Looking for medina, metius, media, medic?

Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D. — Equestrian figure, about 1450
Djenne

G250

figure, called Moai-Kava-Kava; toromiro wood — Moai Kavakava, 18th century
Rapa Nui (Easter Island)

G256

Mask, Guro — Mask, 19th century
Guro

G250

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base. — Divination tray, mid 20th century
Yoruba

G254

carved wood cup with straight handle; rounded cup has beaver and canoe carved on bottom; tapering two-part handle carved with scroll at end and rows of triangles — Belt Cup, c. 1830
Wendat (Huron)

G260

large bowl with 2 scrolling handles with openwork triangles; 4 circular feet; geometric band carved at lip — Prestige Bowl (purukei), c. 1900
Admiralty Islands

G256

paddle-shaped with small hole in one end; back side smooth and curved; front side flat and carved with incised decoration of hatched lines forming irregular rows of diamonds; reddish brown — Ceremonial Bull Roarer, c. 1900
Aborigine

G256

Mende Society Mask, wood and raffia, Mende Tribe, Sierra Leone, Africa, XIX c. Msmt.s of helmet only. *Med.Raffia ?- Poss. Human Hair! — Sande mask, second quarter of 20th century
Mende

G254

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top — Neckrest, 19th century
Fiji Islands

G256

Two piece construction with top section attached to a ringed staff; figure seated on a small stool on top of a bowl-shaped element with four-sided element inscised with geometric patterns below — Staff, 19th-20th century
Swahili

G254

standing female figure; wood; from a 'Karan-Wemba' mask, with heavy encrustation and showing faint lines of body scarification, wood (type unknown) — Standing Female Figure, late 19th century
Mossi (?)

G250

Standing female figure, possibly deble rhythm pounder with tribal scarifications on face and stomach. — Rhythm Pounder, 19th century
Senufo

G250

seated female figure holding a vessel, Kabila figure — Figure, c. 1900
Luba

G250

comb with 3 teeth topped with 2 faces; one on top of the other; each face has closed eyes and large, protruding turned-up nose — Comb, mid 20th century
Yaka

G254

comb topped with triangular head with scarifications below eyes; stylized shoulders and breasts — Comb, 20th century
Akan

G254

wood slit drum- "V" designs carved along edges of sides; diamond design at end of slit; four curved legs; barrel shape extensions on ends — Slit gong, about 1940
Lobala

G254

standing male figure playing a small xylophone-like instrument held at his stomach; man's hair styled in rows of braids; man wears a necklace or collar; small facial features — Male figure, 17th-18th century
Dogon

G254

low stool with short spool legs; back of seat decorated with carved repeated diamond band; low curved horizontal backrest; medium brown patina — Low chair/stool, Date Unknown
Kran

G250

top carved with stylized standing woman in front of shield shape, decorated with zigzags and lines on front, and triangles, zigzags and lines on back; geometric openwork top section flanked by smaller female figures — Hairpin, mid 20th century
Kwere

G254

branch or root resembling a stem of natural lingzhi fungus; large head, raised middle and smaller foot sections connected by two sections of thinner body — Ruyi (scepter), 18th-19th century
China

G217

ovoid piece of wood with flat ends; carved with two lines of text in URC, tree branch at left, two fish and grass in LRC — Suanzhi (paper smoother), 1850
Yue Hongqing

G217

box with two removable tiers and lid on a base fastened by a long pin through the lid — Two-tier picnic box, 18th century
China

G216

short stool with curving seat; 4 thick, outward-turned legs with teardrop shaped feet — Chief's Stool (no'oanga), 1800-1825
Cook Islands

G256

crescent upper platform with double flat-supporting columns attached to an oval base; carved square design with four curvilinear appendages on upper platform; carved design with "Celtic knot" appearance on exterior of columns — Headrest, Date Unknown
Unknown Somali

G254

organic lattice work at sides and top; circular opening formed when lattice pieces joined; banded feet; three standing figures within medallion at top center — Moon Gate, 1728
China

G216

wooden figure stands with arms outstretched and legs slightly bent inside a rectangular frame with minimal decoration; figure has round head, with a simple, smooth headdress; his eyes are oval, his nose angular, and his triangle-shaped mouth small and slightly open; figure's neck is long and wide, his torso is a round cylinder, and his genitalia are exposed; the figure is footless--his legs disappear into the frame; the entire piece is a dark reddish brown, the natural hue of the wood — Framed male figure, early 20th century
Holo

G250

vertical carved figural sculpture with slight lean in posture; rounded head with collar-like ring around neck; PR arm longer than PL arm; knot in wood in torso where bellybutton would be; slight platform around bottom; affixed to black metal stand through bottom — Figure, 1900-1950
Moba

G250

four pairs of nude caryatid figures with upraised arms and bent knees, supporting thick seat; figures have tall hairstyles and large bellies; vertical support column at center; thick base; dark finish — Stool, 16th-17th century
Dogon

G250

small comb with rounded top — Comb, c. 100 BCE -c. 200 CE
China

G215

small comb with rounded top — Comb, c. 100 BCE - c. 200 CE
China

G215

small comb with rounded top — Comb, c. 100 BCE -c. 200 CE
China

G215

small comb with rounded top — Comb, c. 100 BCE -c. 200 CE
China

G215

stool with case in the form of a standing woman with her arms upraised, holding seat of stool; woman has abstracted, elongated face with half-circle eyes and oval mouth with regular, gritted teeth; short hair in arcing ribs; lozenge-shaped breasts, pointing outward; elongated neck with four ribs (necklaces?); raised elements (scarifications?) on lower back; thick legs; flat feet with separated toes; medium to dark brown patina — Caryatid stool, c. 1910
Master of Lusambo or workshop

G250

Seated Figure — Seated Figure, 19th century
Senufo

Not on View

Feast Spoon with Bird Effigy, carved wood, with metal stand, North America, Chippewa — Ladle, c. 1860
Anishinaabe (Ojibwe)

Not on View

Feast Ladle with Bird Effigy, carved wood, with metal stand, North America, Seneca — Ladle, 20th century
Seneca Haudenosaunee (Iroquois)

Not on View

Feast Bowl with Bear Effigy, carved wood, North America, Sioux — Feast Bowl, c. 1850
Chahiksichahiks (Pawnee)

Not on View

ritual divination object in the form of an elephant — Itwomba, 19th-20th century
Kuba

Not on View

fox head handle — Ladle, 1927
Arthur Black Cloud Sr.

Not on View

ladle with slightly concave bowl, handle carved with animal image — Ladle, 19th century
John Young Bear

Not on View

diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom — Battle Club, c. 1820
Tonga Islands

Not on View

door (keyhole on L edge) with scroll and foliate inlaid design; floral forms in corners. Architecture - Fragment — Bookcase door panel, c. 1866
Owen Jones; Manufacturer: Jackson & Graham

Not on View

four horizontal panels with multiple figures in various poses: standing, riding bicycles, riding animals, seated; incised horizontal bars divide panels — Palace door, early 20th century
Dada Areogun, a.k.a Areogun of Osi-Ilorin

Not on View

club with long, thin handle; head shaped like lotus blossom with incised decorations — Dance Club (gugu), 19th century
Fiji Islands

Not on View

long shaft with raised, delineated handle; wedge-shaped head which comes to point; undecorated — Bird-head Club (goporowaramaru), 19th century
New Caledonia

Not on View

ceremonial paddle, carved with an all-over design of interlocking lozenges which are arranged in bands on the paddle; the handle ends in a knob decorated with a rim of bottle-horned beasts' heads in full relief; the carving was done with a sharks tooth — Ceremonial Paddle, 1820-1840
Austral Islands

G256

Tendai Priest (Patriarch) Portrait of one of the eight high priests of the Tendai Sect of Buddhism in Japan. Kamakura. 1185 to 1392 A.D. Single wood construction; no restoration. — Figure of a Monk, 9th-10th century
China

G200

crescent shaped headrest atop a house with four post legs; all on a rectangular base — Headrest, c. 1880
Yaka

Not on View

Citwamo Ca Mangu (Throne), Moxico School — Citwamo Ca Mangu (Throne), 20th century
Moxico School

G250

polychrome wood statue of a Confucian scholar standing, holding a book (?) downward at waist toward the viewer, wearing a long flowing blue robe, red waisted skirt with black belt and a black hat — Attendant to a King of Hell, 19th century
Unknown Korean

G206

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door — Door, mid 19th century
Swahili

G242

box with knob feet painted red with blue, black and gold decoration; central decoration is three rings, with a crossed axe and staff; three rings and eye on either end — Odd Fellows ceremonial ark, 1856
United States

G331

axe-like weapon on wooden staff; head etched on each face with scrolling foliage against a stippled blackened ground; axe-blade with the crossed staves of Burgundy impaling a coronet and dividing the letters "FAR"; head with open socket and four side-straps; wooden haft (probably original) — Halberd, 1527–47
Austria

G340

reclining male and female figures engaged in sexual intercourse; man wears headdress with two birds; body and face markings in white, brown, orange and yellow — Plaque, mid 20th century
Abelam

G256

bis pole, mangrove wood, New Guinea, Asmat — Bis Pole, 20th century
Asmat (Bismam group)

G256

Dance Mask; Carved in the round from a single piece of lightweight wood. Interior hollow. Features remarkable in that they resemble Greek and Sicilian works of the 6th Century B.C. The back of the mask, carved in terrace and striated patterns, contrasts with the smooth lateral contours of the face. — Helmet mask, 19th century
Luba

G250

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown — Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century
China

G200

Door Panel, Mamluk dynasty, wood carved with geometric and arabesque patterns, inlaid with ivory. Panel has modern mount and is set in seperate base which has four small decorative wood panels inset. Remounted 1984. — Door Panel, 14th century
Egypt

G242

Chief's chair, Asante — Chief's chair, 19th century
Asante

G250

knit brow, upper eyelid overhanging thin slit eyes, dark vertical smears on the cheeks; half-open mouth with one row of filed teeth; smooth face; traces of kaolin at the teeth, the hairline and around the nose; black, smooth, vertical crescent-shaped coiffure; black stripe down the forehead and on the eyebrows; red color on the lips; hole in each ear; hole at top of coiffure on each side (2nd hole on PR side) — Mask, late 19th century
Yombe

G250

ovoid shape, with two handle-like protrusions on long sides; rust-red and brown; rim and handles painted with running geometric designs — Wine Cup, 2nd century BCE
China

G215

carved wood, standing male figure; hair bound in a topknot; inlaid paua shell eyes; larger scale head, face adorned with tattooing; arms akimbo and large hands spread over abdomen; raised disc belly button; erect penis; raffia loin cloth in separate vitrine — Post Figure (poutokomanawa), c. 1840
Ngāti Kahungunu Māori

G256

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses — Hand drum (kundu), 20th century
Iatmul

G256

wood frieze carved with birds whose eyes are made of green turbo shell opercula; painted serpents wind their way across the relief; covered with lime and painted in red, black, and white pigments; carved for use in the Malanggan rites when it would be placed in a special hut with other sculptures — Malagan Frieze, 19th century
Unknown

G256

standing figure with panpipes encircled by serpents and birds; wood with opercula inserts and pigments; carved for Malanggan rites — Malagan Figure, c. 1890
Unknown

G256

Coffin representing a rock lobster with five pairs of jointed limbs, two long antennae, which are hinged, and two paired feelers on top. It is painted a green color with six white and black stripes around the body, orange and white paint at sides, and light-purple painted anntenae. The upper body is covered in spines and has a rough texture. — Fantasy coffin, 1993
Sowah Kwei

G250

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief — Relief, New York, 1936, 1936
Charles Biederman

G377

4-part plaster and wood model with front columned entry flanked by 2 small porches with columns; colonnades on both sides; curved back with small porch at center — Model of original scheme for the Minneapolis Society of Fine Arts, c. 1912
McKim, Mead, and White

Not on View

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror — Power figure, early 20th century
Kongo

G250

bichrome puppet with straight arms and legs, incised decoration on torso and hands, arms and legs move when central string between legs is pulled — Divination Puppet, early 20th century
Zande

Not on View

egg-shaped cup with six legs on dome base; three carved bands of small rectangles at top of cup; carved diamond shapes on body — Palm Wine Cup, 19th century
Kuba

Not on View

Round shallow bowl. Brown in color with a floral design carved into bottom. Incised design around rim. — Food Plate, 19th century
Papua New Guinea

Not on View

Mankala game board, Akan — Mankala game board, 20th century
Akan

Not on View

female figure; no face; six holes along top, each side of headdress; horizontal indentation front bottom of headdress — Mwana nya nghiti, 20th century
Zaramo

Not on View

Standing female figure with large headdress holding child — Mother with Child, 20th century
Lwena

Not on View

scepter topped by a head on a long notched neck of hexagonal section; egg-shaped face with raised scarification on forehead and temples; incised checkerboard coiffure with two carved horns located just above center; reddish brown with a glossy patina — Scepter, late 19th century
Tabwa

Not on View

Figure, Asante — Figure, 20th century
Asante

Not on View

bow-legged figure with both hands held to chest; decorated face with geometric designs and five piercings in each ear; on top of its head is an oblong hat with tail — Standing Figure, late 19th century
Makonde

Not on View

Square painted mask with cylindrical mouth, spear shaped nose, 10 in. beak protruding from forehead; mask is surmounted by a female figure with bent knees and arms above head holding a vessel on her head — Hornbill mask, early 20th century
Dogon

Not on View

Mask, Eket — Mask, 1968
Eket

Not on View

Manuscript Cover, Tibet — Manuscript Cover, 16th century
Tibet

Not on View

neckrest with a head extending out from each short end with slit eyes, narrow noses and oval mouths; sits on four wide legs — Neckrest, Date Unknown
Papua New Guinea

Not on View

Powder Flask, carved wood with black stand — Gunpowder Flask, 20th century
Beembe

Not on View

Lime Spatula, 20th century

Papua New Guinea

Not on View

Mask, pre-1900; from the Astrolabe Bay area — Asa Kate Mask, late 19th century
Papua New Guinea

Not on View

barefooted standing man wearing long pants with cross scarifications on his cheeks, carrying a stool held to the back of his neck with his PL hand; PR arm in front of waist — Man Carrying a Stool, from a shrine group, First half 20th century
Kwaku Benpoh

Not on View

standing female figure with heavy feet wearing a helmet-shaped hat and shirt, both patterned with carved rows of triangles; bent elbows and hands on stomach; attached to wood mount — Figure, early-to-mid 20th century
Chokwe

Not on View

barefooted standing man wearing short pants and a belt with a knife sheath; holding a small cylindrical keg on his head with PR hand and rifle over his PL shoulder, with PL hand on rifle butt — Man Carrying a Rifle, from a shrine group, first half 20th century
Kwaku Benpoh

Not on View

Bald, standing figure on top of straight staff; incised rings with row of zig-zags below near top — Staff, 19th-20th century
Pare

Not on View

kneeling male figure wearing a hat with 5 crosses, hair in a ponytail and holding an axe in his PR hand; 4 sided bottom section has rectangular well — Snuff tablet, 600-1000
Tiwanaku

Not on View

barefooted standing man wearing short pants and holding a very large sword with openwork blade over his PL shoulder; arms outstretched; attached base — Man Carrying an Executioner's Sword, from a shrine group, First half 20th century
Kwaku Benpoh

Not on View

'T' shape resting on conical base; black metal band wrapped around top of base — Headrest, 19th century
Yaka or Songo

Not on View

barefooted standing man wearing short pants and wedge-shaped hat with a lizard on front; PL hand cupped at waist; PR arm outstretched — Male Figure, from a shrine group, First half 20th century
Kwaku Benpoh

Not on View

Paddle, wood, Egyptian, X-XII Dynasty cat. card dims L. 23-13/16', W. 2-7/8' black stripes, used with a small boat, polychromed wood, red and black stripes. — Oar, 22nd-18th century BCE
Ancient Egyptian

Not on View

man holding staff with a face at the bottom and wearing a headdress with a face on each side — Untitled (man holding a staff), 1979
Lamidi Olonade Fakeye

Not on View

Mushroom-shaped handle at top; standing figure resting its chin on its hands below; incised crosshatched section below figure — Staff, 19th-20th century
Hungaan

Not on View

small platform with apron carved on all 4 sides with scrolling design; decorative feet; 2 incised areas for bowls on top — Stand, for pair of bowls, 19th century
China

Not on View

tall spoon with long bowl; human head with flat face, vertical ridge at center of forehead; rings around neck — Spoon, 20th century
Bassa

Not on View

Mother and Child wooden sculpture; mother has pot on her head; figures create a "V" shape; figures are connected at hip; — Mother and Child, 20th century
Lobi

Not on View

Anonymous, 'Head of an Angel', wood, Flemish XVIIc cat. card dims H 14-1/4'; mount attached — Head of An Angel, c. 1690
Netherlands

Not on View

Club shaped; flat on both ends; rounded handle; 4-sided beater with carved vertical striations — Tapa Beater, Date Unknown
Fiji Islands

Not on View

Straight, undecorated staff with head at top wearing a hairstyle with two long tails attached together at the bottom — Staff, Date Unknown
Lwimbi

Not on View

Standing female figure with long hair; scarifications on face, breasts and stomach; hands on stomach; hole in PR foot for attachment to mount — Female Figure, early 20th century
Tabwa

Not on View

relief carving of three standing figures (2 with musical inbstruments, one with a chicken and a jug); 2 kneeling figures — Untitled (village scene), 1979
L. O. Fakeye

Not on View

conical base, cylindrical neck and broad bowed top; four sets of three bands adorn body and neck — Headrest, 20th century
Gurage

Not on View

Abstracted female figure with flat head, very small incised features and drooping breasts; incised lines on front of body, chest and sides of head — Biiga, late 20th century
Mossi

Not on View

smiling face with slightly open mouth, flat nose and openwork hairstyle with two buns; protruding ears — Mask, 20th century
Bamum

Not on View

Female figure at top, with short hairstyle; shaft has four pairs of carved rings — Staff, 19th-20th century
Tanzania

Not on View

Conical base with small flaring bulb at top supporting a narrow top element — Headrest, 19th century
Oromo

Not on View

standing female figure with arms at sides; thick legs with undefined feet; spatula-like hands; long face with protruding chin; attached to plexi mount — Figure, 19th-20th Century
Lobi

Not on View

Window bench top from Frank Lloyd Wright Little House, wood stored on side; cat. card dims 2-1/2 x 225 x 19' — Window bench top from the Little House, c. 1915
Frank Lloyd Wright

Not on View

Bowl, wood. Boat shaped with a head carved at one point with design that extends towards center. Raised designs on sides near rim. — Bowl, 20th century
Papua New Guinea

Not on View

Ancestor Figure; wood; Nigeria, Mumuye Tribe, XIXc. — Male figure, 19th century
Mumuye

Not on View

helmet mask with large eyes and pursed lips; spool-like ears; parallel vertical lines on face; 6 small holes on bottom edge — Odumado Mask, 19th-20th Century
Igala

Not on View

Thick shaft with two pairs of lobes; standing female figure with long hair on top, standing on three-leafed platform — Staff, 19th-20th century
Zaramo

Not on View

man with open mouth wearing a hat shaped like 1/2 of a nutshell and a short cloak and holding a scroll in his proper right hand and a tiered staff — Shinto priest, late 18th century
Unknown Japanese

Not on View

One band of incised geometric designs on shaft with squared-off section at top; topped with two faces, facing opposite directions; both faces have scarification on the forehead — Staff, Date Unknown
Luba

Not on View

lotus pod with five movable seeds — Netsuke [lotus pod], 19th century
Unknown Japanese

Not on View

man with pointed beard, long horizontal slits for eyes and a frowning mouth — Netsuke [Noh mask], 19th century
Deme Sukemitsu

Not on View

Shaft has bottom, paddle-like section with incised geometric designs on both sides; three sections of rings and three other flat lobes; head with small round ears and pulled-back hair on top — Staff, Date Unknown
Mende

Not on View

Staff with ball on top; head below; four-sided protruding lobe below head with incised grid pattern — Staff, 19th-20th century
Rungu

Not on View

fox head with movable jaw, lips curled back showing teeth; orange thread on back — Fox mask with moveable jaw, 19th century
Tenka Kazutomo

Not on View

Straight, undecorated shaft with head at top with tall hairstyle, slanted eyes and small rows of scarification dots on cheeks and forehead — Staff, 19th-20th century
Mangbetu

Not on View

Ringed, lobed shaft with head on top; long hair and feather headdress protruding upward from top of forehaed — Staff, 19th-20th century
Mende

Not on View

man leaning against large bell slung over his war club, which rests on his proper left shoulder; a long curved sword attached to his belt extends over proper left side of bell — Netsuke [Benkei carrying the Bell of Miidera], 19th century
Sanko

Not on View

standing male figure with long pointed face; hands on stomach; short beard — Male Ancestor Figure, 20th century
Hemba

Not on View

smiling face with open mouth; very long slim nose — Misi gwa so'o (Chimpanzee Mask), 20th century
Hemba

Not on View

seated female figure with back very straight; knees apart and feet flat on the ground; hands on knees; long face — Figure, 20th century
Chokwe

Not on View

elongated body; very long, thin legs; arms slightly bent at elbows; pointed face; encrusted patina — Standing Female Figure, 20th century
Lobi

Not on View

Comb, 20th century

Not on View

long, thin face with open rectangular mouth; 4-sided eyes; human nose; vertical horns; dark patina — Kore Society Mask, Date Unknown
Bamana

Not on View

egg-shaped bank of dark wood; 2 lions and a bird carved around the center with a textured background; one end has a carved complex flower; other end has a face with eyes and an open mouth; coin slot is at the center top; bird holds a banner with "BIBA MEGICO" on it — Egg still bank, 20th century
Not on View

bank carved in the form of a wooden dome-shaped beehive; flat bottom; slightly curved coin slot near top — Beehive still bank, late 19th-early 20th century
England (probably)

Not on View

light wood; football-shaped bowl; handle carved with geometric patterns in rectangular and half-circle shapes — Spoon, early 20th century
Somalia

Not on View

square wood building on wood base with marquetry veneer siding, doors and 2 windows; removable roof with coin slot beneath; sliding rear panel — Square building with marquetry veneer still bank, 20th century
United States (probably)

Not on View

tubular shape with flat foot; incised overall with curving and cross-hatched designs; rectangular opening at top with lid piece (b) in darker wood — Moravian box still bank, c. 1756
United States

Not on View

oval, wood; 5 dials and 3 other knobs on top; coin slot on top; braid (2 rows) on side; top rotates to open on peg next to 3 dials when combo is properly set — Five-dial combination box still bank, c. 1960
United States

Not on View

6-sided building bank with marquetry veneer, forming bricks, windows and designs in different colored woods on all sides; building is on a 6-sided platform — Marquetry box still bank, early 20th century
United States (probably)

Not on View

light-colored round vessel with curved vertical flutes; four tapering black legs, each with circular cutout; domed cover with pointed black finial — Covered vessel, c. 2003
Harold Irving

Not on View

barrel; natural wood; separates into 2 halves; coin slot in top — Barrel still bank, 20th century
United States (probably)

Not on View

paddle-shaped; carved overall with geometric designs in small sections; one side includes many figures, including people, a person on a turtle and sharks; opposite side includes a bird and five people; end carved with four sharks — Crocodile Head Club (moungalaulau), late 18th-early 19th century
Tonga Islands

Not on View

comb topped with head with elongated face and U-shaped hairstyle — Comb, 20th century
Chokwe

Not on View

long handle decorated with incised geometric designs and topped by a kneeling female figure; worn glossy patina — Ceremonial Spoon, 19th century
Yombe

Not on View

standing male with feet slightly apart and hands on stomach at sides; round face with large eyes and long nose; beard and protruding Adam's apple — Male Figure, 19th-20th century
Hemba

Not on View

small, four-sided club, slightly tapered at rounded handle; bottom of handle squared off; dark brown patina — Tapa Beater, Date Unknown
Not on View

curved top; flat base; horizontally placed chainsaw between base and top; unfinished surface — Stool, Date Unknown
Asante

Not on View

carved head; uncarved on back and top; incised tattoo decorations overall; flat chin; broad nose; PL ear missing — Head, 18th century
Māori

Not on View

winged-bird motif shape; 3 peg feet and 1 v-shaped foot; linear edges carved with zigzag design; dark patina — Ceremonial Bowl, 19th century
Fiji Islands

Not on View

crescent-shaped box with the upper part of a human face on lid; forehead part of lid above elongated double eyebrows and vertical sides of box are decorated with geometric motifs; lozenge-shaped eyes; brown patina, glossy on exposed parts — Box with Cover, 1900-1925
Kuba

Not on View

black patina; tapering staff; top carved with pair of smiling figures standing back-to-back, with feet turned inward; geometric designs carved above and below figures — Staff, c. 1900
Papua New Guinea

Not on View

short; one paddle end; top carved with openwork organic designs; linear raised element on shaft, carved on one side with ropelike design — Sago Paddle, late 19th-early 20th century
Massim

Not on View

plain wood book shape; spine slides off to access interior; green felt pad on both sections interior; coin slot in spine (opens sideways) — Book still bank, 19th century
England (possibly)

Not on View

abstract sculptural piece of organic form; two golden brown ovoid shapes surrounded by shiny dark brown swirling elements; dull brown between; textured overall with tiny indentations — Tsunami, 2001
Michael Lee

Not on View

printing block; five rectangular areas, each with a figure and text; three standing women, one standing man with a shield (?), seated figure behind a box (?); hanging hardware attached — Woodblock for printing, 19th century
Unknown Japanese

Not on View

carved on both sides; recto: two rectangular area with text, each containing an image of a blooming potted plant; verso: one rectangular area at left with text and an image of a blooming potted plant; dark patina — Printing woodblock, 19th century
Unknown Japanese

Not on View

five carved wooden blocks, each with a different stage of woodblock print process; blocks mounted to wooden frame; at bottom center is the finished print of a baby's face enveloped in its mothers arms; mother is wearing green kimono with pink and white motif — Print blocks (gendai hanga), second half 20th century
Micah Schwaberow

Not on View

rectangular with four legs; projections sticking out both short ends, one holds an open bowl, the other appears to be stylized and elongated animal head; body contains 12 carved out round compartments — Gameboard (ma kpon), 2nd half of 20th century
Son of Nuopie

Not on View

very small face with round open mouth; raccoon-like eyes; small C-shaped ears; hair style in small round knots; wedge-shaped element on head with three vertical elements on each side; three rings around neck; dark brown-black patina — Helmet mask, Date Unknown
Vai

Not on View

Mask, Date Unknown

Bassa

Not on View

small human face; pointed chin; high ears; hair styled in rows of braids; vertical line at center of forehead; closed eyes; wide nose; very thick lips with two protruding inlaid silver front teeth; dark brown patina — "Passport" mask, Date Unknown
Liberia

Not on View

standing stylized female figure with small wedge-shaped head; three rings around elongated neck; large breasts; sloping shoulders; figure wears a small apron with a grid pattern; grid pattern on chest (scarification or necklace?); diagonal lines on abdomen and chest under breasts; stylized braided hairstyle; dark brown patina; attached to clear Plexi base — Female Figure, Date Unknown
Southern Bullom (Sherbro)

Not on View

"Passport" mask, Date Unknown

Liberia

Not on View

diamond-shaped face; spiraling ears; flat eyes--no eye openings; diamond-shaped open mouth with uneven teeth and tongue; deeply incised ribs form hairstyle, with ridge at top of head and around hairline in front; perforated rectangular element beneath chin; flaky patina with encrustations of white and tan; heavy--thick top section — "Humoy" helmet mask, Date Unknown
Southern Bullom (Sherbro)

Not on View

"Passport" mask, Date Unknown

Liberia

Not on View

very small, teardrop-shaped face; small smiling mouth; narrow eyes with half-circles beneath them; small nose; C-shaped ears; elaborate hat or hairstyle with top element with four vertical protrusions; strap-like element around back and sides of head hold down four vertical elements; hair/hat decorated overall with incised designs of radiating arcs, grids; lines, radiating squares and triangular shapes; dark brown patina — Helmet mask, Date Unknown
Mende or Southern Bullom (Sherbro)

Not on View

flat face with rounded chin and wedge-shaped, protruding nose; pairs of small diagonal slits for eyes; no mouth; wide headband (or hat) with triangle motifs; pair of pointed vertical horns or ears on top of head, with third forked vertical element between them; dark brown patina — Mask, Date Unknown
Loma

Not on View

very small, teardrop-shaped face; small features--small slit eyes; deep vertical lines beneath eyes on each cheek; triangular incised patterns under chin; ribbed rings around neck; geometric deeply-carved hairstyle or hat, with arc on top of head and triangular patterns on sides of head; thick horizontal band of triangles behind head from ear to ear; medium to dark brown patina — "Humoy" helmet mask, Date Unknown
Mende or Southern Bullom (Sherbro)

Not on View

"Passport" mask, Date Unknown

Liberia

Not on View

small human face; pointed chin; high ears; stylized braided horizontal band across forehead; slightly open mouth; coffee bean eyes; dark brown and medium brown patina — "Passport" mask, Date Unknown
Liberia

Not on View

organic, asymmetrical form; roughly triangular-shaped vessel with three "legs"; two large holes, four smaller holes; medium brown tones with irregularly-shaped dark-brown knots — Gift from the Sea, 1999
Derek Bencomo

Not on View

kneeling female figure on a round base; woman holds her breasts in her hands; round-cheeked face with large eyes; scarifications on forehead and cheeks; upswept hairstyle; dark brown — Female figure, Date Unknown
Yoruba

Not on View

wall bracket; decorative spindle at top, lotus blosson at bottom; section that extends from wall terminates in dragon's head with open mouth — Bracket, one of a pair, Date Unknown
China

Not on View

carved on both sides; one side carved with figures walking on a garden path; other side carved with standing man in a kimono with tree and bridge pattern fabric, holding an umbrella; dark brown patina — Keyblock for "Autumn Flowers in the Garden at Mukōjima", 1862
Utagawa Hiroshige II; Publisher: Commissioned by Sagamiya Tōkichi

Not on View

carved on both sides; one side carved with landscape with buildings, marked with text like a map; other side carved with four images of pairs of figures in various poses, including warriors; brown patins — Keyblock for "Buddhism Outlook on the World", 1860
Utagawa Sadahide

Not on View

plain dark wood box with panels on top, sides and ends; coin slot in end panel — Money box still bank, 20th century
United States (probably)

Not on View

wood book shaped bank incised with flowers on front and back covers; coin slot in spine — Book still bank, 19th century
England (possibly)

Not on View

plain wood bowl with tall, steep sides; small, flat foot; light brown with crackle patina — Bowl, c. 1955
James Prestini

Not on View

wall bracket; decorative spindle at top, lotus blosson at bottom; section that extends from wall terminates in dragon's head with open mouth — Bracket, one of a pair, Date Unknown
China

Not on View

one of a pair of auspicious folk art figures: Doikoku and Ebisen; man with fish and pole — (Ebisu, from a pair of Daikoku and Ebisu), c. 1800
Unknown Japanese

Not on View

biomorphic shapes; curved design; curved tines — Fork, from a two-piece set, 1980s
Ruth Greenberg

Not on View

biomorphic shapes; spatulate blade — Knife, from a two-piece set, 1980s
Ruth Greenberg

Not on View

ovoid dish; shallow; bottom surface carved overall with eyeball-like designs; small protrusion on bottom on one end — Dish, 20th century
Papua

Not on View

one of a pair of auspicious folk art figures: Daikoku and Ebisu; man with hammer and sack — (Daikoku, from a pair of Daikoku and Ebisu), 19th century
Unknown Japanese

Not on View

carved staff of light wood; zigzag motif finial with a square element covered with carved pattern of pairs of triangles; indented section near top with 4 open rectangles — Distaff, 20th century
Morocco

Not on View

bear-like animal with proper left front paw on stomach and proper right paw raised above head; mouth open exposing teeth — Netsuke [Tanuki], 19th century
Unknown Japanese

Not on View

Heavy shaft with head on top; three long slits below reveal a loose piece of wood inside which rattles when staff is moved; carved lines on section below head; three ribbed lobes on shaft — Staff, Date Unknown
Benin

Not on View

Slightly curving shaft with heavy ball on top — Staff, Date Unknown
Maasai

Not on View

monkey sitting on the back of a turtle, holding the turtle's tail in its proper right hand; turtle retracted into its shell — Netsuke [monkey and turtle], 19th century
Unknown Japanese

Not on View

Blackened wood staff with head on top; Mount L1.6 MS — Staff, 19th-20th century
Yao

Not on View

top side carved with smiling mask with protruding cheeks and forehead; bottom side carved with female genitalia and hand — Netsuke [Okame mask], 19th century
Unknown Japanese

Not on View

Snake carved in relief coiling around center of shaft; open diamond on top supporting a head with a long hairstyle and a long neck and wearing a small cap — Staff, 19th-20th Century
Pende

Not on View

monkey bending over to hold a large nut on its feet — Netsuke [macaque with chestnut], 19th century
Unknown Japanese

Not on View

Staff with flat, round element on top — Staff, Date Unknown
Kerewe

Not on View

monkey seated on a rock holding a large peach with its arms; head turned, looking over proper right shoulder — Netsuke [monkey with a peach], 19th century
Unknown Japanese

Not on View

seated doglike animal with chin, chest and proper right leg resting on a ball; open mouth with another small banll inside — Netsuke [Shishi and ball], 18th century
Unknown Japanese

Not on View

Staff with head on top; head has very high ears, uneven eyes, hairstyle sticking up in front with a bald, pointed back of head; staff decorated with incised rings and diagonal lines — Staff, Date Unknown
Gogo

Not on View

Staff with band motif and head with blackened headdress — Staff, Date Unknown
Lwena

Not on View

Undecorated shaft with a head at the top, wearing a helmet (?) with a straight piece hanging down the back — Staff, Date Unknown
Chokwe

Not on View

Staff with figures and animals on pole topped with a man in European dress on wood base — Staff, 20th century
Kongo

Not on View

toad with bulging chin, bumpy back and inlaid eyes — Netsuke [toad], 19th century
Unknown Japanese

Not on View

wind god's head and shoulders, proper left arm and proper right leg emerging from a large bag — Netsuke [Futen], mid 19th century
Unknown Japanese

Not on View

Staff with diamond shape and pattern below head — Staff, 20th century
Mbuun

Not on View

standing man with a box tied around his waist and a closed umbrella over his proper left shoulder — Netsuke [peddler], early 19th century
Unknown Japanese

Not on View

smiling man with bulbous earlobes and large belly holding a bag on his head with his proper left arm — Netsuke [Hotei], late 18th century
Unknown Japanese

Not on View

Staff with face with long horns at top of a shaft with incised vertical ribs, diagonal lines and rings — Staff, 19th-20th century
Dan

Not on View

Straight, undecorated shaft with abstracted head at top; head has very small incised eyes and mouth and flat forehead with point at back of head — Staff, Date Unknown
Hehe

Not on View

Window from Frank Lloyd Wright Little House, wood and glass — Window from the Little House, c. 1915
Frank Lloyd Wright

Not on View

round flat base surmounted by a cylindrical body with handless arms held out to each side. The neck consists of four disks connected to a large flat circular head; hole in both arms and top of head. — Figure, 20th century
Akan

Not on View

Standing Female Figure, wood, African (Zaire) — Standing Female Figure, 19th-20th century
Zande

Not on View

Itajime, a wood board for clamp resist dyeing — Woodblock for printing, 19th century
Unknown Japanese

Not on View

a wooden club with a nearly cylindrical shaft slightly flaring at one end, bending sideways, then ends into an almost spherical, hyper-stylized head; a short cylindrical crest is tangent to the head on the opposite side, and figures a pointed nose on one side, and a bunch of hair on the other; the ears are large and semi-circular, the eyes hardly visible, the mouth is a short slit perpendicular to an edge in the axis of the nose; a protuberance juts out on the throat under the chin; arrived with black metal mount — Dance Wand (?), c. 1920-1930
Gogo

Not on View

lion-dog with proper right front paw on a ball with moving part inside — Netsuke [Shishi with brocaded ball], 19th century
Unknown Japanese

Not on View

Straight staff with standing male figure on top, hands held to his chest — Staff, 19th-20th century
Yaka

Not on View

Staff with standing female figure with hands on stomach in wood black base — Staff, 19th century
Pende

Not on View

toad sitting on the sole of an overturned sandal — Toad sitting on a straw sandal, 19th century
Kokei

Not on View

Elongated ball on top with a flared-out ring below; section carved into a spiral below ring; one side at top through spiral stained lighter than remainder — Staff, 19th-20th century
Zulu

Not on View

crescent upper platform with cylindrical column attached to a circular base; carved rectangular design with four curvilinear appendages on upper platform; large carved triangles, verso of upper platform; carvings on base and column — Headrest, mid 20th century
Unknown

Not on View

Coca leaf bag (ch'uspa), Bolivia — Coca leaf bag (ch'uspa), 1965-1975
Bolivia

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two large and two smaller human figures standing in a crocodile form boat; another larger figure stands behind the boat; fish under the boat; four pointed star at top center — Story Board, 20th century
Papua New Guinea

Not on View

shallow bowl; handle carved with long, narrow boat (vertical stripes on sides) — Spoon, 19th century
Lozi

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man sitting in front of a jar with his hands to his head — Seated man, late 19th century
Masano (of Ise)

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three chestnuts with one flower — Three chestnuts, late 19th century
Masano (of Ise)

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rat curled into a ball holding his tail; black eyes; other j#81 — Curled rat, second half 19th century
Suzuki Masanao

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tiger with front legs up onrocks; shoulders sticking up; head down, teeth out; hole beneath front legs; other #'s J148 — Tiger and rocks, late 19th century
Masano (of Ise)

Not on View

one man standing behind another; back man is holding the front man's neck; 2 holes on back oil thief — Two men standing behind each other, late 19th century
Masano (of Ise)

Not on View

seated animal with tail between legs; front right leg resting on a turtle; front left leg raised; mouth open; ribs showing; yellow eyes — Wolf with turtle, early 19th century
Masatomo

Not on View

one of pair of Onis (Buddhist demons); wood and polychromed; seated, holds hatchet (possibly later? 19th century) — (Oni with hatchet), 16th-17th century
Unknown Japanese

Not on View

one of pair of Onis (Buddhist demons); wood and polychromed; seated, holds scroll and carries pack on back — (Oni), 16th-17th century
Unknown Japanese

Not on View

female figure seated with legs forward; arms carved free of the body and holding a large bowl resting on the feet; elaborate raised scarification on the abdomen and keloids on the lower back; large cruciform hairstyle; very soft, light wood — Mboko (Female Cup Bearer), 19th century
Luba

Not on View

half-spherical cover and container; container turns inside flat round lip, carved through with concentric circles on top and partial circles at rim on bottom — Saturn Box, 1993
Hans Weissflog

Not on View

small carved staff finial representing a figure with round head, large, oval eyes, and heavy eyelids; nose is an elongated triangle, and mouth is small and lips are partly open; on top of head there is a round, flat headdress; figure has one arm around its waist with the other arm bent and the face resting on the hand of bent arm; main body of figure is cylindrical with a carved band below the waist and below that a larger, carved base; the figure is the dark brown hue of the wood from which it is carved — Staff finial, c. 1915
Beembe

Not on View

standing female figure has round head, long nose, round, sunken eyes, oval mouth, and a chin that protrudes far beyond the cheeks; the top of her head is divided into seven patterned rows; a patterned collar with distinct edges rests around her neck at the base of head; body is cylindrical with high, pointed breasts and arms bent at the elbow; shoulders appear pulled back; the figure's hands meet at her midriff and appear to hold a square object with a hole in the middle; her legs are thick and bend at the knees; she has very large feet that rest flat against the base; figure's PR leg and foot are noticeably thicker than PL counterparts; a carved hole represents her genitals; piece is natural hue of wood--a dark brown--with fading in the indentations — Standing female figure, late 19th century
Songo

Not on View

comb with two figures perched atop a square base with concave sides and patterning; ten pointed teeth attached at bottom of base; figure on left has a round head with vertical rows of hair; eyes are oval and mouth is small and partially open; the left figure's shoulders are pointed, with arms at side and hands resting on upper torso; figure has protruding breasts and belly button; the torso is decorated with four diamond-shaped carvings; the figure's hips are wide-se; the figure's knees protrude out into space with legs and feet resting against the base of the comb; the figure on the right has similar features, but hair is represented by horizontal rows, arms are less rigidly bent and thus hands rest easily on lower belly; the figure on the right also has torso decorated with diamond-shaped carvings; from behind the figures' buttocks are visible at top of base; entire piece is the reddish tan hue of the wood — Comb, mid 20th century
Zela

Not on View

comb carved to have head of woman wearing a headdress, which meets at point with top scooped away; there is a hollow space in the middle; head is upside down triangle; nose and eyebrows are connected, forming a palm-tree-like shape; eyes are lopsided circles that are divided in two; mouth is simple indentation; left cheek has a series of dots that form square, the right cheek has a slanted pointed ellipse; ears are flat and stick out from the side of the head; neck is long and thin with rings carved into it and a rosary hanging from it; from the neck down is the comb; top is square, with small scoops taken out of each side; figure has small, raised breasts; flat square is sectioned into a square grid pattern; every other square has an "X" through it; square separates at the bottom into the thick teeth of the comb; head is a dark, black wood, while the bottom is a light honey-colored wood — Comb, c. 1900
Asante

Not on View

wood bust with round head covered with large, oval, patterned headdress protruding up and out; side of headdress are flat; face is carved in by small indentation--eyes, nose, mouth, and three small lines on each cheek; neck is long and thin and attached to a tall, square base with carvings on front; the piece overall is a light brown--natural hue of the wood — Doll, 20th century
Yoruba

Not on View

cup and handle appearing in form of hand and arm; cup has cylindrical top that rests on round bottom; top has carved patterns of zigzags in narrow rows; bottom has design with thick crisscrossed lines; handle is woven design and the part that connects to cup is a hand with four fingers; the top of the hand has a design carved into it; the piece is a dark brown hue — Cup, 20th century
Kuba

Not on View

triple headed cup in natural honey-color of wood out of which it is carved; the top of the cups are straight and taper into the figure of a head; each cup rim is carved with crisscross pattern; the faces have eyebrows, closed eyes, triangular noses, and pursed lips; each face has carved lines that extend from the inside and outside corners of the eyes to behind the ears; two rows of carved squares create a pattern between the temples and ears on all faces; the heads connect at a long single neck, which widens at the bottom forming the base; the neck is carved with the same pattern as the pattern at the top of each head — Cup, mid 20th century
Shoowa Kuba

Not on View

standing stylized figure with pointed beard; triangular-shaped ears; pair of very tall horns with spirals at top; face has deeply-incised geometric patterns--without facial features; deeply carved oval element with horizontal band on chest; figure wears short skirt-like garment; figure stands on round platform with four curving legs and one vertical central leg; some possible scattered bits of red and white pigments — Ikenga Figure, first half of 20th century
Igbo

Not on View

stool with female caryatid; seat of the stool is round and flat, with the edges decorated with a repeating pattern of ovals; seat reset on the head and arms of the female figure, whose head is large and oval; eyes are large and oval, slitted down the middle; two rows of dots lead down to her nose, which is a large triangular shape; mouth is oval, with prominent lips; arms are thick and bent to support the seat of the stool; breasts are pointed and protrude out into space; beneath torso is carved in intricate patterns; figure is kneeling, resting on her bent legs which connect to the base of the stool; edges of the base are also carved in an oval pattern, similar to seat; entire piece is the natural color of the wood--a dark brown — Stool, 20th century
Luba

Not on View

male figurative heddle pulley carved from a medium-brown wood; figure crouches on a hollow stand that holds a pulley system; figure's head is flat, eyes are oval, nose is pointed, and mouth is small and juts out from face; figure has one continuous eyebrow; at top of head is a flat round headdress with a small flat ball at center top; a line runs down the center of the figure's chest and his arms are angular, slightly bent; figure's hands are slightly defined, and his feet are less so; at center in between figure's legs is an animal head that may also be read as a penis — Heddle pulley, 20th century
Senufo

Not on View

standing male figure carved from wood; knees are slightly bent and he holds an object against his midriff; thick strands of hair pull away from his forehead, giving the impression of a headdress; shallow carvings indicate oval eyes and a thin mouth; nose is square and protrudes slightly; two ears rest high up on either side of the figure's head; his chest is bare, besides a grid-like pattern carved into the right side of his chest--this pattern is also present on PL shoulder blade; carvings in his pubic region lead down to his exposed genitalia; figure's feet are square and create the base; flower carving on upper PR arms; the piece is a dark brown with slight sheen — Standing male figure, early 20th century
Beembe

Not on View

pestle body is a cylinder that spreads into a wider base; top of pestle is carved into the likeness of a head, with hair carved into five patterned rows that pull back from forehead and one patterned row running horizontally along base of neck; eyes are in the shape of diamonds and nose is in shape of flat triangle; the mouth is a thin oval with slightly parted lips; there are two, short vertical lines carved into each cheek, and a longer line running from the bridge of the nose to the middle of the forehead; the neck is slightly thinner than the body of the pestle, and a carved ring separates the body from the round base; the entire piece is a medium brown--the natural color of the wood — Pestle, c. 1920
Luba

Not on View

comb with figure; comb is long and rectangular, with four wide teeth and a rectangular base, carved with patterns; on top of base is a seated figure whose feet rest on the top of the base; figure's legs bend at knees and torso is square; arms are bent at elbows, so that hands rest on either sides of the face; face has wide, thin mouth, a small nose that points straight ahead, and two large, oval eyes that rest flat on either side of head; on top of head is a striped band, that has a flat top and protrudes out into space; tan in color overall — Comb, 20th century
Lunda or Lwena

Not on View

cup with carved human face; top of cup is straight and tapers into the head where carved straight lines indicate hair; face has pointed ellipses for eyes, a triangular nose, and pursed lips; there is a prominent vertical element carved between the eyes; ears at each side of head appear like slightly protruding circles with hole at center; handle of cup starts at top of head, at back, and ends at bottom of head; head tapers into a neck, which forms the base of the cup; entire piece is carved from wood with dark-brown hue — Cup, c. 1900
Leele

Not on View

half-figure cylindrical in shape with thick neck; head is round with two large, round eyes with slits through the middle, a small nose, and a thin mouth; the figure's ears are visible and a smooth headdress covers the back of the head; there is a round hole carved into the center of the head; figure's small arms are bent and the hands rest on the figure's chest; the figure ends at the torso, which is resting on a square base; entire piece is dark brown, the natural color of the wood — Half figure, early 20th century
Luba

Not on View

small wooden figure kneels and holds a short staff; figure has elaborate headdress with carved stripe pattern protruding from four, round, segmented carvings that rest at top of forehead; face has carved stripes at cheeks, temples, and chin; row of three, small oval carvings decorate brow; figure's eyelids project out and have design carved into them; figure's lips are parted to reveal carved teeth; breasts are pronounced and angular, the PL breast rests on top of/alongside staff; staff has a curved piece at top that extends over figure's PL shoulder and down back; round, hollow ring of wood connects figure to base; wood is dark brown, has a rough texture, and a sheen — Male figure, 20th century
Yoruba

Not on View

staff with carved male figure at top, his knees bent and hands resting on his midriff; figure's head is small with wide, oval eyes, pointed nose, wide mouth, and pointed chin; on top of figure's head is a flat, oblong headdress that projects backward--the front and sides have elaborate carvings and the back has a crescent shaped carving with a raised, vertical seam at middle; figure's neck is wide and becomes a part of the figure's chest, which has small breasts; the arms are long and bent at the elbows, and the hands rest on the stomach; the shoulder blades are round and pronounced; figure has large hips and legs, in a squatting position, and male genitalia; feet are large and flat, creating the base of the figure; body of staff is lighter brown than figure — Staff, 20th century
Luchazi or Lwena

Not on View

cup is carved into likeness of a head that leads down to a pointed chin; lip of the cup has hard edge that is raised from the head and carved in flowing lines; face has large, oval eyes, a small, round nose, and an O-shaped mouth; multiple curved lines run down from the bottom of the eyes to the jawline; there is a small circle carved in space between eye and ear on both sides of head; the hair is intricately carved in a grid pattern with a braided, rope-like pattern at back; neck attaches to round, flat base of cup and is adorned with a carved necklace (?); curved handle runs from base of head to base of neck; the entire piece is the dark-brown hue of the wood from which it is carved — Cup, 20th century
Kuba

Not on View

round, wooden carved plate, with raised edges, like a shallow bowl; carvings of swirling and looping shapes, with smaller intricate carved designs on face of bowl; carved hexagon shapes on outside of bowl — Round plate (otcike), late 19th-early 20th century
Unknown Ainu

Not on View

wood drum beater — Drum beater [from a shaman costume set], late 19th-early 20th century
Unknown

Not on View

wooden oval plate with carvings around outer edges; looping design in center, resembling a figure 8, with intricate carvings on sides and center — Oval plate (otcike), late 19th-early 20th century
Unknown Ainu

Not on View

L-shaped textured element with a large head with open mouth at top; figures twined around textured element, encircling it; one seated and two stainding men wearing skirts at bottom, holding onto each other's arms; two men wearing skirts at top--one positioned under horizontal element; dark finish with lighter golden brown base and at end of horizontal element — Tree of Life, c. 1970
Jacobo Elias

Not on View

Large wooden ladle with short handle and loop at the end; handle has two pointed protrusions near bowl; bowl has flat bottom — Ladle, early 20th century
Grandmother Old Bear

Not on View

carved wooden stick, slightly curved toward PR; three segmented sections, separated by a series of carved horizontal lines; raised bump in top section; minor amount of carvings on backside — Ceremonial stick (ikupasuy), late 19th-early 20th century
Unknown Ainu

Not on View

elongated vessel that tapers at the bottom; four triangular wedges protrude above shoulder of vessel with one area with a pattern of ribbed squares above and two below; black mount — Milk pail, 1900-1950
Zulu

Not on View

large, spatula-like bowl; bird's head at end of handle — Ladle, Date Unknown
Anishinaabe (Ojibwe)

Not on View

round, flat "spoon" with bear head at top of handle — Ladle, c. 1860
Meskwaki (Sac and Fox)

Not on View

four-sided handle with large ball at end; delineated handle; lines carved on top and bottom of handle; bird, snakes, plant forms and dancing human carved on sides of handle — Club, c. 1750-1800
probably Anishinaabe (Ojibwe)

Not on View

round bowl with tall, inward-curving sides; handle has two triangular cutouts; incised arch and line design in dots on bottom of bowl, dots around edge of handle and top cut out on top of handle — Ladle, 18th-early 19th century
Haudenosaunee (Iroquois)

Not on View

four-legged animal with large hole through body — Quadruped, before 1500
Inuit

Not on View

four-legged animal with short, stumpy tail; short ears; incised eyes — Quadruped, before 1500
Inuit

Not on View

rounded at one end, flat at opposite end; flat end carved with star shape; zigzag rows, rows of hatched diamonds and other incised geometric designs — Drumstick, late 19th-early 20th century
United States

Not on View

round, with rounded ends; slightly larger end with incised crosshatching; rows of incised rings taper near center; band of crosshatching below rings — Drumstick, late 19th-early 20th century
United States

Not on View

Small totem with knob at top and long point at bottom, carved between with figures. From top down they are a man holding a frog by its hind legs, an eagle with down curved beak and wings and tail carved on back of pole, bear with large mouth full of teeth and round nose turning suddenly into forehead, flicker with long pointed beak and wings and tail carved on back of pole, frog with head down. late 19th century. — Small Totem (Speaker's Stick), late 19th century
Tlingit

Not on View

fork with four broad prongs and carved handle. It represents on top a head of a hawk with its beak turned down over a human mouth and ears on top to indicate it is an animal, and below another bird with very small beak resembling an owl. On the back are carved the tails of the birds, and below the lower head are its feet. — Fork, 19th century
Tlingit

Not on View

Fork of blackened wood with long handle with carved figure of sea-monster with killer-whale head and bear body and very large ears. The killer-whale is known by his very long snout. The eyes are inlaid with bone? and the pupils painted black. The crevice of the mouth is painted red. — Fork, late 19th century
Tlingit

Not on View

Large wooden ladle carved in shape of horn spoon with sea-monster on handle. he has the killer-whale's head with long face and teeth and the bears' body. The eyes are set with mother-of-pearl. He is represented as sitting carefully balanced on small projection from the bowl of the spoon. — Ladle, late 19th century
Tlingit

Not on View

Spoon, similar to 28.102 except for upper head on handle carving. The wide toothless mouth may indicate the frog, or the turned down corners and high rounded forehead may indicate the shark, probably not the latter. Perhaps no special animal is meant. — Spoon, 19th century
Tlingit

Not on View

Spoon evidently copied from white mans spoons, with carved handle in shape of man squatting with knees up and hands on knees; above his head a head of an animal with many sharp teeth, large eyes forward turned ears and nose in straight line with forehead. Rounded nose may possibly indicate a killer-whale — Spoon, 19th century
Tlingit

Not on View

human head handle, 20th century — Ladle with Human Head Handle, 20th century
John Young Bear

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bear head handle — Ladle, 20th century
Luke Kapayou

Not on View

curved top rail; eight vertical spindles between two wide support bars on backrest; seat joined to supports which run from top piece to floor; horizontal feet pass through vertical pieces — Conoid chair, c. 1960
George Nakashima

Not on View

curved top rail; eight vertical spindles between two wide support bars on backrest; seat joined to supports which run from top piece to floor; horizontal feet pass through vertical pieces — Conoid chair, c. 1960
George Nakashima

Not on View

Ancestor Figure (female), 1 of pair, wood, New Guinea (Lower Ramo), XIXc NOTE SAYS ALL OBJECTS ON SHELF 1 ARE FAKES cat. card dims H 21' — Figure, 19th century
Papua New Guinea

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Ancestor Figure (male), 1 of pair, wood, New Guinea (Lower Ramo), XIXc NOTE SAYS ALL OBJECTS ON SHELF 1 ARE FAKES cat. card dims H 27-1/4' — Figure, 19th century
Papua New Guinea

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Woodblock, carved wood, used for printing paper amulets depicting the Bishamonten, God of Good Luck — Woodblock of Bishamonten, c. 1780
Unknown Japanese

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thick rectangular wooden tray; low relief carving of symmetrical scroll motif at center with diagonal lines and grid with fish scale-like pattern in background; diagonal lines at edges — Rectangular tray, around 1900
Unknown Ainu

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thick nearly square wooden tray; round central cavity; low relief carving with floral medallion at center surrounded by organic motif with onion-like forms and ovals; triangles at corners with parallel lines — Square tray, around 1900
Unknown Ainu

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face mask; medium wood tone; oval open mouth; almond-shaped open eyes; conical nose; pairs of lines from nose up over forehead and etending from corners of eyes to temples, with lines around eyes; C-shaped ears; triangles, parallel lines and conch shell-like motifs on hair; black metal mount included — Mask, 1940s
Tabwa

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Paddle-shaped object; small protrusion on widest end; decorated with incised horizontal hatched rows of zigzags and two diamonds — Spear Thrower (woomera), 19th-20th century
Aborigine

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