "THE LORD IS MY SHEPHERD"; black sheep below text; brown fringe

Rug, Date Unknown

United States

Not on View
cream, blue-grey, white, brown and pale green; plain stripes at top and bottom; blue-grey stripes with stepped zigzag-like designs in white trimmed with either brown or cream alternate with stripes with either brown and white or blue-grey and white thunderbirds with open wings

Rug, Date Unknown

United States

Not on View
cream, dark brown, light brown and blue; cream ground; central radiating stepped diamond design with three blue diamonds at center; diamond shaped starbursts in rows of like colors; brown border with cream starbursts at short ends; stepped zigzags and brown triangle bands at long sides; twisted medium tan tassels/fringe at short ends

Rug, Date Unknown

United States

Not on View
light and medium tan, light brown, white, grey, pink and rust red; plan stripes of various widths and colors; three patterned grey stripes--two with stepped white diamonds surrounding brown diamonds with two white triangle at center, one stripe with pink bowtie shapes

Rug, Date Unknown

United States

Not on View
grey, white and two shades of yellow; stripes of various widths and colors; wide yellow stripes with shapes consisting of two stepped forms in white or light yellow flanking a grey stepped form; metal gromet attached to one corner tassel

Rug, Date Unknown

Diné (Navajo)

Not on View
six strips stitched together with a narrow tan, white, brown and yellow patterned band at center; cream, dark brown and tan with touches of yellow; various patterned and plain bands with patterned bans at center with a variety of diamond and triangle motifs; some twisted tassels at short sides

Blanket, second half of 20th century

Fulani

Not on View
six strips stitched together; brown with subtle variations in color; some twisted tassels at short sides

Blanket, second half of 20th century

Fulani

Not on View
woven wall hanging with overhead view of a hunter wearing a rust-red coat, black pants and grey and brown boots, holding a harpoon and a rope, creeping along ice and snow toward a mottled grey seal in LRC; brown and grey forms at top; sleeve bands at top and bottom with wooden cleats; white twisted rope through top sleeve as hanging cord

© Olassie Akulukjuk

Creeping Up, c. 1980

Olassie Akulukjuk

Not on View
Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1 to 1 1/4". (light olive)

© Jack Lenor Larsen%2C Inc.

Quimbaya Crepe, 1966

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Yellow Orange

© Jack Lenor Larsen%2C Inc.

Quimbaya Crepe, 1966

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Dyed wool. Mothproofed. Scotchguarded. Acrylic latex backing. Pattern repeat 8.75" approx. Plain weave. Red, purple, puce horizontal stripes.. Poinsettia

© Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Tunis Stripe, 1964

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". Rough plain weave. 2 1/2 vertical pattern repeat, horizontal repeat 1to 1 1/4". (Sage)

© Jack Lenor Larsen%2C Inc.

Quimbaya Crepe, 1966

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Tree of Life rug; Ghiordes knot

Rug, 19th century

Turkey

Not on View
Rug, large, Shirvan Khilim. Three broad stripes of blue with hexagonal motives alternating with broad triple band in green, red and dark brown. This khilim has large openwork spaces. Wool

Rug, 19th century

Not on View
reversible weave; geometric designs, birds, horses and flowers; red, pink, maroon, green, white; repeating "V" borders

Belt, 20th century

Bolivia

Not on View

Skirt (Aksu), 1965-1975

Bolivia

Not on View
wool warp, wool/wool chenille; purple, turquoise; mounted on masonite with staples or tacks

Handwoven Couch Upholstery, 20th century

Cranbrook Art Museum

Not on View
linen warp on chenille: beige, brown, white

Handwoven High Pile Rug, 20th century

United States

Not on View

Poncho, 1965-1975

Bolivia

Not on View
Handwoven alternating heavy & lt. Warp & weft Ecru White

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Dona Raquel Vivas%2C Larsen Design Studio

Doria I, 1957

Larsen Design Studio, New York; Designer: Dona Raquel Vivas; Mill: Penaranda; Producer: Jack Lenor Larsen, Inc.

Not on View
Hearth rug, Yomud type. A white field sewn with small stars (?) ('checkerboard') contains a badly designed hexagonal medallion, which in turn contains ten octagon shapes in various colors. The hearth field is enclosed by a reciprocal sawtooth band in three shades. Three borders, the main one made up of geometric single flowers divided by three triangles laid end to end. Ends-narrow web with loose warp threads. Sides-over cast with different colored yarns. Ghiordes knot.

Hearth Rug, 19th century

Turkey

Not on View
doshalla, or long shawl, of white woolen completely covered with large floral sprays containing pinks, zinnias and thistles; fringed ends - no border - woven in two pieces and joined; some of the leaves have been outlined in embroidered stitch; this shawl may have been woven in Persia for Indian trade

Shawl (Doshalla), 18th century

India (?)

Not on View

Coca leaf bag (ch'uspa), 1965-1975

Bolivia

Not on View

Shawl (Llklla), 1965-1975

Bolivia

Not on View

Skirt (Aksu), 1960-1970

Bolivia

Not on View
reversible weave; maroon, white, pink, green, blue with geometric designs, horses, figures, birds and other small animals

Belt, 20th century

Bolivia

Not on View

Shawl (Llklla), 1965-1975

Bolivia

Not on View

Rug, 19th century

Turkey

Not on View
wool warp, wool/wool chenille filler, lime, yellow; mounted on masonite with staples or tacks

Handwoven Upholstery Fabric, 20th century

Cranbrook Art Museum

Not on View

Woman's ceremonial overskirt, 20th century

Quechua

Not on View

Poncho (Man's outer garment, ceremonial), 20th century

Quechua

Not on View
Rug, Remnant (Soumak)

Rug, 19th century

Not on View
weaving in white, purple and dark blue of geometric drawings and symbols

%C2%A9 W. Logan Fry

Cosmic Code: Geometry, 2001

W. Logan Fry

Not on View
red woven sash with navy stripes (horizontal); 4 braided ends join and finish with cording

Woman's sash, 1960

Mexico

Not on View
woven fabric; five panels stitched together; stripes, some with patterning; gold, red, green, blue, white, orange

Fabric, 1920-1930

Qashqai

Not on View
blanket, red, blue,black plaid, point-twill construction, wool; Pennsylvania German

Blanket, late 19th century

United States

Not on View
patchwork kussaba or square shawl, woven in pieces which have been joined together. Design of elongated palm leaves with a curving design of white scrolls. The center is of black, and the outer pieces have been joined to it, red, yellow, gree black and lavendar. The border is made up of small vari-colored strips fringed and embroidered. Mohammedan signature (?) and date in central field.

Shawl, 19th century

India

Not on View

Half Aksu (skirt), 1965-1975

Bolivia

Not on View

Shawl (Llklla), 1940-1950

Bolivia

Not on View
shawl, four borders and corner butha woven seperastelt and stitched to black center. Pieces of embroidery carry the design over into the center; design of interlacing buthas in several colors, chiefly red; border design is a simple repeat not fitted around the corners; fringe at ends

Shawl, 19th century

India

Not on View
dark blue background with supplemental weft in paisley pattern in dark red, pink, off-white and apricot; embroidered inscription of maker at top with Islamic date of 1350 i.e. 1925; used as band to wrap around waist

Shawl, Date Unknown

Iran

Not on View
cotton label 194; tightly woven double weave geometric pattern in dark brown, off-white, dark red, green; long self braided ties

Belt, Second quarter of the 20th century

Turkey

Not on View
rug, prayer, with a red field fringed around the inner border with profile blossoms in dark blue. The prayer niche ahs a stepped outline in blue, white, gold, mauve, and red,a nd is flanked by red ewers in the green panel above the niche. A cross panel dircetly above carries a band of prayer-niche forms in blue, mauve, green, and gold on a red ground. Three borders, the wide central one filled with floral forms in diamond shaped panels on a gold ground, the inner on e of interlocking lozenges on a blue ground, and the outer on e of formalized blossoms alternatin, on the sides, with a gorizontal wine glass motif. Sides overcast in brown wool, ends finished with short warp threads. Ghiordes knot. Wool warp, wool woof, dyed red. Condition good.

Prayer Rug, 19th century

Turkey

Not on View

Skirt (Aksu), 1950-1960

Bolivia

Not on View

Poncho, 19th-20th century

Bolivia

Not on View
Plain weave with medium yarn. Plain weave with medium yarn. Burnt orange. Burnt Orange

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Dona Raquel Vivas%2C Larsen Design Studio

Doria II, 1963

Larsen Design Studio, New York; Designer: Dona Raquel Vivas; Mill: Penaranda; Producer: Jack Lenor Larsen, Inc.

Not on View

Wayaka (bag), 1960-1970

Bolivia

Not on View
reversible woven design of white, pinks, maroon, red, green and blue geometric shapes, animals, birds and figures; braided at one end

Belt, 20th century

Bolivia

Not on View
Jacquard interlocking overlapping designs of swirled flower petals, geometrics in a variety of weaves. Vert. Rpt. 18"; horiz. Rpt 25.5".. Black & white. Domino

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Marga Hielle-Vatter

Figuration, 1972-1982

Marga Hielle-Vatter; Mill: Rohi Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Balanced Plain weave, natural colors. Balanced Plain weave, natural colors. Platinum

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Marga Hielle-Vatter

Alabaster, 1968

Marga Hielle-Vatter; Mill: Rohi Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View

Woman's Shawl (lliclla), 20th century

Bolivia

Not on View

Poncho, 1960-1970

Bolivia

Not on View

Skirt (Aksu), 1950-1960

Bolivia

Not on View

Shawl (Llklla), 1960-1970

Bolivia

Not on View
red sash with black stripes; fringe on both ends finished in braids (black, red and natural)

Woman's sash, c. 1970

Tzotzil Maya

Not on View
Hand woven plain weave. Weft threads of natural and dark tan alternating. Warp is same. Hand woven plain weave. Weft threads of natural and dark tan alternating. Warp is same. Oyster

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Donegal, 1969-1971

Larsen Design Studio, New York; Mill: Gaeltarra Eireann; Producer: Jack Lenor Larsen, Inc.

Not on View
linen warp, wool chenille filler and Philippine braids

Handwoven Floor Covering, 20th century

Cranbrook Art Museum

Not on View
Saddle Bag, made from a Kurdish Ghilim. Field of triangles edged with latch hooks, there are three borders with reciprocal saw tooth and lozenges, one strip of the central portion of the bag remains and has an arrow motif in red, blue and yellow. Woolen warp and woof.

Saddle bag, 19th century

Kurdish

Not on View
sqaure shawl, small, with ground of yellow wool, the central portion of which is decorated by large circles, butha and lotus; border of fine floral design woven separately and added; supplementary border of fringed strips of colored wool

Shawl, 19th century

India

Not on View
Rug, small black khilim, with a lozenge design in black and tan. Fringed ends.

Khilim rug, 19th century

Turkey

Not on View
dark brown, white and red, double cloth

Belt, 20th century

Mexico

Not on View
reversible floral and geometric design, with pair of horses; white, orange, black, red, pink

Belt, 20th century

Bolivia

Not on View
long panel; folded in half, joined along on edge; stripes blue, red, yellow, white alternating with patterned stripes; white and yellow on green-blue ground; elaborate wrapped fringe

Rain Cover, c. 1930

Turkey

Not on View
Doshalla or long shawl with yellow ground and broder of large palmettes woven in blues and green at each end. Borders of small palmettes at each end. A narrow border woven separately in blues and greens on a white ground finishes all four sides.

Shawl (doshalla), 19th century

India

Not on View

Woman’s ceremonial half overskirt (aksu), 20th century

Quechua

Not on View
Saddle bag, portion of made from a Ghileen which has a design of tringles and latch hooks in tan and black. Woolen warp and woof. Woven Fabric.

Saddle bag, 19th century

Turkey

Not on View
Khilim rug woven by Karamanians- nomads of Turkoman descent. Dark blue ground with bold octagon designs in red, brown and green. This Khilim has been woven in two pieces so irregularly that when placed together the octagons, woven half upon each piece, do not coincide. There is a long fringe at one end and a short one at the other.

Khilim rug, 19th century

Turkey

Not on View

Half asku (skirt), 1965-1975

Bolivia

Not on View

Shawl (Llklla), 1965-1975

Bolivia

Not on View
showing 100 of 2008 results matching medium:"Wool". (load 200 more)