Looking for medina, metius, media, medic?

Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D. — Equestrian figure, about 1450
Djenne

G250

Mask, Guro — Mask, 19th century
Guro

G250

figure, called Moai-Kava-Kava; toromiro wood — Moai Kavakava, 18th century
Rapa Nui (Easter Island)

G256

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base. — Divination tray, mid 20th century
Yoruba

G254

carved wood cup with straight handle; rounded cup has beaver and canoe carved on bottom; tapering two-part handle carved with scroll at end and rows of triangles — Belt Cup, c. 1830
Wendat (Huron)

G260

paddle-shaped with small hole in one end; back side smooth and curved; front side flat and carved with incised decoration of hatched lines forming irregular rows of diamonds; reddish brown — Ceremonial Bull Roarer, c. 1900
Aborigine

G256

large bowl with 2 scrolling handles with openwork triangles; 4 circular feet; geometric band carved at lip — Prestige Bowl (purukei), c. 1900
Admiralty Islands

G256

Mende Society Mask, wood and raffia, Mende Tribe, Sierra Leone, Africa, XIX c. Msmt.s of helmet only. *Med.Raffia ?- Poss. Human Hair! — Sande mask, second quarter of 20th century
Mende

G254

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

wood slit drum- "V" designs carved along edges of sides; diamond design at end of slit; four curved legs; barrel shape extensions on ends — Slit gong, about 1940
Lobala

G254

standing male figure playing a small xylophone-like instrument held at his stomach; man's hair styled in rows of braids; man wears a necklace or collar; small facial features — Male figure, 17th-18th century
Dogon

G254

low stool with short spool legs; back of seat decorated with carved repeated diamond band; low curved horizontal backrest; medium brown patina — Low chair/stool, Date Unknown
Kran

G250

top carved with stylized standing woman in front of shield shape, decorated with zigzags and lines on front, and triangles, zigzags and lines on back; geometric openwork top section flanked by smaller female figures — Hairpin, mid 20th century
Kwere

G254

branch or root resembling a stem of natural lingzhi fungus; large head, raised middle and smaller foot sections connected by two sections of thinner body — Ruyi (scepter), 18th-19th century
China

G217

ovoid piece of wood with flat ends; carved with two lines of text in URC, tree branch at left, two fish and grass in LRC — Suanzhi (paper smoother), 1850
Yue Hongqing

G217

wooden figure stands with arms outstretched and legs slightly bent inside a rectangular frame with minimal decoration; figure has round head, with a simple, smooth headdress; his eyes are oval, his nose angular, and his triangle-shaped mouth small and slightly open; figure's neck is long and wide, his torso is a round cylinder, and his genitalia are exposed; the figure is footless--his legs disappear into the frame; the entire piece is a dark reddish brown, the natural hue of the wood — Framed male figure, early 20th century
Holo

G250

vertical carved figural sculpture with slight lean in posture; rounded head with collar-like ring around neck; PR arm longer than PL arm; knot in wood in torso where bellybutton would be; slight platform around bottom; affixed to black metal stand through bottom — Figure, 1900-1950
Moba

G250

four pairs of nude caryatid figures with upraised arms and bent knees, supporting thick seat; figures have tall hairstyles and large bellies; vertical support column at center; thick base; dark finish — Stool, 16th-17th century
Dogon

G250

stool with case in the form of a standing woman with her arms upraised, holding seat of stool; woman has abstracted, elongated face with half-circle eyes and oval mouth with regular, gritted teeth; short hair in arcing ribs; lozenge-shaped breasts, pointing outward; elongated neck with four ribs (necklaces?); raised elements (scarifications?) on lower back; thick legs; flat feet with separated toes; medium to dark brown patina — Caryatid stool, c. 1910
Master of Lusambo or workshop

G250

four horizontal panels with multiple figures in various poses: standing, riding bicycles, riding animals, seated; incised horizontal bars divide panels — Palace door, early 20th century
Dada Areogun, a.k.a Areogun of Osi-Ilorin

Not on View

club with long, thin handle; head shaped like lotus blossom with incised decorations — Dance Club (gugu), 19th century
Fiji Islands

Not on View

long shaft with raised, delineated handle; wedge-shaped head which comes to point; undecorated — Bird-head Club (goporowaramaru), 19th century
New Caledonia

Not on View

fox head handle — Ladle, 1927
Arthur Black Cloud Sr.

Not on View

Seated Figure — Seated Figure, 19th century
Senufo

Not on View

Tendai Priest (Patriarch) Portrait of one of the eight high priests of the Tendai Sect of Buddhism in Japan. Kamakura. 1185 to 1392 A.D. Single wood construction; no restoration. — Figure of a Monk, 9th-10th century
China

G200

Feast Spoon with Bird Effigy, carved wood, with metal stand, North America, Chippewa — Ladle, c. 1860
Anishinaabe (Ojibwe)

Not on View

standing female figure; wood; from a 'Karan-Wemba' mask, with heavy encrustation and showing faint lines of body scarification, wood (type unknown) — Standing Female Figure, late 19th century
Mossi (?)

G250

ritual divination object in the form of an elephant — Itwomba, 19th-20th century
Kuba

Not on View

Feast Ladle with Bird Effigy, carved wood, with metal stand, North America, Seneca — Ladle, 20th century
Seneca Haudenosaunee (Iroquois)

Not on View

Feast Bowl with Bear Effigy, carved wood, North America, Sioux — Feast Bowl, c. 1850
Chahiksichahiks (Pawnee)

Not on View

ladle with slightly concave bowl, handle carved with animal image — Ladle, 19th century
John Young Bear

Not on View

ceremonial paddle, carved with an all-over design of interlocking lozenges which are arranged in bands on the paddle; the handle ends in a knob decorated with a rim of bottle-horned beasts' heads in full relief; the carving was done with a sharks tooth — Ceremonial Paddle, 1820-1840
Austral Islands

G256

Collage of flat pieces of found, weathered wood--some with paint traces; circles, rectangles, and wedges in irregular organic forms; blues, tans, white, and various wood tones — Untitled, 1992
George Morrison

G369

Standing female figure, possibly deble rhythm pounder with tribal scarifications on face and stomach. — Rhythm Pounder, 19th century
Senufo

G250

diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom — Battle Club, c. 1820
Tonga Islands

Not on View

flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top — Neckrest, 19th century
Fiji Islands

G256

crescent shaped headrest atop a house with four post legs; all on a rectangular base — Headrest, c. 1880
Yaka

Not on View

organic lattice work at sides and top; circular opening formed when lattice pieces joined; banded feet; three standing figures within medallion at top center — Moon Gate, 1728
China

G216

Two piece construction with top section attached to a ringed staff; figure seated on a small stool on top of a bowl-shaped element with four-sided element inscised with geometric patterns below — Staff, 19th-20th century
Swahili

G254

box with two removable tiers and lid on a base fastened by a long pin through the lid — Two-tier picnic box, 18th century
China

G216

short stool with curving seat; 4 thick, outward-turned legs with teardrop shaped feet — Chief's Stool (no'oanga), 1800-1825
Cook Islands

G256

small comb with rounded top — Comb, c. 100 BCE -c. 200 CE
China

G215

small comb with rounded top — Comb, c. 100 BCE -c. 200 CE
China

G215

door (keyhole on L edge) with scroll and foliate inlaid design; floral forms in corners. Architecture - Fragment — Bookcase door panel, c. 1866
Owen Jones; Manufacturer: Jackson & Graham

Not on View

comb topped with triangular head with scarifications below eyes; stylized shoulders and breasts — Comb, 20th century
Akan

G254

comb with 3 teeth topped with 2 faces; one on top of the other; each face has closed eyes and large, protruding turned-up nose — Comb, mid 20th century
Yaka

G254

seated female figure holding a vessel, Kabila figure — Figure, c. 1900
Luba

G250

small comb with rounded top — Comb, c. 100 BCE -c. 200 CE
China

G215

small comb with rounded top — Comb, c. 100 BCE - c. 200 CE
China

G215

crescent upper platform with double flat-supporting columns attached to an oval base; carved square design with four curvilinear appendages on upper platform; carved design with "Celtic knot" appearance on exterior of columns — Headrest, Date Unknown
Unknown Somali

G254

axe-like weapon on wooden staff; head etched on each face with scrolling foliage against a stippled blackened ground; axe-blade with the crossed staves of Burgundy impaling a coronet and dividing the letters "FAR"; head with open socket and four side-straps; wooden haft (probably original) — Halberd, 1527–47
Austria

G340

bis pole, mangrove wood, New Guinea, Asmat — Bis Pole, 20th century
Asmat (Bismam group)

G256

Dance Mask; Carved in the round from a single piece of lightweight wood. Interior hollow. Features remarkable in that they resemble Greek and Sicilian works of the 6th Century B.C. The back of the mask, carved in terrace and striated patterns, contrasts with the smooth lateral contours of the face. — Helmet mask, 19th century
Luba

G250

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door — Door, mid 19th century
Swahili

G242

Citwamo Ca Mangu (Throne), Moxico School — Citwamo Ca Mangu (Throne), 20th century
Moxico School

G250

polychrome wood statue of a Confucian scholar standing, holding a book (?) downward at waist toward the viewer, wearing a long flowing blue robe, red waisted skirt with black belt and a black hat — Attendant to a King of Hell, 19th century
Unknown Korean

G206

box with knob feet painted red with blue, black and gold decoration; central decoration is three rings, with a crossed axe and staff; three rings and eye on either end — Odd Fellows ceremonial ark, 1856
United States

G331

reclining male and female figures engaged in sexual intercourse; man wears headdress with two birds; body and face markings in white, brown, orange and yellow — Plaque, mid 20th century
Abelam

G256

ovoid shape, with two handle-like protrusions on long sides; rust-red and brown; rim and handles painted with running geometric designs — Wine Cup, 2nd century BCE
China

G215

Coffin representing a rock lobster with five pairs of jointed limbs, two long antennae, which are hinged, and two paired feelers on top. It is painted a green color with six white and black stripes around the body, orange and white paint at sides, and light-purple painted anntenae. The upper body is covered in spines and has a rough texture. — Fantasy coffin, 1993
Sowah Kwei

G250

wood frieze carved with birds whose eyes are made of green turbo shell opercula; painted serpents wind their way across the relief; covered with lime and painted in red, black, and white pigments; carved for use in the Malanggan rites when it would be placed in a special hut with other sculptures — Malagan Frieze, 19th century
Unknown

G256

standing figure with panpipes encircled by serpents and birds; wood with opercula inserts and pigments; carved for Malanggan rites — Malagan Figure, c. 1890
Unknown

G256

carved wood, standing male figure; hair bound in a topknot; inlaid paua shell eyes; larger scale head, face adorned with tattooing; arms akimbo and large hands spread over abdomen; raised disc belly button; erect penis; raffia loin cloth in separate vitrine — Post Figure (poutokomanawa), c. 1840
Ngāti Kahungunu Māori

G256

Chief's chair, Asante — Chief's chair, 19th century
Asante

G250

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief — Relief, New York, 1936, 1936
Charles Biederman

G377

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses — Hand drum (kundu), 20th century
Iatmul

G256

knit brow, upper eyelid overhanging thin slit eyes, dark vertical smears on the cheeks; half-open mouth with one row of filed teeth; smooth face; traces of kaolin at the teeth, the hairline and around the nose; black, smooth, vertical crescent-shaped coiffure; black stripe down the forehead and on the eyebrows; red color on the lips; hole in each ear; hole at top of coiffure on each side (2nd hole on PR side) — Mask, late 19th century
Yombe

G250

Door Panel, Mamluk dynasty, wood carved with geometric and arabesque patterns, inlaid with ivory. Panel has modern mount and is set in seperate base which has four small decorative wood panels inset. Remounted 1984. — Door Panel, 14th century
Egypt

G242

4-part plaster and wood model with front columned entry flanked by 2 small porches with columns; colonnades on both sides; curved back with small porch at center — Model of original scheme for the Minneapolis Society of Fine Arts, c. 1912
McKim, Mead, and White

Not on View

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown — Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century
China

G200

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror — Power figure, early 20th century
Kongo

G250

comb ornament, lions and birds; three lions playing in tendril-like vine; reverse, one lion and doves with vine, all one piece; repousse and stamping, gold, wooden comb. — Comb, 7th-10th century
China

G208

rectangular piece of petrified wood — Wrist Rest, 18th-19th century
China

G217

dark brown; rectangular block above face containing metal floral nail in center surrounded by four smaller, plain metal nails; three similar plain nails on face; three rounded elements on each side of head--hair; horizontal stripes on face on either side of nose; vertical stripes carved over temples on forehead; protruding lips — Do mask, second quarter of 20th century
Ligbi

G242

helmet in the form of a man's head, with a small triangular face; hooked nose; openings under nose and at eyes; stylized ears; short, pointed black beard; high rectangular black eyebrows; looped, beehive-like headgear with five buckle-like elements in blue, black, white and red; beanie-like top of headgear with knob; rather bright polychromy — Gelede mask, mid 20th century
Yoruba

G254

wedge-shaped; flat bottom, curved top; front and back slightly convex; front and sides incised with vertical lines and diagonal hatching; small protrusion on front with string loop; medium-brown patina; waxy surface — Headrest, Date Unknown
Sidama

G254

folding design with hinge in center--can be unfolded into X shape or folded flat into paddle shape; saddle-like, when unfolded, with handle with ovoid-shaped serrated metal spatula at end; each side of seat carved with star-asterisk designs in regular geometric grid; medium patina — Coconut-grater stool, mid 20th century
Swahili

G254

curved bottom and top sections; bumpers at ends of rocking part and back of seat; stick with red ball at top at front; light varnish overall — Hobby horse, 1950s
Gloria Caranica; Manufacturer: Creative Playthings

G379

diamond design, each with convex button in center; large round handle with radiating curvilinear design behind; wood slats and strapping on back; locking bar on wood side — Door, one of a pair, 17th-18th century
China

G217

diamond design, each with convex button in center; large round handle with radiating curvilinear design behind; wood slats and strapping on back — Door, one of a pair, 17th-18th century
China

G217

rounded bottom section with tapering thin wedge base with D-shaped vertical metal ring and twisted wire loop; hole in bottom — Headrest, Date Unknown
Pokot

G254

wooden cross with ornate carvings on both sides; long stem with a square base; one side of square base has smaller squares carved within base with four leaf-like patterns in center, the other side differs with more ornate carvings as well as a diamond shape in center; bottom of cross extends beyond square base and geometric carvings in ornately scalloped base; top of stem has two 'arms' protruding below cross with geometric patterns carved into them; diamond shape with carvings just above arms; cross has concave limbs with protruding buds, all caved with ornate latticework and thin lines; diamond shape carved in center of cross with four small circles in each corner — Hand cross, 17th century
Ethiopia

G254

rectangular board with protruding carved arrow at top; text from Qur'an written in ink on either side of board, surrounded by delicate border; one side has decorations of square spirals across C; the other side has geometric zigzag pattern — Qur'anic writing board, mid 20th century
Nigeria

G242

white and black, red trim; five teeth inside opening between eyes; red protrusion above head, curving downward; front of body (above head) X design below zigzag; back of body checkerboard pattern; U-shape at top — Plank Mask, c. 1960
Bwa

G254

organic, curving, turned wood-like form with central open spaces; reddish finish — Pulse, 2003
Tony Cragg

G380

Y-shaped twig with strung beads wrapped around branch; brown and tan beads and faceted red beads; beads encrusted with soil — Staff, 1900-1950
Ethiopia

G242

Y-shaped twig with copper-colored wire wrapped around areas of branch; pointed squared-off conical metal cap at opposite end (iron or bronze?) — Staff, 1900-1950
Ethiopia

G242

standing nude female figure, in dark wood; geometric linear pattern carved on torso, back and chest; small, nude child hanging on back of the figure — Maternity figure, first quarter 20th century
Dan

G250

tall, narrow wooden board with two-pronged base, rounded, carved top; widely spaced, horizontal lines of writing on each side of board — Qur'anic writing board, mid 20th century
Somalia

G254

two-sided wooden shield; one side has concentric linear pattern with brown and red alternating triangular shapes lining sections alternating a negative space of white pigment; tiny hole in center with a wooden arm shield at one end; the other side has mostly white pigment with two rows of lines with triangle patterns on one end in red pigment; thin dark line in between triangle rows; thin red line intersects with triangle lines, outlining a center hole; dark wooden border around outer perimeter — Carved wooden dance shield (ndomi), mid 20th century
Kikuyu

G250

bird form, with long neck, long beak and protruding eyes; leaf-like wings; brown with white pigments on wings, eyes and mouth — Bird Headdress, 19th-early 20th century
Cameroon

Not on View

helmet mask; larger head at bottom with smiling face with teeth showing, long nose, full cheeks, almond-shaped eyes, small ears set high on head and forward toward face, with earlobes pierced and piercing at top of PR ear; lower head has smooth black hair; smaller head and upper torso on top of lower head, wearing red shirt with notched collar; top figure has short smooth black hair; almond-shaped eyes, wide nose, ears with piercings at top of each; blue pigments on hair of lower head around edges of top small torso and head; peach-colored skin — Mask, mid 20th century
Temne

Not on View

helmet mask; larger head at bottom with smiling face with teeth showing--gap between front teeth, long nose, full cheeks, almond-shaped eyes, small ears set high on head and forward toward face, with earlobes pierced; lower head has short black hair in a sort of cornrow/plaited style, delineated with incised zigzags, triangles and parallel lines; smaller head on top of lower head, with smiling face with teeth showing, almond-shaped eyes; high, forward-set ears with piercing in lobes and piercing at center back of PR ear; black hair of smaller head styled in three twisted ponytails--two on either side of head, one on back of head, with smooth parallel lines on hair on head; yellow and red fasteners at top of each ponytail; peach-colored skin — Mask, mid 20th century
Temne

Not on View

wooden, with round top that has scalloped edges, and curved, divided sections in white, red and black pigments with scattered round holes; two thin pieces of wood at bottom of round section that connects a triangular shape with black, white and red pigments; curved ridge at top of triangle (headpiece) on back; two metal mending plates on each thin wood piece on back side — Mask, 1930-1940
Nafana

G250

Wall mounted sculpture with two rows of wood strips flowing downward to the floor; in three sections; each section is a square frame with a cross brace, with the ends of long strips of wood stapled to the top edge and to the cross brace — Waterfall, 1993
Truman Lowe

G302

seated figure of Mary with long, thick brown hair, wearing rich robes of gold, blue and red, holding nude baby Jesus on her lap, breastfeeding; Jesus' brown hair is styled in ringlets close to his head — Virgin of the Milk (Virgen de la leche), c. 1500
Circle of Gil de Siloe

G340

standing female figure wearing short pleated yellow skirt, belt with tan disks, silver blouse, red and black bolero jacket, silver shoes, and silver necklace with flower or star pendant; woman has long black hair and wide eyes; body intertwined with one snake, another snake around woman's neck; attached black metal mount — Mami Wata figure, 1950s
Igbo

Not on View

Standing female figure. Linear markings on body, scarification on face. Elongated neck. Cloth loin cloth. — Figure, late 19th-early 20th century
Bamana

G250

Gope board, Unknown — Gope board, 18th century
Unknown

Not on View

Mallangan, wood and pigments — Malagan Pole, c. 1910
Unknown

G256

A Colonial Wood Beaker, A.D.1470-1560 of flaring shape painted in ochre, reddish orange and pale green with a procession of weapon-bearing Inca dignitaries, each clothed in a cape and feathered headdress, followed by two European-attired personages. — Vessel, c. 1470-1560
Inca

Not on View

hot water jug, stand and spirit lamp; silver; George III; band of fluting around body; replacement wooden handle — Hot water jug with warming stand, 1807
Paul Storr

G350

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head. — Mask, 1950s
Makonde

G254

Initiation mask, Suku — Initiation mask, 20th century
Suku

G254

Model boat containing 18 figures — Model Boat and Figures, 22nd-18th century BCE
Ancient Egyptian

G250

table with untertwining vine support; base of three circular lily pad leaves; top is carved with floral motifs — Lotus table, c. 1903-1907
John S. Bradstreet; Manufacturer: John S. Bradstreet and Company

G320

replica of a feather quill pen, gold — Odd Fellows ceremonial quill pen, 1856
United States

G331

mirror, lacquered, of Queen Anne style; rectangular chamfered frame has a high shaped crest and is gilded with sprays of foliage in yellow on a ground of dark green; old bevelled glass plate — Mirror frame, c. 1700-1710
United States

G331

red bow without string; remnants of red fabric tied to one end — Odd Fellows ceremonial bow, 1856
United States

G331

red staff with gold snake wrapped around several times — Odd Fellows ceremonial snake staff, 1856
United States

G331

black axe with gold painted blade edge — Odd Fellows ceremonial axe, 1856
United States

G331

Figure, arrived with own plexi base — Standing Female Nude, 1908
Elie Nadelman

Not on View

top double-doored cabinet with 2 interior shelves, pin closure and 3 hanging pendant pulls rests on large cabinet; double-doored cabinet with 3 shelves, 2 drawers, pin closure and hanging pendant pulls rests on a stand with carved apron — Compound Wardrobe, one of a pair, early 18th century
China

G218

hand axe with red painted handle, black axe blade and gold finial — Odd Fellows ceremonial axe, 1856
United States

G331

dark wood rectangular stand with open sides topped with grey and white marble — Rectangular stand, 18th century
China

G216

gold hour glass inside red case; eyelet at top for hanging — Odd Fellows ceremonial hourglass, 1856
United States

G331

large gold key — Odd Fellows ceremonial key, 1856
United States

G331

standing male figure carved from board; carved on one side; relief carving at interior, appearing to represent bone structure and colored with white pigment; hole at top of head for hanging — Bioma Figure, 20th century
Papua New Guinea

G256

seven dowels bound together at two points, red and gold — Odd Fellows ceremonial fasces, 1856
United States

G331

red septre with gold ram's horns at the final — Odd Fellows ceremonial sceptre, 1856
United States

G331

assembly of rifle butts, machine gun magazines, shell casings, a hammer, and other weaponry and utilitarian objects crating abstracted face; two shell casings within metal O-rings create eyes; offset cylinder mouth — Untitled (mask), 2017
Goncalo Mabunda

G369

horizontal wooden forms in layers; top form like a large turned wood spindle; several layers of slab-like forms beneath; vertical round element with sawed-off pegs and holes at front PL corner; seven organic shaped holes through roughly oval element at top PR side, with one sawed-off peg and two small pegs; some elements wrapped in inherent creased, folded, and crumpled white paper; side with signature and date is front — buttai47, 2018
Miho Dohi

G374

Card table, John S. Bradstreet — Card table, c. 1904
John S. Bradstreet

G320

two figures; larger human figure carved in the round; hand with four fingers held at chest and stomach; eyes and mouth inlaid with mother-of-pearl; arms, legs and face carved with geometric patterns of circles and bands; larger figure stands on top of a much smaller, more representative figure with three fingers and tongue hanging out, overall rectangular in shape — Tekoteko, 18th century
Māori

Not on View

long rectangular body; lower 1/5 buried; chip carved diamond patterns throughout; carved facial and hair details; diamond shaped waist; rosettes depicting heart and umbilicus — Vigango, late 19th-early 20th century
Mijikenda (Kauma)

Not on View

mirror, Queen Anne, carved wood and gesso, surmounted by the three feathers of the Prince of Wales flanked by eagles heads; the frame finely worked with acanthus leaves; carved shell at the bottom — Mirror, c. 1710
England

G326

black staff with hand finial painted gold with red heart in palm — Odd Fellows ceremonial staff with hand finial, 1856
United States

G331

2 fantastic figures, one standing on the head of the other, with open mouths with hanging tongues and incised organic designs on bodies; shell eyes — House Panel, c. 1880
Pāoa Māori

G256

chair, child's with reed seat; three slat back; front of arms considerably worn from having been pushed on floor — Child's chair, late 18th century
United States

G331

a-p black chess pieces; q-ff natural chess pieces; gg original box — Chess set, c. 1923
Josef Hartwig; Manufacturer: Staatliches Bauhaus

G379

6 wood pieces carved with foliage and birds held against a central wooden bar with a gold metal ring — Mold for Gourds, Date Unknown
China

G217

large horizontal section of a tree, irregular hollow aperture at interior used for the storage of rolled hanging scrolls; gnarls and boles overall — Scroll Pot, 17th century
China

G216

Pair of sandals; made of wood with high pieces under heel and two to rise feet about 5 inches above floor. Covered with silver? which has been pressed into a mould to give repousse effect. The designs are conventionalized floal and geomtric and cover the entire surface, also the leather strap over the instep. Around the sole are two rows of tiny silver bells; around heel and two three rows; on top of band over instep is a small boss of silver. — Pair of Bridal Sandals, early 20th century
G211

Paddle, wood, Egyptian, X-XII Dynasty cat. card dims L. 23-13/16', W. 2-7/8' black stripes, used with a small boat, polychromed wood, red and black stripes. — Oar, 22nd-18th century BCE
Ancient Egyptian

Not on View

Window bench top from Frank Lloyd Wright Little House, wood stored on side; cat. card dims 2-1/2 x 225 x 19' — Window bench top from the Little House, c. 1915
Frank Lloyd Wright

Not on View

standing male figure with long pointed face; hands on stomach; short beard — Male Ancestor Figure, 20th century
Hemba

Not on View

elongated body; very long, thin legs; arms slightly bent at elbows; pointed face; encrusted patina — Standing Female Figure, 20th century
Lobi

Not on View

long, thin face with open rectangular mouth; 4-sided eyes; human nose; vertical horns; dark patina — Kore Society Mask, Date Unknown
Bamana

Not on View

egg-shaped bank of dark wood; 2 lions and a bird carved around the center with a textured background; one end has a carved complex flower; other end has a face with eyes and an open mouth; coin slot is at the center top; bird holds a banner with "BIBA MEGICO" on it — Egg still bank, 20th century
Not on View

bank carved in the form of a wooden dome-shaped beehive; flat bottom; slightly curved coin slot near top — Beehive still bank, late 19th-early 20th century
England (probably)

Not on View

6-sided building bank with marquetry veneer, forming bricks, windows and designs in different colored woods on all sides; building is on a 6-sided platform — Marquetry box still bank, early 20th century
United States (probably)

Not on View

barrel; natural wood; separates into 2 halves; coin slot in top — Barrel still bank, 20th century
United States (probably)

Not on View

standing male with feet slightly apart and hands on stomach at sides; round face with large eyes and long nose; beard and protruding Adam's apple — Male Figure, 19th-20th century
Hemba

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winged-bird motif shape; 3 peg feet and 1 v-shaped foot; linear edges carved with zigzag design; dark patina — Ceremonial Bowl, 19th century
Fiji Islands

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black patina; tapering staff; top carved with pair of smiling figures standing back-to-back, with feet turned inward; geometric designs carved above and below figures — Staff, c. 1900
Papua New Guinea

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short; one paddle end; top carved with openwork organic designs; linear raised element on shaft, carved on one side with ropelike design — Sago Paddle, late 19th-early 20th century
Massim

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plain wood book shape; spine slides off to access interior; green felt pad on both sections interior; coin slot in spine (opens sideways) — Book still bank, 19th century
England (possibly)

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abstract sculptural piece of organic form; two golden brown ovoid shapes surrounded by shiny dark brown swirling elements; dull brown between; textured overall with tiny indentations — Tsunami, 2001
Michael Lee

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printing block; five rectangular areas, each with a figure and text; three standing women, one standing man with a shield (?), seated figure behind a box (?); hanging hardware attached — Woodblock for printing, 19th century
Unknown Japanese

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carved on both sides; recto: two rectangular area with text, each containing an image of a blooming potted plant; verso: one rectangular area at left with text and an image of a blooming potted plant; dark patina — Printing woodblock, 19th century
Unknown Japanese

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five carved wooden blocks, each with a different stage of woodblock print process; blocks mounted to wooden frame; at bottom center is the finished print of a baby's face enveloped in its mothers arms; mother is wearing green kimono with pink and white motif — Print blocks (gendai hanga), second half 20th century
Micah Schwaberow

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rectangular with four legs; projections sticking out both short ends, one holds an open bowl, the other appears to be stylized and elongated animal head; body contains 12 carved out round compartments — Gameboard (ma kpon), 2nd half of 20th century
Son of Nuopie

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very small face with round open mouth; raccoon-like eyes; small C-shaped ears; hair style in small round knots; wedge-shaped element on head with three vertical elements on each side; three rings around neck; dark brown-black patina — Helmet mask, Date Unknown
Vai

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Mask, Date Unknown

Bassa

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small human face; pointed chin; high ears; hair styled in rows of braids; vertical line at center of forehead; closed eyes; wide nose; very thick lips with two protruding inlaid silver front teeth; dark brown patina — "Passport" mask, Date Unknown
Liberia

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standing stylized female figure with small wedge-shaped head; three rings around elongated neck; large breasts; sloping shoulders; figure wears a small apron with a grid pattern; grid pattern on chest (scarification or necklace?); diagonal lines on abdomen and chest under breasts; stylized braided hairstyle; dark brown patina; attached to clear Plexi base — Female Figure, Date Unknown
Southern Bullom (Sherbro)

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"Passport" mask, Date Unknown

Liberia

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diamond-shaped face; spiraling ears; flat eyes--no eye openings; diamond-shaped open mouth with uneven teeth and tongue; deeply incised ribs form hairstyle, with ridge at top of head and around hairline in front; perforated rectangular element beneath chin; flaky patina with encrustations of white and tan; heavy--thick top section — "Humoy" helmet mask, Date Unknown
Southern Bullom (Sherbro)

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"Passport" mask, Date Unknown

Liberia

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very small, teardrop-shaped face; small smiling mouth; narrow eyes with half-circles beneath them; small nose; C-shaped ears; elaborate hat or hairstyle with top element with four vertical protrusions; strap-like element around back and sides of head hold down four vertical elements; hair/hat decorated overall with incised designs of radiating arcs, grids; lines, radiating squares and triangular shapes; dark brown patina — Helmet mask, Date Unknown
Mende or Southern Bullom (Sherbro)

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flat face with rounded chin and wedge-shaped, protruding nose; pairs of small diagonal slits for eyes; no mouth; wide headband (or hat) with triangle motifs; pair of pointed vertical horns or ears on top of head, with third forked vertical element between them; dark brown patina — Mask, Date Unknown
Loma

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very small, teardrop-shaped face; small features--small slit eyes; deep vertical lines beneath eyes on each cheek; triangular incised patterns under chin; ribbed rings around neck; geometric deeply-carved hairstyle or hat, with arc on top of head and triangular patterns on sides of head; thick horizontal band of triangles behind head from ear to ear; medium to dark brown patina — "Humoy" helmet mask, Date Unknown
Mende or Southern Bullom (Sherbro)

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"Passport" mask, Date Unknown

Liberia

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small human face; pointed chin; high ears; stylized braided horizontal band across forehead; slightly open mouth; coffee bean eyes; dark brown and medium brown patina — "Passport" mask, Date Unknown
Liberia

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organic, asymmetrical form; roughly triangular-shaped vessel with three "legs"; two large holes, four smaller holes; medium brown tones with irregularly-shaped dark-brown knots — Gift from the Sea, 1999
Derek Bencomo

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kneeling female figure on a round base; woman holds her breasts in her hands; round-cheeked face with large eyes; scarifications on forehead and cheeks; upswept hairstyle; dark brown — Female figure, Date Unknown
Yoruba

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wall bracket; decorative spindle at top, lotus blosson at bottom; section that extends from wall terminates in dragon's head with open mouth — Bracket, one of a pair, Date Unknown
China

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carved on both sides; one side carved with figures walking on a garden path; other side carved with standing man in a kimono with tree and bridge pattern fabric, holding an umbrella; dark brown patina — Keyblock for "Autumn Flowers in the Garden at Mukōjima", 1862
Utagawa Hiroshige II; Publisher: Commissioned by Sagamiya Tōkichi

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carved on both sides; one side carved with landscape with buildings, marked with text like a map; other side carved with four images of pairs of figures in various poses, including warriors; brown patins — Keyblock for "Buddhism Outlook on the World", 1860
Utagawa Sadahide

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plain wood bowl with tall, steep sides; small, flat foot; light brown with crackle patina — Bowl, c. 1955
James Prestini

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wall bracket; decorative spindle at top, lotus blosson at bottom; section that extends from wall terminates in dragon's head with open mouth — Bracket, one of a pair, Date Unknown
China

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one of a pair of auspicious folk art figures: Doikoku and Ebisen; man with fish and pole — (Ebisu, from a pair of Daikoku and Ebisu), c. 1800
Unknown Japanese

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biomorphic shapes; curved design; curved tines — Fork, from a two-piece set, 1980s
Ruth Greenberg

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biomorphic shapes; spatulate blade — Knife, from a two-piece set, 1980s
Ruth Greenberg

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ovoid dish; shallow; bottom surface carved overall with eyeball-like designs; small protrusion on bottom on one end — Dish, 20th century
Papua

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small carved staff finial representing a figure with round head, large, oval eyes, and heavy eyelids; nose is an elongated triangle, and mouth is small and lips are partly open; on top of head there is a round, flat headdress; figure has one arm around its waist with the other arm bent and the face resting on the hand of bent arm; main body of figure is cylindrical with a carved band below the waist and below that a larger, carved base; the figure is the dark brown hue of the wood from which it is carved — Staff finial, c. 1915
Beembe

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standing female figure has round head, long nose, round, sunken eyes, oval mouth, and a chin that protrudes far beyond the cheeks; the top of her head is divided into seven patterned rows; a patterned collar with distinct edges rests around her neck at the base of head; body is cylindrical with high, pointed breasts and arms bent at the elbow; shoulders appear pulled back; the figure's hands meet at her midriff and appear to hold a square object with a hole in the middle; her legs are thick and bend at the knees; she has very large feet that rest flat against the base; figure's PR leg and foot are noticeably thicker than PL counterparts; a carved hole represents her genitals; piece is natural hue of wood--a dark brown--with fading in the indentations — Standing female figure, late 19th century
Songo

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comb with two figures perched atop a square base with concave sides and patterning; ten pointed teeth attached at bottom of base; figure on left has a round head with vertical rows of hair; eyes are oval and mouth is small and partially open; the left figure's shoulders are pointed, with arms at side and hands resting on upper torso; figure has protruding breasts and belly button; the torso is decorated with four diamond-shaped carvings; the figure's hips are wide-se; the figure's knees protrude out into space with legs and feet resting against the base of the comb; the figure on the right has similar features, but hair is represented by horizontal rows, arms are less rigidly bent and thus hands rest easily on lower belly; the figure on the right also has torso decorated with diamond-shaped carvings; from behind the figures' buttocks are visible at top of base; entire piece is the reddish tan hue of the wood — Comb, mid 20th century
Zela

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comb carved to have head of woman wearing a headdress, which meets at point with top scooped away; there is a hollow space in the middle; head is upside down triangle; nose and eyebrows are connected, forming a palm-tree-like shape; eyes are lopsided circles that are divided in two; mouth is simple indentation; left cheek has a series of dots that form square, the right cheek has a slanted pointed ellipse; ears are flat and stick out from the side of the head; neck is long and thin with rings carved into it and a rosary hanging from it; from the neck down is the comb; top is square, with small scoops taken out of each side; figure has small, raised breasts; flat square is sectioned into a square grid pattern; every other square has an "X" through it; square separates at the bottom into the thick teeth of the comb; head is a dark, black wood, while the bottom is a light honey-colored wood — Comb, c. 1900
Asante

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wood bust with round head covered with large, oval, patterned headdress protruding up and out; side of headdress are flat; face is carved in by small indentation--eyes, nose, mouth, and three small lines on each cheek; neck is long and thin and attached to a tall, square base with carvings on front; the piece overall is a light brown--natural hue of the wood — Doll, 20th century
Yoruba

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cup and handle appearing in form of hand and arm; cup has cylindrical top that rests on round bottom; top has carved patterns of zigzags in narrow rows; bottom has design with thick crisscrossed lines; handle is woven design and the part that connects to cup is a hand with four fingers; the top of the hand has a design carved into it; the piece is a dark brown hue — Cup, 20th century
Kuba

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triple headed cup in natural honey-color of wood out of which it is carved; the top of the cups are straight and taper into the figure of a head; each cup rim is carved with crisscross pattern; the faces have eyebrows, closed eyes, triangular noses, and pursed lips; each face has carved lines that extend from the inside and outside corners of the eyes to behind the ears; two rows of carved squares create a pattern between the temples and ears on all faces; the heads connect at a long single neck, which widens at the bottom forming the base; the neck is carved with the same pattern as the pattern at the top of each head — Cup, mid 20th century
Shoowa Kuba

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standing stylized figure with pointed beard; triangular-shaped ears; pair of very tall horns with spirals at top; face has deeply-incised geometric patterns--without facial features; deeply carved oval element with horizontal band on chest; figure wears short skirt-like garment; figure stands on round platform with four curving legs and one vertical central leg; some possible scattered bits of red and white pigments — Ikenga Figure, first half of 20th century
Igbo

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stool with female caryatid; seat of the stool is round and flat, with the edges decorated with a repeating pattern of ovals; seat reset on the head and arms of the female figure, whose head is large and oval; eyes are large and oval, slitted down the middle; two rows of dots lead down to her nose, which is a large triangular shape; mouth is oval, with prominent lips; arms are thick and bent to support the seat of the stool; breasts are pointed and protrude out into space; beneath torso is carved in intricate patterns; figure is kneeling, resting on her bent legs which connect to the base of the stool; edges of the base are also carved in an oval pattern, similar to seat; entire piece is the natural color of the wood--a dark brown — Stool, 20th century
Luba

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male figurative heddle pulley carved from a medium-brown wood; figure crouches on a hollow stand that holds a pulley system; figure's head is flat, eyes are oval, nose is pointed, and mouth is small and juts out from face; figure has one continuous eyebrow; at top of head is a flat round headdress with a small flat ball at center top; a line runs down the center of the figure's chest and his arms are angular, slightly bent; figure's hands are slightly defined, and his feet are less so; at center in between figure's legs is an animal head that may also be read as a penis — Heddle pulley, 20th century
Senufo

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standing male figure carved from wood; knees are slightly bent and he holds an object against his midriff; thick strands of hair pull away from his forehead, giving the impression of a headdress; shallow carvings indicate oval eyes and a thin mouth; nose is square and protrudes slightly; two ears rest high up on either side of the figure's head; his chest is bare, besides a grid-like pattern carved into the right side of his chest--this pattern is also present on PL shoulder blade; carvings in his pubic region lead down to his exposed genitalia; figure's feet are square and create the base; flower carving on upper PR arms; the piece is a dark brown with slight sheen — Standing male figure, early 20th century
Beembe

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pestle body is a cylinder that spreads into a wider base; top of pestle is carved into the likeness of a head, with hair carved into five patterned rows that pull back from forehead and one patterned row running horizontally along base of neck; eyes are in the shape of diamonds and nose is in shape of flat triangle; the mouth is a thin oval with slightly parted lips; there are two, short vertical lines carved into each cheek, and a longer line running from the bridge of the nose to the middle of the forehead; the neck is slightly thinner than the body of the pestle, and a carved ring separates the body from the round base; the entire piece is a medium brown--the natural color of the wood — Pestle, c. 1920
Luba

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comb with figure; comb is long and rectangular, with four wide teeth and a rectangular base, carved with patterns; on top of base is a seated figure whose feet rest on the top of the base; figure's legs bend at knees and torso is square; arms are bent at elbows, so that hands rest on either sides of the face; face has wide, thin mouth, a small nose that points straight ahead, and two large, oval eyes that rest flat on either side of head; on top of head is a striped band, that has a flat top and protrudes out into space; tan in color overall — Comb, 20th century
Lunda or Lwena

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cup with carved human face; top of cup is straight and tapers into the head where carved straight lines indicate hair; face has pointed ellipses for eyes, a triangular nose, and pursed lips; there is a prominent vertical element carved between the eyes; ears at each side of head appear like slightly protruding circles with hole at center; handle of cup starts at top of head, at back, and ends at bottom of head; head tapers into a neck, which forms the base of the cup; entire piece is carved from wood with dark-brown hue — Cup, c. 1900
Leele

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half-figure cylindrical in shape with thick neck; head is round with two large, round eyes with slits through the middle, a small nose, and a thin mouth; the figure's ears are visible and a smooth headdress covers the back of the head; there is a round hole carved into the center of the head; figure's small arms are bent and the hands rest on the figure's chest; the figure ends at the torso, which is resting on a square base; entire piece is dark brown, the natural color of the wood — Half figure, early 20th century
Luba

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small wooden figure kneels and holds a short staff; figure has elaborate headdress with carved stripe pattern protruding from four, round, segmented carvings that rest at top of forehead; face has carved stripes at cheeks, temples, and chin; row of three, small oval carvings decorate brow; figure's eyelids project out and have design carved into them; figure's lips are parted to reveal carved teeth; breasts are pronounced and angular, the PL breast rests on top of/alongside staff; staff has a curved piece at top that extends over figure's PL shoulder and down back; round, hollow ring of wood connects figure to base; wood is dark brown, has a rough texture, and a sheen — Male figure, 20th century
Yoruba

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staff with carved male figure at top, his knees bent and hands resting on his midriff; figure's head is small with wide, oval eyes, pointed nose, wide mouth, and pointed chin; on top of figure's head is a flat, oblong headdress that projects backward--the front and sides have elaborate carvings and the back has a crescent shaped carving with a raised, vertical seam at middle; figure's neck is wide and becomes a part of the figure's chest, which has small breasts; the arms are long and bent at the elbows, and the hands rest on the stomach; the shoulder blades are round and pronounced; figure has large hips and legs, in a squatting position, and male genitalia; feet are large and flat, creating the base of the figure; body of staff is lighter brown than figure — Staff, 20th century
Luchazi or Lwena

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cup is carved into likeness of a head that leads down to a pointed chin; lip of the cup has hard edge that is raised from the head and carved in flowing lines; face has large, oval eyes, a small, round nose, and an O-shaped mouth; multiple curved lines run down from the bottom of the eyes to the jawline; there is a small circle carved in space between eye and ear on both sides of head; the hair is intricately carved in a grid pattern with a braided, rope-like pattern at back; neck attaches to round, flat base of cup and is adorned with a carved necklace (?); curved handle runs from base of head to base of neck; the entire piece is the dark-brown hue of the wood from which it is carved — Cup, 20th century
Kuba

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round, wooden carved plate, with raised edges, like a shallow bowl; carvings of swirling and looping shapes, with smaller intricate carved designs on face of bowl; carved hexagon shapes on outside of bowl — Round plate (otcike), late 19th-early 20th century
Unknown Ainu

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wood drum beater — Drum beater [from a shaman costume set], late 19th-early 20th century
Unknown

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wooden oval plate with carvings around outer edges; looping design in center, resembling a figure 8, with intricate carvings on sides and center — Oval plate (otcike), late 19th-early 20th century
Unknown Ainu

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L-shaped textured element with a large head with open mouth at top; figures twined around textured element, encircling it; one seated and two stainding men wearing skirts at bottom, holding onto each other's arms; two men wearing skirts at top--one positioned under horizontal element; dark finish with lighter golden brown base and at end of horizontal element — Tree of Life, c. 1970
Jacobo Elias

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carved wooden stick, slightly curved toward PR; three segmented sections, separated by a series of carved horizontal lines; raised bump in top section; minor amount of carvings on backside — Ceremonial stick (ikupasuy), late 19th-early 20th century
Unknown Ainu

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elongated vessel that tapers at the bottom; four triangular wedges protrude above shoulder of vessel with one area with a pattern of ribbed squares above and two below; black mount — Milk pail, 1900-1950
Zulu

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large, spatula-like bowl; bird's head at end of handle — Ladle, Date Unknown
Anishinaabe (Ojibwe)

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curved top rail; eight vertical spindles between two wide support bars on backrest; seat joined to supports which run from top piece to floor; horizontal feet pass through vertical pieces — Conoid chair, c. 1960
George Nakashima

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curved top rail; eight vertical spindles between two wide support bars on backrest; seat joined to supports which run from top piece to floor; horizontal feet pass through vertical pieces — Conoid chair, c. 1960
George Nakashima

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bear-like animal with proper left front paw on stomach and proper right paw raised above head; mouth open exposing teeth — Netsuke [Tanuki], 19th century
Unknown Japanese

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Snake carved in relief coiling around center of shaft; open diamond on top supporting a head with a long hairstyle and a long neck and wearing a small cap — Staff, 19th-20th Century
Pende

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smiling man with bulbous earlobes and large belly holding a bag on his head with his proper left arm — Netsuke [Hotei], late 18th century
Unknown Japanese

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round flat base surmounted by a cylindrical body with handless arms held out to each side. The neck consists of four disks connected to a large flat circular head; hole in both arms and top of head. — Figure, 20th century
Akan

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Straight staff with standing male figure on top, hands held to his chest — Staff, 19th-20th century
Yaka

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Staff with standing female figure with hands on stomach in wood black base — Staff, 19th century
Pende

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one man standing behind another; back man is holding the front man's neck; 2 holes on back oil thief — Two men standing behind each other, late 19th century
Masano (of Ise)

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half-spherical cover and container; container turns inside flat round lip, carved through with concentric circles on top and partial circles at rim on bottom — Saturn Box, 1993
Hans Weissflog

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face mask; medium wood tone; oval open mouth; almond-shaped open eyes; conical nose; pairs of lines from nose up over forehead and etending from corners of eyes to temples, with lines around eyes; C-shaped ears; triangles, parallel lines and conch shell-like motifs on hair; black metal mount included — Mask, 1940s
Tabwa

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wood column with seated female figure; bare chest with protruding breasts, wearing thick wood necklace; figure wears conical head piece with linear designs; additional piece extending off hat, possibly braid of hair; holds small child in lap, with small dog seated at PL of figure; child on PR side of figure holding a cylindrical objects in hands; small child on back of seated figure; figures sits on wood stool, with piece of flat board on top of head; traces of cracked mud on surface throughout — Veranda post, 1925-1950
Dada Areogun, a.k.a Areogun of Osi-Ilorin

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small netsuke of a turtle with its head tucked mostly in, carrying a much smaller turtle on its back — Turtle carrying a baby, late 18th-19th century
Unknown Japanese

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carved wooden disk with incised markings on underside; raised knob-like square with carved cross and geometric border; carvings on underside contain various symbols within a grid like pattern — Carved stamp, late 18th-19th century
Unknown Japanese

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monkey crouching on a tortoise shell, apparently trying to pry at the shell; tortoise's head and exterminates are pulled in — Monkey sitting on a turtle, late 18th-19th century
Naoyuki

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carved tortoise with retractable, movable head; legs are pulled in and do not move — Retracted turtle, late 18th-19th century
Unknown Japanese

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basket with two turtles; one turtle is trying to climb out, the other is climbing on top; a third, smaller turtle is visible through a portion of the basket's side — Basket with two turtles, late 18th-19th century
Unknown Japanese

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turtle with head and legs drawn entirely into shell; black cord attached at bottom — Drawn back turtle, late 18th-19th century
Unknown Japanese

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turtle wrapped in a snake's coils — Snake curled around a turtle, late 18th-19th century
Unknown Japanese

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oblong turtle with head mostly tucked into shell; two larger holes on underside — Retracted turtle, late 18th-19th century
Unknown Japanese

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netsuke in shape of a turtle with square shell; hexagonal designs on shell; underside is male figure with elongated, bald head, long beard; opening folds of robes — Jurojin as a turtle, late 18th-19th century
Unknown Japanese

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large turtle with three smaller turtles climbing over it, and each other — Turtles climbing over each other, late 18th-19th century
Unknown Japanese

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side chair with oval ribbon back, loose wood seat, red velvet seat cushion, Guatemalan Chippendale — Side chair, 19th century
Guatemala

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shallow bowl; handle carved with bird (facing bowl) — Spoon, 19th century
Lozi

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on wood base — Chorus, 1958
Pietro Consagra

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dark wood cover for double miniature landscape album set; sliding side door closure; inscriptions incised on cover and bottom — Cover for double album set, 1723
Fang Shishu

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container with ovoid-shaped vessel of medium-toned wood; six "legs" extend upward from bottom of container, tapering to ends; "legs" are medium and light tones; cone shape at center, underside of cover — Container with cover, c. 1989
Michael J. Brolly

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bird mask with short beak with teeth, narrow eye openings; curved row of small protrusions on forehead; top of head inherently rough; dark brown patina — Mask, second quarter 20th century
Dan

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protruding, frowning lips; tubular protruding eyes; thick, pointed nose; t-shaped forehead ridge; medium brown with lighter brown patina — Mask, first quarter 20th century
Dan

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standing nude male figure with feet apart and short arms held closely to body; beard worn in small knob; hair in ponytail; slightly asymmetrical face with closed eyes; long, thick neck; scarifications on neck, body and between eyes and ears on sides of face; thick legs; dark brown patina — Male figure, 19th century
Baule

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bank in form of a circle with one flattened side; in two parts that fit securely together at three points; slit in top — "Puzzle Box" still bank, 20th century
Not on View

golden toned wood; bell form; handle has heads of two dragons facing each other holding a ball between them in their mouths — Wooden bell (mokugyo) with sides shaped like two dragons, 1850s
Kōun

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thick rectangular wooden tray; low relief carving of symmetrical scroll motif at center with diagonal lines and grid with fish scale-like pattern in background; diagonal lines at edges — Rectangular tray, around 1900
Unknown Ainu

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thick nearly square wooden tray; round central cavity; low relief carving with floral medallion at center surrounded by organic motif with onion-like forms and ovals; triangles at corners with parallel lines — Square tray, around 1900
Unknown Ainu

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Small standing figure with protruding belly, bent knees and very large, flat feet supporting neckrest on its head; unfinished surface — Neckrest, c. 1900
Beniki Master

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Powder Flask, carved wood with black stand — Gunpowder Flask, 20th century
Beembe

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Large wooden ladle with short handle and loop at the end; handle has two pointed protrusions near bowl; bowl has flat bottom — Ladle, early 20th century
Grandmother Old Bear

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Lime Spatula, 20th century

Papua New Guinea

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Serpent mask, 20th century

Bwa

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Ancestor Figure; wood; Nigeria, Mumuye Tribe, XIXc. — Male figure, 19th century
Mumuye

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Collage IX: Landscape, George Morrison — Collage IX: Landscape, 1974
George Morrison

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Ancestor Figure (male), 1 of pair, wood, New Guinea (Lower Ramo), XIXc NOTE SAYS ALL OBJECTS ON SHELF 1 ARE FAKES cat. card dims H 27-1/4' — Figure, 19th century
Papua New Guinea

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Spoon evidently copied from white mans spoons, with carved handle in shape of man squatting with knees up and hands on knees; above his head a head of an animal with many sharp teeth, large eyes forward turned ears and nose in straight line with forehead. Rounded nose may possibly indicate a killer-whale — Spoon, 19th century
Tlingit

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Mankala game board, Akan — Mankala game board, 20th century
Akan

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conical base, cylindrical neck and broad bowed top; four sets of three bands adorn body and neck — Headrest, 20th century
Gurage

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Standing Male Figure with Hat, wood, African (Nigerian, Ijo), XXc on base cat. card dims H 32' Figure wears European hat, medicine gourd suspended from neck; feet are missing. — Shrine Figure, 20th century
Ijo

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Figure, Asante — Figure, 20th century
Asante

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Standing female figure with large headdress holding child — Mother with Child, 20th century
Lwena

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Large wooden ladle carved in shape of horn spoon with sea-monster on handle. he has the killer-whale's head with long face and teeth and the bears' body. The eyes are set with mother-of-pearl. He is represented as sitting carefully balanced on small projection from the bowl of the spoon. — Ladle, late 19th century
Tlingit

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helmet mask with large eyes and pursed lips; spool-like ears; parallel vertical lines on face; 6 small holes on bottom edge — Odumado Mask, 19th-20th Century
Igala

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(one of a pair of door posts), wood and pigment; Gabon, Fang or Tsogo Tribes, XIXc.; Pahouin Group possible lintel supports — Male figure, early 20th century
Tsogo

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Round shallow bowl. Brown in color with a floral design carved into bottom. Incised design around rim. — Food Plate, 19th century
Papua New Guinea

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Spoon, similar to 28.102 except for upper head on handle carving. The wide toothless mouth may indicate the frog, or the turned down corners and high rounded forehead may indicate the shark, probably not the latter. Perhaps no special animal is meant. — Spoon, 19th century
Tlingit

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Mask, pre-1900; from the Astrolabe Bay area — Asa Kate Mask, late 19th century
Papua New Guinea

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human head handle, 20th century — Ladle with Human Head Handle, 20th century
John Young Bear

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bear head handle — Ladle, 20th century
Luke Kapayou

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Mask, Eket — Mask, 1968
Eket

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Small totem with knob at top and long point at bottom, carved between with figures. From top down they are a man holding a frog by its hind legs, an eagle with down curved beak and wings and tail carved on back of pole, bear with large mouth full of teeth and round nose turning suddenly into forehead, flicker with long pointed beak and wings and tail carved on back of pole, frog with head down. late 19th century. — Small Totem (Speaker's Stick), late 19th century
Tlingit

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Manuscript Cover, Tibet — Manuscript Cover, 16th century