Looking for medina, metius, media, medic?

abstract; circle made of various forms in predominately red — Inside and Outside (Round) A, 1968
Amano Kazumi

G237

abstract; tan, pink, grey, and black primarily vertical forms with grey at top — Frosty Morn, 1962
Ansei Uchima

Not on View

3/4 portrait of an actor looking to R; red and blue makeup lines, around eyes, curved, heart-shaped makeup on cheek, with blue highlights; brightly colored clothing with burgundy, green, orange — Crab Makeup, 1941
Torii Tadamasa; Publisher: Watanabe Shōzaburō

Not on View

colorful close-up portrait of male figure looking down; red makeup around eyes, nose; face in fierce grimace; black hair tufts; purple and white coat, and pine bough on chest; holding sword over shoulder in PL hand — Two-Line Makeup for Matsuō, 1941
Torii Tadamasa; Publisher: Watanabe Shōzaburō

Not on View

abstract image with bold black rectangle, circle, and lines, and narrower black lines — Poem 71 - 91 (Nothing), 1971
Maki Haku

Not on View

head of woman wearing headdress, looking up; multicolored floral kimono; purple ground; label glued on back — Actor Nakamura Fukusuke V as Ohan, 1928
Natori Shunsen; Publisher: Watanabe Shōzaburō

Not on View

portrait of figure with wrinkled face and long hair, wearing multicolored floral kimono — Actor Nakamura Utaemon V as Yodogimi, 1926
Natori Shunsen; Publisher: Watanabe Shōzaburō

Not on View

bust portrait of young woman wearing a blue kimono and black obi with yellow flowers, holding a striped fan — Movie Actress Kurishima Sumiko, Autumn 1929
Yamanaka Kodō; Publisher: Watanabe Shōzaburō

Not on View

Chorus, Amano Kazumi — Chorus, 1967
Amano Kazumi

Not on View

A little egret is bent over as if to protect itself from a heavy downpour, his pure white form silhouetted against a jet-black sky. The feathers are rendered in gauffrage. This print is perhaps the least naturalistic of all Koson's designs. The stylised, somewhat abstract, form of the egret lends it an almost Western feel: as with the previous example, it is one of Koson's most sought after prints. According to the Toledo catalogue, this print is from an edition of 300 issued in 1928. (Newland 2010) — Egret in Rain, 1928
Ohara Shōson; Publisher: Watanabe Shōzaburō

Not on View

A lily, recognisable by its snowy white pendulous flowers. A number of species of lily grow in Japan where they are cultivated as ornamentals and for their edible bulbs. (Newland 2010) — White Lily, c. 1928-1930
Ohara Shōson; Publisher: Kawaguchi Jirō

Not on View

Two White Rabbits Under a Full Moon, Ohara Shōson; Publisher: Kawaguchi Jirō; Carver: Itō; Printer: Komatsu Wasankichi — Two White Rabbits Under a Full Moon, c. 1928-1930
Ohara Shōson; Publisher: Kawaguchi Jirō; Carver: Itō; Printer: Komatsu Wasankichi

Not on View

planes of color; embossed lines (rock garden) in foreground with grass and bushes beyond; dark blue calm water in middle ground; rocks and foliage at far bank at top of image — Tenryūji Garden, 1963
Yoshida Tōshi (self-published)

Not on View

grey and white parallel lines in foreground (rock garden?); trees and shrubs in middle ground; building in maroon and lavender topped with a rooster at center background — Ginkakuji Garden, 1963
Yoshida Tōshi (self-published)

Not on View

flat planes of color with embossing; brown lantern in foreground, smaller lantern in background at left center; orange leaves on tree — Two Lanterns, 1964
Yoshida Tōshi (self-published)

Not on View

a very small, lone homestead with smoke rising from chimney at center sits in the valley of a vast mountain scene; brown rolling hills and snow-covered tundra in foreground (homestead is nestled at center in distance); rocky, snow-covered purple mountains in background; large, ominous cloudbank at UL — Tateyama Betsuzan, 1926
Yoshida Hiroshi (self-published); Carver: Murakami

Not on View

flat planes of color; two trees in foreground; rocks in middle ground; white wall topped with black and blue roof tiles in background; three birds--one on low branch, one on rock at center bottom, one in high branch at top center — White Wall, 1964
Yoshida Tōshi (self-published)

Not on View

flat planes of color; squat lantern in foreground with cutouts; orange leaves on trees; white wall topped with grey roof tiles in background — Lantern and Maples, 1964
Yoshida Tōshi (self-published)

Not on View

Persimmon M-B, c. 1979

Maki Haku

Not on View

Two Lanterns, 1964

Yoshida Tōshi (self-published)

Not on View

Poem 69 - 57, 1969

Maki Haku

Not on View

showing 21 results matching medium:"Woodblock print; ink and color on paper with embossing"

Download results as CSV