Looking for medina, metius, media, medic?

abstract; backwards maroon C at top center; blue lever- or arm-like elements — Inner Motion (Embrace), 1963
Amano Kazumi

G226

abstract; stepped form in black and white with circle and geometric lines; blues, green, brown, and black lines and circle — Moral (Intention), 1964
Amano Kazumi

G227

abstract image; yellow form with geometric rays; grey paper — Assemblage (Yellow), October 1962
Amano Kazumi

G226

colorful abstract; blue and green upside-down "P" shape at ULC with yellow and orange circle at its center; curved green and blue shape and curved blue and black shape, both on diagonal, with orange and yellow outlines near C; gray circle URQ; framed by black border at L and top, and orange border at R and bottom — Disjoint, 1969
Amano Kazumi

G237

large rectangular abstract form made up by various shapes and colors; colors conist of dark blue, teal, black, and uninked area; — Layers, 1962
Amano Kazumi

G226

black, green, blue, red, and dark blue abstract image; over all image is comprised of circles and waves to create an overall rectangle shape; — From Gauge (Trace) A, 1969
Amano Kazumi

G237

large peanut-shaped form with organic black, red, and green curving forms inside; white circle upper C within form; gray bracket on R side with circles and swooping lines — Mold (Life) A, 1968
Amano Kazumi

G237

multicolored bars with squared off hooks at ends in warm colors at top and bottom and cool colors at left at right, surrounding text — A Piece of Poetry, Drawing, Assemblage, March 1965
Amano Kazumi; Poet: Yoshimura Masatoshi

G227

abstract; circle made of various forms in predominately red — Inside and Outside (Round) A, 1968
Amano Kazumi

G237

Chorus, Amano Kazumi — Chorus, 1967
Amano Kazumi

G237

legs and lower bodies of kimono-clad figures wearing geta sandals, with their upper bodies hidden by large umbrellas; falling rain; multicolors — Umbrellas, 1915
Friedrich (Fritz) Capelari; Publisher: Watanabe Shōzaburō

Not on View

bay with three small boats below center; branch in foreground LRC; clear horizon — Irōzaki—Day, 1961
Yoshida Tōshi (self-published)

Not on View

bridge with umbrellas (blue and purple with white) held by figures on bridge visible over railing; trees on opposite side of bridge; grey sky with rain falling — Spring Rain at Benkei Bridge, April 1936
Kawase Hasui; Publisher: Watanabe Shōzaburō

Not on View

bare tree with red persimmons at left; four figures in foreground in front of house with very broad brown roof; brown and white clothing hanging in front of house; green tree, URQ — Title unknown [Farm House with Persimmon Tree], c. 1960
Saitō Kiyoshi

Not on View

round image of view outdoors through sliding Japanese doors with white rice paper at right (with dark silhouettes of foliage) and red and brown patterned paper with water and flowered branches at left; view of water with blooming cherry branch in foreground; blooming cherry trees on opposite shore with blue and grey roofs behind; green-blue mountain in distance — Kamogawa Cherries, 1984
Clifton Karhu

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boats at a dock; sailboat at center left; buildings in background--brown buildings at right, white buildings at center; figures on boats and on dock — Tomonoura Godowns, 1930
Yoshida Hiroshi (self-published)

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fields with some small trees with few leaves in foreground; two figures in blue on strip of green in LLQ; Mount Fuji in background — Musashino, 1928
Yoshida Hiroshi (self-published)

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Japanese maple bonsai plant with red and pink leaves set against a yellow-orange background; green moss in clay colored planter at bottom; two green leaves at top — Maple, 1970
Yoshida Tsukasa (self-published)

Not on View

front view of a temple entrance: wooden temple gate with moss-covered tile roof; lanterns; two figures just inside at L; view of garden and blossoming tree inside; outside is the front wall and stone bridge — The Gate to Bunnosuke Teahouse, 1933
Yoshida Hiroshi (self-published)

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pond with temple and grounds; silhouette of a 5 storied pagoda; silhouettes of trees in background; branches from willow in foreground — Sarusawa Pond, 1933
Yoshida Hiroshi (self-published)

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steep grey stone steps leading up to a richly colored red and white 5-storied pagoda; lush green foliage surrounds the scene — Pagoda in Murō, 1954
Yoshida Hodaka (self-published)

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twilight or sunrise seascape: blue rock formation in foreground; grey seascape (resembles cloudbank) and purple rock formation in middle ground; pink, orange, and grey sky in background — Yatsugatake after Rain (Seen from Ishimuro, Komagatake), 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

ducks on shore and swimming in water in foreground; four children and adult with baby on back on a path in front of white and grey buildings in middle ground; mountain peak, ULQ — Matsumoto, 1940
Yoshida Tōshi (self-published)

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rocky, somewhat abstract seascape: black and blue horizontal lines make up the calm water; black rocks in background are striped with purple designs; in foreground, black rocks punctuated with yellow details including yellow outline of partially overturned car (?); hints of abstract foliage at R with green; patterns in rocks and foliage resemble textile patterns; rich, saturated black, blue, purple, yellow, and greens; sky is mostly white save a strip of blue gradient at top with white moon — Landscape M-A, 1972
Yoshida Hodaka (self-published)

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abstract image: deep purple background with trail of vertical lavender colored "dumbbell" figures ascending from LLC to upper quadrant; a few horizontal cream colored "dumbbell" shaped figures bisect some of the lavender figures; light blue, dark blue, and some maroon colored circles and squares in background, some of the light blue shapes also begin at LL and ascend into top quadrant — Night, 1954
Yoshida Hodaka (self-published)

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pair of black birds with red faces and white underbodies perched on branch of blooming purple wisteria; yellow ground — Swallows and Wisteria, 1926
Ohara Shōson; Publisher: Watanabe Shōzaburō

Not on View

pair of white birds on a red perch against a green ground; blue cylindrical container at left — Cockatoos, 1930s
Ohara Shōson; Publisher: Kawaguchi Jirō; Carver: Itō; Printer: Komatsu Wasankichi

Not on View

white swans swimming on blue water with brown wall at left and short brown wall at right; green vertical lines of foliage at top; suggestions of rooftops in ULQ; some embossing; lightly abstracted image — Bruges, 1955
Yoshida Tōshi (self-published)

Not on View

abstract biomorphic slightly asymmetrical form in variegated shades of rose, grey and yellow-green; grey and white ground of looping and radiating parallel curved lines, with some shades of green and rose around center — Misty Dance, 1957
Yoshida Tōshi (self-published)

Not on View

vantage point taken from snowy cliff with snow-covered pine trees; looking down onto snow-covered rooftops at LL; snow-covered land with trees and a few buildings in middle ground; rolling low mountain with trees and snow in background — Myōkō Hot Springs, 1955
Yoshida Tōshi (self-published)

Not on View

large orange and white shrine building occupies most of the scene at L; people depicted on and around the stairway; two women at LL approach the grounds while two women, one with orange umbrella near LR approach the stairs; white wall and silhouettes of trees in background at R — Omuro, 1940
Yoshida Hiroshi (self-published)

Not on View

a small group of women in colorful kimono gathered in center near one story pagoda built atop a white rock-like structure with arch; towering, blossoming cherry tree with supports at L; foliage and low structures in background — The Cherry Tree at Kawagoe, 1935
Yoshida Hiroshi (self-published)

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red shrine with blooming cherry tree; woman in green kimono with child in red kimono in foreground feeding birds with other figures in middle ground — Hie Jinja, 1940
Yoshida Tōshi (self-published)

Not on View

two young women walking down a street; woman on left wears a grey and white kimono and a purple and pink jacket and carries a grey parasol; woman on right wears a black kimono with pink leaves and a salmon-colored jacket; two women with one holding a baby, accompanied by a dog, in background at left; tree visible behind fence wall at right — Kikuzaka Street, 1939
Yoshida Tōshi (self-published)

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snowy mountain peak with pink colors; pinkish-purple sky; blue-lavender colors behind foreground trees and rooftops — Early Spring in Azumino, 1989
Yoshida Tōshi (self-published)

Not on View

darkened interior of a kitchen/workshop; two figures work inside: one at LR stokes the fire inside an oven while the other stands over a sink or workbench near a half open window; room contains large pots, a table with a bench, and an elevated surface at L; just behind crouching figure at R is an open doorway looking out onto trees and chickens — Farmhouse, 1946
Yoshida Hiroshi (self-published)

Not on View

colorful image of village buildings on the side of a mountain, looking upward; white stucco buildings with orange terra cotta tile roofs; balconies with potted plants; three animal-shaped multicolored piñatas in LRC; woman, man and boy wearing colorful garments, seen from back, with a dog, LLQ; woman in red shirt walking down stairs in LLQ; sign on building at bottom: "CERAMICA ARTIST / Los Castillo] — Taxco, Mexico, 1975
Yoshida Tōshi (self-published)

Not on View

autumn garden scene: birch trees with orange and yellow leaves in foreground; stone pathway to a wooden gate amid green and yellow grass; bushes; and brightly colored red, yellow, orange, and green foliage in far background — Sangetsu-an, Hakone Museum, 1954
Yoshida Tōshi (self-published)

Not on View

a group of men gathered around campfire with kettle at LR; man sitting inside brown tent near center; dark, snowy landscape in middle ground with mountains and looming clouds in background — Bivouac: Kitadake and Ainodake, 1928
Yoshida Hiroshi (self-published)

Not on View

tea house in center middle ground behind three towering fir trees; path is surrounded by bushes full of pink and white blossoms — Teahouse, 1938
Yoshida Hiroshi (self-published)

Not on View

night scene: two women in kimono with umbrella peer into a shop window at LL; reflection from warm indoor lights on wet street; in middle ground, a multi-story building with bicycle parked in front and illuminated paper lanterns contrasts against the dark night scene — Night in Kyoto, 1933
Yoshida Hiroshi (self-published)

Not on View

three men wearing orange turbans and shirts seated on an elephant who is adorned with an orange, green and brown scarf on the top of its head, gold necklaces and white scrolling designs on its face; other figures wearing predominately white with bright-colored turbans in foreground and at left behind elephant and on rooftops of salmon-colored building at left; oxen at bottom left — Festival in Jaipur, 1984
Yoshida Tōshi (self-published)

Not on View

twilight scene: snowy mountain, silhouetted hills, and low buildings in middle and background; river in foreground reflecting the scene — Itoigawa in the Evening, 1929
Yoshida Hiroshi (self-published)

Not on View

two crescent shaped forms with abstract, forked and zigzagging forms across upper portion of image; in browns and oranges; in lower portion, same abstract shape is echoed vertically in silver pigment, and horizontally in UR; faint silver border — From the Star, Day, 1957
Yoshida Tōshi (self-published)

Not on View

shrine complex with many buildings; many steps at left; figures walking up and down steps; three very tall trees in middleground; red building at left — Nikko, 1940
Yoshida Tōshi (self-published)

Not on View

peak of Mt. Fuji glowing pink; grey sky and blue-grey landscape with silhouetted trees — Mt. Fuji from Gotenba, 1987
Yoshida Tōshi (self-published)

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autumn scene; vibrant yellow, red, orange, and green foliage in middle ground reflected in river in foreground; gently rising mountain in background — Suiren Marsh at Hakkōdasan, 1929
Yoshida Hiroshi (self-published)

Not on View

standing woman in lavender sweatshirt and blue pants stands with arms down against hips, legs together in front of an octagonal, pillared structure; woman is standing on wide path lined with trees and lamps; in middle ground at R, set of stone stairs leads to a verandah with wrought iron railing in front of the octagonal structure; building has scalloped design around roof and a tall spire with weathervane — Scene with Ayomi, A, 1979
Yoshida Hodaka (self-published)

Not on View

three figures in foreground with two oxen pulling cart; tan and brown buildings and foliage in middle ground; orange-yellow buildings blending into side of bluff in background; brilliant blue sky — Gwalior, 1984
Yoshida Tōshi (self-published)

Not on View

image in tans and oranges of silhouettes of five figures carrying jugs on their heads, accompanied by a child, right of center; silhouettes of trees; two other groups of figures in middle ground — Morning Mist, 1987
Yoshida Tōshi (self-published)

Not on View

two women in kimono (one holding umbrella in PR hand) stroll close together at LR in front of a pond; in middle ground, an orange pagoda sits atop a white base; blossoming trees and shrine buildings in background — Shinobazu Pond, 1928
Yoshida Hiroshi (self-published)

Not on View

large white hotel situated in grove of trees with loop-around driveway in foreground; large lake with shoreline and road in middle ground; rising, snow-covered Mt. Fuji in background — Fuji New Grand Hotel, Lake Yamanaka, c. 1937
Yoshida Hiroshi (self-published)

Not on View

view of boats and people, with shoreline at right; pale tan arched bridge at center with pedestrians walking over it; weep willow tree in URQ — Suzhou, 1940
Yoshida Hiroshi (self-published)

Not on View

view through the silhouette of an archway, with silhouetted heads of seated and standing figures before railing at bottom in foreground; building with orange tile roof; people on street; street lights at right; shin hanga (fūkei-ga) — Havana in 1954, 1985
Yoshida Tōshi (self-published)

Not on View

%C2%A9 Yoshida Hodaka

Maya's Sacrifice, 1955

Yoshida Hodaka (self-published)

Not on View

window with scalloped top archway and view of rock and branches; wooden elements on white wall; blue and grey horizontal elements at top — Window and Stone Garden, 1963
Yoshida Tōshi (self-published)

Not on View

man wearing white hat and short blue shift tied at waist stands on bamboo raft holding long green bamboo pole in both hands; man has whiskers around mouth and is looking off to PL side; black rock (?) formation ULC — Boatman, one of four, 1920s
Kamisaka Sekka

Not on View

tall, heavily decorated, multi-story temple gate at center; human figure descending the stairs in front; temple grounds and tall trees in background — Yomei Gate, 1937
Yoshida Hiroshi (self-published)

Not on View

white snow-covered mountain peaks in distance; pale orange sky; flat landscape in foreground with scattered trees and some water at front — Daisetsuzan, 1984
Yoshida Tōshi (self-published)

Not on View

wide river with bridge in background; 4 boats tethered at LL of image, a human figure working in the furthest boat from shore; tree and grass lined banks at L with a few buildings in background — Yodo River, 1942
Yoshida Tōshi (self-published)

Not on View

darkened interior of a palace, looking out; a group of women stand near a staircase at L; large columns support the interior; a group of women at R, behind columns, near stone monument; view looks out onto lattice-wall and out into a lush pink and green garden — Changgyong Palace, 1937
Yoshida Hiroshi (self-published)

Not on View

rocky shore of a waterway; multicolored rocks dominate the foreground and along LR edge; water in middle ground; a cluster of buildings at center; silhouette of tree-covered bluff at UL, large, snowy mountain in background — Kajiyashiki, 1929
Yoshida Hiroshi (self-published)

Not on View

diverse groups of people in very colorful clothing the long, covered porch of a grey stucco building; women in colorful shawls and long dresses seated along colorful blankets with their backs to the stucco wall; people in contemporary clothing interacting with the seated women; porch pillars and lintels are dark brown wood; yellow roof with pigeons; grey windows — Santa Fe, 1971
Yoshida Tōshi (self-published)

Not on View

scene of the Kamo River in Kyoto: riverbank in foreground and middle ground with river running through; willow tree branches in foreground at L; silhouettes of trees in background at R, and riverfront buildings in background at L — The Kamo River, 1933
Yoshida Hiroshi (self-published)

Not on View

large open brown wood gateway; pond in foreground with rocks; group of figures walking beneath gateway with other figures in middle and background; mountain in far background — Benten Torii at Nezugaseki, 1939
Yoshida Hiroshi (self-published)

Not on View

building with cone-shaped gold dome in background center; buildings and palm trees glowing orange in sunset in middle ground; two water buffalo in water in foreground, with figures walking through a grey archway; pink sky — Rangoon, 1984
Yoshida Tōshi (self-published)

Not on View

portrait of a male lion, lying down; printed in orange and black — Lion, 1974
Yoshida Tōshi (self-published)

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unsigned; junk with two sails towing a dinghy; grey-brown color — A Junk, printing order no. 2, 1939
Yoshida Hiroshi (self-published)

Not on View

canal with boats lining each side; houses along R side and in background; figures working on and around boats; three ducks swimming at center — Urayasu, 1951
Yoshida Tōshi (self-published)

Not on View

village scene with many blossoming white and pink plum trees; farmland in center; large building at LR with a man in tan suit and woman in pink kimono with blue obi sitting on verandah; green bushes and shrubs at LR; mountains in background — Village of Plums, 1951
Yoshida Tōshi (self-published)

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people dressed in kimonos in front of an elaborate white, green and yellow gateway with three snarling carved animals on top; woman in foreground wearing green and purple kimono, LLQ — Okaramon, 1940
Yoshida Tōshi (self-published)

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%C2%A9 Yoshida T%C5%8Dshi

Mountains of Himalaya, 1982

Yoshida Tōshi (self-published)

Not on View

autumn scene: small garden with grey pathway and amber-colored plots with small bushes, rocks in foreground; part of white building at R; pond with small waterfall, green bushes, rocks, and red Japanese maple trees in middle ground; orange, red, yellow forest with mountains and rising steam in background — Autumn in Hakone Museum, 1954
Yoshida Tōshi (self-published)

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woman with baby on back approaches a flock of pigeons; in middle ground, the massive orange and white gate of Gion shrine; pine trees in middle and background — Gion Shrine, 1935
Yoshida Hiroshi (self-published)

Not on View

blocky, human-like figure rendered in brown, black, and grey, wearing white skirt stands on one foot; six arms in various positions in the air; black hair in bun on top of head; figure casts three shadows: one large shadow at R in black; shadow above and behind figure in reddish-brown; and smaller shadow behind figure's legs in grey — Ashura, 1954
Yoshida Hodaka (self-published)

Not on View

wooden gate in middle ground; woman behind gate attempts to assist young girl in crossing through gate to front; outside, a woman standing near blossoming plum tree at LR, with baby on back, looks on; trees at varying heights in background — Plum Gateway, 1935
Yoshida Hiroshi (self-published)

Not on View

snow-capped mountain peak with jagged top; blue and white; pinkish-grey sky; purple mountain peaks in foreground — From Katsuragi-yama, 1983
Yoshida Tōshi (self-published)

Not on View

abstract portrait of a woman made up of white arcing lines on mottled brown/tan ground — German Girl, 1954
Yoshida Tōshi (self-published)

Not on View

a mother grouse in center facing L with 4 chicks; one chick is under PL wing; three chicks at LL — Raichō, 1930
Yoshida Tōshi (self-published)

Not on View

interior view of temple structure; large red paper lantern hangs from the ceiling between supports near center; other smaller, white lanterns also suspended from ceiling; a few visitors touring the building, including a woman in blue kimono lower center who appears to gaze up to the lantern — Ishiyama Temple, 1946
Yoshida Tōshi (self-published)

Not on View

dusk; wide street with buildings on L side and a man crouching over a bucket on a porch; very tall inscribed white banner near center across from a torii gate; near center, a family of 6 walks down the street, away from the torii gate; at right, a large inscribed egg-shaped rock and a garden; more buildings, people, and mountains in background — Shrine of the Paper Makers, 1951
Yoshida Tōshi (self-published)

Not on View

two groups of women in foreground washing clothing along the banks of a quiet river; boats parked at bank of opposite shore; short, steep bank behind boats leading up to large two-story temple gate; cluster of buildings on L and trees on R of gate — Daedong Gate, 1937
Yoshida Hiroshi (self-published)

Not on View

quiet river with reeds at LR and dock-like structure with tall poles and fishing gear (?) in center; in background, a flat landscape with two buildings nestled among trees; dense trees in background, reflecting on water in foreground; dusk or twilight — Yoshikawa, 1935
Yoshida Hiroshi (self-published)

Not on View

man in short blue pants, sandals, and short top and conical hat plays flute at UL; standing above costumed figure with arched back; costume has large, draping green back with large white spots, white mane, tufted black hair, and red face with exaggerated features; human legs poke out at bottom — Lion dancer, one of four, 1920s
Kamisaka Sekka

Not on View

abstract image; biomorphic and geometric form in black with brightly colored geometric elements; yellow-green radiating background; shin hanga (fūkei-ga) — Festival in Spring, 1962
Yoshida Tōshi (self-published)

Not on View

groups of women walk on rainy street; tall pagoda rises at center; blossoming trees dominate the frame; pinkish cast to image — Ueno Park, 1937
Yoshida Hiroshi (self-published)

Not on View

two young women in brilliant, ornate kimono walk in sync, holding their front skirts up with PL hands; shrine grounds in background with richly saturated orange, white, and green details; blossoming pink cherry tree just behind the two Maiko — Maiko, c. 1929
Yoshida Hiroshi (self-published)

Not on View

twilight scene of a lake and mountains: at left, a silhouette of a boat with 2 sails and 2 human figures; in center, a silhouette of a steamship with glowing orange windows; lights from ship and along shore are reflected in the water — Kōnoshima, 1930
Yoshida Hiroshi (self-published)

Not on View

abstracted linear image of a female nude--white lines on brown ground — No. 6, 1952
Yoshida Tōshi (self-published)

Not on View

three lighted carts with colored curtains in front of them with bold characters; figures standing behind curtains; dog in LRC; woman carrying a child on her back, LLQ; nighttime scene — Supper Wagon, 1938
Yoshida Tōshi (self-published)

Not on View

two women wearing kimonos in foreground--standing woman seen from back wearing pink kimono with white areas with red flower sprays, seated woman wearing blue kimono with green and orange leaf-like shapes; other figures walking on bridge in background; square light on tall pole behind woman in blue; tree branches at top — Benkei Bridge, 1941
Yoshida Tōshi (self-published)

Not on View

autumnal landscape: amber and green colored plots of farmland in lower half of scene dotted with small houses and farm buildings; blue river separates farmland from orange, red, green, and purple hills; snow-covered Mt. Fuji in background against a yellow sky — Mt. Fuji from Ohito, Autumn, 1962
Yoshida Tōshi (self-published)

Not on View

scene of various moored boats in a calm bay in foreground; small village in middle ground; rolling green hills and purple mountains in background; scene has slightly orange cast reflecting time of day — Waiting for the Tide, 1930
Yoshida Hiroshi (self-published)

Not on View

young woman in pink kimono with elaborate hair ornament sitting on a cushion at bamboo table set with small bowls and chopsticks; holds green plate with round purple treat in PL hand, cuts into treat with small object in PR hand — In a Kyoto Sweet Shop, 1951
Yoshida Tōshi (self-published)

Not on View

%C2%A9 Yoshida T%C5%8Dshi

Crabs, 1925

Yoshida Tōshi (self-published)

Not on View

three men with large bundles on their backs hiking up the snowy face of a mountain; walking sticks in PR hands; a group of 4 men gathered near UR; mountain continues in background — Climbing a Snow Valley at Harinoki, 1926
Yoshida Hiroshi (self-published); Carver: Murakami

Not on View

scene of a calm bay with a few scattered boats; low blue and grey mountains in background; small cluster of houses and buildings nestled next to a rolling green hill at LR in foreground — A Calm Day, 1930
Yoshida Hiroshi (self-published)

Not on View

scene in a garden with numerous stone lamps of various kinds and many potted plants; squatting man at left tending to a bonsai, wearing a blue tunic, grey pants and a white headband — Stone Lanterns, 1941
Yoshida Tōshi (self-published)

Not on View

herd of game animals running across scene; three of the animals are highlighted, two at far L, and one at R; animal at R turns head to look behind while running; a few dead trees against silhouetted thicket of trees in middle ground; pronounced wood grain texture and horizontal lines; rendered in browns, yellows, reds, and oranges — One Day in East Africa No. 4, 1981
Yoshida Tōshi (self-published)

Not on View

somewhat abstract scene; white, rippled moon in upper center amidst green, teal, and purple background; tall black column along R edge; choppy, almost reef-like vertical black lines rising from bottom to center of image — Nocturnal, 1962
Yoshida Tōshi (self-published)

Not on View

two women in kimono, one holding an umbrella cross over a double arched stone bridge; pond with blossoming lily pads in foreground; large willow tree in middle ground at L; white building with willow tree in middle ground at R — Willow and Stone Bridge, 1926
Yoshida Hiroshi (self-published)

Not on View

two women in kimono with umbrellas walking through flooded street (or pond?) at L; in background is a small hill with large, blossoming tree with supports and lattice; silhouettes of trees in far back — Spring Rain, 1935
Yoshida Hiroshi (self-published)

Not on View

five-level blue and white castle tower on top of hill in background, center; rosy sky; green farmland in middle ground; trees and foliage in foreground — Shirasagi Castle, 1942
Yoshida Tōshi (self-published)

Not on View

abstracted image of woman's head with eyes and nose delineated; white arcs separating colored planes--browns, grey, mottled greens, khaki, orange and brown — Woman in Bagdad, 1954
Yoshida Tōshi (self-published)

Not on View

village in a valley near mountains; church with other stone buildings and a stream near center; golden rolling hills with shrubs in foreground and LL; rising golden bluff in background with towering blue and white mountain behind — Matterhorn, 1925
Yoshida Hiroshi (self-published)

Not on View

autumnal farm scene: brown and golden field in foreground with dilapidated barn or shed at center; small tree with a few leaves to R of structure; leaves caught in a breeze are suspended in the air behind the structure; the sky is olive/tan colored — Wind, 1970s - 1980s
Yoshida Tsukasa (self-published)

Not on View

glowing lanterns hanging under the eaves of a multi-storied temple; people gathered around the balcony of the temple; silhouettes of trees in background — Evening in Nara, 1933
Yoshida Hiroshi (self-published)

Not on View

rear 3/4 view of human figure; checkered skirt with wave motif at bottom; billowing short coat with circular crests; two samurai swords crossed under coat; head fully covered with woven hat; wood grain background in rust color — Samurai, one of four, 1920s
Kamisaka Sekka

Not on View

landscape scene with snowy mountains in background, rolling hills and silhouettes of trees in middle ground; small farmhouse and trees tucked in hills in foreground — Hakuba and Yarigadake, 1929
Yoshida Hiroshi (self-published)

Not on View

two stepped tapering temple towers; colonnade in middle ground, with steps leading down to water in front; pinkish-orange sky; greyish water — Madurai, 1984
Yoshida Tōshi (self-published)

Not on View

snowy pastoral scene: three human figures, one towing a sleigh loaded with packaged goods, make their way through the snow and into a snow-covered house; collection of buildings at center; trees and other buildings in distance at R; mountains in background; river and trees at R — Snow in Kashiwabara, 1927
Yoshida Hiroshi (self-published)

Not on View

five-level pagoda at center background; small hut with two figures at left in front of pagoda; weeping willow tree at right on the band of a calm body of water in foreground; pink sky — Pagoda in Kyoto, 1942
Yoshida Tōshi (self-published)

Not on View

in foreground: gently rolling slopes with stream through center, trees, reeds, rocks; lake in background with sailboats, mountains — Garden by Lake Biwa, 1933
Yoshida Hiroshi (self-published)

Not on View

surrealist landscape with blue vertical forked spires and yellow, green, and grey circles; oval cluster of light spots ULQ resembles a cloud; rust colored horizon across lower quadrant; brown foreground with light spots at bottom — Toward the Sky, 1965
Yoshida Tōshi (self-published)

Not on View

abstracted image of standing nude made of white arcing lines; mottled greens and peach — Nude, 1954
Yoshida Tōshi (self-published)

Not on View

in foreground, a woman in kimono walks along riverbank at LR; a line of boats in the river in middle ground; blossoming trees; in background, a steep mountain with dense foliage — Arashiyama, 1935
Yoshida Hiroshi (self-published)

Not on View

ocean beach scene: beach with large rock at LR; gentle waves lapping against sandy beach; small rock formation at center; various boats in middle ground; taller, larger rock formation at L in horizon — Ohara Beach, 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

white buildings with red roofs and palm trees in distance in middle ground; orange and brown mountain peaks topped with white and orange buildings at top of image; brilliant blue sky — Tiruchchirappalli, 1984
Yoshida Tōshi (self-published)

Not on View

flat, rocky riverbank in foreground; river with a line of boats--two with sails--in middle ground; rising, tree covered hills and bluffs in background — Tenryu River, 1942
Yoshida Tōshi (self-published)

Not on View

waterway with buildings at left and right; six boats; tree at right; family in boat in foreground — Iidabashi, 1939
Yoshida Tōshi (self-published)

Not on View

Southern Islander, one of four, 1920s

Kamisaka Sekka

Not on View

night view with silhouette of large ocean liner with lights in portholes; smaller boats in foreground — Night in the Harbor, 1938
Yoshida Hiroshi (self-published)

Not on View

two owls perched on a chestnut tree branch; owl at L has eyes shut, owl at R has eyes wide open; green and brown autumnal leaves and chestnuts surround; moon rising at LL — Two Owls, 1970
Yoshida Tōshi (self-published)

Not on View

view of orange, green and grey rooftops of a crowded city; thin tree in foreground; foliage with pink and orange blooms at bottom; grey sky; shin hanga (fūkei-ga) — San Francisco, 1985
Yoshida Tōshi (self-published)

Not on View

Mt. Fuji, partially covered in snow in background, silhouettes of trees in middle ground; reflection of Mt. Fuji in river in foreground — Fuji in the Evening, 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

underwater scene: orange, yellow, pink, and mustard colored corals on a rock with green seaweed; two small seahorses in the background of image near top — Sea Horses, 1952
Yoshida Tōshi (self-published)

Not on View

mountain scene: rocky, snowy mountains rendered in grey, blue, purple, white, blue, and pink — Jungfrau, 1925
Yoshida Hiroshi (self-published)

Not on View

small scene depicting boats with sails on a calm sea; silhouette of small mountains in background; a few lights from the distant shore reflecting on the water — Takahama Port on the Inland Sea, 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

green bamboo trees in foreground growing from ground covered with grey pebbles; larger rocks and a stone walking path along with colorful bushes and dense foliage in middle and background; top of a white building to L in front of blue, pink, and green tinted mountains — Bamboo Garden, Hakone Museum, 1954
Yoshida Tōshi (self-published)

Not on View

canal on L with a number of boats parked along the banks; a row of houses lines the right side of the canal; a human figure at center walks away from a boat towards a house under a line of colorful hanging laundry — An Osaka Canal, 1941
Yoshida Hiroshi (self-published)

Not on View

riverfront scene; river in foreground; traditional style buildings built up against the river; man in boat at LR; group of people crossing bridge in center, blossoming cherry tree in foreground at L and top — Hayase, 1933
Yoshida Hiroshi (self-published)

Not on View

half-circle footbridge in middle ground over calm water; small buildings at left and right; many people walking; gnarled tree with purple hanging blooms across top of image — Half Moon Bridge, 1941
Yoshida Tōshi (self-published)

Not on View

road or river at LL curving into background; dark trees at LL and dark foliage at LR; horizontal bands of silhouetted foliage in middle ground, lightening in hue and saturation towards back; low mountain in background; rendered in pinks, oranges, and blues — Sunset in Miasa, 1980
Yoshida Tsukasa (self-published)

Not on View

large garden pond with lily pads; boulders, stone lantern, rolling green turf in middle ground; silhouettes of foliage in background; tangled, blossoming wisteria dominates the frame — Wisteria Garden, 1935
Yoshida Hiroshi (self-published)

Not on View

garden with still pond; figure in maroon standing on a walkway with a small bridge over pond; two seated figures wearing blue kimonos with white dots in foreground, LLQ; green, grey and tan earth tones — Linnoji Garden, 1941
Yoshida Tōshi (self-published)

Not on View

small red shrine with greenish-tan roof in a grove of very tall trees — Sacred Grove, 1941
Yoshida Tōshi (self-published)

Not on View

two oval shapes in orange pigment with black, thin concentric lines forming a fingerprint pattern; black oval and two side-by-side black circles on each oval; black background with dotted yellow flecks on the bottom edge of image; Japanese characters in bottom margin — Two Clowns, 1965
Kinoshita Tomio

Not on View

colorful landscape scene with rooftops in bottom center and in LRQ; cherry tree in center between two houses; trees and greenery surround houses, with shadowed, tree-lined hills in background; Japanese characters written in pencil in LLC; red seal in LRC of image — Ohara no sato, 1992
Ido Masao

Not on View

colorful abstract trees on a hill with black outlines--red, orange, yellow, green, brown, purple; yellow sky; purple lines and textured areas in foreground with green and yellow (water?); row of black outlined boats (?) just below low horizon line — Autumn Colors, Arashiyama, 1968
Hashimoto Okiie

Not on View

abstracted seascape with view of calm water with bright orange setting sun at center at horizon line; white and orange boat, LRQ; yellow, blue, green and white water; brownish mountains and clouds; blue, yellow and orange sky — Setting Sun over Shiretaka, 1986
Hashimoto Okiie

Not on View

beach scene; water at left in blues, purple, white and green; sand in foreground and left, with jagged cracks in LLQ; purple mountains; turquoise sky — Spring, 1976
Hashimoto Okiie

Not on View

abstract image; black ground at top and bottom; red rectangles with veining and black shading; stepped and wedge-shaped horizontal blocks of light blue at top of red form; rectangle near center with vertical shaded light blue wavy lines (window form); vertical rectangular panels--longer panel at left, shorter panel at right--with biomorphic light blue shaded forms — The house at down town, 1974
Tajima Hiroyuki

Not on View

flames in pink, red, yellow and orange above a grey structure with horizontal lines in URQ; yellow glow beneath a grey linear roof in LLQ; abstract crowd in darkness at bottom center, with three figures in brown and blue in foreground, LLQ; grey ground — Water-Drawing Festival (omizutori) at the Nigatsudo Hall of Todaiji, Nara, 2000
Kitaoka Fumio

Not on View

abstracted landscape; mountains in background on high horizon line, with black outlines and areas of greens, orange, brown and purple; misty land forms in middle ground and foreground in slate grey, greens, yellows and purples — Morning Mist II, 1985
Hashimoto Okiie

Not on View

abstracted image of Mount Fuji in medium and pale grey in background with layers of land forms in foreground in blue-grey, blue, purple and green, with pink, brown and green foliage in foreground; orange sky — Longing at Kagosaka, 1981-1986
Hagiwara Hideo

Not on View

abstract landscape with horizontal blue, green and black bars in foreground on lighter blue; middle section of abstracted trees in greens, blue and black; green and brown mountain in background; small blue sliver of sky — Mountain and Lake, 1969
Hashimoto Okiie

Not on View

abstracted image of Mount Fuji in purple and white in ULQ; brownish-purple land forms in foreground and middle ground, with jagged lines of green and tan foliage; salmon-colored sky — Burning Meadows at Asagiri, 1981-1986
Hagiwara Hideo

Not on View

abstracted image of Mount Fuji with waving grass-like elements in white over image throughout; foreground is tan and orange; dark blue and grey mountain; tan and pale grey sky — Hint of Sunshine, 1981-1986
Hagiwara Hideo

Not on View

unsigned; abstracted image with Mount Fuji in LRQ in purple; orange, green and purple streaks and clouds in sky — As Darkness Leaves, 1990-1991
Hagiwara Hideo

Not on View

grey flat-topped mountain with smaller grey mountain in front of it; grey striated area in foreground; dark sky with black patterning over grey, green and maroon; partially obscured yellow moon, URC — Kōgetsudai Sand Garden, 1961
Hashimoto Okiie

Not on View

abstracted landscape with Mount Fuji in purple in LLQ; vertical branching black lines--bare trees?--at right; purple sky with dull orange at low horizon line; lavender and purple section of moon in ULC — An Evening Moon, 1990-1991
Hagiwara Hideo

Not on View

abstracted landscape with bamboo grove at top, in green, brown and tan with dark black outlines; green expanse with jagged path in browns, grey and black at left; rocks and grey diamond shaped area at bottom at center and right, in blacks, greens, white and grey with black outlines — Garden with A Gutter, 1960
Hashimoto Okiie

Not on View

abstract image; red rectangle with black veining against red ground with some black shading; two other rectangles on veined rectangle--top horizontal rectangle had vertical shaded light blue irregular lines — Blue and Red B, 1974
Tajima Hiroyuki

Not on View

abstracted image of a zen garden with vertical lines at right, horizontal lines at left and circular area with black spot at center at left in LLQ; black, white and grey; black wood grained railing and ball-topped post in foreground at bottom — Stone and Sand Garden E, 1961
Hashimoto Okiie

Not on View

stepped tower at right in greys and blues; round dark moon with light yellow crescent in LRQ; dark blue night sky — Matsumoto Castle and Moon, 1944
Hashimoto Okiie

Not on View

abstracted firework-burst against dark background; cluster of white and yellow starbursts and spots within orange halo at UR; red woodblock patterns stamped over dark background — Sacred Day, 1970
Fukita Fumiaki

Not on View

outdoor scene with stick figure-like people in foreground, some standing and some seated on benches, looking out over water with black boats; black night sky with large yellow moon; small building in LLC; text along right edge in white on black, blue and red; sheet mounted to cardboard — September: Full Moon at Suwayama, 1931
Kawanishi Hide

Not on View

abstract image; large gray shape that encompasses most of the top half of print, bottle-necking downward toward the bottom center; aqua background; patchy green rectangular shape in bottom center; two red, patchy circles on right; black diamond shapes in center left, with dark, abstract shapes in center left; mottled green and red shapes, some in the form of diamond shapes, placed within a horizontal black 'window' across the top of the image; several smaller black shapes encased in a crescent-shaped green band of pigment in top center; Japanese characters written in pencil in bottom center margin — Phantom "A", 1961
Kumagai Gorō

Not on View

massive seated bronze Buddha sculpture in a park; two small birds on Buddha’s PR hand; two women and child stand in front of sculpture; small building at R — The Great Buddha at Kamakura, Summer 1930
Kawase Hasui; Publisher: Watanabe Shōzaburō

Not on View

abstract image; shades of blue with turquoise horizontal lines and drips; vertical oval shapes — The Moon in a Forest, 1959
Saitō Juichi

Not on View

three orange speckled circles on a dark brown background, surrounded by smaller multicolored dots, shapes, and smybols — A Nebula (No. 3), 1987
Hagiwara Hideo

Not on View

abstracted image; geometric shapes forming jagged mountain peak; dark mottled greens, tan, brown, blue with grey mottled sky — Dark Mountain, 1959
Takada Kazuo

Not on View

abstract image; red and blue mottled ground with high horizon line; brown mottled sky with irregular ovoid spots; roughly triangular forms primarily concentrated at center of image--mottled white and black, mottled grey with red and blue, mottled blue with green and black — Abyss of Awakening 5, 1999
Fudezuka Toshihisa

Not on View

three figures in snowy scene with buildings — Deep Winter in Aizu, mid 20th century
Saitō Kiyoshi

Not on View

dark purple and grey ground; two vertical white and grey wedges; eye at top of right wedge; horizontal blue forms — [Abstract face], 20th century
Shinagawa Takumi

Not on View

Water Mirror (B), Ansei Uchima — Water Mirror (B), 1962
Ansei Uchima

Not on View

two standing figures, back to back; left figure holds flower — Untitled [Two women], 19th century
Kajita Hanko

Not on View

simplified form of male figure wearing black and white obscuring portion of face with green and red object; dark blue background — [abstracted man holding object], 1957
Nakao Yoshitaka

Not on View

abstracted landscape with snow-covered mountain and bare trees — Taishō Pond, 1947
Azechi Umetarō

Not on View

gray owl with white, black, and rust accents seated above yellow and gray fish; fish and owl are framed in flower petal-like husk; black background — [owl and fish], 1972
Okamura Kichiemon

Not on View

Black egg shape just above center; bamboo like orange line below and to the right of egg, has green hook portuding from top; yellow strip is background to egg; green and yellow bround for bamboo; black background at top and bottom edges; — [Black Egg and Orange Bamboo], 1959
Yamaguchi Gen

Not on View

Twelve figures depicted working; five working on a wall; 7 work on the ground; brick wall being built, half red brick with black lines, and half black brick with yellow lines; — The Tower of Babel, 1965
Watanabe Sadao

Not on View

simplified view of white keeps of castle and treetops — Himeji Castle, mid 20th century
Hashimoto Okiie

Not on View

three figures with halos at a table with two fish, two candles, and two flasks; red ground — Jesus at Emmaus, 1969
Watanabe Sadao

Not on View

calendar page; pasted on image a guitar with text at left — February 1970 calendar page with image of a guitar, c. 1970
Oguchi Katsumi

Not on View

abstract image of a standing young girl dangling round objects from a string; girl's dress and hair have woodgrain texture; black background with texture; mostly gray, black, white, and brown — Camellia (H), 1950s-1960s
Kawano Kaoru

Not on View

black square in background with rough edges; two blue square outlines overlap near outer edges of black square; green three-sided shape overlaps black; red horizontal line cuts across square — Title unknown [abstracted form, box with lines], 1976
Tsutaka Waichi

Not on View

seascape in brown, dark red, black, and grey — Cape - A, January 1963
Amano Kunihiro

Not on View

abstract image of grey sand, blue sky, dark blue bird with colored spirals and triangles; black vertical forms — Morning Moon - L, 1961
Amano Kunihiro

Not on View

abstract colorful biomorphic forms; blue form at right, red form in ULC — Gathering, September 1968
Sora Mitsuaki

Not on View

landscape of a river with golden brown rolling hills; blue Mt. Fuji in background, at end of river; blue sky; foliage LLC — Early Autumn at Lake Ashi, c. 1939
Kuriyama Shigeru

Not on View

abstracted landscape with bare trees in white at right, black at left, and gray in middleground; mountain in background — White Birches, 1960
Mabuchi Tōru

Not on View

white plum tree in the foreground of image; roof of one house is visible to the left of the tree; larger house in the background — White Plum in the Farmyard, 1951
Yoshida Tōshi

Not on View

monkey holding a bell and a red lantern on a yoke — [Monkey with bell and lantern], 20th century
Tokuriki Tomikichirō

Not on View

portrait of a woman in a peach kimono with gray trim with small, white, purple and pink shapes — Ichimaru, after 1933
Kobayakawa Kiyoshi; Publisher: Ensendō

Not on View

abstract landscape with flying birds; three large birds with long necks at left; dark tones — Cape - G, 1963
Amano Kunihiro

Not on View

castle gate building at R with attached arched bridge at L; trees and garden behind castle; moat in foreground with reflection; two sheets mounted together — Odawara Castle Grounds, 1944
Hashimoto Okiie

Not on View

blue abstract form w/lavender, cobalt, yellow, orange, black, and teal forms in blue area; outlined with black box; — Riverside in Morning, 1964
Takahashi Rikio

Not on View

abstract image of green pasture with river or stream running through top half — Moss No. 3, 1958
Yoshida Masaji

Not on View

red abstracted form of a human body; one red leg pointing out to the right and one red leg and black pointed down; blackk abstracted spiral shape in the center of the to the red form; yellow and pink background — Dance Music No. 8, 1953
Shinagawa Takumi

Not on View

man in black cloak with hoo with rope around shoulders; man has striped face and teal hands; light blue and teal background; — Man Looking Back, 1957
Azechi Umetarō

Not on View

abstracted figure with light and dark grey body posing sideways; right arm raised ove head; left arm snaked in front of body with hand covering face; right half of face is painted with left half painted dark grey; dark teal background. — [Grey Figure Posing], 1959
Nakao Yoshitaka

Not on View

nude woman seated on a red rug, looking at a book; cover sheet with inscription included (separated from print) — Reading, 1935
Ishikawa Toraji; Carver: Yamagishi Kazue

Not on View

cartoonish cat with doll on its back; clock in URC — [Cat, doll, and clock], 20th century
Watarai Junsuke

Not on View

abstract image; grey-green stripe at left; pruple ground; rectangle in light blue and mottled tan; orange oval inside mottled tan rectangle — Hemei-B, 1964
Tajima Hiroyuki

Not on View

portrait of a man wearing round glasses; image of a woman at right — Portrait of Nakamura Kichiemon, 1952
Sekino Jun'ichirō

Not on View

composition of black slightly curved wedge shapes against neutral background; four red square shapes punctuate at UR, LC, and LRC; box at L had white circle in it — [black wedges and red squares], 1965
Murai Masanari

Not on View

bird with blue body and red head with another bird standing on top of it — Fable No. 10, 1960
Hatsuyama Shigeru

Not on View

%C2%A9 Tamura Fumio

Dream Record, 1970

Tamura Fumio

Not on View

black ground; white painterly form; blue and red small forms — Angels Live in the Infinite, 1950s-1960s
Nakayama François (Masami)

Not on View

calendar page; pasted on image of blue flower and butterfly; mountain; yellow sky — May 1970 calendar page with image of blue flower and butterfly, c. 1970
Kanamori Yoshio

Not on View

dense foliage and trees with curving path — [Path through woods], 1950
Azechi Umetarō

Not on View

landscape; water at left; red flowers in LRQ; figure in LLC — Flower Bed in Izu, 1966
Kitaoka Fumio

Not on View

woman holding and displaying colorful headbands (?) — Title unknown [Woman with headbands (?)], 20th century
Miyao Shigeo

Not on View

peacock feather floating above black mountains; blue rock formation lower C; dark blue sky — Feather Flying over Mountain Lake 13 (B), 1960s
Kanamori Yoshio

Not on View

abstracted figure wearing black hooded cloak holding a black and white striped bird; blue mottled ground — Rescued Bird, 1957
Azechi Umetarō

Not on View

grey with green curving forms in lower corners; black form with parallel lines at top; red wedge and seal, LRC — Moss No. 2, 1958
Yoshida Masaji

Not on View

winter scene of bridge and embankment from low vantage point; dark blue boulder at L, lighter one at R; bridge in background at UR; river cutting through; white spots with mesh like texture overlapping image — Saruhashi Bridge in Winter, 1939
Koizumi Kishio

Not on View

large circular shape on right with a face and purple bow in PR side of head; dull purple background; yellow butterfly shape in ULQ — Butterfly, 1964
Hoshi Jōichi

Not on View

girl in striped blouse with white and blue irises — Girl and Irises, 1952
Hashimoto Okiie

Not on View

impressionist style image of boats along a shoreline; leaning light pole near C, off shore, with wires cutting to R of image; blue sky with several thin clouds; brown shore with green hill opposite shore — Otaru, Hokkaido, 1948
Saitō Kiyoshi

Not on View

calendar page; pasted on image of boat in black on blue; "K. MUTO" at bottom — Calendar page for September 1947 with bookplate of a ship, 1946
Mutō Kan'ichi

Not on View

abstract; group of repeating silhouettes in blue, red, and grey; mottled blue-lavender ground — Group, 1964
Yoshida Tōshi

Not on View

abstracted birds; two large black birds at right; flying birds, LLQ; red ovoid, URC — Cape - Q, 1965
Amano Kunihiro

Not on View

%C2%A9 Yamaguchi Gen

Human Beings, 1953

Yamaguchi Gen

Not on View

abstraction; black table-like form with purple, green, maroon, orange, and red forms at top — Altar, 1956
Yoshida Hodaka

Not on View

Entrance way to castle on right side of image; yellow roof with grey accents; larger building in the background; yellow decorative trim on front of building; four gold trees to the left of entrance way; blue, white, and pink clouds in the top right corner of image with a blue textured sky; — House (Nijo Castle), 1957
Hashimoto Okiie

Not on View

abstracted male figure with beard and grey skin; turquoise ground — Village Man, 1954
Azechi Umetarō

Not on View

landscape scene of a group of boat houses on a body of water; five red houses in LRQ; gray gradated sky with faint gray drips along top center — Rain on the Tama River, 1929
Hiratsuka Un'ichi

Not on View

black ground; nude woman holding a baby — Title unknown [Mother and child], mid 20th century
Nagase Yoshirō

Not on View

scattered pastel forms against gray background; black half field goal shape with yellow circle bottom edge R; mauve organic form on each side; pink rectangle overlapping mint green rectangle at extreme R; split rust and orange flame shape at far L; blue swoosh at C; blue and gray forms at top — [abstracted pastel forms], 20th century
Shinagawa Takumi

Not on View

Pink face on black paper with purple, blue, and green abstracted background. — Pink Face on Black Paper, 20th century
Soga Toshie

Not on View

abstraction; black ground; brown circular form make of short parallel lines; circles; two elongated human forms at center left — New Star No. 2, 1957
Yoshida Masaji

Not on View

abstracted landscape with water in foreground, block wall at right, and buildings in ULQ — Wall and moat of Osaka Castle, 1955
Hashimoto Okiie

Not on View

abstracted standing figure wearing brown with a brown and black dog at left — Title unknown [Man with dog], 1956
Azechi Umetarō

Not on View

abstract image in blue (bird?) — Title unknown [Abstract bird], 1960
Azechi Umetarō

Not on View

black garden pond with green spots (water lily leaves); blocks of color — The Water Lily Season, 1959
Kawanishi Hide

Not on View

abstract; brown abstract forms with touches of blue at top — Title unknown [abstract image in yellow and black], 1964
Tajima Hiroyuki

Not on View

abstract; grey ground; white, blue, black, grey, green, purple, red; painterly geometric lines and circles — Shade Bone, mid 20th century
Mizufune Rokushū

Not on View

large green U shape with smaller green V shape at top opening, on dark burgundy background; three Xs embossed at top and U shaped lines embossed inside green U — Man in Armor No. 19, 1963
Hagiwara Hideo

Not on View

shape of face (eyes, nose, mouth) on brown, yellow and orange background; various abstract shapes and lines added throughout (on cheeks, forehead, over head) — Face No. 5, 1991
Hagiwara Hideo

Not on View

brown-black over orange and yellow with horizontal lines of abstract pattern embossed thorughout print; horizontal, red stripe across mid section, intersected by two parallel, vertical lines of lighter brown-black, ending at black rectangle at bottom — Man in Armor No. 12, 1962
Hagiwara Hideo

Not on View

view of Mt. Fuji under purple and gray skies, seen through branch with purple flowers; hills covered with brown grass in foreground — Curtain of Flowers, 1981-1986
Hagiwara Hideo

Not on View

Image of pink temple with green roof; two trees in the foreground; two figures in front of the temple; — Temple, 1953
Yamaguchi Gen

Not on View

red and light pink side of building on left with other navy blue buildings along bottom of image; green field with gray boulders in midground, lined with beige and black speckled path in front and line of trees towards back; purple mountain in distance, in front of single white cloud in sky — The Outdoor Theater at Mount Fuji, 1998
Hagiwara Hideo

Not on View

landscape of trees and blue house; house is located at center of image; blue/green sky background; — Himeji Castle in snow, 1942
Hashimoto Okiie

Not on View

impressionist style large temple building with crowd of people up and down steps and pathway; bare trees at L and R; canopy set up at R; blue sky; unsigned — Asakusa Kannon, 1945
Saitō Kiyoshi; Publisher: Fugaku Shuppansha

Not on View

blue, purple, green background with three black shapes and a tri-part white/gray shape on L side and one navy shape on R side; solid black on verso — Stone Flower: Blue, 1960
Hagiwara Hideo

Not on View

dark brown mountain under red orange sky; light brown curved shapes on dark brown stems, resembling cattail plants in foreground — Sunset Mt. Fuji, 1995
Hagiwara Hideo

Not on View

white flowers with lush foliage on shoreline of lake in foreground; thin tree-lined island at R; purple and white mountains at horizon; blue sky with trailing clouds — Early Spring at Mount Kamagatake, 1964
Kitaoka Fumio

Not on View

outline of mountain lightly visible in shades of light gray, ivory and green; line of dark purple along top edge; row of vertical, brown lines along bottom edge with 3 small tree-like shapes in lower left; lightly dappled throughout — Light Snowfall, 1990-1991
Hagiwara Hideo

Not on View

three gray and one gold rectangle on a background of brown, green, purple, red and orange horizontal bars of color; upper half is white and beige with black speckles; verso - ink bleed through — Memory No. 20, 1995
Hagiwara Hideo

Not on View

two circular shapes, purple/red and orange/yellow, with other smaller abstract shapes on a dark green background; white hook shape behind circles, purple and white shape on right, brown hook on left, and other smaller shapes and lines throughout — Seasonal Poem (2), 1999
Hagiwara Hideo

Not on View

whit column with red and light blue block on top; tower outlined with tick black line; dark blue background; — [abstracted block tower], 1956
Nakao Yoshitaka

Not on View

grey striped cat slaying cushion; — Cat on Cushion, 1957
Inagaki Tomo’o

Not on View

blue bird on purple irises — Kingfisher and Irises, 1927
Hiratsuka Un'ichi

Not on View

streetview of homes; black brickwall on right side of image; houses are brown; — Kurashiki, Okayama (B), 1965
Saitō Kiyoshi

Not on View

seated topless woman arranging her hair; blue leaf patterned skirt; pink and grey sash — After the bath, 1976
Takehisa Yumeji

Not on View

purple and green mountain with light orange dotted base and four larger orange shapes along middle; white and gray clouds roll up the left side of the mountain, in a dark orange sky — Evening Sky Mt. Fuji, 1990-1991
Hagiwara Hideo

Not on View

red faced figure in coat, holding ice hammer; white bird to the right; blue and wihte background; — Winter Mountain, 1962
Azechi Umetarō

Not on View

white and beige mountain with gray and black line of trees along base; brown and black tree trunks in foreground with snow on bare branches; dark sky with white and gray dappled pattern to resemble falling snow — Mount Fuji with a Coating of Snow, 1991
Hagiwara Hideo

Not on View

still life of fruit; — Untitled [Still life of fruit], Late 1950's Early 1960's
Mabuchi Tōru

Not on View

figure of woman in green and blue with yellow and black striped cat at right; orange and black background; verso - ink bleed through — Lady No. 9, 1975
Hagiwara Hideo

Not on View

Iage of man with grey face, black beard, and wear a white head wrap; wearing a blue full body suit; arms are crossed and he hold a yellow and brown smoking pipe; — Old Man in a Mountain Hut, 1953
Azechi Umetarō

Not on View

reflection of blue and brown snow-capped mountain in body of water; red and brown banks/landscape across middle, with horizontal row of white squares and rectangles along top of image; subtle sheen over mountain reflection/body of water — Projection of Mt. Fuji, 1990-1991
Hagiwara Hideo

Not on View

red lobster on white platter; upside down blue owl with white eyes below; light green and white shapes between the figures; black background, on navy paper — Longevity, mid 20th century
Okamura Kichiemon

Not on View

very busy overlapping image of possibly a chemistry setup; tubes, flasks, bottles set up with clamps; black background; palette of purple, mint, blue, black, silver, and yellow; mounted — Title unknown [abstracted laboratory], 20th century
Miwa Chо̄sei

Not on View

colorful map of Japan with text — Traditional Rural Potteries in Present Japan, 1970
Serizawa Keisuke; Publisher: Mingeikan

Not on View

nude human figure wearing straw hat; hair over PR shoulder; table at PL side; black dog at LLC; seaside backdrop — Sea Child, 1948
Sekino Jun'ichirō

Not on View

mountain scene with Mt. Fuji in distance; dark brown field in foreground, patch of blue in between; gray cloud over L and center sky — Early Winter in Gotenba, 1981-1986
Hagiwara Hideo

Not on View

stylized blue and white male figure holding a blue and red coffee cup in PL hand; two red bars on PL hand; blue background — Resting Man, 1963
Azechi Umetarō

Not on View

landscape scene; house in center; green hedges in front of house; trees in center left, center right and in center; rising pine trees in background — None, 20th century
Tokuriki Tomikichirō

Not on View

abstract image in primarily navy blue and black; navy background with hash mark over print in darker color; dark rectangle block top R, with two dark shapes center L; red rectangle bottom edge — Space No. 37, 1963
Yoshida Masaji

Not on View

abstract; blue ground; multicolored triangles, rectangles, blue circle clustered together left of center — Soil (9): Town in the Earth, 1960
Hagiwara Hideo

Not on View

abstracted figure with light and dark grey body in frontal pose; both arms raised to face with hands framing eye in telescope fashion; face is brown; grey background; — [Grey Figure Posing], 1959
Nakao Yoshitaka

Not on View

abstract; orange forms with brushstroke-like mark in ULC; black forms at bottom and URC with open circles — [Abstract image with black and orange forms], 20th century
Ushiku Kenji

Not on View

snow scene with bare trees; figure with sticks in foreground — Winter in Aizu (5), 1958
Saitō Kiyoshi

Not on View

abstract image of a dark garden (?) with three green tree trunks and sliding doors — Saga, Kyoto (D), 1968
Saitō Kiyoshi

Not on View

garden scene with stone lantern in foreground, black tree cutting diagonnaly from lower right to upper left through middleground, stone bridge in middle ground, and trees in background; in blocks of color; turquoise, green, yellow, white, black, grey, orange — The Pond, 1957
Kawanishi Hide

Not on View

nude woman at edge of sunken bath; attached cover tissue with inscription — At the Bath, 1934
Ishikawa Toraji

Not on View

black ground; abstracted nude woman in acrobatic position holding a child by one arm — Title unknown [Woman and child], mid 20th century
Nagase Yoshirō

Not on View

abstract colorful forms in four rows and four columns with overlapping edges — Festival, October 1969
Sora Mitsuaki

Not on View

abstraction; grey three-sided form at center; green rounded form, LLC; black form with parallel lines at top; grey mottled ground — Transcendence No. 2, 1959
Yoshida Masaji

Not on View

sand garden view with lake shore to the right. grass snakes through middle of print and leads to forrest in background. Brown rocks along lake shore. — Garden No.7, 1960
Hashimoto Okiie

Not on View

falling snow; bare trees; two birds, LLC; green, pink, brown, yellow, pruple buildings; two figures--one in yellow, one in pink — Snow Falling on Town, 1966
Kitaoka Fumio

Not on View

lake; green mountain; foliage with red flowers in foreground — Lake Mashū, 1961
Kitaoka Fumio

Not on View

snow scene with figures; bare trees