Looking for medina, metius, media, medic?

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

The Miracle of Famous Paintings by Ukiyo Matahei, Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke — The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month
Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, Eisen — A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, late 1830s - early 1840s
Eisen

Not on View

Picture of the Lower Class, Kitagawa Utamaro; Publisher: Wakasaya Yoichi — Picture of the Lower Class, c. 1794-1795
Kitagawa Utamaro; Publisher: Wakasaya Yoichi

Not on View

three travelers trudging through snow, wearing straw hats, cloaks; snow-covered buildings, trees, and mountains in middle ground; tree covered in snow at L — Kanbara: Night Snow [first state], c. 1832-1833
Utagawa Hiroshige; Publisher: Takenouchi Magohachi

Not on View

left print: two actors in center; one actor dressed as a woman with ornate kimono and headdress clutches kimono with PL hand and looks toward PL; actor at bottom has shadow of a moustache and wears a kimono decorated with morning glories; sword under PL hand; actor reels back thrusting PL hand in front; background with cartouches, flowers — Left sheet of a kabuki triptych, 1884
Utagawa Kuniume

Not on View

center/right print; two actors in center of image; actor in front wears heavy red eye makeup, black robe with red underneath, a red obi with sword tucked in, and a blue sash around his head; actor in back wears red and blue robe with light blue headdress; print is richly colored with red, black, blue, and teal; white blossoms in background, text in cartouches in URQ — Center sheet of a kabuki triptych, 1884
Utagawa Kuniume

Not on View

samurai wearing an orange mask and a green kimono engaged in intercourse with a young woman working in a rice field, wearing a red striped kimono and a wide-brimmed hat; couple at left, with man wearing short green and white patterning kimono and woman wearing blue kimono with white flowers and wide-brimmed hat; tiny man in blue and grey striped kimono smoking a pipe, in LRC; text in a cloud at top of image and in four areas along grey pathway behind figures — Peasant Love, No. 6 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

man at center with his genitals exposed being pulled by his blue loincloth by a pregnant woman at left wearing a red skirt with her breasts exposed; cowering young woman in an open green kimono with purple flowers at right; tiny man wearing a green striped kimono with purple trim hiding beneath young woman's kimono in LRC; text at top in a cloud and in six other locations throughout the print — Love Revealed, No. 4 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

couple engaged in intercourse; woman wears a purple kimono with white and orange flowers; man wears a green, orange and white striped kimono; man looks in an oval mirror on a black lacquer vanity stand with orange flowers at left; text above and below woman's head — Before the Mirror, No. 4 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

couple engaged in intercourse, enveloped in brightly-colored fabrics; man wears brown kimono with pinkish diamond patterns; bird patterned fabric in ULC; text in three areas along left edge and above man's PL shoulder — Yoshiwara Prostitute, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple engaged in intercourse; man wears a tan kimono and holds a red and pink fan with text; bare-breasted woman wears a purple kimono with white patterns and a brown obi with white bird-like patterns; lantern with flowers and long looped ties at left; books and scrolls in a cabinet in ULC with flowering branch on doors at bottom; text in LRC and above man's head — Husband and Wife, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple in foreground engaged in intercourse; man in green kimono pushes a woman in a purple kimono with white flowers and a red and white striped obi to the floor; tiny man in a blue kimono with white dots hiding beneath shallow baskets of leaves at right; seated older man wearing loincloth at right; text at top in cloud, to left of woman, in LRC and to left of tiny man — Sericulture Chamber, No. 10 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

couple engaged in intercourse; woman is nearly nude, with a pale grey cloth over her stomach; couple surrounded by brightly-colored fabrics; black lacquer cabinet, ULC; screen with painting of building and pink tree in URC; text above man's head and his PL arm — Yoshiwara Prostitute, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

young couple engaged in intercourse; both figures are nude; screen with waterfall, URQ; text above young woman's head — Young Lovers, No. 10 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

couple engaged in intercourse; woman wears a purple kimono with orange and red flowers; man has green plaid garment beneath him; sewing kit in URQ; pipe and tobacco pouch, LLQ; text to left of man's head — Seamstress and her Lover, No. 6 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

couple engaged in intercourse, wearing brightly-colored kimono; man wears blue kimono with pinkish checks; woman's garments are green, black, and purple with floral patterns; three books in LRC; text in ULC and LLC — Daughter of a Great House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple engaged in intercourse; woman enveloped in brightly-colored fabrics; man wears black kimono; text in URC and above woman's PR knee — Yoshiwara Prostitute and Secret Lover, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple engaged in intercourse at center, while listening to man in a green kimono play the shamisen; woman wears purple and white kimono with bands of looped patterning; man wears a green and white striped kimono; tiny nude man at right drying his hair; hot water tubs and bucket at right; text in a cloud at top of image, to left of man in striped kimono, above woman and to right of small man — Hot Springs at Ikaho, No. 8 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

couple engaged in intercourse; man is nude; woman wears a purple kimono with pink and white flowers and orange leaves; screen with diamond/star patterns in URQ; doors with wave patterns in ULC; text in LLQ — In the Pleasure Quarters, No. 3 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

young couple engaged in intercourse in foreground; woman tugs on man's penis; woman wears white kimono and beads around her wrist; young man wears a blue-grey kimono and looks at a bracelet of beads in his PR hand; tiny man standing in LRC; two figures at left walking the dark with a white lantern with red zigzags; text in cloud at top of image, in LRC, above young man and above sword at bottom center — The Place of the Heart, No. 11 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

couple engaged in intercourse; man kisses woman's breast; man is nude; woman wears purple kimono with orange flowers and holds her PR kimono sleeve over her mouth; screen with diamond/star patterns in ULQ; text to left of woman's head (partially cut off at left edge of sheet) — Kissing Her Breast, No. 9 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

couple engaged in intercourse, enveloped in brightly-patterned fabrics; man's kimono is blue with grey checked pattern with stylized leaves; woman's outer kimono is purple with white flowers; two plants at left--one with pink blossoms, the other similar to a small pine; text in LLC and at right edge, URC — Young Lovers at the New Year, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple engaged in intercourse; young woman struggles, attempting to push away from man; woman wears purple kimono with white flowers; man wears red and pink checked kimono; pink and red shamisen on top of an open book resting on a black and pink chest in URQ; text below center on left edge — Shamisen Instructor, No. 2 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

couple at right with man wearing grey cloth over his head, reaching with his PR hand under the folds of young woman's kimono, and holding his PL hand over her breast, while a disapproving older woman at left wearing a green flowered jacket and pink kimono looks on; tiny man wearing grey kimono with white spots seated in a blooming cherry tree in ULQ pulls up the back of his kimono to expose his buttocks while breaking wind; text in cloud at top of image, in ULQ, to right of older woman and above and to right of younger woman — Licensed Quarter of Yoshiwara, No. 12 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

nine figures--male and female, of different ages--in a public bath; all are nude except for man at right with scruffy beard, wearing blue-grey kimono with black and white I-shaped patterns; woman at center has a red plaid garment around her shoulders; woman at left receiving a back massage from a man while holding his penis; young man next to man in kimono has erection — Bath House, No. 12 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

three women seated at right wearing brightly-colored kimono; two men and one woman at left; one of the men is lying on his stomach; plate of food on low table in foreground; man in plaid kimono pours tea into pink teabowl held by woman wearing pink kimono with white flowers; large floor screen, LLC; black vase with blossoming branches, URC — Frontispiece, from the series Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

couple engaged in intercourse; woman attempts to write with a brush on a scroll of paper; woman wears a pink kimono with dark pink flowers; man wears a red and orange checked kimono; text middle of right edge and below scroll of paper in LLQ — Writing a Letter, No. 8 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

older man with his genitals exposed, with an enlarged scrotum, wearing a grey kimono with white patterning and a green, blue and red striped obi, embracing a kissing an older woman wearing a blue kimono with darker blue flower pattern; lower bodies of couple engaged in intercourse visible through netting at left; tiny man in blue and white striped kimono seated of threshold left of center; text at top of image in cloud, above older man and older woman, below tiny man, and at bottom left of center — Pleasures of the Aged, No. 7 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

young man dressed as a woman in a blue kimono with white iris decoration lying on top of and engaged in intercourse with a man wearing a green kimono; tiny man wearing a black kimono and holding a fan, with a large white and red kite, on windowsill; text in cloud at top of image, above couple and on either side of small figure on windowsill — Playing with a Dandy, No. 5 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

woman partially seated on a white horse, wearing a red plaid kimono and a wide-brimmed hat, engaged in intercourse with a standing man wearing green knee-high socks; tiny man smoking a pipe seated beneath a tree in LRC; text in URC in a cloud; three areas of text at bottom on grey path — From Ikaho to Edo, No. 9 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

couple engaged in intercourse, wearing brightly-colored kimono; woman wears purple kimono with green, brown, yellow and red bird; man wear primarily green kimono with round patterns; fabric with red, purple and yellow leaves in ULC; text above woman at top center and to right of woman's head — Last Customer of the Evening in the Yoshiwara, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

intertwined couple engaged in intercourse; both are nude--woman has red fabric across her belly and beneath her; kettle and tray of food at left edge; text below woman's head — Near the Go Board, No. 5 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

embracing couple; man touches woman's vagina; woman wears pink kimono with purple, grey, orange and white flowers; man wears a green and white kimono; screen with bamboo in URQ; text in URQ — Foreplay, No. 7 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

couple engaged in intercourse; woman twists to put her arms around man's neck; woman wears orange, red and white checked kimono; man wears purple, green, orange and white striped kimono; purple garment with green and orange birds at left edge of image; text in two areas along right edge — A Sumo Hold, No. 11 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban), c. 1775-1777
Isoda Koryūsai

Not on View

man at left wearing green kimono engaging in intercourse with a young woman wearing a purple kimono and green obi, who simultaneously applies burning medication to back of an older woman wearing a blue kimono with white pattern at right; tiny seated man applying similar medication to his leg in LRQ; folding screen with river and plants against yellow ground in background; text at top in cloud, at bottom center and at right center — Busy Love, No. 3 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

couple engaged in intercourse, surrounded by brightly-colored fabrics; woman is bare-breasted; black fabric with blue, pink and white wave designs at left; screen with chrysanthemum pattern at top left; text above man and in URC — Yoshiwara Prostitute with Samurai Customer, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple engaged in intercourse; man wears black kimono with several small white designs; woman wears many layers of brightly-patterned fabric, with outer layer of purple fabric with white flowers; writing box with letters and teapot, ULC; text to left of man's head and above man's PL shoulder — The Daughter of a Great House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple engaged in intercourse; predominately nude; man has a blue and white patterned kimono over his buttocks; woman's kimono is purple with light blue cloud bands and white birds; woman has a red cloth over the top of her belly; tobacco set, cup and gold vessel in ULC; text in ULC and above man's back — The Lady of a Mercantile House, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

man in black kimono forcibly embracing a young girl in a purple flowered kimono, pinning girl to the floor; tiny man peering through hole in side panel of a bench in URQ; two cats on sill in LRQ; cloud at top with text and text in five areas on left half of image — Forced Love, No. 2 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1, c. 1768-1770
Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

couple engaged in intercourse, enveloped in brightly-patterned fabrics; pink fish, ULC; pink teabowl at left; text in two blocks at top center — Teahouse on Nakanocho in Yoshiwara, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

couple engaged in intercourse, enveloped in brightly-patterned fabrics; blue and white vase with pink plum blossoms in ULC; text at top center and in ULC on rectangular cartouche over plum blossoms — Yoshiwara Prostitute , from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815
Kikukawa Eizan

Not on View

three separate sheets; long blue, black and white bridge over water; pink fireworks in sky, center and left; horses, carts, buggies and people on bridge, in predominately red and purple garments; many boats on water; boat in LLQ has red lanterns with black characters — Picture of the Ryōgoku Bridge in Tokyo, c. 1875
Tsukioka Yoshitoshi; Publisher: Inoue Mohei; Carver: Ōta Tashichi

Not on View

two separate sheets; man riding through waves on the back of a sea turtle; man wears brown tunic and blue pants, with straw leg coverings, and holds a thin bamboo staff in his PR hand; man looks over his shoulder at a man with a small dragon on his head and a woman, accompanied by two other women with decorative objects on poles, in URQ — Urashima Returns Home from the Dragon Palace, January 1886
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

Not on View

Shima Sakon Tomoyuki, 1868, 8th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

Not on View

assembled triptych; male figure at C with wide stance, brandishing a sword, facing L; figure at R wearing armor, ducking, holding white cloak with silver foliage behind him; another male figure at LL falling to the ground, with sword up in air; fight scene in background with heavy rain; purple curtain with white flowers at top — Picture of the Soga Brothers Killing Ten Men, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Nōshūya Yasubei

Not on View

two men; standing man with moustache at left with a drawn bow, wearing wide-legged blue pants, red and black armor and brown and white gloves, looking up; man with moustache at right, kneeling on one knee, wearing a blue and white garment with black and grey sleeves, holding a blue dagger (?), looking up at arrow above his head; yellow sky with building roof in background; orange-red and grey cloud (smoke?) from LLQ diagonally behind man in blue and white across picture plane — Genzanmi Yorimasa and I no Hayata, October 1878
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

Not on View

two standing women at shoreline; woman at left wears kimono with red at top shading into blue and bottom, with yellow and blue flowers, and holds a staff and a black umbrella; woman at right wears a blue kimono with black trim and a purple belt; trees in background — Eighth Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View

one sheet; head and upper body of a woman on the diagonal, leaning toward left, wearing a blue and white patterned kimono and holding a white fan with red geometric designs in her PR hand; grey smoke trail from LLC up to URC, diagonally through picture plane — Appearing Smoky, Behavior of a Housewife of the Kyōwa era, May 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

Not on View

one sheet; man riding a white and grey horse, seen from back, with blood on man's arms and horse's hips and PL back leg; arrow in horse's PR flank; fallen figure with two arrows in chest, bleeding, in LLQ; another figure standing in front of horse, with only bloody face and bloody PR leg visible; stream in middle ground; green mountains in background — Hatakeyama Shōji Shigetada, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

Not on View

unattached triptych; three female figures in grass in foreground; woman at L wears blue and white checked kimono, holding a bowl and facing R; panel with woman in Western dress playing flute behind her; C woman looks at first woman, holding a fan; woman at far R plays with her hair decoration; rooftops, buildings, harbor with boats in distant background — View of Yokohama in Kanagawa, 1860, intercalary 3rd lunar month
Tsukioka Yoshitoshi; Artist: Fuse Toshimaro; Publisher: Enshūya Hikobei

Not on View

two men fighting underwater (?); man on bottom has bulging eyes and open mouth, with long hair and beard, wearing a robe with purple flowers; man on top has rounded hairstyle with wears multicolored armor; rock with round openings in background at right — Saitō Izu Nyūdō Ryūhon and Haku Neishi Settō, 1866, 1st lunar month
Tsukioka Yoshitoshi; Publisher: Moriya Jihei; Carver: Ōta Tashichi

Not on View

unattached triptych; two male figures charge toward a monster in the sky at L; both are holding swords, and figure at far R holds a lantern which illuminates a monster against the black night sky; monsters in shadow faintly visible in sky — Picture of Kusunoki Tamonmaru Conquering the Old Badger, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

Not on View

portrait of slightly frowning man in rectangle in LRC, with red lips, looking toward PR, wearing grey striped kimono; orange ground; rectangular block of text at left with blue and purple background shading; large red and green seals, LLC and URC, with smudged red seals at left and right edges of sheet — Number Four, c. 1885-1890
Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha; Carver: Noguchi Enkatsu

Not on View

portrait of a figure with a plant fiber mat wrapped around body, wearing a green patterned kimono with a white cloth with blue dots tied around head; moon in LRQ — Evening Dew: Actor Ichikawa Danjūrō IX as Saitō Kuranosuke Toshimitsu, October 1876
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Asai Ginjirō

Not on View

pair of figures wrestling in foreground--a man wearing predominately green armor and a brown-skinned demon-like figure; demon seated in background at left wearing yellow garment, with a droopy face with open mouth and a second face on stomach, with PL arm stretched upward; grey silhouettes of skeletons against black ground; blue and yellow flowered curtain at right; yellow and white patterned flooring in foreground — Toki Daishirō, 1865, 2nd lunar month
Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

Not on View

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

Not on View

two separate sheets; two men fighting with swords; man at left wears purple, blue, white and grey striped pants and purple, white and yellow hand and arm guards; man at right wears green, yellow, purple and grey striped pants and purple and white hand and arm guards; purple at top, green at bottom, white at center — Shitada Harumasa and Hayami Masanao, April 1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

Not on View

unattached triptych: close-up of three characters: man at L wearing green coat, leaning head and hands against handle of sword, facing L; male figure at C with bare chest, holding sword in teeth, wearing brown and blue plaid; female figure at R looking to L; black, smoky background — Actors Iwai Kumesaburō III as Oyone (R), Kawarazaki Gonjūrō I as Taheiji (C), and Nakamura Shikan IV as Magoshichi (L), 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō; Carver: Katada Chōjirō

Not on View

one sheet; man crouching behind a black lantern; man wears purple patterned pants and red, black and brown armor on chest and arms; man holds a spear; blue ground — 11, Chikamatsu Kanroku Minamoto Yukishige, 1868, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

Not on View

woman with her head bent down, wringing her hands, holding the handle of an orange and white fan with an organic design between her teeth; three fireflies in ULQ; woman wears a lavender kimono — Appearing Happy, Behavior of a Present-Day Geisha of the Meiji Period, 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Artist: Wada Yūjirō

Not on View

two men in a room; man at R is seated on floor, leaning back slightly and pointing fan at L man; man at L is leaning towards R man, with hand on sword; shades in room are yellow and red — Third Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View

two images arranged vertically on one sheet; top image: seated man with one arm around a reclining woman, while a second woman pours a drink from a teapot into a bowl held in man's PR hand at center, with four foxes around figures; two foxes wear garments; stone shrine gate in ULQ; bottom image: grey and brown horses racing, with jockey on brown horse facing backwards, wearing red blouse, purple vest and white pants; jockey on grey horse being thrown; jockey in background falling from horse wears green and white striped pants, black vest and red blouse — Top: Cheerful Foxes at the Mimeguri Shrine on the Banks of the Sumida River; Bottom: A famous jockey at Shōkonsha, January 1881
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

Not on View

portrait of frowning man in rectangle in LLC, with red lips, head turned slightly toward, PR; man has PR hand on sword handle; wearing purple kimono with white flowers inside circles; grey ground; rectangular block of text at left with pastel shaded ground; one green and three red seals — Number Two, c. 1885-1890
Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha; Carver: Noguchi Enkatsu

Not on View

woman seated by a railing outdoors with moon in ULC, looking over her PR shoulder, with her PL hand on her chin, holding a piece of shrimp tempura in a chopstick in her PR hand; blue and white patterned plate with tempura and blue and white cup in LRC; woman wears grey, white and blue striped kimono and pink obi — Appearing Delicious, Behavior of a Prostitute of the Kaei Era, March 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

Not on View

one sheet; man opening a sliding door with a shiny black frame, peering inside a room with a lamp with a drum-shaped frame, pale green floor, back of a folding screen with bird and foliage pattern, and a folding screen with a yellow ground and red flowers; man wears a garment in green, light blue and white with purple and blue flowers and holds a sword in his PR hand, behind his back — Endō Musha Moritō, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

Not on View

High Priest Kōmyō, February 1874

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi; Author: Takabatake Ransen

Not on View

frowning, falling man wearing blue geometric patterned kimono, with bare legs, at center, being grabbed from behind by a man wearing a black and white garment with triangle patterns and a white headband, holding a sword in front of first man; another standing man wearing similar triangular patterned garment at left, holding a staff; battle scene in background in ULQ with silhouettes of fighting figures in the snow — Eleventh Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View

three separate sheets; three portraits of men against grey ground; left: man with small ponytail, looking down toward PL, wearing a brown, yellow and black plaid kimono, with a blue cloth around his neck; center: man with ponytail, head tilted, wearing light blue and white garment, white blood on his shoulders, cheek, hands and arm, holding a green sword; right: man with small ponytail, wearing a brown kimono with white flowers on shoulders and green trim, his PR hand on a blue sword handle — Actors Bandō Hikosaburō V as Tōma Saburōemon (R), Sawamura Tosshō II as Hayase Iori (C), and Ōtani Tomoemon V as Adachi Motoemon (L), 1867, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Watanabe Eizō I

Not on View

one sheet; human figure with a fox's head, looking back over PL shoulder; string of blue beads and green bamboo staff held in hands; grey, white with grey flowers and turquoise garments; dry tall grasses at left and right; night sky with crescent moon — The Cry of the Fox, January 1886
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

Not on View

three separate sheets; underwater scene; figure at L riddled with arrows and blood standing in front of large brown rock, wielding sword; figure at C sinking in water, with arrows in body, sinking toward crabs at bottom; family in robes at R seated on rock, looking on; figure in foreground with swords, bloody, charging to L — Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō

Not on View

unattached diptych; male figure at R thrusting fan across image, toward figure at L; figure at L is in blue clothing with swirling tan/yellow cloud pattern on sleeves; figure at R has brown clothing with white floral pattern; each figure has a sword — Actors Bandō Kamezō I as Kō no Moronao (R) and Sawamura Tosshō II as Enya Hangan, 1862, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Gifuya Seichichi

Not on View

unattached diptych: group of motely figures and a dog huddle under large tree at L; hairy creature with fangs and yellow eyes under umbrella runs towards tree; male and female figures at R also head towards tree; sky is gray, with rain — Pictures from Ōtsu, 1860, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Kameya Iwakichi; Carver: Koizumi Kanegorō

Not on View

three separate sheets; landscape with purple, red and yellow flowers around a stream; man wearing black cap and kimono with gold birds on tan and green ground, playing a black flute, at center; crouching man at right holding a sword, wearing a purple kimono with yellow and blue flowers — Autumn Moon at Tōin: Hirai Inaba-no-kami Yasumasa and the Thief Hakamadare Yasusuke, 1868, 4th lunar month
Tsukioka Yoshitoshi; Artist: Katsukawa Shuntei III; Publisher: Sanoya Tomigorō

Not on View

soldiers in predominately red and purple tunics and blue pants, with rifles, at left; two fallen men with bugles; man at center in red tunic with blue sleeves aiming rifle at jumping man with spear in red and blue at right; grey and blue smoke clouds — The Great Battle of the Ane River in the Chronicle of the Great Peace, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

Not on View

two sheets, unattached: figure seated in foreground looking to L, with horrified expression; figure is holding large bush in PR hand; powerful looking figures in shadow in background above building; female figures in shadow in middle ground, in front of building; murder scene at UL in shadow — Kiku's Shadows, 1860, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

Not on View

female figure in red robe with white flowers on ground before male figure in black robes with white designs; both figures at the foot of stone stairs and stone wall — Prologue, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View

Midnight Moon at Mount Yoshino: Iga no tsubone, January 1886

Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

Not on View

man wearing black and white cap, short blue kimono with white swirling patterns and red garment on top, wading through water; woman wearing white garment with multicolored floral medallions clinging to man's back; moon in sky at top center — Picture of Ōmori Hikoshichi Encountering a Demon on his Path, May 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

Not on View

three sheets joined together; portrait of a scowling man with brown beard, moustache and long hair gathered in a yellow tie; man has hands on sides and leans slightly forward; garment has brown ground and brightly-colored pattern with a yellow dragon and purple, green and blue clouds; black ground; large peach-colored moon, ULC — Moon: Actor Ichikawa Sanshō as Kezori Kuemon, 1890
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Wada Yūjirō

Not on View

standing man with his legs wide apart, wearing high yellow and brown zori sandals and blue garments with predominately blue, green and yellow floral medallions on skirt, holding a brown and yellow umbrella over which a black and grey shadowy demon peers — Fuwa Bansaku, 1865, 8th lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Daikokuya Kinnosuke

Not on View

male figure seated on orange cushion in an elevated room; male figure squatting at R gesturing towards seated man with fan; pine tree in background — Second Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View

two separate sheets; man at right holding a large rectangular lantern, emitting pinkish light; man, partially hidden by lantern, wears orange checked kimono with red and purple lining, and holds a bloody sword, with blood on his PR leg and the hem of his kimono; man's face has brown spots; falling woman at left wearing kimono with brown ground and blue birds and white flowers on purple ground, with light blue and red lining, scattering floating sheets of white paper — Story of Sano Jirōzaemon, February 1886
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Kamekichi; Carver: Watanabe Yatarō

Not on View

one sheet; figure with long hair and foreshortened face, wearing grey and white garment with blue sleeves, holding a man by the throat who falls on his back, and holding a dagger in PR hand; falling man, with toes splayed on PR foot, wears white and blue pants and dark blue blouse with red, green and yellow square patterns, and has long black hair and bushy beard; vase of flowers at left — Yamato Takeru Mikoto and Kawakami Takeru, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

Not on View

portrait of a woman looking toward left, with full cheeks; woman wears purple kimono with white floral circles and red circle patterned collar with yellow undergarment visible at bottom edge of image; woman's hair ornaments have blue flowers and gold tassels; very large, slightly abstracted purple flowers with leaves and stems in two shades of green behind woman — Oroku, 1864, 7th lunar month
Tsukioka Yoshitoshi; Artist: Kawanabe Kyōsai; Publisher: Daikokuya Kinnosuke

Not on View

three separate sheets; frowning man with legs wide apart, resting his sword on the ground and leaning on it; man has bleeding wound on head; man wears portion of lavender, white, black and red armor with yellow floral kimono beneath it; many arrows flying across picture plane; pale silhouettes of trees and mountain in background — Theater Reformation: Stories Gleaned at Yoshino, Picture of Kusunoki Masatsura Dying at the Battle of Shijōnawate, December 1886
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Noguchi Enkatsu

Not on View

portrait of a man with PR arm upraised and fingers spread; man wears pink and yellow armor and green patterned garment; purple ground — Actor Ichimura Kakitsu IV as Takechi Jūjirō, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Gifuya Seishichi; Carver: Tanaka Ushinosuke

Not on View

three separate sheets; orange bands of flame, radiating in the manner of a starburst from bottom edge left of center, across picture plane, with black ground with curls of grey and starbursts of orange and yellow; men's bodies, swords and helmets flying and flipping behind and between flames; man on brown rearing horse at right — Picture of Masakiyo's Challenging Battle as Retold in the Chronicle of the Great Peace, 1866, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Yamashiroya Jinbei; Carver: Tanaka Ushinosuke

Not on View

male figure in black looking down PR shoulder; overlapping letters with calligraphy in background at L; night sky with moon, silhouetted reeds — Actor Sawamura Tosshō II as Hangan Takasada, 1862, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Gifuya Seichichi

Not on View

woman looking over her PR shoulder, with her lower lip protruding and mouth slightly open, holding a tube shaped red and yellow object (pipe?) vertically with both hands; woman wears and brown and black checked kimono with black and purple collars; brown kettle at right; black and grey cloth with red text behind woman in ULQ — Appearing Bewildered, Behavior of a Fireman's Wife of the Kaei Era, February 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

Not on View

woman leaning forward, with her brown and yellow striped kimono with black collar slipping off her PL shoulder, lighting a small lamp on a black lacquer shelf, with a pillow roll beneath her; tan basket or box with black handle and red and yellow object (pipe?) between woman and shelf — Appearing Dark, Behavior of a Wife of the Meiji Period, March 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

Not on View

three separate sheets; night scene with dark tree trunks and foliage; man at right with hair in a ponytail, wearing a black and brown striped jacket and patterned skirt with medallions with red centers and green and brown arcs; man looks through trees at scene of demons hovering over a topless reclining young woman on a green and red table; large bamboo with white fur and red face, with open mouth, wearing grey and yellow patterned robe at left, accompanied by other demons — Iwami Jūtarō Kanesuke, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Fukushimaya Tashichi

Not on View

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

Not on View

two sheet configured vertically; red-skinned chubby nude figure clinging onto the back of a very large fish, which is diving down beneath water surface; turtle, LRQ; woman with long flowing hair wearing a white blouse with predominately dark blue pattern and light blue skirt with her PL hand up to her brow, on the rocky shoreline at top — Kintarō Snaring a Giant Carp, July 1885
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

Not on View

Geki Magohachi, 1868-1869

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

Not on View

rectangular accordion-bound booklet with yellow cover; 12 colorful scenes depicting people engaging with each animal of the zodiac; ink sketch of army scene in front of mountain on back inside page — Complete set of the series: The Twelve Zodiac Signs with Heroes, c. 1868
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

Not on View

Eight Views of Japan, Mount Tatsuta: Egawa of the Maru-Ebiya, Utagawa Kuniyasu; Publisher: Tsutaya Kichizō — Eight Views of Japan, Mount Tatsuta: Egawa of the Maru-Ebiya, late 1820s
Utagawa Kuniyasu; Publisher: Tsutaya Kichizō

Not on View

vertical ōban — Lieutenant Itō, March 1895
Ōkura Kōtō; Artist: Sasai Kōsō; Publisher: Hasegawa Sumi

Not on View

horizontal ōban; naval battle scene; rising waves with billowing smoke plumes in center right; single figure, holding a sword in raised PR hand, stands on the balcony of a ship in center right edge of image; burning ship with beam of light extending toward top left in ULQ; small white dots of snow/ ash scattered over scene; red sun (flag) in URC — Part Five, 1904
Ōkura Kōtō; Publisher: Hasegawa Sonokichi, Japanese, c. 1877-1905

Not on View

vertical ōban — Picture of Lieutenant Colonel Takeda Smoking under a Hail of Bullets, December 1894
Ōkura Kōtō; Artist: Sugihara Kōsei; Publisher: Hasegawa Sumi

Not on View

showing 100 of 2525 results matching medium:"Woodblock print (nishiki-e); ink and color on paper". (load 200 more)

Download results as CSV