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Judith and Holofernes, 1493

Michael Wolgemut

G333

1st edition, Latin text.

Presentation of the Virgin in the Temple, 1504-1505 (1511)

Albrecht Dürer

G344

1st edition, Latin text.

Joachim Rejected by the High Priest, 1504 (1511)

Albrecht Dürer

G344

1st edition, Latin text

The Adoration of the Virgin, 1504 (1511)

Albrecht Dürer

G344

1st edition, Latin text

Christ Among the Doctors, 1503 (1511)

Albrecht Dürer

G344

1st edition, Latin text

The Flight into Egypt, c. 1503

Albrecht Dürer

G344

Saint Christopher, 1511

Albrecht Dürer

Not on View

The Knight on Horseback and the Lansequenet, c. 1498

Albrecht Dürer

Not on View
1st edition, Latin text.

The Angel Appearing to Joachim, 1504 (1511)

Albrecht Dürer

Not on View
Edition of 1511, Latin text

Saint John before God and the Elders, 1498 (1511 edition)

Albrecht Dürer

Not on View

Saint Jerome and the Lion, c. 1509

Master I.B. with a Bird (Giovanni Battista Palumba?)

Not on View

A Trusting Man, 1895

Félix Vallotton

Not on View

St. George and the Dragon, 1501–1504

Albrecht Dürer

Not on View

Saint Jerome in Penitence, 1509

Lucas Cranach the Elder

Not on View
Edition of 1511, Latin text

Michael and His Angels Fight with the Dragon, 1498 (1511 edition)

Albrecht Dürer

Not on View

The Last Judgement, c. 1499 (later printing, probably 18th century)

Unknown Italian, probably Venetian

Not on View

%C2%A9 A. R. Penck%2C courtesy Brooke Alexander

Nachtvision, 1982

A. R. Penck (Ralf Winkler); Publisher: Maximillian Verlag, Münich

Not on View

Bewitched Groom, c. 1544

Hans Baldung (Grien)

Not on View

Tiger, 1912

Franz Marc

Not on View

Antichrist Condemns Enoch and Elias to Death, and Antichrist Causing the Faithful to be Beheaded from The Apocalypse of Saint John, c. 1469-1470

Unknown Netherlandish, 15th century

Not on View
Edition of 1511, Latin text

The Four Horsemen, 1498 (1511 edition)

Albrecht Dürer

Not on View
Plate 38

Joseph Being Sold by His Brothers into Slavery, 1852

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View
Plate 122

The Power of Sanherib is Broken Following Hiskia's Prayer, 1859 (1853-1860)

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View
Plate 149

The Praise of the Good Upbringing of Children, 1859 (1853-1860)

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View
Plate 20

Ham Being Cursed by his Father Noah for his Derision, 1853 (1852-1860)

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View
Plate 115

The Rising from the Dead of the Son of the Widow, 1852 (1853-1860)

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View
Plate 134

David, The Psalmist-Adoration, 1854 (1853-1860)

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View
Plate 30

Rebecca Recognizes Isaak from Afar, 1852 (1853-1860)

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View

Samson and Delilah, c. 1519

Hans Burgkmair

Not on View

Jael Killing Sisera, 1516-1519

Lucas Huygensz van Leyden

Not on View

Solomon Worshipping an Idol, c. 1519

Hans Burgkmair

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Prologue, c. 1920

Maurice de Vlaminck

Not on View

Joseph Pennell, 20th century

Horace Devitt Welsh

Not on View

Stehende, 1912

Erich Heckel

Not on View

Russian Landscape with Water Carrier, 1919

Karl Schmidt-Rottluff

Not on View

Kopf, 1919

Karl Schmidt-Rottluff

Not on View

Nymphs and Satyrs Entwined in a Vine, c. 1520-1525

Sebald Beham

Not on View

Au Bordel, c. 1905-06 (printed 1920)

Maurice de Vlaminck

Not on View

Christ Carrying the Cross, c. 1513

Albrecht Altdorfer

Not on View

The Annunciation, c. 1513

Albrecht Altdorfer

Not on View

The Presentation of the Virgin in the Temple, c. 1513

Albrecht Altdorfer

Not on View

La Crucifixion, c. 1890-93 (published 1894)

Émile Bernard

Not on View

We Will Taste, or Young Girl with a Pitcher, 1890

Auguste Louis Lepère

Not on View

Joachim Embracing St. Anne, c. 1513

Albrecht Altdorfer

Not on View
Not in Strange Ornament from the Renaissance MInd exhibition; matted with P.84.71.52, which is in exhibition opening November 2008.

New Testament Scene, 16th century

Virgil Solis

Not on View

Angel Appearing to Joachim, c. 1513

Albrecht Altdorfer

Not on View

The Visitation of the Virgin to Elizabeth, c. 1513

Albrecht Altdorfer

Not on View

Susanna and the Elders, 1536

Hans Leonhard Schäufelein

Not on View

Ecce homo, c. 1513

Albrecht Altdorfer

Not on View

Saint George as the Emperor Maximilian's Patron Saint, 1516-1518

Hans Springinklee

Not on View

Pieta, c. 1513

Albrecht Altdorfer

Not on View

Elevation of the Cross, c. 1513

Albrecht Altdorfer

Not on View

Adam and Eve Eating the Forbidden Fruit, c. 1513

Albrecht Altdorfer

Not on View

The High Priest Refusing the Offering of Joachim, c. 1513

Albrecht Altdorfer

Not on View

Christ Nailed to the Cross, c. 1513

Albrecht Altdorfer

Not on View

Jonah and the Whale, 16th century

Unknown German, 15th century

Not on View
five straining nude men, pulling on cords; mountains at top edge

Copyright of the artist%2C artist%27s estate%2C or assignees

Labor, 1930

Leo A. Henkora

Not on View

The Hermits St. Paul and St. Anthony, 1504

Albrecht Dürer

Not on View
Plate III group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

The Window of Lalique, 1901

Félix Vallotton

Not on View
Plate II group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

The Downpour, 1901

Félix Vallotton

Not on View

Adam and Eve, 16th century

Master S. H. F.

Not on View

Descent from the Cross, c. 1513

Albrecht Altdorfer

Not on View

Christ Dying on the Cross, c. 1513

Albrecht Altdorfer

Not on View

Adam and Eve Driven from Paradise, c. 1513

Albrecht Altdorfer

Not on View

Christ Given to the Jews, c. 1513

Albrecht Altdorfer

Not on View

Solomon's Idolatry, c. 1512

Lucas Huygensz van Leyden

Not on View

The Flagellation, plate from "The Small Passion", 1511

Albrecht Dürer

Not on View
seated figure in LRC; torso of woman at L; third face between first two faces; abstracted image

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG BILD-KUNST%2C Bonn

Weiß vom Manne begehrt, 1919

Max Pechstein

Not on View
Plate 5; Double-sided

The Sixth Day of Creation (recto); The Seventh Day of Creation (verso), from The Nuremberg Chronicle, 1493

Michael Wolgemut; Artist: Wilhelm Pleydenwurff; Author: Hartmann Schedel; Publisher: Anton Koberger

Not on View
Plate 4; Double-sided

The Fourth Day of Creation (verso); The Fifth Day of Creation (recto), from The Nuremberg Chronicle, 1493

Michael Wolgemut; Artist: Wilhelm Pleydenwurff; Author: Hartmann Schedel; Publisher: Anton Koberger

Not on View
kneeling man with long wavy hair and beard, holding drapery around his lower torso and thighs with his PL hand, and flogging himself on the back with a whip in his in PR hand; altar with candles at right

The Penitent, 1510

Albrecht Dürer

Not on View
man looking left holding banner in right hand with crowned lion rampant on banner; building at left; rocks and trees below and behind figure; on verso second image titled "Pfalz"man looking down right with banner in left hand and lion rampant on banner; man wearing flat hat; building at right

Behenm, 16th century

James Kerver

Not on View
four figures standing at a counter; two in front with dog; two behind; shelves behind; an exchange is taking place

Print, 16th century

Hans Burgkmair

Not on View
Mary, with long wavy hair wearing a headscarf, lying in canopy bed at center, holding a candle, also held by a man on left; other standing, seated and kneeling figures at left and right--some with hands folded in prayer

The Death of the Virgin, 1510

Albrecht Dürer

Not on View
three men; two standing and one bending over to pick up a hat(?); center figure holding necklace of beads with tassel at center; man at right bare headed wearing sword; rocky street with buildings right and left sides; bees circling the head of center figure

Print, 16th century

Hans Burgkmair

Not on View
printed in black and brown; head of a man in 3/4 view; small framed calligraphy panel attached to bottom of print's frame by chains (see Notes for text)

%C2%A9 Sidney Chafetz

Robert Frost, 1959

Sidney Chafetz

Not on View
man looking down right with rod in left hand; banner(?) attached to rod and ends to left of right arm; partial coat of arms above head; church behind and below figure; three coats of arms in left margin; on verso another image with title "Giramburg" and three crows on banner

Lintpurg, 16th century

James Kerver

Not on View
man with fighting hammer stepping left; head profile right; tents at left; horse being led by male figure lower right; ornamental border with child in each corner; UL playing trumpet, other three playing horn; female figures center of side borders; an illustration from "Kriegsbuch"

Print, 1573

Leonhard Fronsperger

Not on View
man in profile with short pointed beard wearing black hat, glasses, dark jacket and checked pants, painting at an easel; man with donkey and kneeling woman with baby look over man's shoulder

The Donkey (to Edmond Sagot), 1913

Auguste Louis Lepère

Not on View
L border is scene of crucifixion of Christ; ULC is God the Father preaching to seven winged angels; middle L side is tower where top is a figure pointing towards LRC, where pregnant woman is standing reading the prophesy of Islam from a podium; on chair on opposite side of podium has basket of wool; angel holding a lily walks toward woman; two rays on her; appears as if standing inside architectural structure; R border is building; URC is cloud with man kneeling and one blessing by raising his R hand; eight Chinese characters by scene and figures

The Annunciation, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Artist: after Jérôme Nadal; Publisher: Giulio Aleni

Not on View
interior scene; man seated at door holding crutches with two dogs possibly eating his leg; Christ also at door with five figures at each side; western style building through window; to L of doorway are men in balcony with musical instruments; at LC in foreground is table where food is being prepared and servants bring food to table at R; men and women in 17th century clothing around table at R; one-armed man at foreground holding a stick to chained monkey; four winged creatures at top R; three hold "V" shaped objects

Lazarus at the House of the Rich Man, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene; bottom R shows Christ seated with five figures immediately surrounding him-three looking and two above his head are poking him, placing crown of thorns on his head; in foreground is a knife next to branches of thorns; to R two figures with shields dressed in military garments stand as if watching; on L is guard in same attire; guards throughout interior; through outside the doorways on L hand side is Christ walking head looking down, appears as if figures are holding his hands behind his back; Chinese symbols by each depiction of Christ and one symbol above doorway, third one in

The Mocking of Christ, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene with two windows; UL window is scene of Christ having walked away from tomb and two Chinese characters, UR is image of Christ preaching and one Chinese character; man in foreground with five people seated at each side, figures in discussion; three winged figures on each side

Caiaphas and the Council of Elders, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
LR side has image of the Virgin under a shelter holding Christ Child; line of figures weave throughout image; most figures bear gifts; mountainous background with western architecture; eight Chinese characters throughout image; star at URC

The Adoration of the Magi, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of last supper; Christ and eleven male figures seated around table; above table are six circles, each with an image and Chinese character inside; scenes inside circles: (top L to R) a: Christ's charge to Peter b: Christ healing the crippled c: sermon on the mount d: two groups with fire in between them e: turning water into wine f: healing a man; L border is outdoor scene with Christ floating above group of people leaving a building

The Risen Christ Appears to His Disciples, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
well at R side; line of figures carrying food behind Christ who is pointing into well; woman also points into well; city in background has western influence; at center L is group of people with Christ at center, another group of people to bottom L; Mountain valley setting, well on platform; seven Chinese characters throughout image; woman in distance viewed through well frame carries water jugs, one on head, one in hand; sailboat at UR middle border

Christ at the Well, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of St. John the Baptist standing in front of tree, preaching to crowd; two women seated at LRC, one feeding baby; seated woman holding two children at LLC; medieval clothing; western architecture at top half of image with seven small groups of people, possibly in military formation; eight Chinese characters throughout image

Saint John the Baptist Preaching, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
two men fighting; Hercules pressing his PR foot on Discord reclining in a foreshortened pose; Hercules raises a club over his head; putti flying above Hercules places a laurel wreath over his head; Hercules wears lion's skin; Discord has snakes in his hair and holds a snake in his PL hand; received framed and glazed in 17th-century frame

Hercules Triumphant over Discord, 1633-1634

Christoffel Jegher; Artist: After Peter Paul Rubens

Not on View
Christ seated at LLC with L hand extended; man sits facing Christ, pointing; various animals in foreground including rabbits, porcupine, fox, and moose; four seated female angels seated at middle R side make offering to Christ who is making sign with R hand; two winged figures/creatures?, a crane and deer at center to middle L side; western architecture in background; four small scenes at top show Christ inn various stages of the Cross; all figures have Chinese characters next to them; one scene at top depicts rays shinning on Christ kneeling, holding a dove; mountain-like setting

Christ in the Wilderness, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
Plate V group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

Cairo Street, 1901

Félix Vallotton

Not on View
Plate IV group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

Five O'Clock, 1901

Félix Vallotton

Not on View
Plate VI group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

Fireworks, 1901

Félix Vallotton

Not on View
Letter E: formed from floral decoration; putto wearing loincloth near opening of letter and holding stem in PL hand

Ornamental Initial E, early 16th century

Georg Lemberger

Not on View
Virgin and child in mandorla; floating angels aloft holding a crown suspended above Virgin's head; Virgin stands on a crescent

Virgin Crowned by Two Angels, From the Fall and Redemption of Mankind, Plate 40, c. 1513

Albrecht Altdorfer

Not on View
Letter Y: putto straddling arabesque design forming two grotesque heads that face each other

Ornamental Initial Y, early 16th century

Georg Lemberger

Not on View
Letter W: leaves with diagonal stems and flowers forming W shape; putto at L holding onto stem; putto at R holds something to mouth with PL hand

Ornamental Initial W, early 16th century

Georg Lemberger

Not on View
Letter Q: backwards C-shaped leaf design with bud near center

Ornamental Initial Q, early 16th century

Georg Lemberger

Not on View
Letter I: bowl with fountainlike foliage at center; standing putti at each side, one at L holding a melon, and the one at R holding a branch

Ornamental Initial I, early 16th century

Georg Lemberger

Not on View
Native American with wrinkled face wearing hat and necklaces; tan paper

Navajo Chief, 20th century

Carl Oscar Borg

Not on View
Letter D: putto standing inside of a D formed from a tall vessel and leaves

Ornamental Initial D, early 16th century

Georg Lemberger

Not on View

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