showing 1 results matching medium:"Sugar-lift aquatint, spit-bite aquatint, drypoint (scribes, sandpaper), scraping, burnishing, woodcut in dark blue on gampi paper, screenprint in light blue, and color digital pigment print on gampi paper with cutouts"

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Woodcut: Hand-printed in dark blue with a barren on a sheet of white gampi from laser-cut luan plywood created from the artist's drawing and mounted to the Revere Silk sheet with wheat starch. Intaglio: Two steel-faced copper plates drawn by the artist using sugar-lift, spit-bite, scraping, burnishing, and extensive drypoint using sandpaper, twisted scribes, and scrapers printed in black ink. Screenprinting: Solid light blue shapes created using Rubylith material per colored paper shapes cut by the artist printed after the prints were dried and flattened. Digital: Digital pigment printing on white gampi from the artist's drawing on tracing paper adhered to BEV A conservation film and cut by a programed knife cutter and applied to the print with heat. Of Summer is the second print by Jim Hodges co-published by the Walker Art Center and Highpoint Editions intended to be part of a four print series concerning the four seasons. To match the presentation of the first print, Winter Speaks, each Of Summer print was mounted using kozo-shi strips to museum board with an 8-ply museum board window over mat.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center

ɹǝɯɯnS ɟo, 2016

Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

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showing 1 results matching medium:"Sugar-lift aquatint, spit-bite aquatint, drypoint (scribes, sandpaper), scraping, burnishing, woodcut in dark blue on gampi paper, screenprint in light blue, and color digital pigment print on gampi paper with cutouts"

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