Looking for medina, metius, media, medic?

abstract; backwards maroon C at top center; blue lever- or arm-like elements — Inner Motion (Embrace), 1963
Amano Kazumi

G226

abstract; stepped form in black and white with circle and geometric lines; blues, green, brown, and black lines and circle — Moral (Intention), 1964
Amano Kazumi

G227

abstract image; yellow form with geometric rays; grey paper — Assemblage (Yellow), October 1962
Amano Kazumi

G226

colorful abstract; blue and green upside-down "P" shape at ULC with yellow and orange circle at its center; curved green and blue shape and curved blue and black shape, both on diagonal, with orange and yellow outlines near C; gray circle URQ; framed by black border at L and top, and orange border at R and bottom — Disjoint, 1969
Amano Kazumi

G237

large rectangular abstract form made up by various shapes and colors; colors conist of dark blue, teal, black, and uninked area; — Layers, 1962
Amano Kazumi

G226

black, green, blue, red, and dark blue abstract image; over all image is comprised of circles and waves to create an overall rectangle shape; — From Gauge (Trace) A, 1969
Amano Kazumi

G237

large peanut-shaped form with organic black, red, and green curving forms inside; white circle upper C within form; gray bracket on R side with circles and swooping lines — Mold (Life) A, 1968
Amano Kazumi

G237

multicolored bars with squared off hooks at ends in warm colors at top and bottom and cool colors at left at right, surrounding text — A Piece of Poetry, Drawing, Assemblage, March 1965
Amano Kazumi; Poet: Yoshimura Masatoshi

G227

abstract; circle made of various forms in predominately red — Inside and Outside (Round) A, 1968
Amano Kazumi

G237

Chorus, Amano Kazumi — Chorus, 1967
Amano Kazumi

G237

legs and lower bodies of kimono-clad figures wearing geta sandals, with their upper bodies hidden by large umbrellas; falling rain; multicolors — Umbrellas, 1915
Friedrich (Fritz) Capelari; Publisher: Watanabe Shōzaburō

Not on View

bay with three small boats below center; branch in foreground LRC; clear horizon — Irōzaki—Day, 1961
Yoshida Tōshi (self-published)

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bridge with umbrellas (blue and purple with white) held by figures on bridge visible over railing; trees on opposite side of bridge; grey sky with rain falling — Spring Rain at Benkei Bridge, April 1936
Kawase Hasui; Publisher: Watanabe Shōzaburō

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bare tree with red persimmons at left; four figures in foreground in front of house with very broad brown roof; brown and white clothing hanging in front of house; green tree, URQ — Title unknown [Farm House with Persimmon Tree], c. 1960
Saitō Kiyoshi

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round image of view outdoors through sliding Japanese doors with white rice paper at right (with dark silhouettes of foliage) and red and brown patterned paper with water and flowered branches at left; view of water with blooming cherry branch in foreground; blooming cherry trees on opposite shore with blue and grey roofs behind; green-blue mountain in distance — Kamogawa Cherries, 1984
Clifton Karhu

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boats at a dock; sailboat at center left; buildings in background--brown buildings at right, white buildings at center; figures on boats and on dock — Tomonoura Godowns, 1930
Yoshida Hiroshi (self-published)

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fields with some small trees with few leaves in foreground; two figures in blue on strip of green in LLQ; Mount Fuji in background — Musashino, 1928
Yoshida Hiroshi (self-published)

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Japanese maple bonsai plant with red and pink leaves set against a yellow-orange background; green moss in clay colored planter at bottom; two green leaves at top — Maple, 1970
Yoshida Tsukasa (self-published)

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front view of a temple entrance: wooden temple gate with moss-covered tile roof; lanterns; two figures just inside at L; view of garden and blossoming tree inside; outside is the front wall and stone bridge — The Gate to Bunnosuke Teahouse, 1933
Yoshida Hiroshi (self-published)

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pond with temple and grounds; silhouette of a 5 storied pagoda; silhouettes of trees in background; branches from willow in foreground — Sarusawa Pond, 1933
Yoshida Hiroshi (self-published)

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steep grey stone steps leading up to a richly colored red and white 5-storied pagoda; lush green foliage surrounds the scene — Pagoda in Murō, 1954
Yoshida Hodaka (self-published)

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twilight or sunrise seascape: blue rock formation in foreground; grey seascape (resembles cloudbank) and purple rock formation in middle ground; pink, orange, and grey sky in background — Yatsugatake after Rain (Seen from Ishimuro, Komagatake), 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

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ducks on shore and swimming in water in foreground; four children and adult with baby on back on a path in front of white and grey buildings in middle ground; mountain peak, ULQ — Matsumoto, 1940
Yoshida Tōshi (self-published)

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rocky, somewhat abstract seascape: black and blue horizontal lines make up the calm water; black rocks in background are striped with purple designs; in foreground, black rocks punctuated with yellow details including yellow outline of partially overturned car (?); hints of abstract foliage at R with green; patterns in rocks and foliage resemble textile patterns; rich, saturated black, blue, purple, yellow, and greens; sky is mostly white save a strip of blue gradient at top with white moon — Landscape M-A, 1972
Yoshida Hodaka (self-published)

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abstract image: deep purple background with trail of vertical lavender colored "dumbbell" figures ascending from LLC to upper quadrant; a few horizontal cream colored "dumbbell" shaped figures bisect some of the lavender figures; light blue, dark blue, and some maroon colored circles and squares in background, some of the light blue shapes also begin at LL and ascend into top quadrant — Night, 1954
Yoshida Hodaka (self-published)

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pair of black birds with red faces and white underbodies perched on branch of blooming purple wisteria; yellow ground — Swallows and Wisteria, 1926
Ohara Shōson; Publisher: Watanabe Shōzaburō

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pair of white birds on a red perch against a green ground; blue cylindrical container at left — Cockatoos, 1930s
Ohara Shōson; Publisher: Kawaguchi Jirō; Carver: Itō; Printer: Komatsu Wasankichi

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white swans swimming on blue water with brown wall at left and short brown wall at right; green vertical lines of foliage at top; suggestions of rooftops in ULQ; some embossing; lightly abstracted image — Bruges, 1955
Yoshida Tōshi (self-published)

Not on View

abstract biomorphic slightly asymmetrical form in variegated shades of rose, grey and yellow-green; grey and white ground of looping and radiating parallel curved lines, with some shades of green and rose around center — Misty Dance, 1957
Yoshida Tōshi (self-published)

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vantage point taken from snowy cliff with snow-covered pine trees; looking down onto snow-covered rooftops at LL; snow-covered land with trees and a few buildings in middle ground; rolling low mountain with trees and snow in background — Myōkō Hot Springs, 1955
Yoshida Tōshi (self-published)

Not on View

large orange and white shrine building occupies most of the scene at L; people depicted on and around the stairway; two women at LL approach the grounds while two women, one with orange umbrella near LR approach the stairs; white wall and silhouettes of trees in background at R — Omuro, 1940
Yoshida Hiroshi (self-published)

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a small group of women in colorful kimono gathered in center near one story pagoda built atop a white rock-like structure with arch; towering, blossoming cherry tree with supports at L; foliage and low structures in background — The Cherry Tree at Kawagoe, 1935
Yoshida Hiroshi (self-published)

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red shrine with blooming cherry tree; woman in green kimono with child in red kimono in foreground feeding birds with other figures in middle ground — Hie Jinja, 1940
Yoshida Tōshi (self-published)

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two young women walking down a street; woman on left wears a grey and white kimono and a purple and pink jacket and carries a grey parasol; woman on right wears a black kimono with pink leaves and a salmon-colored jacket; two women with one holding a baby, accompanied by a dog, in background at left; tree visible behind fence wall at right — Kikuzaka Street, 1939
Yoshida Tōshi (self-published)

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snowy mountain peak with pink colors; pinkish-purple sky; blue-lavender colors behind foreground trees and rooftops — Early Spring in Azumino, 1989
Yoshida Tōshi (self-published)

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darkened interior of a kitchen/workshop; two figures work inside: one at LR stokes the fire inside an oven while the other stands over a sink or workbench near a half open window; room contains large pots, a table with a bench, and an elevated surface at L; just behind crouching figure at R is an open doorway looking out onto trees and chickens — Farmhouse, 1946
Yoshida Hiroshi (self-published)

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colorful image of village buildings on the side of a mountain, looking upward; white stucco buildings with orange terra cotta tile roofs; balconies with potted plants; three animal-shaped multicolored piñatas in LRC; woman, man and boy wearing colorful garments, seen from back, with a dog, LLQ; woman in red shirt walking down stairs in LLQ; sign on building at bottom: "CERAMICA ARTIST / Los Castillo] — Taxco, Mexico, 1975
Yoshida Tōshi (self-published)

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autumn garden scene: birch trees with orange and yellow leaves in foreground; stone pathway to a wooden gate amid green and yellow grass; bushes; and brightly colored red, yellow, orange, and green foliage in far background — Sangetsu-an, Hakone Museum, 1954
Yoshida Tōshi (self-published)

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a group of men gathered around campfire with kettle at LR; man sitting inside brown tent near center; dark, snowy landscape in middle ground with mountains and looming clouds in background — Bivouac: Kitadake and Ainodake, 1928
Yoshida Hiroshi (self-published)

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tea house in center middle ground behind three towering fir trees; path is surrounded by bushes full of pink and white blossoms — Teahouse, 1938
Yoshida Hiroshi (self-published)

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night scene: two women in kimono with umbrella peer into a shop window at LL; reflection from warm indoor lights on wet street; in middle ground, a multi-story building with bicycle parked in front and illuminated paper lanterns contrasts against the dark night scene — Night in Kyoto, 1933
Yoshida Hiroshi (self-published)

Not on View

three men wearing orange turbans and shirts seated on an elephant who is adorned with an orange, green and brown scarf on the top of its head, gold necklaces and white scrolling designs on its face; other figures wearing predominately white with bright-colored turbans in foreground and at left behind elephant and on rooftops of salmon-colored building at left; oxen at bottom left — Festival in Jaipur, 1984
Yoshida Tōshi (self-published)

Not on View

twilight scene: snowy mountain, silhouetted hills, and low buildings in middle and background; river in foreground reflecting the scene — Itoigawa in the Evening, 1929
Yoshida Hiroshi (self-published)

Not on View

two crescent shaped forms with abstract, forked and zigzagging forms across upper portion of image; in browns and oranges; in lower portion, same abstract shape is echoed vertically in silver pigment, and horizontally in UR; faint silver border — From the Star, Day, 1957
Yoshida Tōshi (self-published)

Not on View

shrine complex with many buildings; many steps at left; figures walking up and down steps; three very tall trees in middleground; red building at left — Nikko, 1940
Yoshida Tōshi (self-published)

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peak of Mt. Fuji glowing pink; grey sky and blue-grey landscape with silhouetted trees — Mt. Fuji from Gotenba, 1987
Yoshida Tōshi (self-published)

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autumn scene; vibrant yellow, red, orange, and green foliage in middle ground reflected in river in foreground; gently rising mountain in background — Suiren Marsh at Hakkōdasan, 1929
Yoshida Hiroshi (self-published)

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standing woman in lavender sweatshirt and blue pants stands with arms down against hips, legs together in front of an octagonal, pillared structure; woman is standing on wide path lined with trees and lamps; in middle ground at R, set of stone stairs leads to a verandah with wrought iron railing in front of the octagonal structure; building has scalloped design around roof and a tall spire with weathervane — Scene with Ayomi, A, 1979
Yoshida Hodaka (self-published)

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three figures in foreground with two oxen pulling cart; tan and brown buildings and foliage in middle ground; orange-yellow buildings blending into side of bluff in background; brilliant blue sky — Gwalior, 1984
Yoshida Tōshi (self-published)

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image in tans and oranges of silhouettes of five figures carrying jugs on their heads, accompanied by a child, right of center; silhouettes of trees; two other groups of figures in middle ground — Morning Mist, 1987
Yoshida Tōshi (self-published)

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two women in kimono (one holding umbrella in PR hand) stroll close together at LR in front of a pond; in middle ground, an orange pagoda sits atop a white base; blossoming trees and shrine buildings in background — Shinobazu Pond, 1928
Yoshida Hiroshi (self-published)

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large white hotel situated in grove of trees with loop-around driveway in foreground; large lake with shoreline and road in middle ground; rising, snow-covered Mt. Fuji in background — Fuji New Grand Hotel, Lake Yamanaka, c. 1937
Yoshida Hiroshi (self-published)

Not on View

view of boats and people, with shoreline at right; pale tan arched bridge at center with pedestrians walking over it; weep willow tree in URQ — Suzhou, 1940
Yoshida Hiroshi (self-published)

Not on View

view through the silhouette of an archway, with silhouetted heads of seated and standing figures before railing at bottom in foreground; building with orange tile roof; people on street; street lights at right; shin hanga (fūkei-ga) — Havana in 1954, 1985
Yoshida Tōshi (self-published)

Not on View

%C2%A9 Yoshida Hodaka

Maya's Sacrifice, 1955

Yoshida Hodaka (self-published)

Not on View

window with scalloped top archway and view of rock and branches; wooden elements on white wall; blue and grey horizontal elements at top — Window and Stone Garden, 1963
Yoshida Tōshi (self-published)

Not on View

man wearing white hat and short blue shift tied at waist stands on bamboo raft holding long green bamboo pole in both hands; man has whiskers around mouth and is looking off to PL side; black rock (?) formation ULC — Boatman, one of four, 1920s
Kamisaka Sekka

Not on View

tall, heavily decorated, multi-story temple gate at center; human figure descending the stairs in front; temple grounds and tall trees in background — Yomei Gate, 1937
Yoshida Hiroshi (self-published)

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white snow-covered mountain peaks in distance; pale orange sky; flat landscape in foreground with scattered trees and some water at front — Daisetsuzan, 1984
Yoshida Tōshi (self-published)

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wide river with bridge in background; 4 boats tethered at LL of image, a human figure working in the furthest boat from shore; tree and grass lined banks at L with a few buildings in background — Yodo River, 1942
Yoshida Tōshi (self-published)

Not on View

darkened interior of a palace, looking out; a group of women stand near a staircase at L; large columns support the interior; a group of women at R, behind columns, near stone monument; view looks out onto lattice-wall and out into a lush pink and green garden — Changgyong Palace, 1937
Yoshida Hiroshi (self-published)

Not on View

rocky shore of a waterway; multicolored rocks dominate the foreground and along LR edge; water in middle ground; a cluster of buildings at center; silhouette of tree-covered bluff at UL, large, snowy mountain in background — Kajiyashiki, 1929
Yoshida Hiroshi (self-published)

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diverse groups of people in very colorful clothing the long, covered porch of a grey stucco building; women in colorful shawls and long dresses seated along colorful blankets with their backs to the stucco wall; people in contemporary clothing interacting with the seated women; porch pillars and lintels are dark brown wood; yellow roof with pigeons; grey windows — Santa Fe, 1971
Yoshida Tōshi (self-published)

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scene of the Kamo River in Kyoto: riverbank in foreground and middle ground with river running through; willow tree branches in foreground at L; silhouettes of trees in background at R, and riverfront buildings in background at L — The Kamo River, 1933
Yoshida Hiroshi (self-published)

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large open brown wood gateway; pond in foreground with rocks; group of figures walking beneath gateway with other figures in middle and background; mountain in far background — Benten Torii at Nezugaseki, 1939
Yoshida Hiroshi (self-published)

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building with cone-shaped gold dome in background center; buildings and palm trees glowing orange in sunset in middle ground; two water buffalo in water in foreground, with figures walking through a grey archway; pink sky — Rangoon, 1984
Yoshida Tōshi (self-published)

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portrait of a male lion, lying down; printed in orange and black — Lion, 1974
Yoshida Tōshi (self-published)

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unsigned; junk with two sails towing a dinghy; grey-brown color — A Junk, printing order no. 2, 1939
Yoshida Hiroshi (self-published)

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canal with boats lining each side; houses along R side and in background; figures working on and around boats; three ducks swimming at center — Urayasu, 1951
Yoshida Tōshi (self-published)

Not on View

village scene with many blossoming white and pink plum trees; farmland in center; large building at LR with a man in tan suit and woman in pink kimono with blue obi sitting on verandah; green bushes and shrubs at LR; mountains in background — Village of Plums, 1951
Yoshida Tōshi (self-published)

Not on View

people dressed in kimonos in front of an elaborate white, green and yellow gateway with three snarling carved animals on top; woman in foreground wearing green and purple kimono, LLQ — Okaramon, 1940
Yoshida Tōshi (self-published)

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%C2%A9 Yoshida T%C5%8Dshi

Mountains of Himalaya, 1982

Yoshida Tōshi (self-published)

Not on View

autumn scene: small garden with grey pathway and amber-colored plots with small bushes, rocks in foreground; part of white building at R; pond with small waterfall, green bushes, rocks, and red Japanese maple trees in middle ground; orange, red, yellow forest with mountains and rising steam in background — Autumn in Hakone Museum, 1954
Yoshida Tōshi (self-published)

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woman with baby on back approaches a flock of pigeons; in middle ground, the massive orange and white gate of Gion shrine; pine trees in middle and background — Gion Shrine, 1935
Yoshida Hiroshi (self-published)

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blocky, human-like figure rendered in brown, black, and grey, wearing white skirt stands on one foot; six arms in various positions in the air; black hair in bun on top of head; figure casts three shadows: one large shadow at R in black; shadow above and behind figure in reddish-brown; and smaller shadow behind figure's legs in grey — Ashura, 1954
Yoshida Hodaka (self-published)

Not on View

wooden gate in middle ground; woman behind gate attempts to assist young girl in crossing through gate to front; outside, a woman standing near blossoming plum tree at LR, with baby on back, looks on; trees at varying heights in background — Plum Gateway, 1935
Yoshida Hiroshi (self-published)

Not on View

snow-capped mountain peak with jagged top; blue and white; pinkish-grey sky; purple mountain peaks in foreground — From Katsuragi-yama, 1983
Yoshida Tōshi (self-published)

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abstract portrait of a woman made up of white arcing lines on mottled brown/tan ground — German Girl, 1954
Yoshida Tōshi (self-published)

Not on View

a mother grouse in center facing L with 4 chicks; one chick is under PL wing; three chicks at LL — Raichō, 1930
Yoshida Tōshi (self-published)

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interior view of temple structure; large red paper lantern hangs from the ceiling between supports near center; other smaller, white lanterns also suspended from ceiling; a few visitors touring the building, including a woman in blue kimono lower center who appears to gaze up to the lantern — Ishiyama Temple, 1946
Yoshida Tōshi (self-published)

Not on View

dusk; wide street with buildings on L side and a man crouching over a bucket on a porch; very tall inscribed white banner near center across from a torii gate; near center, a family of 6 walks down the street, away from the torii gate; at right, a large inscribed egg-shaped rock and a garden; more buildings, people, and mountains in background — Shrine of the Paper Makers, 1951
Yoshida Tōshi (self-published)

Not on View

two groups of women in foreground washing clothing along the banks of a quiet river; boats parked at bank of opposite shore; short, steep bank behind boats leading up to large two-story temple gate; cluster of buildings on L and trees on R of gate — Daedong Gate, 1937
Yoshida Hiroshi (self-published)

Not on View

quiet river with reeds at LR and dock-like structure with tall poles and fishing gear (?) in center; in background, a flat landscape with two buildings nestled among trees; dense trees in background, reflecting on water in foreground; dusk or twilight — Yoshikawa, 1935
Yoshida Hiroshi (self-published)

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man in short blue pants, sandals, and short top and conical hat plays flute at UL; standing above costumed figure with arched back; costume has large, draping green back with large white spots, white mane, tufted black hair, and red face with exaggerated features; human legs poke out at bottom — Lion dancer, one of four, 1920s
Kamisaka Sekka

Not on View

abstract image; biomorphic and geometric form in black with brightly colored geometric elements; yellow-green radiating background; shin hanga (fūkei-ga) — Festival in Spring, 1962
Yoshida Tōshi (self-published)

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groups of women walk on rainy street; tall pagoda rises at center; blossoming trees dominate the frame; pinkish cast to image — Ueno Park, 1937
Yoshida Hiroshi (self-published)

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two young women in brilliant, ornate kimono walk in sync, holding their front skirts up with PL hands; shrine grounds in background with richly saturated orange, white, and green details; blossoming pink cherry tree just behind the two Maiko — Maiko, c. 1929
Yoshida Hiroshi (self-published)

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twilight scene of a lake and mountains: at left, a silhouette of a boat with 2 sails and 2 human figures; in center, a silhouette of a steamship with glowing orange windows; lights from ship and along shore are reflected in the water — Kōnoshima, 1930
Yoshida Hiroshi (self-published)

Not on View

abstracted linear image of a female nude--white lines on brown ground — No. 6, 1952
Yoshida Tōshi (self-published)

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three lighted carts with colored curtains in front of them with bold characters; figures standing behind curtains; dog in LRC; woman carrying a child on her back, LLQ; nighttime scene — Supper Wagon, 1938
Yoshida Tōshi (self-published)

Not on View

two women wearing kimonos in foreground--standing woman seen from back wearing pink kimono with white areas with red flower sprays, seated woman wearing blue kimono with green and orange leaf-like shapes; other figures walking on bridge in background; square light on tall pole behind woman in blue; tree branches at top — Benkei Bridge, 1941
Yoshida Tōshi (self-published)

Not on View

autumnal landscape: amber and green colored plots of farmland in lower half of scene dotted with small houses and farm buildings; blue river separates farmland from orange, red, green, and purple hills; snow-covered Mt. Fuji in background against a yellow sky — Mt. Fuji from Ohito, Autumn, 1962
Yoshida Tōshi (self-published)

Not on View

scene of various moored boats in a calm bay in foreground; small village in middle ground; rolling green hills and purple mountains in background; scene has slightly orange cast reflecting time of day — Waiting for the Tide, 1930
Yoshida Hiroshi (self-published)

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young woman in pink kimono with elaborate hair ornament sitting on a cushion at bamboo table set with small bowls and chopsticks; holds green plate with round purple treat in PL hand, cuts into treat with small object in PR hand — In a Kyoto Sweet Shop, 1951
Yoshida Tōshi (self-published)

Not on View

%C2%A9 Yoshida T%C5%8Dshi

Crabs, 1925

Yoshida Tōshi (self-published)

Not on View

three men with large bundles on their backs hiking up the snowy face of a mountain; walking sticks in PR hands; a group of 4 men gathered near UR; mountain continues in background — Climbing a Snow Valley at Harinoki, 1926
Yoshida Hiroshi (self-published); Carver: Murakami

Not on View

scene of a calm bay with a few scattered boats; low blue and grey mountains in background; small cluster of houses and buildings nestled next to a rolling green hill at LR in foreground — A Calm Day, 1930
Yoshida Hiroshi (self-published)

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scene in a garden with numerous stone lamps of various kinds and many potted plants; squatting man at left tending to a bonsai, wearing a blue tunic, grey pants and a white headband — Stone Lanterns, 1941
Yoshida Tōshi (self-published)

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herd of game animals running across scene; three of the animals are highlighted, two at far L, and one at R; animal at R turns head to look behind while running; a few dead trees against silhouetted thicket of trees in middle ground; pronounced wood grain texture and horizontal lines; rendered in browns, yellows, reds, and oranges — One Day in East Africa No. 4, 1981
Yoshida Tōshi (self-published)

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somewhat abstract scene; white, rippled moon in upper center amidst green, teal, and purple background; tall black column along R edge; choppy, almost reef-like vertical black lines rising from bottom to center of image — Nocturnal, 1962
Yoshida Tōshi (self-published)

Not on View

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