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Edition of 1511, Latin text

The Adoration of the Lamb, 1498 (1511 edition)

Albrecht DĂĽrer

Not on View
Plate 15

The Babylonian Whore, 1498

Albrecht DĂĽrer

Not on View
Edition of 1511, Latin text

Saint John Devouring the Book, 1498 (1511 edition)

Albrecht DĂĽrer

Not on View
Edition of 1511, Latin text

The Apocalyptic Woman, 1498 (1511 edition)

Albrecht DĂĽrer

Not on View
Edition of 1511, Latin text

The Angel with the Key to the Bottomless Pit, 1498 (1511 edition)

Albrecht DĂĽrer

Not on View
Edition of 1511, Latin text

The Opening of the Fifth and Sixth Seals, 1498 (1511 edition)

Albrecht DĂĽrer

Not on View
Plate 13

Beast with Two Horns Like a Lamb, 1498

Albrecht DĂĽrer

Not on View
Edition of 1511, Latin text

Michael and His Angels Fight with the Dragon, 1498 (1511 edition)

Albrecht DĂĽrer

Not on View
Edition of 1511, Latin text

The Four Horsemen, 1498 (1511 edition)

Albrecht DĂĽrer

Not on View
Letter I: bowl with fountainlike foliage at center; standing putti at each side, one at L holding a melon, and the one at R holding a branch

Ornamental Initial I, early 16th century

Georg Lemberger

Not on View
Native American with wrinkled face wearing hat and necklaces; tan paper

Navajo Chief, 20th century

Carl Oscar Borg

Not on View
Virgin and child in mandorla; floating angels aloft holding a crown suspended above Virgin's head; Virgin stands on a crescent

Virgin Crowned by Two Angels, From the Fall and Redemption of Mankind, Plate 40, c. 1513

Albrecht Altdorfer

Not on View
Letter D: putto standing inside of a D formed from a tall vessel and leaves

Ornamental Initial D, early 16th century

Georg Lemberger

Not on View
Letter E: formed from floral decoration; putto wearing loincloth near opening of letter and holding stem in PL hand

Ornamental Initial E, early 16th century

Georg Lemberger

Not on View
Letter Q: backwards C-shaped leaf design with bud near center

Ornamental Initial Q, early 16th century

Georg Lemberger

Not on View
Letter Y: putto straddling arabesque design forming two grotesque heads that face each other

Ornamental Initial Y, early 16th century

Georg Lemberger

Not on View
Letter W: leaves with diagonal stems and flowers forming W shape; putto at L holding onto stem; putto at R holds something to mouth with PL hand

Ornamental Initial W, early 16th century

Georg Lemberger

Not on View
Christ seated at left, with standing man at left wearing cap pushing crown of thorns onto Christ's head with a forked stick; another man behind and to Christ's right holds a staff above his head; kneeling man in front of Christ; two other standing men at left

Christ Crowned with Thorns, c. 1509

Albrecht DĂĽrer

Not on View
seated man wearing a turban at left, with two standing attendants, one of whom holds a basin and the other pours a vessel of water over his hands; soldiers with spears, holding Christ by the arms, at right, seen from back

Pilate Washing His Hands, c. 1509

Albrecht DĂĽrer

Not on View
winged figure on horseback blowing a flaming horn accompanied by a second horse in LRQ; male figure with trident seen from back with flowing drapery around his midsection standing above a broken cart (?), holding a struggling female figure with long curly hair by the waist; embossing

The Rape of Proserpina, c. 1592-1607

Giuseppe Scolari

Not on View
scene of backyards with zigzagging stairs at right; woman bending over a tub in center foreground; clothesline in LLC; wagon with horse at left middle ground; two bare trees with birds

Back Stairs, 1915

Mildred McMillen

Not on View
man with fighting hammer stepping left; head profile right; tents at left; horse being led by male figure lower right; ornamental border with child in each corner; UL playing trumpet, other three playing horn; female figures center of side borders; an illustration from "Kriegsbuch"

Print, 1573

Leonhard Fronsperger

Not on View
four figures standing at a counter; two in front with dog; two behind; shelves behind; an exchange is taking place

Print, 16th century

Hans Burgkmair

Not on View
man looking down right with rod in left hand; banner(?) attached to rod and ends to left of right arm; partial coat of arms above head; church behind and below figure; three coats of arms in left margin; on verso another image with title "Giramburg" and three crows on banner

Lintpurg, 16th century

James Kerver

Not on View
man looking left holding banner in right hand with crowned lion rampant on banner; building at left; rocks and trees below and behind figure; on verso second image titled "Pfalz"man looking down right with banner in left hand and lion rampant on banner; man wearing flat hat; building at right

Behenm, 16th century

James Kerver

Not on View
printed in black and brown; head of a man in 3/4 view; small framed calligraphy panel attached to bottom of print's frame by chains (see Notes for text)

© Sidney Chafetz

Robert Frost, 1959

Sidney Chafetz

Not on View
three men; two standing and one bending over to pick up a hat(?); center figure holding necklace of beads with tassel at center; man at right bare headed wearing sword; rocky street with buildings right and left sides; bees circling the head of center figure

Print, 16th century

Hans Burgkmair

Not on View
man in profile with short pointed beard wearing black hat, glasses, dark jacket and checked pants, painting at an easel; man with donkey and kneeling woman with baby look over man's shoulder

The Donkey (to Edmond Sagot), 1913

Auguste Louis Lepère

Not on View
Mary, with long wavy hair wearing a headscarf, lying in canopy bed at center, holding a candle, also held by a man on left; other standing, seated and kneeling figures at left and right--some with hands folded in prayer

The Death of the Virgin, 1510

Albrecht DĂĽrer

Not on View
black and white; dark nighttime image of roads along a shore in a city, with cars; city skyscraper lights at L; water at R with boat in LRQ

© Yvonne Jacquette %2F Courtesy D C Moore Gallery%2C New York

Filaments of Light (Chicago), 2000

Yvonne Jacquette; Publisher: Mary Ryan Gallery, New York

Not on View
portrait of a man with a pointed cleft chin and pointed nose, wearing a hat and suit coat, with his bandaged PR hand in a sling; factory behind man with smokestack in ULC

© Estate of Conrad Felixm%C3%BCller %2F Artists Rights Society %28ARS%29%2C New York

Fabrikarbeiter, 1921

Conrad FelixmĂĽller

Not on View
kneeling man with long wavy hair and beard, holding drapery around his lower torso and thighs with his PL hand, and flogging himself on the back with a whip in his in PR hand; altar with candles at right

The Penitent, 1510

Albrecht DĂĽrer

Not on View
1st edition, Latin text.

The Angel Appearing to Joachim, 1504 (1511)

Albrecht DĂĽrer

Not on View

Saint Jerome in Penitence, 1509

Lucas Cranach the Elder

Not on View

A Trusting Man, 1895

FĂ©lix Vallotton

Not on View

Saint Jerome and the Lion, c. 1509

Master I.B. with a Bird (Giovanni Battista Palumba?)

Not on View

Judith and Holofernes, 1493

Michael Wolgemut

Not on View

Melancholie, 1914

Karl Schmidt-Rottluff

Not on View

The Knight on Horseback and the Lansequenet, c. 1498

Albrecht DĂĽrer

Not on View

Jael Killing Sisera, 1516-1519

Lucas Huygensz van Leyden

Not on View

The Last Judgement, c. 1499 (later printing, probably 18th century)

Italy

Not on View

Antichrist Condemns Enoch and Elias to Death, and Antichrist Causing the Faithful to be Beheaded from The Apocalypse of Saint John, c. 1469-1470

Netherlands

Not on View

Bewitched Groom, c. 1544

Hans Baldung (Grien)

Not on View
Plate 115

The Rising from the Dead of the Son of the Widow, 1852 (1853-1860)

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View

Tiger, 1912

Franz Marc

Not on View

Kleine Welten VI, 1922

Vassily Kandinsky; Publisher: Propylean Press , Berlin

Not on View
Christ seated at LLC with L hand extended; man sits facing Christ, pointing; various animals in foreground including rabbits, porcupine, fox, and moose; four seated female angels seated at middle R side make offering to Christ who is making sign with R hand; two winged figures/creatures?, a crane and deer at center to middle L side; western architecture in background; four small scenes at top show Christ inn various stages of the Cross; all figures have Chinese characters next to them; one scene at top depicts rays shinning on Christ kneeling, holding a dove; mountain-like setting

Christ in the Wilderness, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of St. John the Baptist standing in front of tree, preaching to crowd; two women seated at LRC, one feeding baby; seated woman holding two children at LLC; medieval clothing; western architecture at top half of image with seven small groups of people, possibly in military formation; eight Chinese characters throughout image

Saint John the Baptist Preaching, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
well at R side; line of figures carrying food behind Christ who is pointing into well; woman also points into well; city in background has western influence; at center L is group of people with Christ at center, another group of people to bottom L; Mountain valley setting, well on platform; seven Chinese characters throughout image; woman in distance viewed through well frame carries water jugs, one on head, one in hand; sailboat at UR middle border

Christ at the Well, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene; bottom R shows Christ seated with five figures immediately surrounding him-three looking and two above his head are poking him, placing crown of thorns on his head; in foreground is a knife next to branches of thorns; to R two figures with shields dressed in military garments stand as if watching; on L is guard in same attire; guards throughout interior; through outside the doorways on L hand side is Christ walking head looking down, appears as if figures are holding his hands behind his back; Chinese symbols by each depiction of Christ and one symbol above doorway, third one in

The Mocking of Christ, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

China

Not on View
L border is scene of crucifixion of Christ; ULC is God the Father preaching to seven winged angels; middle L side is tower where top is a figure pointing towards LRC, where pregnant woman is standing reading the prophesy of Islam from a podium; on chair on opposite side of podium has basket of wool; angel holding a lily walks toward woman; two rays on her; appears as if standing inside architectural structure; R border is building; URC is cloud with man kneeling and one blessing by raising his R hand; eight Chinese characters by scene and figures

The Annunciation, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

China

Not on View
LR side has image of the Virgin under a shelter holding Christ Child; line of figures weave throughout image; most figures bear gifts; mountainous background with western architecture; eight Chinese characters throughout image; star at URC

The Adoration of the Magi, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of last supper; Christ and eleven male figures seated around table; above table are six circles, each with an image and Chinese character inside; scenes inside circles: (top L to R) a: Christ's charge to Peter b: Christ healing the crippled c: sermon on the mount d: two groups with fire in between them e: turning water into wine f: healing a man; L border is outdoor scene with Christ floating above group of people leaving a building

The Risen Christ Appears to His Disciples, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
two men fighting; Hercules pressing his PR foot on Discord reclining in a foreshortened pose; Hercules raises a club over his head; putti flying above Hercules places a laurel wreath over his head; Hercules wears lion's skin; Discord has snakes in his hair and holds a snake in his PL hand; received framed and glazed in 17th-century frame

Hercules Triumphant over Discord, 1633-1634

Christoffel Jegher; Artist: After Peter Paul Rubens

Not on View
portrait of man's face in black; PR side fully visible

© Richard J. Haas %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Nietzche's Mustache, 1962

Richard Haas

Not on View
seated nude woman with her hands folded in her lap

Impulse, 1983

Byron Randall

Not on View
standing nude man drying his back; bathtub behind man

Man Drying, 1968

Byron Randall

Not on View
three men--two working on a scaffold by a brick wall, one carrying a large block on his shoulder

Los Maestros, 1956

Byron Randall

Not on View
Plate V group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

Cairo Street, 1901

FĂ©lix Vallotton

Not on View
Plate IV group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

Five O'Clock, 1901

FĂ©lix Vallotton

Not on View
Plate VI group of 6 woodcuts matted together; a: people standing behind a railing; b: crowd in a station; c: crowd and animals in front of stairs, in wind and rain; d: people walking behind a curtain being parted by a man in a fez accompanied by a man playing a horn; e: crowd of people with little girl in front; f: faces of crowd with fireworks overhead

Fireworks, 1901

FĂ©lix Vallotton

Not on View
black and white image of a portrait of a boy with long curls on both sides of face; holds an open book at bottom left; darkened window on right

© Estate of Naomi Schindler

Boy Reading, 2nd half of the 20th century

Naomi Schindler

Not on View
woodcut; black pigment on white paper; image of three emaciated figures piled onto a cart, rendered in thick, blocky linear patterns; figure on right draped over edge of cart, arms extended overhead, legs splayed in ULQ, facing upwards; center figure bend forward over cart, facing inwards; third figure in center left facing upwards, body obscured by other figures; cart wheel in LLQ

Copyright © 2019 Marius Sznajderman

The Cart, 1959

Marius Sznajderman

Not on View
interior scene with two windows; UL window is scene of Christ having walked away from tomb and two Chinese characters, UR is image of Christ preaching and one Chinese character; man in foreground with five people seated at each side, figures in discussion; three winged figures on each side

Caiaphas and the Council of Elders, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene; man seated at door holding crutches with two dogs possibly eating his leg; Christ also at door with five figures at each side; western style building through window; to L of doorway are men in balcony with musical instruments; at LC in foreground is table where food is being prepared and servants bring food to table at R; men and women in 17th century clothing around table at R; one-armed man at foreground holding a stick to chained monkey; four winged creatures at top R; three hold "V" shaped objects

Lazarus at the House of the Rich Man, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View

© A. R. Penck%2C courtesy Brooke Alexander

Nachtvision, 1982

A. R. Penck (Ralf Winkler); Publisher: Maximillian Verlag, MĂĽnich

Not on View

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Kuhgespann, 1951

Gerhard Marcks

Not on View

The First Tournament, 1506

Lucas Cranach the Elder

Not on View

Self-Portrait, 1922

Max Beckmann

Not on View

The Second Tournament with Tapestry of Samson and the Lion, 1509

Lucas Cranach the Elder

Not on View

The Martyrdom of Saint John, 1498

Albrecht DĂĽrer

Not on View

Saint Jerome in a Cave, c. 1480-1538

Albrecht Altdorfer

Not on View
1st edition, Latin text

Christ Taking Leave of His Mother, 1507 (1511)

Albrecht DĂĽrer

Not on View

Mocking of Christ, 16th century

Albrecht DĂĽrer

Not on View
1st edition, Latin text

The Assumption of the Virgin, 1510 (1511)

Albrecht DĂĽrer

Not on View
1st edition, Latin text

The Adoration of the Magi, 1503 (1511)

Albrecht DĂĽrer

Not on View
1st edition, Latin text

The Death of the Virgin, 1510 (1511)

Albrecht DĂĽrer

Not on View

The Flagellation, 16th century

Albrecht DĂĽrer

Not on View

Adoration of the Magi, c. 1502

Albrecht DĂĽrer

Not on View
1st edition, Latin text

The Circumcision of Christ, 1505 (1511)

Albrecht DĂĽrer

Not on View
Sixth knot from a set of six.

Knot with Seven Matching Meshes, 1505-1507

Albrecht DĂĽrer

Not on View

Christ Driving Out the Money Changers, 16th century

Albrecht DĂĽrer

Not on View

St. John the Baptist and St. Onuphrius, c. 1504

Albrecht DĂĽrer

Not on View
1st edition, Latin text

The Rest During Flight to Egypt, 1504 (1511)

Albrecht DĂĽrer

Not on View

The Holy Family with Angels Playing Flutes, 1511

Albrecht DĂĽrer

Not on View
Third knot from set of six.

Knot with White Disk, 1505-1507

Albrecht DĂĽrer

Not on View

The High Priest Tears His Garments, 16th century

Albrecht DĂĽrer

Not on View

Holy Family with Anna and Joachim Under a Tree, 1511

Albrecht DĂĽrer

Not on View
1st edition, Latin text

The Nativity, 1503 (1511)

Albrecht DĂĽrer

Not on View

The Judge from Dance of Death (Lyons), 1538, 1523-1526

Hans Holbein the Younger

Not on View

The Empress from Dance of Death (Lyons), 1538, 1523-1526

Hans Holbein the Younger

Not on View

Christ Born to Heaven by Angels, 1516

Hans Baldung (Grien)

Not on View

The Crucifixion, c. 1498 (1511)

Albrecht DĂĽrer

Not on View

Virgin and Child Adored by Frederic the Wise of Saxony, c. 1514

Lucas Cranach the Elder

Not on View

Mädchenkopf, 1920

Erich Heckel; Publisher: Kurt Wolff

Not on View

The Martyrdom of the Ten Thousand, 1497

Albrecht DĂĽrer

Not on View

Saint Jerome in a Grotto, 1512

Albrecht DĂĽrer

Not on View

Conversion of St. Paul, c. 1515-1516

Hans Baldung (Grien)

Not on View

The Countess from Dance of Death (Lyons), 1538, 1523-1526

Hans Holbein the Younger

Not on View

St. Sebastian Bound to a Tree, 1514

Hans Baldung (Grien)

Not on View

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