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Fine Wind, Clear Weather, c. 1830-1831

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Prostitute Hanaōgi of the Ōgiya House, 1793-1794

Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō

Not on View

Actor Ichikawa Ebizō as Takemura Sadanoshin, 1794, 5th month

Sharaku; Publisher: Tsutaya Jūzaburō

Not on View

One, Nihonbashi, c. 1850-1851

Utagawa Hiroshige; Publisher: Maruya Seijirō

Not on View

Young Samurai Viewing Cherry Blossoms as a Mitate of Prince Kaoru, c. 1767

Suzuki Harunobu

G226

bottom part with signature trimmed off

Murasaki Shikibu, c. 1843-1846

Utagawa Hiroshige; Publisher: Enshūya Matabei

G237

Young Woman Viewing Cherry Blossoms as a Mitate of Lady Nakanokimi, c. 1767

Suzuki Harunobu

G226

onnagata at LL with blue, red, white kimono holds a wine cup in PL hand, looking up at a man holding a wine jug in his hands; the men exchange gaze; in background, a blossoming begonia

Begonia (The Actors Nakayama Ichizō and Bandō Shuka), 1854, 6th month

Utagawa Kunisada; Artist: Utagawa Hiroshige; Publisher: Ebisuya Shōshichi

Not on View
couple engaged in intercourse, enveloped in brightly-patterned fabrics; blue and white vase with pink plum blossoms in ULC; text at top center and in ULC on rectangular cartouche over plum blossoms

Yoshiwara Prostitute , from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
embracing couple; man touches woman's vagina; woman wears pink kimono with purple, grey, orange and white flowers; man wears a green and white kimono; screen with bamboo in URQ; text in URQ

Foreplay, No. 7 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse, enveloped in brightly-colored fabrics; man wears brown kimono with pinkish diamond patterns; bird patterned fabric in ULC; text in three areas along left edge and above man's PL shoulder

Yoshiwara Prostitute, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
intertwined couple engaged in intercourse; both are nude--woman has red fabric across her belly and beneath her; kettle and tray of food at left edge; text below woman's head

Near the Go Board, No. 5 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
young couple engaged in intercourse in foreground; woman tugs on man's penis; woman wears white kimono and beads around her wrist; young man wears a blue-grey kimono and looks at a bracelet of beads in his PR hand; tiny man standing in LRC; two figures at left walking the dark with a white lantern with red zigzags; text in cloud at top of image, in LRC, above young man and above sword at bottom center

The Place of the Heart, No. 11 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
man in black kimono forcibly embracing a young girl in a purple flowered kimono, pinning girl to the floor; tiny man peering through hole in side panel of a bench in URQ; two cats on sill in LRQ; cloud at top with text and text in five areas on left half of image

Forced Love, No. 2 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse; woman enveloped in brightly-colored fabrics; man wears black kimono; text in URC and above woman's PR knee

Yoshiwara Prostitute and Secret Lover, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
couple engaged in intercourse at center, while listening to man in a green kimono play the shamisen; woman wears purple and white kimono with bands of looped patterning; man wears a green and white striped kimono; tiny nude man at right drying his hair; hot water tubs and bucket at right; text in a cloud at top of image, to left of man in striped kimono, above woman and to right of small man

Hot Springs at Ikaho, No. 8 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse; man is nude; woman wears a purple kimono with pink and white flowers and orange leaves; screen with diamond/star patterns in URQ; doors with wave patterns in ULC; text in LLQ

In the Pleasure Quarters, No. 3 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
young man dressed as a woman in a blue kimono with white iris decoration lying on top of and engaged in intercourse with a man wearing a green kimono; tiny man wearing a black kimono and holding a fan, with a large white and red kite, on windowsill; text in cloud at top of image, above couple and on either side of small figure on windowsill

Playing with a Dandy, No. 5 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse, wearing brightly-colored kimono; man wears blue kimono with pinkish checks; woman's garments are green, black, and purple with floral patterns; three books in LRC; text in ULC and LLC

Daughter of a Great House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
couple engaged in intercourse; man wears a tan kimono and holds a red and pink fan with text; bare-breasted woman wears a purple kimono with white patterns and a brown obi with white bird-like patterns; lantern with flowers and long looped ties at left; books and scrolls in a cabinet in ULC with flowering branch on doors at bottom; text in LRC and above man's head

Husband and Wife, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
young couple engaged in intercourse; both figures are nude; screen with waterfall, URQ; text above young woman's head

Young Lovers, No. 10 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse; woman attempts to write with a brush on a scroll of paper; woman wears a pink kimono with dark pink flowers; man wears a red and orange checked kimono; text middle of right edge and below scroll of paper in LLQ

Writing a Letter, No. 8 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple at right with man wearing grey cloth over his head, reaching with his PR hand under the folds of young woman's kimono, and holding his PL hand over her breast, while a disapproving older woman at left wearing a green flowered jacket and pink kimono looks on; tiny man wearing grey kimono with white spots seated in a blooming cherry tree in ULQ pulls up the back of his kimono to expose his buttocks while breaking wind; text in cloud at top of image, in ULQ, to right of older woman and above and to right of younger woman

Licensed Quarter of Yoshiwara, No. 12 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse; predominately nude; man has a blue and white patterned kimono over his buttocks; woman's kimono is purple with light blue cloud bands and white birds; woman has a red cloth over the top of her belly; tobacco set, cup and gold vessel in ULC; text in ULC and above man's back

The Lady of a Mercantile House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
couple engaged in intercourse, wearing brightly-colored kimono; woman wears purple kimono with green, brown, yellow and red bird; man wear primarily green kimono with round patterns; fabric with red, purple and yellow leaves in ULC; text above woman at top center and to right of woman's head

Last Customer of the Evening in the Yoshiwara, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
older man with his genitals exposed, with an enlarged scrotum, wearing a grey kimono with white patterning and a green, blue and red striped obi, embracing a kissing an older woman wearing a blue kimono with darker blue flower pattern; lower bodies of couple engaged in intercourse visible through netting at left; tiny man in blue and white striped kimono seated of threshold left of center; text at top of image in cloud, above older man and older woman, below tiny man, and at bottom left of center

Pleasures of the Aged, No. 7 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple in foreground engaged in intercourse; man in green kimono pushes a woman in a purple kimono with white flowers and a red and white striped obi to the floor; tiny man in a blue kimono with white dots hiding beneath shallow baskets of leaves at right; seated older man wearing loincloth at right; text at top in cloud, to left of woman, in LRC and to left of tiny man

Sericulture Chamber, No. 10 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
man at center with his genitals exposed being pulled by his blue loincloth by a pregnant woman at left wearing a red skirt with her breasts exposed; cowering young woman in an open green kimono with purple flowers at right; tiny man wearing a green striped kimono with purple trim hiding beneath young woman's kimono in LRC; text at top in a cloud and in six other locations throughout the print

Love Revealed, No. 4 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse, enveloped in brightly-patterned fabrics; man's kimono is blue with grey checked pattern with stylized leaves; woman's outer kimono is purple with white flowers; two plants at left--one with pink blossoms, the other similar to a small pine; text in LLC and at right edge, URC

Young Lovers at the New Year, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
couple engaged in intercourse, enveloped in brightly-patterned fabrics; pink fish, ULC; pink teabowl at left; text in two blocks at top center

Teahouse on Nakanocho in Yoshiwara, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
couple engaged in intercourse; woman wears a purple kimono with orange and red flowers; man has green plaid garment beneath him; sewing kit in URQ; pipe and tobacco pouch, LLQ; text to left of man's head

Seamstress and her Lover, No. 6 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
samurai wearing an orange mask and a green kimono engaged in intercourse with a young woman working in a rice field, wearing a red striped kimono and a wide-brimmed hat; couple at left, with man wearing short green and white patterning kimono and woman wearing blue kimono with white flowers and wide-brimmed hat; tiny man in blue and grey striped kimono smoking a pipe, in LRC; text in a cloud at top of image and in four areas along grey pathway behind figures

Peasant Love, No. 6 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
man at left wearing green kimono engaging in intercourse with a young woman wearing a purple kimono and green obi, who simultaneously applies burning medication to back of an older woman wearing a blue kimono with white pattern at right; tiny seated man applying similar medication to his leg in LRQ; folding screen with river and plants against yellow ground in background; text at top in cloud, at bottom center and at right center

Busy Love, No. 3 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse; young woman struggles, attempting to push away from man; woman wears purple kimono with white flowers; man wears red and pink checked kimono; pink and red shamisen on top of an open book resting on a black and pink chest in URQ; text below center on left edge

Shamisen Instructor, No. 2 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse; man wears black kimono with several small white designs; woman wears many layers of brightly-patterned fabric, with outer layer of purple fabric with white flowers; writing box with letters and teapot, ULC; text to left of man's head and above man's PL shoulder

The Daughter of a Great House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
couple engaged in intercourse, surrounded by brightly-colored fabrics; woman is bare-breasted; black fabric with blue, pink and white wave designs at left; screen with chrysanthemum pattern at top left; text above man and in URC

Yoshiwara Prostitute with Samurai Customer, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
nine figures--male and female, of different ages--in a public bath; all are nude except for man at right with scruffy beard, wearing blue-grey kimono with black and white I-shaped patterns; woman at center has a red plaid garment around her shoulders; woman at left receiving a back massage from a man while holding his penis; young man next to man in kimono has erection

Bath House, No. 12 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse; woman wears a purple kimono with white and orange flowers; man wears a green, orange and white striped kimono; man looks in an oval mirror on a black lacquer vanity stand with orange flowers at left; text above and below woman's head

Before the Mirror, No. 4 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse; man kisses woman's breast; man is nude; woman wears purple kimono with orange flowers and holds her PR kimono sleeve over her mouth; screen with diamond/star patterns in ULQ; text to left of woman's head (partially cut off at left edge of sheet)

Kissing Her Breast, No. 9 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse; woman is nearly nude, with a pale grey cloth over her stomach; couple surrounded by brightly-colored fabrics; black lacquer cabinet, ULC; screen with painting of building and pink tree in URC; text above man's head and his PL arm

Yoshiwara Prostitute, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikugawa Eizan

Not on View
three women seated at right wearing brightly-colored kimono; two men and one woman at left; one of the men is lying on his stomach; plate of food on low table in foreground; man in plaid kimono pours tea into pink teabowl held by woman wearing pink kimono with white flowers; large floor screen, LLC; black vase with blossoming branches, URC

Frontispiece, from the series Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
woman partially seated on a white horse, wearing a red plaid kimono and a wide-brimmed hat, engaged in intercourse with a standing man wearing green knee-high socks; tiny man smoking a pipe seated beneath a tree in LRC; text in URC in a cloud; three areas of text at bottom on grey path

From Ikaho to Edo, No. 9 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse; woman twists to put her arms around man's neck; woman wears orange, red and white checked kimono; man wears purple, green, orange and white striped kimono; purple garment with green and orange birds at left edge of image; text in two areas along right edge

A Sumo Hold, No. 11 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
round mirror with green rim and black handle contains figure depicted from chest up in a red garment with blue collar and a sleeveless black garment, slightly loose and disheveled, fastened with a loop at his PL shoulder; green domed object rendered on figure's PL and a bamboo stick on his PR; figure gazes to his left with his mouth slightly open and is set against a white and blue background with radiating red lines; mirror hovers above offset rectangle containing a smaller, blue offset rectangle with Japanese characters; a gold-framed red cartouche floats in BLC and contains Japanese characters; at BLC there is a circular mark containing Japanese characters rendered directly above a rectangle with circle on its right

Actor Sawamura Tosshō I as Kakogawa Honzō, c. 1833

Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View
crouching figure sharpens blade on a tombstone; his bare right shoulder reveals a skull tattoo; figure looks over his left shoulder and wears garments of purple, black, green, and red with a blue scarf at his neck; a green and red bag with a silver chain rests at his right hip; figure is situated in tall grasses with grave markers and a white lantern at his back; a yellow, white, and red bird with kanji decorating its body is at TL and three cartouches, two white and one yellow all with characters, are just left of the bird's lowest wingtip; a circle with characters hovers above the gravestone in the background; the background for the scene is dark charcoal in color with a slight shimmer

Evening Bell at Muenji Temple: Actor Sawamura Tanosuke III as Yukanba Kozō no Kichiza, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
round mirror with yellow rim and black handle contains figure depicted from chest up in red garment with right hand holding the grip of a sword with a dragonfly motif; figure gazes to his right and is set against blue background with radiating black lines; Japanese characters to left and right of figure's shoulders; circular mark with characters to left of aforementioned characters; mirror hovers above offset rectangle containing a smaller, blue offset rectangle with Japanese characters; red cartouche with gold frame floats in BLC and contains Japanese characters; square mark with Japanese characters at BLC

Actor Iwai Tojaku I as Shirai Gonpachi, c. 1833

Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View
round mirror with gray rim and black handle contains figure depicted from chest up in black and red garment with right hand holding a sword with black and gold grip and blue and white blade; figure gazes to his right and is set against green background with radiating red lines; Japanese characters at UL and UR of mirror; mirror hovers above offset rectangle containing a smaller, blue offset rectangle with Japanese characters; at BRC there is a circular mark containing Japanese characters rendered directly above a rectangle with circle on its right

Actor Ichikawa Danzō V as Satsuma Gengobei, c. 1833

Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View
round mirror with yellow rim and black handle contains female figure depicted from chest up in a blue kimono with flowers; figure gazes to her right with her mouth open and is set against blue background with radiating red lines; Japanese characters to left and right of figure; mirror hovers above offset rectangle containing a smaller, blue offset rectangle with Japanese characters; a gold-framed red cartouche floats in BLC and contains Japanese characters; at BRC there is a circular mark containing Japanese characters rendered directly above a rectangle with circle on its right

Actor Kanō Minshi II as Isono, the Wife of Sanpachi, c. 1833

Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View
standing figure clasps two ropes in left hand and raises a knife overhead with right hand; a brown basket with teal handle is tumbling down from near figure's PR shoulder and from it spill out four objects; figure wears a striped blue garment with red lining and a yellow and black obi; figure wears a yellow comb in hair; background is dark blue, gray, and green; red, pink, and yellow shape with scalloped edges is situated near edge of knife grip and contains Japanese characters; a white cartouche flanked by yellow cartouches found at BR and all contain kanji; a circle containing characters floats above trio of cartouches

Night Rain at Hara Garden: Actor Iwai Shijaku II as Kumasaka Ochō, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
round mirror with green rim and black handle contains figure depicted from chest up with right hand clutching robe; figure gazes to his right and wears a blue and white robe with a red and white fabric swath slung over his right shoulder; figure set against pink background with radiating rust-colored lines; Japanese characters to left of figure's shoulder; red cartouche with gold frame and blue ends floats in BLC and contains Japanese characters; mirror hovers above offset rectangle containing a smaller, blue offset rectangle with Japanese characters; circular and rectangular marks with characters in BRC

Actor Matsumoto Kōshirō V as Banzui Chōbei, c. 1833

Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View
figure depicted from back, leaning left in the process of drawing his sword--sheath at left and grip at right; garments in blues, reds, greens, and browns; garment embossed at BR and BL; six black birds fly overhead at TLC; yellow and red blossom with ten petals and number of characters in TRC; at middle right are one yellow and two white cartouches with kanji; circle with characters floats above largest white cartouche; background in variegated grays

Descending Geese at Shirahige: Actor Ichikawa Kuzō III as Inga Kozō Rokunosuke, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
figure leans with left arm on wood box while right arm extends out toward broken cup from which liquid spills out in midair; box contains yellow jug and blue sack with green tie; a lantern with Japanese characters rests in the foreground behind figure and casts v-shaped shadow; brown wood beam on left; the background for scene is charcoal gray; figure wears blue and white garment with a crisscross pattern, blue polka dotted scarf, and an orange polka dotted obi; two red squares intersect in URC to create octagon containing kanji; three cartouches, one yellow and two white all with characters, at center right; a circle with characters floats above the middle cartouche

Weather Clearing at Hirokoji: Actor Kawarazaki Gonjūrō I as Ushiwara Denji, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
figure fills the entire foreground and glances over his right shoulder; he holds a tan and blue pipe (?) in right hand; a basket containing two vessels rests on his left and a sword with a teal and yellow grip rests on his right; figure wears multiple layers of tan, blue, and red with obi at waist and scarf at neck; behind him is a fence with aqua supports and a black, petal design; two ropes hang diagonally behind figure in TLQ; a portion of a brown pillar with two black bands is visible at TR; three white squares (ship sails?) visible in distance in TLQ; background is variegating blues; a pink and yellow lotus flower containing characters and two semicircular notches at its base floats in TRC; yellow cartouche with kanji just left of figure's scarf underneath rope; two additional cartouches, one yellow and one white, both containing kanji, float just left of brown pillar; circle with characters 6" down and 1/2" in from right edge

Boats Returning from the Open Sea to Shinagawa: Actor Ichimura Kakitsu IV as Akatsuki Hoshigorō, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
figure standing in water up to his waist; white caps crest near him as he holds onto a slanting wooden beam overhead with his right hand while placing his left pointer finger in his ear; his sword with a green, yellow, and red grip and a blue and white blade pierces the base of a wood pylon to his front right; figure wears a red floral undergarment that appears torn and a blue striped robe with yellow band and orange polka dotted obi; behind figure in distance is village scape and shimmering dark blue sky with yellow sunset; red, white, and green abstract shape with eight points contains kanji and rests atop the right side of the largest of the two slanting wooden beams in the upper portion of the composition; white cartouche with characters at middle right with white circle containing characters above it; yellow and white cartouche on wood pylon near LLC with kanji; intentional green spots on wood beams and pylon at various places

Evening Glow at Eitaibashi: Actor Ichikawa Kodanji IV as Oniazami Seishichi, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
against a midnight blue background with intentionally splattered black spots a figure gazes over his right shoulder holding an infant to his chest with his right hand and a woven hat over his head with his left hand; he wears a blue kimono with a red and blue obi and rust colored robe; the baby wears red; a green, yellow, and orange sword grip rests at figure's proper left hip; a red, white, and green diamond with square notches floats at the TLC with Japanese characters inside; three cartouches -- one yellow and two white -- are situated on left side at middle, each holds characters; a small circle with characters floats above center cartouche

Twilight Snow of the Hakone Mountains: Actor Bandō Hikosaburō V as Jintō Tokujirō, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
standing figure looks over left shoulder in direction of moon; clenches sword sheath in mouth, holds cloak up with left hand, and carries a white lantern with kanji in right hand; he wears a dark blue garment with floral pattern and red lining and a light blue obi; robe has embossed edging; sword grip visible across center of his body--green, yellow, and orange; composing the background are green trees and a dark blue sky with a glowing full moon obscured slightly by a hint of smoky cloud cover; a pink and blue flower with five petals floats at TL and contains characters; three cartouches with characters to left of figure in trees--two white and one yellow; a circle with characters floats above larger of the two white cartouches

Autumn Moon at Sunamura: Actor Nakamura Shikan IV as Ōdera Shōbei, 1865, 7th month

Toyohara Kunichika; Publisher: Hiranoya Shinzō

Not on View
parcheesi board: brick tower on street with people looking out of nearly every window; kites flying in sky; man hanging from balloon in UL throwing confetti; people walking, talking, carrying balloons on the street below; sky is richly colored blue, white, and red; flap at ULC with man descending in balloon throwing confetti placed over similar figure on ULC of print

Sugoroku of Looking Out from Ryōunkaku, Asakusa Park, November 1890

Utagawa Kunimasa IV; Publisher: Fukuda Kumajirō

Not on View
portrait of a man wearing a white headscarf with splatters on top and a kimono with grey, blue and purple stripes and light blue arcing patterns, with his arms crossed; building behind man

Poem by Sanjōin Onna Kurōdo Sakon: (Actor Ichikawa Danjūrō VIII as) Tokijirō, 1852, 9th month

Utagawa Kunisada; Publisher: Iseya Kanekichi; Carver: Yokogawa Takejirō

Not on View
framed triptych: male and female figure seated on a cushion at C, watching the antics of creatures with human bodies with sea-creature heads: at L, fish with human bodies wrestle, while another figure holds up an object under the spray of a black whale at bottom; near C, a tortoise balances a sake barrel on its leg, while a crab cuts paper decorations; at R, a squid, fish, and other creatures play instruments, and look on

Sea creatures entertain Urashima Taro and Oto Hime in the Dragon Palace, 1847-1848

Utagawa Kuniyoshi

Not on View
triptych: courtesans chatting and playing instruments on a platform extending into the river; man at R seated near a tray of food grabs the hand of a young woman seated to his PL

The Sixth Month, a Triptych, 1801

Utagawa Toyohiro; Publisher: Yamadaya Sanshirō

Not on View

Poem by Minamoto no Shigeyuki, c. 1767

Suzuki Harunobu

Not on View

Ichikawa Yaozō II in the "Shibaraku" Role, 1774

Katsukawa Shunshō

Not on View

Hour of the Ram, Young Girls, 1798-1799

Kitagawa Utamaro; Publisher: Izumiya Ichibei

Not on View

The Kintai Bridge in Suō Province, c. 1834

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Aridōshi Shrine, c. 1801-1804

Katsushika Hokusai

Not on View

Old View of the Pontoon Bridge at Sano in Kōzuke Province, c. 1834

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View
unsigned

Visual Parody of the Noh Play "Takasago", 1765

Suzuki Harunobu

Not on View

Two Cranes on a Snow-covered Pine Tree, c. 1834

Katsushika Hokusai; Publisher: Moriya Jihei

Not on View

Kameyama: Clear Weather after Snow, c. 1832-1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi

Not on View

Meguro Drum Bridge and Sunset Hill, 1857, 4th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

Not on View

Ferry at Rokugō, Kawasaki, 1841-1842

Utagawa Hiroshige

Not on View

Totsuka: Motomachi Fork, c. 1832-1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi; Publisher: Tsuruya Kiemon

Not on View

Hamamatsu, Winter Scene, c. 1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi

Not on View

13, Numazu: Fuji in Clear Weather after Snow, from the Ashigara Mountains, 1855, 7th month

Utagawa Hiroshige; Publisher: Tsutaya Kichizō

Not on View
nishiki-e

"No.43: Kuwana", 1847-1852

Utagawa Hiroshige; Publisher: Maruya Seijirō

Not on View

Kawasaki: The Rokugō Ferry, c. 1832-1833

Utagawa Hiroshige; Publisher: Tsuruya Kiemon; Publisher: Takenouchi Magohachi

Not on View

Shōno: Driving Rain, c. 1832-1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi

Not on View

Yokohama at Noge in Musashi Province, 1858, 4th month

Utagawa Hiroshige; Publisher: Tsutaya Kichizō

Not on View

Tea Stall, Fukuroi, c. 1833

Utagawa Hiroshige; Publisher: Takenouchi Magohachi; Publisher: Tsuruya Kiemon

Not on View

No.34 Futakawa, 1837-1844

Utagawa Hiroshige; Publisher: Maruya Seijirō

Not on View
left panel of vertical hosoban triptych

Actor Nakayama Tatezō as Motoyosho Shirō, c.1792, 11th month

Katsukawa Shun'ei; Publisher: Nishimuraya Yohachi

Not on View

The Sea off Satta in Suruga Province, 1858, 4th month

Utagawa Hiroshige; Publisher: Tsutaya Kichizō

Not on View

Mandarin Ducks in Snow, 1854, 2nd month

Utagawa Hiroshige; Publisher: Tsutaya Kichizō

Not on View
unsigned

No. 41, Nojiri: Distant View of the Ina River Bridge, c. 1835-1838

Eisen; Publisher: Takenouchi Magohachi

Not on View

Old Story of Miyako-dori Gulls and the Sumida River, 19th century

Utagawa Hiroshige; Publisher: Wakasaya Yoichi

Not on View

Cherry Blossoms at Goten-yama, 1852, 3rd month

Utagawa Hiroshige

Not on View

Night View of Matsuchiyama and the San'ya Canal, 1857, 8th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

Not on View

Kanaya, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

View of Kinryūzan Temple in Asakusa, c. 1840-1842

Utagawa Hiroshige; Publisher: Ezakiya Tatsuzō

Not on View

Numazu, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Tomigaoka Hachiman Shrine at Fukagawa, c. 1832-1834

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Lion Training Cub, c. 1835-1839

Utagawa Hiroshige; Publisher: Wakasaya Yoichi

Not on View

No. 52, Ōta, c. 1835-1838

Utagawa Hiroshige; Publisher: Yamadaya Shōjirō

Not on View

Chiryu_, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Seidō and Kanda River from Shōhei Bridge, 1857, 9th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

Not on View

No. 45, Ochiai, c. 1835-1838

Utagawa Hiroshige; Publisher: Iseya Rihei

Not on View

Yellowtail and Rockfish, c. 1835-1839

Utagawa Hiroshige; Publisher: Tsujiya Yasubei

Not on View

No. 25, Yawata, c. 1835-1838

Utagawa Hiroshige; Publisher: Iseya Rihei

Not on View

Gion Shrine in Snow, c. 1834

Utagawa Hiroshige

Not on View

Oki Province: Takuhi Shrine, 1853, 12th month

Utagawa Hiroshige; Publisher: Koshimuraya Heisuke

Not on View
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