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One, Nihonbashi, c. 1850-1851

Utagawa Hiroshige; Publisher: Maruya Seijirō

Not on View

A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, late 1830s - early 1840s

Eisen

Not on View

Cherry Blossoms in Full Bloom at Goten-yama, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month

Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

South Wind, Clear Weather, 1830-1833

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View
three figures fighting against the wind with hat being blown away in snowy landscape; grey, red, yellow, blue, green

Lady Tokiwa fleeing with her sons through the snow. The Secrets of Strategy, no. 1, c. 1848

Utagawa Kuniyoshi; Publisher: Ibaya Kyūbei

Not on View

Getting Dressed, 1765-1769

Suzuki Harunobu

Not on View
right panel of vertical hosoban triptych

Actor Nakayama Tomisaburō as Matsushima, c.1792, 11th lunar month

Katsukawa Shun'ei; Publisher: Nishimuraya Yohachi

Not on View
parcheesi board: brick tower on street with people looking out of nearly every window; kites flying in sky; man hanging from balloon in UL throwing confetti; people walking, talking, carrying balloons on the street below; sky is richly colored blue, white, and red; flap at ULC with man descending in balloon throwing confetti placed over similar figure on ULC of print

Sugoroku of Looking Out from Ryōunkaku, Asakusa Park, November 1890

Utagawa Kunimasa IV; Publisher: Fukuda Kumajirō

Not on View
woman in lavender kimono with multicolored stylized flowers holding hand of a girl in purple kimono with white and red flowers; inset in ULC with a man with a sword with pair of kneeling boys before him; mounted to cardboard

No. 20: Chо̄kо̄ and Chо̄rei, 1891

Toyohara Chikanobu; Publisher: Hasegawa Tsunejirō; Carver: Asajirō

Not on View
large white rat in brown cloak, chewing on papers; grey and white smaller rats throughout

Priest Raigo of Miidera Transforming into a Vengeful Rat, 1891

Tsukioka Yoshitoshi

Not on View
two separate sheets combine to make one image; seated female figure on left wearing a white kimono with large blue blooming flowers, with a peach and white geometrically printed robe underneath; sitting in front of a blue box, with a smaller, impish figure wearing a loin cloth and holding a fan in PL hand to right of seated figure; two other impish figures in the top portion of a cabinet, right figure has blue skin, behind seated figure; seated figure with bald head and wears a black and gray robe in bottom center with back to viewer; seated figure on right wearing a green checkered robe, with two smaller figures behind seated figure, one is blue skinned and on the shoulders of a second figure, with top figure holding a raised mallet in hands; figure in top center with green shirt and blue pants holds palm leaf in both hands; large leaf in top right edge of image

How to lighten measels, 4th lunar month 1862

Utagawa Fusatane; Publisher: Kiya Sōjirō

Not on View
red-skinned chubby child watching a monkey and rabbit wrestling

Moon of Kintoki's Mountain, October 1890

Tsukioka Yoshitoshi

Not on View
assembled triptych; three women in richly decorated kimonos playing battledore

Battledore, 1896

Toyohara Chikanobu; Publisher: Fukuda Hatsujirō

Not on View
vertical composition; narrow, tall barrel, with worker standing on top, tapping topmost green band with a mallet and a stick; worker at bottom center seen from back, brushing center green band and holding a bucket; green, yellow, and orange; received framed

Barrel Makers, 1800s-1820s

Hokusai School

Not on View
female and male figures with animal faces; male figure at left with foxlike face wearing a pale blue kimono with khaki green foliage, black hat, and pink headband; female figure at right with mouselike face wearing a pink kimono with white round pattern, blue underkimono with white flowers, and black and blue headdress; text at top and LRQ; received framed

Surimono, 1830s

Utagawa Sadafusa

Not on View
standing man wearing variously patterned garments in red, grey, blue and white, with a black and white fur lined textile at his PR hip, looking down at a bare-chested heavy-set boy holding an axe over his PL shoulder, with a black and white checked garment tied around his waist; received framed

Poem by Sanjô Udaijin: Kaidômaru and Urabe Suetake, c. 1845-1848

Utagawa Kuniyoshi

Not on View
seated man with his arms crossed, wearing garments that are tan, plaid, and floral, in brown, tan, and blue, with two swords at his waist; small bag in grey and white pattern with flowers in LRQ; falling leaves, with mountain landscape with fall trees in ULQ; long curled-over piece of paper with text at bottom center; received framed

Poem by Chûnagon Asatada: Endô Musha Moritô, c. 1845-1848

Utagawa Kuniyoshi

Not on View
standing man wearing a garment with black and white and green, black, and blue plaid patterns, with two swords; man is pouring yellow liquid from a dipper (?); blue ground; received framed

Poem by Minamoto no Muneyuki Ason: Kanesuke Gorô Imakuni, c. 1845-1848

Utagawa Kuniyoshi

Not on View
shore at right with rocks in water

30, Tōjinbō, Echizen Province, 2nd lunar month 1862

Utagawa Hiroshige II

Not on View
standing woman holding teapot, looking down at fish on a plate

View of Okabe, c. 1833

Utagawa Kunisada; Publisher: Sanoya Kihei

Not on View
seated figure wearing peach robe in center; two standing figures on left in a doorway; fence on left; trees in ULQ

Tea Gathering, 1891

Ogata Gekkō; Publisher: Daikokuya Heikichi

Not on View
4 x 4 grid of bird and floral designs in pruple, pink, red, green, and yellow

Handbook of Old Floral Patterns, 1890s

Imai Keitarō

Not on View
anthropomorphic grey and white cat couple with standing man/cat in yellow with sword and seated woman/cat in grey and white playing a stringed instrument; text at top

The Scene of Torture by Scolding from The Stinky Sleeve, 1847

Utagawa Kuniyoshi; Publisher: Yamamotoya Heikichi

Not on View
seated woman with a stationary box, making ink on an inkstone

Shirabyōshi Giō, 7th lunar month 1862

Utagawa Kunisada; Author: Ryūtei Senka; Publisher: Sakanaya Eikichi

Not on View
woman in blue gesturing with her hands; grey ground; bottle, LRC; text at top

Somehow I Want to Win, 1878

Tsukioka Yoshitoshi

Not on View
group of three figures, one in center has back turned, wearing a mauve colored jacket with an under robe with scattered leaves printed on it in pigments of green, orange and peach; elaborate gold headdress; two figures on left, both wear same colors and patterns as center figure, each with blue headdresses with stacked blue leaves; 'picture' of yellow and pink flowers in URC; inscriptions in Japanese characters in ULC, right center edge and in LRC

Chrysanthemum Festival: The Tamaya in Shin-Yoshiwara Edomachi itchōme; the courtesan Shinmachi and her attendants Kitsune and Komatsu, 1830s

Utagawa Kunisada; Publisher: Ōmiya Heihachi

Not on View
woman in black patterned kimono looking over her PL shoulder, holding a baby to her chest

Flowers: Actor Bandō Shuka I as the evil Omatsu, 11th lunar month 1852

Utagawa Kunisada; Publisher: Minatoya Kohei; Carver: Yokogawa Takejirō; Printer: Matsumune

Not on View
red and green ground; man in western dress at left; man with dog at center; woman with purple umbrella at right; dog at center pulls on tie on woman's garment; three sheets affixed to backing paper and mount paper

Covers of the three booklets "Bright Young Girl in the Abyss of a Poisonous Snake," vol. 3, 1880

Toyohara Chikanobu; Author: Ryūsuitei Tanekiyo; Publisher: Kobayashi Tetsujirō

Not on View
woman seated beneath a waterfall

Spirit of a Faithful Wife in a Waterfall, 1892

Tsukioka Yoshitoshi

Not on View
couple in blue kimonos with gold waves and wide collard with scale patterns; waves in background; screen with text at top

The Syllable U for Birds of Sorrow (Utо̄): Actors Nakamura Fukusuke I as Yasukata and Iwai Kumesaburо̄ III as Nishikigi, 6th lunar month 1856

Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View
couple with man at left and woman at right, biting the red and white sleeve of her inner kimono

Tenth month, 8th lunar month 1851

Utagawa Kunisada; Publisher: Minatoya Kohei

Not on View
woman in red kimono dancing with six flames

Fox-fire of the Twenty-four Paragons of Filial Piety, 1893

Tsukioka Yoshitoshi

Not on View
three separate sheets; overhead roofless view of a large building with many rooms; group of men and women dining with woman playing shamisen in LLC; another group of dingers in ULC with three women in elaborate colorful kimonos; man in yellow checked kimono at center accompanied by two women; male servant in blue checked kimono at right with a lantern and a low table with plates of food; two women and a man dining at top center

Complete View of a Courtesan House in Tokyo, 1870, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

Not on View
one sheet; man in profile from PL with a sword across his back; hair in a ponytail; white headband; red sleeve with black grid design; blue smoke at top; cannon in LLQ

Akechi Samanosuke, 1868, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

Not on View
one sheet; man in profile from PL, bleeding from his open mouth; man wears brown and blue headgear and black and brown armor on his arms; PR arm unraised; many different fabrics on clothing in LRQ; man wears a necklace of blue and white beads tied with blue cord; grey ground

Shima Sakon Tomoyuki, 1868, 8th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

Not on View
one sheet; man crouching behind a black lantern; man wears purple patterned pants and red, black and brown armor on chest and arms; man holds a spear; blue ground

11, Chikamatsu Kanroku Minamoto Yukishige, 1868, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

Not on View
vertical ōban triptych; underwater battle with divers fighting at left and two figures in underwater scuba apparatuses fighting at center, with fallen fighter left of central pair; figure holding light underwater at right; boats on water surface with red light; sheets affixed together

Extra Issue of September 20th, Great Naval Battle off the Yalu River, October 1894

Kobayashi Toshimitsu; Publisher: Fukuda Kumajirō

Not on View
vertical ōban triptych; soldiers in snow wearing black coats with hoods; soldier at center on horse, which wears a tan, black and red blanket; standing soldiers with swords; sheets mounted on board

Picture of Landing and Advancing toward Weihaiwei, February 1895?

Kobayashi Kiyochika; Publisher: Takekawa Seikichi

Not on View
black and white cat wearing a red collar cornering a rat trapped inside a paper lantern, green ground

Cat Catching a Rat, 1920s

Kobayashi Kiyochika; Publisher: Daikokuya Heikichi

Not on View
vertical ōban triptych; busy port scene with small boats and open warehouses and other buildings; predomincatley black, blue and red; sheet affixed together

Picture of Kaigan-dori in Yokohama, 1870, 10th lunar month

Utagawa Hiroshige III; Publisher: Iseya Kisaburō

Not on View
vertical ōban triptych; trains on two tracks with an open air train station with figures in Western and Eastern dress; predominately red, black and blue; sheets affixed together

Picture of Steam Locomotive and Waiting Area at Tokyo Shiodome Station, 1873, second lunar month

Utagawa Hiroshige III; Publisher: Iseya Kisaburō

Not on View
vertical ōban triptych; two Western soldiers at center with grey clouds in front of a wall behind men; running Western soldiers at right; two dead Japanese figures with umbrella lying at LRC; green border; sheets attached together

Enemy Soldiers Fleeing after They Themselves Destroyed Magong Fortress, Great Victory for Our Forces, April 1895

Adachi Ginkō; Publisher: Hasegawa Sumi

Not on View
horizontal chūban; woven, simple light brown cover; vertical band of paper with inscriptions in Japanese characters on cover; accordion-style book with images on front, with blank sheets on back side; expressively rendered figures that tell the story of a woman eating an excessive amount of food and the repercussions following

Album of 12 prints from the series "Pictures of the Presentation of the Grand Potato", 1890s

Kobayashi Kiyochika

Not on View
book with binding on the right side; colorful cover with image of a single figure with sword raised in PR hand; explosion on right; vertical red band with inscription in Japanese characters in ULC; inner cover page depicts a battle scene with shadows of fighting figures behind exploding burning buildings; colorful inner pages that depict battle scenes; inscriptions in Japanese characters on back cover

Collection of Pictures of Battles in Various Places, 1868

Utagawa Yoshitora; Publisher: Yoshidaya Bunzaburō

Not on View
horizontal chūban; accordion style book; cream-colored front and back cover with circular designs in floral-like shapes, surrounded by dotted patterns in green, yellow, maroon and lavender pigments; cover has a faint, linear woodgrain pattern; front cover has vertical band with alternating brown speckled bands of pigment, and Japanese characters in center; interior pages depict brightly colored, whimsical images with animated figures

Album of 12 prints from the series "Pastime Society", 1895

Kobayashi Kiyochika; Publisher: Fukuda Hatsujirō

Not on View
horizontal chūban; accordion style book; front and back cover has thin, muted orange lines forming a woven pattern; colorful interior images that depict domestic scenes, as well as exterior farming, harvesting, and fishing scenes; image on both sides of accordion, fifteen images on each side

Album of 30 prints from the series "Collection of Pictures of Products from Greater Japan", 1877

Utagawa Hiroshige III; Publisher: Yorozuya Magobei

Not on View
book with bound edges on right side; light blue cover with threaded spine; yellow, vertical band on left with Japanese characters; inner pages alternate images of birds, text in Japanese characters, forest scenes, fish, turtles and shells

Illustrated Reference Book of Photographs of All the Universe, Vol. 2 (complete), 1864

Utagawa Sadahide; Author: Ohara Chikudō; Carver: Nakamura Shuntai; Publisher: Gunhōdō

Not on View

Weather Clearing at Sekiya Village, 1861, 11th lunar month

Utagawa Hiroshige II; Publisher: Hiranoya Shinzō

Not on View

Kinuta [Jewel River] in Settsu Province, 1857, 11th month

Utagawa Hiroshige; Publisher: Maruya Kyūshirō

Not on View
vertical ōban triptych

Lady Descending from a Court Carriage, c. 1801-1804

Kitagawa Utamaro; Publisher: Izumiya Ichibei

Not on View
seated man holding a strand of white beads in his PR hand; both hands hidden in the sleeves of his grey kimono; outer sleeveless garment of blue; man looks toward ULC at two flying birds; shadowy reddish-purple floral cartouches at top 1/4 of image; unsigned

Memorial Portrait of the Actor Nakamura Utaemon IV, 1852

Utagawa School

Not on View
standing woman with head slightly bend and turned to PR; woman holds an inverted straw basket (?) in her PL hand and a yellow and black striped object in her PR hand; woman wears kimono in blue, grey, green, white, black with white geometric patterning and blue with white floral pattern

Memorial Portrait of the Actor Segawa Kikunojō V, 1833, 1st month

Utagawa Kunisada; Publisher: Sanoya Kihei

Not on View
kneeling man with heavy outward-jutting jaw, wearing blue sleeveless long jacket over pink kimono with dark red geometric pattern; man seated on a yellow mat with floral patterned trim with pink ground, with sword resting on mat to PL of man

Memorial Portrait of the Actor Bandō Mitsugorō III, 1831, 12th month

Utagawa Kunisada; Publisher: Ōmiya Heihachi

Not on View
kneeling young woman in foreground, looking back over her PR shoulder; woman wears pink kimono with white flowers and purple obit with white foliage design; young woman holds the hand of a figure standing behind her, holding an umbrella in his PR hand and wearing a pink kimono with similar floral pattern

Memorial Portraits of Bandō Mitsugorō III and Segawa Kikunojō V, after 1833

Utagawa Kuniharu; Publisher: Iwatoya Kisaburō

Not on View
standing frowning man, looking slightly downward, holding a strand of white and coral-colored beads with large green tassels in his PL hand; man wear a medium blue kimono and a sleeveless light blue long jacket

Memorial Portrait of the Actor Bandō Mitsugorō V, 1831, 12th month

Utagawa Kunisada; Publisher: Yamamotoya Heikichi

Not on View
standing fremale figure, wearing a blue kimono with white floral medillions and a brown and white geometric patterned obi

Memorial Portrait of Iwai Hanshirō VI, 1836, 4th month

Utagawa Sadafusa; Publisher: Jōshūya Jūzō / Jūbei

Not on View
standing man with large nose and outward-jutting jaw, wearing grey kimono with subtle brocade pattern and sleeveless long blue outer garment; man holds a folded an in his PR hand; red drips (?) along top edge of image

Memorial Portrait of the Actor Matsumoto KōshirōV, 1838, 5th month

Utagawa Kunisada; Publisher: Yamamotoya Heikichi

Not on View
omohan ai-zuri

The Falls at Aoigaoka in the Eastern Capital, c. 1832

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View
a winter scene, with hunters and foresters warming their hands at a log-fire outside a mountain hut covered with snow; the flame of the fire is the center of the color scheme and lights up the bright colors of the figures around it, the tones intensified by the contrasting areas of shadow beyond and the foreground snow; the blue sky shades down to grey; one of the set 'Hyakunin Isshu Ubaga Etoki', with a poem by Minamoto in the square cartouche adjoining the title cartouche 'Friends are gone from me, the grass and leaves are withered. Ah! how remembrance makes winter-time more lonely here in this mountain hamlet.'

Poem by Minamoto no Muneyuki Ason, c. 1835-1836

Katsushika Hokusai; Publisher: Iseya Sanjirō

Not on View

Okabe--Utsu Mountain, c. 1832-1833

Utagawa Hiroshige; Publisher: Tsuruya Kiemon

Not on View

Clear Weather After Snow at Masaki, c. 1832-1838

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Winter: Snow on the Sumida River, c. 1832-1834

Utagawa Hiroshige; Publisher: Kawaguchiya Shōzō

Not on View

Nihonbashi Bridge in Snow, 1839-1842

Utagawa Hiroshige; Publisher: Kawaguchiya Shōzō

Not on View

"Harima--Maiko Beach", 1853, 12th month

Utagawa Hiroshige; Publisher: Koshimuraya Heisuke

Not on View

Abalone Divers, 1797-1798

Kitagawa Utamaro

Not on View

Macaw on Pine Branch, early 1830s

Utagawa Hiroshige; Publisher: Wakasaya Yoichi

Not on View

Tatsunokuchi (Dragon Mouth) Mountain, Bizen Province, 1860, 2nd lunar month

Utagawa Hiroshige II; Publisher: Sakanaya Eikichi

Not on View
trimmed to margin (hence publisher and censor seals are missing)

Plum Garden at Kameido, 1862, 4th lunar month

Utagawa Hiroshige II; Publisher: Sagamiya Tōkichi

Not on View

Evening Snow on Mount Hira, 1859, 1st month

Utagawa Hiroshige II; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō

Not on View
left sheet of a vertical ōban pentaptych

Actors Nakamura Tsuruzō I, Kataoka Nizaemon VIII, Kataoka Jūzō I, Ichikawa Shinsha I, Nakamura Enjaku, Nakamura Shikan IV, and Arashi Hinasuke VII, 1860, 9th lunar month

Utagawa Kunisada; Publisher: Daikokuya Kinjirō; Carver: Yokogawa Takejirō

Not on View
second sheet from the right of a vertical ōban pentaptych

Actors Ichikawa Danzō VI, Ichikawa Ichizō III, Onoe Waichi II, Ichikawa Dannosuke V, Sawamura Tanosuke III, and Asao Yoroku II, 1860, 9th lunar month

Utagawa Kunisada; Publisher: Daikokuya Kinjirō; Carver: Yokogawa Takejirō

Not on View
second sheet from the left of a vertical ōban pentaptych

Actors Ichikawa Kuzō II, Ichimura Uzaemon XIII, Kawarazaki Gonjūrō I, and playwright Sakurada Jisuke III, 1860, 9th lunar month

Utagawa Kunisada; Publisher: Daikokuya Kinjirō; Carver: Yokogawa Takejirō

Not on View
the actor lights his pipe in a brazier; his tobacco pouch, pipe case, ojime and netsuke set lie on the floor in front of him

Actor Bandō Mitsugorō III, 19th century

Utagawa Toyokuni

Not on View
nishiki-e

Flatfish Netting and Fish Boats, Wakasa Province, 1853, 9th month

Utagawa Hiroshige; Publisher: Koshimuraya Heisuke

Not on View
onnagata at LL with blue, red, white kimono holds a wine cup in PL hand, looking up at a man holding a wine jug in his hands; the men exchange gaze; in background, a blossoming begonia

Begonia (The Actors Nakayama Ichizō and Bandō Shuka), 1854, 6th month

Utagawa Kunisada; Artist: Utagawa Hiroshige; Publisher: Ebisuya Shōshichi

Not on View
couple engaged in intercourse, enveloped in brightly-patterned fabrics; blue and white vase with pink plum blossoms in ULC; text at top center and in ULC on rectangular cartouche over plum blossoms

Yoshiwara Prostitute , from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
three women seated at right wearing brightly-colored kimono; two men and one woman at left; one of the men is lying on his stomach; plate of food on low table in foreground; man in plaid kimono pours tea into pink teabowl held by woman wearing pink kimono with white flowers; large floor screen, LLC; black vase with blossoming branches, URC

Frontispiece, from the series Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse, surrounded by brightly-colored fabrics; woman is bare-breasted; black fabric with blue, pink and white wave designs at left; screen with chrysanthemum pattern at top left; text above man and in URC

Yoshiwara Prostitute with Samurai Customer, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse, enveloped in brightly-patterned fabrics; pink fish, ULC; pink teabowl at left; text in two blocks at top center

Teahouse on Nakanocho in Yoshiwara, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse; man wears a tan kimono and holds a red and pink fan with text; bare-breasted woman wears a purple kimono with white patterns and a brown obi with white bird-like patterns; lantern with flowers and long looped ties at left; books and scrolls in a cabinet in ULC with flowering branch on doors at bottom; text in LRC and above man's head

Husband and Wife, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse; woman enveloped in brightly-colored fabrics; man wears black kimono; text in URC and above woman's PR knee

Yoshiwara Prostitute and Secret Lover, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse; woman is nearly nude, with a pale grey cloth over her stomach; couple surrounded by brightly-colored fabrics; black lacquer cabinet, ULC; screen with painting of building and pink tree in URC; text above man's head and his PL arm

Yoshiwara Prostitute, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse, enveloped in brightly-colored fabrics; man wears brown kimono with pinkish diamond patterns; bird patterned fabric in ULC; text in three areas along left edge and above man's PL shoulder

Yoshiwara Prostitute, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse; man wears black kimono with several small white designs; woman wears many layers of brightly-patterned fabric, with outer layer of purple fabric with white flowers; writing box with letters and teapot, ULC; text to left of man's head and above man's PL shoulder

The Daughter of a Great House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse; young woman struggles, attempting to push away from man; woman wears purple kimono with white flowers; man wears red and pink checked kimono; pink and red shamisen on top of an open book resting on a black and pink chest in URQ; text below center on left edge

Shamisen Instructor, No. 2 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
couple engaged in intercourse; man is nude; woman wears a purple kimono with pink and white flowers and orange leaves; screen with diamond/star patterns in URQ; doors with wave patterns in ULC; text in LLQ

In the Pleasure Quarters, No. 3 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

Not on View
round mirror with green rim and black handle contains figure depicted from chest up in a red garment with blue collar and a sleeveless black garment, slightly loose and disheveled, fastened with a loop at his PL shoulder; green domed object rendered on figure's PL and a bamboo stick on his PR; figure gazes to his left with his mouth slightly open and is set against a white and blue background with radiating red lines; mirror hovers above offset rectangle containing a smaller, blue offset rectangle with Japanese characters; a gold-framed red cartouche floats in BLC and contains Japanese characters; at BLC there is a circular mark containing Japanese characters rendered directly above a rectangle with circle on its right

Actor Sawamura Tosshō I as Kakogawa Honzō, c. 1833

Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View
two men seated in tatami room; older man, wide stance, wearing large black robe and tall headdress sits on a carpet; in front, a younger man with pink robe kneels, offering a plum branch with a bird; clouds at top and LR with inscription

The Syllable U: A Gift of an Artifical Plum Branch and Pheasant, c. 1770-1773

Katsukawa Shunshō

Not on View
three sheets matted and framed together in dark wood frame; green/beige border around outside of all three when placed together; night scene in a forest; a: left sheet: warrior wearing green top and purple bottom with hands up as if to defend self; b: center sheet: old figure wearing dark torn garment holding oil lantern and flame; c: right sheet: large tree in foreground and lanterns receeding in background

Picture of Taira no Tadamori Capturing the Priest of Midō Temple, c. 1884

Kobayashi Kiyochika; Publisher: Hara Taneaki; Carver: Asai Ginjirō

Not on View
woman partially seated on a white horse, wearing a red plaid kimono and a wide-brimmed hat, engaged in intercourse with a standing man wearing green knee-high socks; tiny man smoking a pipe seated beneath a tree in LRC; text in URC in a cloud; three areas of text at bottom on grey path

From Ikaho to Edo, No. 9 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse, enveloped in brightly-patterned fabrics; man's kimono is blue with grey checked pattern with stylized leaves; woman's outer kimono is purple with white flowers; two plants at left--one with pink blossoms, the other similar to a small pine; text in LLC and at right edge, URC

Young Lovers at the New Year, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse, wearing brightly-colored kimono; woman wears purple kimono with green, brown, yellow and red bird; man wear primarily green kimono with round patterns; fabric with red, purple and yellow leaves in ULC; text above woman at top center and to right of woman's head

Last Customer of the Evening in the Yoshiwara, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple at right with man wearing grey cloth over his head, reaching with his PR hand under the folds of young woman's kimono, and holding his PL hand over her breast, while a disapproving older woman at left wearing a green flowered jacket and pink kimono looks on; tiny man wearing grey kimono with white spots seated in a blooming cherry tree in ULQ pulls up the back of his kimono to expose his buttocks while breaking wind; text in cloud at top of image, in ULQ, to right of older woman and above and to right of younger woman

Licensed Quarter of Yoshiwara, No. 12 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse; predominately nude; man has a blue and white patterned kimono over his buttocks; woman's kimono is purple with light blue cloud bands and white birds; woman has a red cloth over the top of her belly; tobacco set, cup and gold vessel in ULC; text in ULC and above man's back

The Lady of a Mercantile House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple engaged in intercourse, wearing brightly-colored kimono; man wears blue kimono with pinkish checks; woman's garments are green, black, and purple with floral patterns; three books in LRC; text in ULC and LLC

Daughter of a Great House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
couple in foreground engaged in intercourse; man in green kimono pushes a woman in a purple kimono with white flowers and a red and white striped obi to the floor; tiny man in a blue kimono with white dots hiding beneath shallow baskets of leaves at right; seated older man wearing loincloth at right; text at top in cloud, to left of woman, in LRC and to left of tiny man

Sericulture Chamber, No. 10 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
young couple engaged in intercourse in foreground; woman tugs on man's penis; woman wears white kimono and beads around her wrist; young man wears a blue-grey kimono and looks at a bracelet of beads in his PR hand; tiny man standing in LRC; two figures at left walking the dark with a white lantern with red zigzags; text in cloud at top of image, in LRC, above young man and above sword at bottom center

The Place of the Heart, No. 11 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
couple engaged in intercourse at center, while listening to man in a green kimono play the shamisen; woman wears purple and white kimono with bands of looped patterning; man wears a green and white striped kimono; tiny nude man at right drying his hair; hot water tubs and bucket at right; text in a cloud at top of image, to left of man in striped kimono, above woman and to right of small man

Hot Springs at Ikaho, No. 8 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View
nine figures--male and female, of different ages--in a public bath; all are nude except for man at right with scruffy beard, wearing blue-grey kimono with black and white I-shaped patterns; woman at center has a red plaid garment around her shoulders; woman at left receiving a back massage from a man while holding his penis; young man next to man in kimono has erection

Bath House, No. 12 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777

Isoda Koryūsai

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