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Actor's robe, upper section made of pieces of old floral brocades in red and yellow, applied on a yellow satin ground. Skirt of accordion pleated pink silk entirely concealed by over-skirt of strips of blue and gold brocade. Sleeves and skirt border made up of slanting strips of colored silk bordered by bands of the brocades. Embroidered medallions of blue satin. Two embroidered tabs back and front. Square neck. Lining of pink silk and cotton.

Robe, c. 1900

China

Not on View
blue lining and sleeves; green silk front panels; predominately red and blue embroidered band around neck, on sleeves and on back; central square embroidered panel on back

Jacket, Date Unknown

Miao

Not on View
red with pink waistband; embroidered with small flowers on side panels and large floral sprays at center front and center back; lace trim

Skirt, Date Unknown

Miao

Not on View
tube skirt type; black waistband; blue body with pink and white stripes

Longiji, 20th century

Shan

Not on View
multicolored woven bag with attached multicolored small fabric balls; multicolored various length tassel fringe with balls on end; long braided fabric shoulder strap

Bag, 20th century

Lisu

Not on View
long; tube skirt style; fuscha ground with rows of brightly-colored wavelike, swirling designs; black waistband

Sarong (Luntaya), 20th century

Myanmar (Burma)

Not on View
seven bands of geometric designs at either end; central panel floral motif on black ground with wide geometric panel along one selvedge edge; colors--red with gold, black and green

Head covering, late 20th century

Cambodia

Not on View
woven overall crysanthemum pattern on tan field in pink, red, green, purple, aqua; 9 1/2" addition on bottom; black cotton waistband

Skirt, 20th century

Shan

Not on View
horizontal rows of soft wavy designs in rust, beige, on orange field; black waistband

Skirt, mid 20th century

Myanmar (Burma)

Not on View
thick silk, Luntaya style with black waist band; wedding color (bright yellow) with multicolored horizontal woven patterns

Skirt, mid 20th century

Myanmar (Burma)

Not on View
Luntaya style; plain black with supplemental weft patterning in horizontal rows; at top, 2 1/2" band of black cotton

Funeral skirt (Sarong), first half 20th century

Shan

Not on View
wavy and zigzag horizontal designs in repetitive rows of purple on peach silk; wide black cotton waisband; center back strip with vertical lines only

Skirt (Longyi), mid 20th century

Myanmar (Burma)

Not on View
small pattern fruit and leaves of pink on blue; shiny; wide black waistband

Skirt, 20th century

Shan

Not on View
lined coat; striped in gold and purple; neck and sleeve edges are bound in braid; tie opening at waist; fine detailing; short vents at bottom edge; deep side pockets

Woman's Coat (Imbaz), 20th century

Syria

Not on View
black waistband; blue body with pink, green, purple and white stripes; tube skirt style

Longiji, 20th century

Shan

Not on View
brown silk damask with 7-1/2" longer front; open front with rows of blue, pink, green and white floral embroidery and applique on neck and front yoke, sleeves; side openings from under armhole have similar rows of embroidery with striped appliques which continue along hem in front and part way in back; woven ties with tassels and longer plain ties; black lining

Jacket, Date Unknown

Miao

Not on View
boot with white lining; black silk boot with applied (glued?) green embroidered 2 1/4"band; black braid applied on ankle; pear shaped elongated stiff stitched sole doesn't cover very pointed toe area; PR toe has applied green decoration; other toe areas show evidence of missing decoration; boot a: paper label on inside PR with mark E25; tied together

Pair of Shoes for Bound Feet, Date Unknown

Miao

Not on View
woven; lined in blue cotton; rows of horizontal stripes with diamond pattern; fluffy 9-1/2 inch fringe; colors: red, pink, blue, green and white

Belt, Date Unknown

Miao

Not on View
woven; center strip 2" wide has pronounced fiamond pattern; borders are 3/4" chain pattern; fluffy 10" fringe; red, pink, blue, green, white and orange

Belt, Date Unknown

Miao

Not on View
woven; center strip 1 1/4" wide has pronounced zigzag pattern; 5/8" wide borders have chain pattern; fluffy 7" fringe; red, pink, blue, green, white and orange

Belt, Date Unknown

Miao

Not on View
pieced woven geometric pattern in reds, blues, orange and white with multicolor fringe at ends; blue lining

Waist Band, Date Unknown

Miao

Not on View
top half of black velvet; bottom of blue damask; red silk border; large floral machine embroidery with varigated thread in pink, green, yellow; unlined but bottom half and back of border are stiffened; narrow black band around each section including ties

Apron, Date Unknown

Miao

Not on View
silk wrap skirt with wide cotton band at top and two ties; two partial lined panels of blue/green damask silk; large floral and bird patterns on lower half in shades of beige, rose, magenta, gold, green and blue; vertical embroidery on seams and edges; two parts of panels have finely tucked handstitched pleats the length of skirt

Streamer Skirt, Date Unknown

Miao

Not on View
rectangular and square red silk patches embroidered with phoenix and insects surrounded by applique layers; phoenix design repeated on ties; pink fringe on ties and bottom with small ruffle; blue print lining

Apron, Date Unknown

Miao

Not on View
overshot (false Luntaya); pink and yellow plaid center panel with repeating horizontal patterns on balance of skirt; red predominates; mounted on black waistband

Skirt, mid 20th century

Shan

Not on View
large, shiny, wine colored, trimmed with green and black braid; waist tucks underarm; blue small print lining; silk ikat facings neck, front and hem

Coat, late 19th century

Uzbekistan

Not on View
wavy horizontal designs in repetitive rows of purple, pink, Chinese red and green; 1/2" remnant of black cotton waistband; thick silk; 6 darts at waistband; center back strip has pink and cream vertical stripes

Luntaya style skirt, mid 20th century

Myanmar (Burma)

Not on View
Velvet with 100% silk face. Rich, dark cinnamon in color, silk pile Mahagony

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Peking, 1971-1993

Larsen Design Studio, New York; Mill: Richard Fuchs; Producer: Jack Lenor Larsen, Inc.

Not on View
Velvet with 100% silk face. Orange Persimmon

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Peking, 1971-1993

Larsen Design Studio, New York; Mill: Richard Fuchs; Producer: Jack Lenor Larsen, Inc.

Not on View
lightly quilted turquoise and orange silk with floral embroidery around sole line; pointed toe; top edged in black

Pair of Shoes, Date Unknown

Miao

Not on View
red, blue satin stitch embroidery in narrow-band patterns of diamonds, scrolls, triangles with some green and yellow; 3" multicolored fringe at each end; lined in bright blue cotton

Waist Belt, Date Unknown

Miao

Not on View
brown silk damask with 6" longer front; open front with rows of blue, green, pink and white floral embroidery and applique on neck, front opening, yoke and sleeves; side opening on left has armhole with similar rows of embroidery with striped appliques which continue along hem in front and part way in back; blue lining

Jacket, Date Unknown

Miao

Not on View
seven horizontal bands; # 2, 4, and 6 are white silk; #5 and 7 brown silk; #3 is zigzag embroidery with orange, green and blue; each band outlined in appliqued bands of narrow stripes; top waist band and lining are blue cotton

Skirt, Date Unknown

Miao

Not on View
Kera, man or woman's belt piece; cotton/ silk brocade on cotton background; L.66in., W.2-1/8 in. multicolored discontinuous supplementary weft on dark red ground; fringe.

Kera, 20th century

Bhutan

Not on View
four woven panels, hand sewn joining; 7" neck opening; 5 " side opening; upper half supplementary weft in vertical zigzag pattern deep purple, magenta and off-white; lower half in narrow red and white vertical stripes

Woman's blouse (Huipil), 1940-1950

K'iche' Maya

Not on View
black waistband; brown silk body with tight pleats; predominately red and fuscha bands at hem of striped fabrics and geometric embroidery

Skirt, Date Unknown

Miao

Not on View
Kira, Oshem; silk/cotton brocade on blue or black cotton background; L.95 in., W.58 in. 3 panels, multicolored discontinuous weft pattern in wool on black cotton background with red, blue, yellow, green stripes at sides; fringe.

Kira, 20th century

Bhutan

Not on View
Lama priest robe of painted, pearl-grey gauze. All-over wave diaper in gold and blue. Conventional sacred pagoda motif in center back; small landscape medallions, clouds, bats,four clawed daagons, cranes, trigrams and various characters in shades of blue, red, pink, green, yellow and violet. Constellation discs of applied, gold foil. Bottom border of dragons, clouds, Eternal Sea, etc. Collar and front band with Buddhist symbols, clouds, white tiger. Cuffs painted with phoenix and dragon, and lengthened with bands of lime green brocaded silk. Lining of coarse blue cotton.

Daoist priest's robe, 19th century

China

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Kho, man's dress piece; silk, cotton; vertical multicolored warp-face stripes alternating with supplementary warp-patterned bands; lined with cotton plaid

Kho, 20th century

Unknown Bhutanese

Not on View
Kira, Kushotara; silk/cotton brocade on white cotton background; L.91 in., W.49-1/2 in. 3 panels, multicolored discontinuous supplementary weft design on natural ground; overall pattern at either end; red, blue, yellow, green stripes at selvedge edges; fringe.

Kira, 20th century

Bhutan

Not on View
Chaksay Pankhep (lap cover), royal/religious lap cover; silk/cotton brocade on cotton background; red and blue supplementary warp and discontinuouos supplementary weft patterns on neutral ground

Chagsi pangkheb, 20th century

Bhutan

Not on View
black and white checked waist band with nineteen cloth bands hanging from it; each band is divided into four distinct plant or animal designs embroidered; field colors include light and dark blue, green, red and yellow; three groups of fringe are attached to each band; blue backing on bands

Miao Woman's Skirt, 20th century

China

Not on View
Red ground; 2 concentric brown and white diamonds at center; bordered on sides with diamonds surrounded by green, yellow and blue bands; flower-like design and zigzag in white at top and bottom; mounted

Velvet panel, c. 1800-1900

Iran

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red and blue main body colors with black silk ties; double bands along sides broken at top one-third and shifted out; central and top design of geometric patterns spotted with green 'V' and 'W' and white 'X' and 'J'

Baby carrier, 20th century

Miao

Not on View
Kira, Oshem; silk/cotton brocadee on blue or black background; L.93-1/2 in., W.55-1/4 in. 3 panels, predominantly red, blue and green stripes with discontinuous supplementary weft overall pattern.

Kira, 20th century

Bhutan

Not on View
Kira, Kushotara; silk/cotton brocade on white background; L.104 in., W.52 in. 3 panels; multicolored supplementary weft design on natural ground; red, blue, yellow, green stripes at selvedge; fringe.

Kira, 20th century

Bhutan

Not on View

Pair of Boundfoot Shoes, c. 1890

China

Not on View
Silk rug, the central panel containing a shaped floral medallion on a solid gold ground. In the medallion a five-clawed dragon in blue and red; in each corner of the panel, a five-clawed dragon in blue and red. Three borders the inner one with spaced red disks on a blue ground; The central one with a diapered floral ground and small shaped panels containing the Buddhist symbols. The outer one plain blue. Prevailing tones blue and dull yellow. Sides overcast, ends finished with silk fringe. Cotton warp, sehna knot.

Carpet, Qianlong period, 1736-1795

China

Not on View
Long in length with slong sleeves; pink silk with black silk and ribbon trim; large embroidered designs on front, back and sleeves of a bird on a flowering tree branch and moths; lined in blue

Blouse, late 19th century

China

Not on View
Blue silk uppers with embroidered flowers in pink, white and blue; black silk soles; cotton lining

Pair of shoes, late 19th century

China

Not on View
Panel, woven of velvet on cotton. On a yellow ground, a central medallion in rose, green and blue is surrounded by four vases of flowers in same colors. Floral border in same colors. Silk and cotton. N.B. These panels were sometimes used as prayer rugs.

Panel, 19th century

Turkey

Not on View
Skirt, pale blue self-toned brocade in two sections, each divided into three panels, one plain, one pleated and smocked with blue flower sprays at bottom, and one heavily embroidered with floral sprays and butterflies. This panel partly enclosed by narrow white satin band embroidered in blue flowers and piped with silver tissue, also by wide band of black satin (in three widths) embroidered in white and three shades of blue. Three pipings of silver braid. All embroidery in twisted silk, long and short satin stitch. Broad cotton waistband in two sections, cotton loops and buttons, Lined with old blue silk except for pleated panels which are unlined.

Woman's Skirt, 19th century

China

Not on View
Skirt, brick red silk in two sections, each divided into panels the lower parts of which are woven in gold, yellow, green, blue and white with dragons, clouds, birds etc., panels outlined with narrow bands of black satin. Lining of white damask, broad cotton waistband. Three large stains.

Woman's skirt, 19th century

China

Not on View
Chaksay Pankhep, royal/relgious lap cover; silk/ cotton brocade on cotton background; red with multicolored stripes at center; discontinuous supplementary weft pattern; supplementary warp along borders; fringe.

Chagsi pangkheb, 20th century

Bhutan

Not on View
Tunic, silk design on cotton ground; 2 panels sewn together; neck and armsholes; fringe; discontinuous supplementary weft pattern in red and blue on naturl ground with thin red and blue stripes

Tunic, 20th century

Bhutan

Not on View
kira, Kushotara; silk/cotton brocade on white cotton background; L.102, W.58 in. 3 panels; discontinuous supplementary weft design in pinks, purples, yellows, greens on natural ground with red, blue, green, yellow stripes at borders, fringe.

Kira, 20th century

Bhutan

Not on View
Chaksay Pankhep, royal/religious lap cover; silk/cotton brocade on cotton background; red and blue discontinuous supplementary warp and discontinuous supplementary weft pattern on neutral ground; in 3 sections; one end hemmed, one unfinished.

Chagsi pangkheb, 20th century

Bhutan

Not on View
Kira, Kushotara; silk/cotton brocade on white cotrton background, L.92 in., W.50 in. 3 panels; discontinuous supplemmental weft design in pink, purple, black, salmon on neutral ground with stripes of red, blue, green, yellow at borders; fringe.

Kira, 20th century

Bhutan

Not on View
3 strips (2 narrow flanking a wide strip) sewn together; tan ground with geometric (primarily zigzag and diamond) supplementary weft patterning in red and blue; tan, red and blue twisted fringe on each short side. Woven fabric

Ceremonial textile (Chagsi Pangkheb), early 20th century

Bhutan

Not on View
Red ground; alternating stripes of green and red at center with white diamonds; abstract floral borders on long sides surrounded by green and blue bands; flower-like designs and top and bottom; mounted

Velvet panel, 19th century

Iran

Not on View
Skirt, gold color silk with all-over pattern in 2 sections, each divided into panels, the lower parts of which are embroidered with floral design in 2 shades of blue. The two main panels are solidly embroidered with flowers and butterflies, mainly in the same blues but with yellow, tan, white, green, brown and purple added. Two main panels and bottom of skirt bordered with floral designs solidly embroidered in blues on black satin. Main panels lined with light blue silk. Rest of skirt unlined. Broad white cotton waistband.

Woman's skirt, 19th century

China

Not on View
Panel, woven of velvet on cotton. Red ground, covered with alternating rows of small flowers and leaf-shaped motifs. Border composed of simulated Herati design in brown and black on white ground, alternating with double rosettes in same colors. Silk and cotton. N.B. These panel were sometimes used as prayer rugs.

Panel, 19th century

Turkey

Not on View
Shaped altar frontal of pale brick red and gold k'ossu. Design of lower section carries five five-clawed dragons in gold with precious symbols, loose clouds, bats and the eternal sea in shades of blue and pale yellow. In the upper, valance section of gold k'ossu, set off from lower section by a band of dark blue k'ossu with running lotus design in shades of lighter blue, appear large peonies and phoenix in shades of pink, yellow, green, blue, and pale rust color. Painted details in valance section. The lower section is bordered with a band of black k'ossu with the running lotus design in gold. Lining and hanging band of blue cotton. Inscription on back.

Altar Frontal, Kangxi period, 1662-1722

China

Not on View
Kira, Oshem; silk/cotton brocade on blue or black cotton background; L.90 in., W.54-1/2 in. 3 panels, multicolored stripes with discontinuous supplemantary weft patterns, predominantly triangles; fringed.

Kira, 20th century

Bhutan

Not on View
kira, Kushotara; silk/cotton brocade on white cotton background; L.99 in., W.55 in. 3 Panels; red, blue, yellow, white, green supplementary weft patterns in cotton/silk on striped cotton background of red, blue, green, neutral; fringe.

Kira, 20th century

Bhutan

Not on View
Kira, Mensi Mattha; silk/cotton striped brocade on silk/cotton background; L.106 in., W.53-1/2 in. 3 panels, multicolored stripes with yellow supplementary warp pattern; fringed.

Kira, 20th century

Bhutan

Not on View
Kira, Mensi Mattha; silk/cotton striped brocade on silk/cotton background; L.88 in., W.48 in. 3 panels, red and black stripes with yellow supplementary warp patterns.

Kira, 20th century

Bhutan

Not on View
black collar; batik shoulder panels, central back and band around collar with elements of patterning done over in embroidery

Woman's Coat, 20th century

Miao

Not on View
double side opening; blue ground with two bands at cuffs; thin decorative band around neck to opening tie at proper right side and embroidered edges verso bottom

Woman's Coat, 20th century

Miao

Not on View
bronze (indigo); open front decorated with brown silk damask, red, white and blue embroidery and woven tape; back is an elaborate pattern of same in vertical and horizontal strips on solid brown damask; yoke and sleeves have same color woven tape; dark brown cuffs; blue lining

Jacket, Date Unknown

Miao

Not on View
blue lining; back in diamond patterned silk-like weave; front heavily embroidered in horizontal and vertical patterns of scrolled geometric embroidery; shades of red, blue, orange on black background; Neck edge and front edge bound in white with three knot and loop closures

Child's Vest, Date Unknown

Miao

Not on View
Red background, stripes, both vertical and horizontal; green, yellow, purple, blue with motifs.

Woman's Ceremonial Shawl, Date Unknown

Haka Chin

Not on View
blue and red; blue border with white square design and butterflies surround red rectangle embroidered with bird, flowers, leaves and interior braid; one outside pocket; interior solid red with one inside pocket; machine and hand stitched; single fold; shiny red interior

Purse, Date Unknown

Miao

Not on View
black damask, bell shaped; 7-1/2" embroidered and appliqued small bell at top with dragons, flowers and phoenix; narrow ribbons outlining top and sides and 5 scalloped appliques across bottom; lined in blue; button loop at top; loops on each side; black, blue, green, pink and purple

Under Apron, Date Unknown

Miao

Not on View
black cloth with a red band and a white band at bottom; black area is comprised of small squares nearly transparent; red and white bands are solid; thin red band at top; stitching is visible at sides and top of white area

Skirt, 20th century

Thailand

Not on View
cream cloth soles; black and blue uppers with multicolored floral embroidery, green and black brocade and orange and yellow brocade

Pair of Child's Boots, Date Unknown

China

Not on View
golden yellow supplementary weft patterning on white ground; white tassels on warp ends

Cloth, 1997 (?)

Not on View
purple silk; blue lining; blue striped waistband; black cuffs embroidered with insects and flowers

Pair of Pants, from a two-piece set, Date Unknown

Miao

Not on View
Pulchari (woman's veil); dull red embroidered with all-over star design and semi-circular floral designs at sides.

Woman's wedding veil (odhani), 19th century

Bhansali or Lohana communities

Not on View
blue silk body; blue cotton lining; blue and black sleeves; one knot button with 8 decorative metal buttons; predominately red geometric applique panels on sleeves

Coat, Date Unknown

Miao

Not on View
red silk drum-shaped hat with cone-shaped pleated top, open at center; bands of multicolored geometric embroidery at front; grey tassel at top

Woman's Hat, Date Unknown

Miao

Not on View
blue-green felt panels attached to light blue cotton body; eleven strips hanging from hem with bead and feather trim; embroidered overall with multicolored birds, fantastic snakes and organic designs

"Hundred Bird" Festive Dress, Date Unknown

Miao

Not on View
long open jacket with long sleeves; openings have alternating scallops--front, hem, side slits to waist and sleeves with slits on inside to elbow; predominately yellow fabric with purple, blue, red and green stripes and daisy pattern; metallic gold trim; off-white lining; lower sleeves lines in brown and red floral printed fabric

Robe, 19th century

Ottoman

Not on View
brown with maroon floral shapes and circles; embroidered overall with circles with mirrors and cross shapes in white, green, and orange; orange waistband

Woman's skirt, early 20th century

Lohana

Not on View
blue backing on body; brown backing on straps; bronze-green shiny silk straps; primarily blue and red silk embroidery of small geometric band and larger T-shaped panel with geometricized flower-like design

Baby carrier, c. 1970s-1980s

China

Not on View
red head cloth for a shaman; red ground with bands of geometric designs at ends; nine bands at one end, seven at the other; colors include gold, orange, teal. purple, yellow and tan; designs the same, position of color on band vary

Head covering, 1945-1975

Tai Phuan

Not on View
Braided-net fringes, ikat band. Bag back: pieced, printed stripes and woven lining Overall cross stitch embroidery in silk and synthetic threads on a printed cotton ground. Crocheted fringe of cotton in two shades of red, with cotton tassels. there is an unembellished red cotton band at the top, which is covered by the fringe. The top opening of the bag is bound in silk/cotton ikat. The back of the bag is composed of two layers of printed cotton fabric. One intact hanging cord is present at the PR. a square 12.25" at center with white motif on red background with green, yellow, black, blue elements. Outer border: on black background multi-colored motifs.

Ilgich, late 19th century

Lakai

Not on View
black satin; applique in pink and biege silk with multicolored cross sittch; stripes of diamond shaped decorative elements are at front and low edges, at shoulder and back; yellow silk border at cuffs; printed cotton lining

Jacket, 20th century

Hmong

Not on View
Printed cloth bands Printed lining Printed cloth bands Printed lining Printed cloth bands Printed lining Printed lining. Printed cloth bands. Overall silk cross stitch embroidery on a cotton ground. There is a printed cotton edge binding, except for a three inch section at one corner, which is silk. The embroidery is backed with a printed cotton fabric. One cross design at center near top is not filled with cross stitch. Center vertical stitching.

Tent hanging, 19th century

Dasht-i-Kipchak (probably Lakai)

Not on View
Warp-twined (LM) edge, Printed lining. Overall cross stitch in silk thread on a cotton ground. Applied woven bands form an edging on the four sides. Remnants of a tassel are seen at the center of one short side. The backing is red printed cotton fabric. Red, blue and white dominate.

Kamarband, Third quarter of the 19th century

Uzbekistan

Not on View
Warp-twined (LM) edge, Pieced fringe with warp-twined and plain-weave heading. Pieced, printed lining Overall silk cross stitch embroidery on a cotton ground. There is an integral cross stitched edging, a silk and cotton multi-colored fringe, and a red printed cotton backing.

Segusha, early 20th century

Dasht-i-Kipchak

Not on View
Fringe with warp-twined heading, warp-twined (tablet) band. Bag back: printed, with a printed lining. Overall cross stitch silk embroidery on unknown ground fabric, probably cotton. The face panel is backed with printed cotton fabric, and the back of the bag is also printed cotton. There is a cotton fringe on all sides, and cotton hanging tabs at the top. All four edges have two applied braids: one is woven in multi-colors, one is purple with lavender and tan fringe. Blue, red, gold dominate.

Kalta, late 19th century

Uzbekistan

Not on View
Overall silk cross stitch embroidery on cotton ground, with a striped cotton underlayment, through which the embroidery is worked. There is an integral embroidered edging. Presently there is no backing. Adhesive accretions are seen on the reverse.

Decorative band for clothing, late 19th century

Uzbekistan

Not on View
Warp-twined (LM) band fragments, Striped lining.Overall cross stitch embroidery on a cotton ground. An applied silk band forms the edging. There is a striped silk/cotton fabric backing. Black, red, green, yellows dominate. Horizontal join at center.

Kamarband, late 19th century

Uzbekistan

Not on View
Warp-twined band. Pieced ikat lining. Overall silk cross stitch embroidery on a cotton ground. An applied woven band finishes the four edges. There is a backing of pieced silk/cotton ikat. Red background with yellow, green, purple, tan.

Kamarband, late 19th century

Uzbekistan

Not on View
Ikat and printed lining. Chain stitch. Polychrome silk threads on bright blue silk ground. Center rectangle with two wide embroidered borders and narrow embroidered edge. Three panels, 2 adjoining velcro heading bands. Sewn to lining at regular intervals. Red cotton print lining edged with red ikat silk.

Suzani, late 19th century

Uzbekistan

Not on View
Oval shaped piece of bobbin lace, surrounded by petal shapes, made in white cotton lace with added silk embroidery; embellished with rows of small squares in red, blue, yellow, and green embroidery.

Doily?, Date Unknown

Not on View
black lining; lower center panel has woven geometric pattern--deep red with multicolors; vertical borders with applied woven bands and tapes; upper panel center with horizontal applied embroidered bands and tapes and same on vertical edges

Baby Carrier, Date Unknown

Miao

Not on View
silk center triangle and flower made up of floral embroidered pink, green and gold appliques; corner triangles are green silk floral embroidery; border top and bottom are pink and green silk with running Chinese geometric pattern; dark blue lining, cotton

Baby Carrier, Date Unknown

Miao

Not on View
embroidered and stuffed face on hat; red eyes and tongue; silver tusks; hat is magenta brocade with ties under chin and blue streamers in back; lining is teal, orange and purple

Baby's Winter Hat, Date Unknown

Miao

Not on View
purple body with orange and red striped pattern; band around hem has gold needlework geometric pattern on orange ground

Skirt, first half of the 20th century

Lao

Not on View
two panels; horizontal multicolored stitch tapes; upper panel has center geometric embroidered magenta, pink, green, purple, white surrounded by wide machine stitched black band, side bands, horizontal green silk brocade; top horizontal plaid band on black background; bottom: center panel embroidered as above, surrounded by narrow colored stripes, surrounded on three sides by wide green silk brocade; lining: pink and white stripes; open at bottom and across top

Baby Carrier, Date Unknown

Miao

Not on View
three panels of flat stitch geometric embroidery in orange, blue, light green, purple; horizontal embroidered band divides up third from rest of piece

Blanket, Date Unknown

Miao

Not on View
red, green, blue silk applique; swirls and abstract motifs edged in raised white cotton tape; some edging yellow metal outlining; edged in tan tape that extends and crosses at bottom square (5x5"); embroidered floral band on 3 sides; lined in blue cotton that extends beyond embroidered borders

Baby Carrier, Date Unknown

Miao

Not on View
3/4 sleeves; bodice fitted for breasts; ties to close on back; blue background on front; mirrored and embroidered designs; V-neck front

Woman's Wedding/Festival Blouse, c. 1975

India

Not on View
multicolored embroidered silk felt over blue denim base; fish, birds and other organic designs front and back; fringe:12 tails of same fabric with feather and bead tassel on bottom edge

Hundred Bird Jacket, Date Unknown

Miao

Not on View
Braided-net fringe, cloth band, Pieced, printed lining. Overall silk cross-stitch embroidery on a red cotton ground. There is a cotton binding on the edges, and a crocheted cotton fringe with tassels. The backing is red printed cotton fabric. Red, white, black, yellow, green. Four center medallions with center crosses surrounded with hook design. 4 1/2" border of geometric cross-stitch on all four sides. 3 1/2 fringe (braided and wrapped) all four sides. Patched, red print lining. one face edge: strip of red print.

Ilgich, early 20th century

Lakai

Not on View
striped (yellow, green, red and black) silk coat; blue braided cord and thin cord trims; two buttons on front; long vents on sides bound in braid; lining tacks show on back; off-white cotton lining

Coat, mid 19th century

Syria

Not on View
Fringe with plain-weave and warp-twined heading, cloth band. Block-printed lining. Overall silk and cotton cross stitch embroidery on a cotton ground. Applied cotton fringe on the side and bottom edges. There is a red cotton print backing adhered with starch paste and basted at the edges. Design is created by six separate and similar squares joined together. Red and yellow dominate. Grey, yellow, tan, black, red and green, random sections of fringe. Two different fringed braids are present. Red and yellow.

Altered pillow cover, 20th century

Probably Hazara

Not on View
black polyester with assorted patterns of vertical embroidery in gold, red, green and rust; approx. 4" tassels in same colors--on 2 sides, equally spaced--on bottom, in clusters; some off-white tassels may be cotton

Shawl, c. 1950

Ancient Egyptian

Not on View
four cotton panels sewn together entirely embroidered with silk; one floral pattern repeated; dark red, purple, green, blue, black and orange motif in borders; two different embroidery stitches; 2" black binder gadroon all around the piece: machine stitched motifs; lining at back with "faux" Ikat- yellow, red and pale yellow cotton

Suzani, late 19th century

Uzbekistan

Not on View
front top portion of blouse with Y neckline; predominately red and maroon; embroidered overall (except placket) in bands with arrowheads and other geometric designs; brown placket with orange, red and purple embroidery and three mirrors

Yoke from a woman's tunic, early 20th century

Pakistan

Not on View
red fabric with khaki fabric border on three sides; embroidered overall--green predominates; central cross with stars; scorpions, stylized human forms and other geometricized shapes; border with zigzags and radiating mirrors; decorative mirrors throughout main body as well

Covering, c. 1925

Pakistan

Not on View
green silk; short sleeves; pull-over style; top front, collar and top of sleeves embroidered in red, white, light brown, green, mustard yellow and blue with tiny geometric designs, edged in stars and flowers; mirror details; black velvet ribbon on shoulders and sleeves; neckline lined with red and white striped fabric

Woman's tunic (Abho), mid 19th century

India

Not on View
coat of mustard yellow; white lining; quilted overall with zigzags, cross hatching and diamond designs; very small stitches

Sham hirkasi (quilted coat), late 18th-early 19th century

Syria

Not on View
green, light blue, pink, purple ikat fabric; black and blue crocheted trim; lined predominately in pink, green and white leaf printed fabric

Coat, 19th century

Central Asia

Not on View
red and white ikat fabric in paisley-like or leaf designs; black, white and blue crocheted trim; lined predominantly in cream fabric with blue stripes

Coat, 19th century

Central Asia

Not on View
multicolored ikat print on white, with dog bone-like shapes; lined with red, green, white and yellow floral print and gold, rust, blue, tan and white striped fabrics; black, orange, white and blue crocheted trim

Coat, 19th century

Central Asia

Not on View
dark purple, blue and white ikat with touches of red in diamond designs; white crocheted trim; lined with white and brown printed floral motif fabric

Coat, 19th century

Central Asia

Not on View
green, blue, purple and white ikat fabric with touches of pink and yellow; purple trim; lined predominately with pink and white floral print fabric

Coat, 19th century

Tajikistan

Not on View
square panel; brown felt with multicolored (predominately red) embroidery of floral and sunburst motifs with central medallion and four corner medallions; predominately red and white knit scroll trim with multicolored fringe; crocheted trim at top; red and grey printed paisley, star and flower backing

Ilgich, 19th century

Khirgiz (?)

Not on View
red, white, green and purple ikat in stripes with paisley shapes; lined predominantly with red fabric with white and black printed zigzag motifs; blue crocheted trim

Coat, 19th century

Central Asia

Not on View
black velvet body with red felt trim; embroidered with predominately purple and red repeating organic designs; tan striped, and purple and white flower print backing

Tent band, late 19th-early 20th century

Kyrgyzstan

Not on View
red/yellow, black border band; bordering green and black woven geometric pattern with wide red shot every 2-1/4" ; tin hat buttons at end of weaving--both sides and both ends; end borders are pink, green, white geometric machine embroidery; both ends have nine tassels attached by three silver glass beads--red/yellow

Belt, Date Unknown

Miao

Not on View
lined in black with upper woven coarse weave at top; edges bound in black; tightly woven patterned sections divided by plain fabric and woven bands; predominately blue; brown attached flap embroidered in geometric patterns in blues and greens; triangular applique on upper sides

Baby Carrier, Date Unknown

Miao

Not on View
pastel pink and blue; three panels hand sewn together; fully embroidered with diamond and flower pattern; appears to have been lined; horizontal 4-1/2" geometric pattern, 11-1/2" from bottom

Quilt, Date Unknown

Miao

Not on View
Child-like drawings of birds & Flowers etc. Blue, orange, lime, lavendar Blue & Ochre

%C2%A9 Jack Lenor Larsen%2C Inc.%2C June Groff

Spice Garden (Silk & cotton), 1959-1980

June Groff; Mill: Griswold Textile Print, Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
large quilt with multi-colored diamond shaped silk pieces that are stitched together; some colored pieces of silk are patterned; alternating solid black diamond shapes; pink backing fabric on back of quilt

Tumbling Blocks quilt, c. 1881-1916

Irene Nestell Hart

Not on View
panel, silk, lined with cotton, ikat dyed.

Panel, 19th century

Uzbekistan

Not on View
embroidery on nearly half of belt in blue, pinks, oranges, and striped vertically on other half in black and beige; many twisted tassels at each end

Sash (faja), c. 1965

K'iche' Maya

Not on View
soft padded cap with neck cover and "ears"; blue silk ground embroidered in reds with birds, insects, dragons and fanciful animals; red and white printed lining

Child's Hat, Date Unknown

Miao

Not on View
black backing and ties; band of repeating birds and butterflies on flowering branches in tan, khaki, light brown, pale pink, green, purple and red-orange on black

Headband, late 20th century

China

Not on View
Mushru Cloth, Mughal Period, late XVII-early XVIII century. Ikat dyed (indigo over cochineal). 'Mushru' means 'permitted'. Under the laws of the Koran pure silk could not be worn by men, but with cotton or linen wefts, it was permitted as a lining material for a garment at court.

Mushru cloth, late 17th-early 18th century

India

Not on View
dress with long sleeves; multicolored embroidery and mirrors on green silk bodice; green silk skirt with red, yellow and white tie-dyed flowers; multicolored embroidery and mirrors on orange silk at hem

Child's dress, 20th century

India

Not on View
ikat velvet panel in yellow, red, purple and blue; has salvage edges

Panel, 19th century

Uzbekistan

Not on View
Large central dragon-like face with third eye; flames coming out of mouth and on forehead; bordered on 3 sides by band of alternating faces, skulls and links; brocaded fabric border; red backing and 3 red loops on top; multi-colored fringe on bottom

Apron, Date Unknown

Nepal

Not on View
Temple banner of deep red satin embroidered in silk and gold thread with men carrying banners and on horseback. In the lower panel and in the upper panel herons and flowers. Finished with a narrow border of closely embroidered blue flowers and at the bottom with colored silk fringe. Lined with cotton.

Temple Banner, 19th century

China

Not on View
Pouch of deep purple silk embroidered around the edge with a band of different colored stripes and in the center with wave and cloud patterns and with chinese characters. Drawn together at the top with green cotton tapes decorated with green pottery beads.

Pouch, 20th century

China

Not on View
towel of cambric embroidered at each end with two floral sprays and a running border of leaves, flowers and bow knots; mauve, pink, bronze, cream and gold metal threads and tinsel

Towel, 19th century

Armenia

Not on View
panel, Uzbeck, silk and cotton; warp ikat in green, yellow, white, blue and red; printed cotton backing

Panel, 19th century

Uzbekistan

Not on View
Gentleman's Coat, cloth of gold brocaded with velvet; on the gold background a pattern of velvet leaves in green, and flowers in rose, blue, mauve, and white; facing of cotton print; lining of cotton print, red with yellow crescents and stars. Brought from Moscow by Wannamaker's buyer in 1917. silk, cotton, and gold.

Woman's Coat, 19th century

Russia

Not on View
Actors skirt made up of squares of colored satin pink, green, yellow, grey and banded at bottom with strip of pink and gold floral brocade. Skirt has shallow sewed-down pleats around waist, and is attached to a deep, coarse cotton band.

Actor's Skirt, c. 1900

China

Not on View
panel, silk, lined with cotton, ikat dyed.

Panel, 19th century

Uzbekistan

Not on View
Strips of silk ikat warp, red silk weft, sewn together; repeating pattern of yellow circle with purple and blue patches inside of pink circle with 4 S-shaped swirls and purple patches with yellow S-shaped swirls and red and blue patches; backed with floral print in pinks and white; tassels at corners

Panel, 18th century

Uzbekistan

Not on View
Alternating stripes of black and white ikat; white, green, dark pink, light yellow, purple and tan brocade and red, purple and white ikat

Sarong, early 20th century

Laos

Not on View
Hanging of deep yellow satin brocade with large interlocking medallions in ground. Five five-clawed dragons in gold, the central one in a medallion. Details in lacquer red. Wide border of blue and gold Greek key diaper brocade. Lining of tan cotton. At top and bottom two rigid rods have been inserted in order to weight hanging.

Hanging, 19th century

China

Not on View
plain weave; red, white, yellow; four vertical panels sewn together; dark green bias edging on all four sides

Panel, late 19th century

Uzbekistan

Not on View
tabby ground silk damask with embroidered auspicious flower decor, attached cotton waistband and fringe applique

Woman's Festive Wrap Around Skirt, mid 20th century

Miao

Not on View
Picture valance of embroidered crimson satin representing dignitarys paying hommage to Su Chin, Prime Minister of the Six States of Warring States period, circa 270BC. Chiefly satin and couched stitch. In the background pine and bamboo trees, flowers, etc. At bottom and ends a border of pale blue silk braid; along the bottom tasselled fringe. Lining of coarse pink cotton.

Valance, 19th century

China

Not on View
long fringe; orange, red and purple bands; brocade

Panel, 20th century

Laos

Not on View
panel, silk, lined with cotton, ikat dyed.

Panel, 19th century

Uzbekistan

Not on View
panel, Uzbek, silk, lined with cotton, ikat dyed.

Panel, 19th century

Uzbekistan

Not on View
Temple banner of black satin embroidered with butterflies and sprays of flowers in colored silks. Finished with two borders. The narrow inner strip of embroidered satin and the outer strip of brocade. Lined with cotton.

Temple Banner, 19th century

China

Not on View
Ikat, warp-faced woven textile, Central Asian

Panel, late 19th century

Uzbekistan

Not on View
satin ground with auspicious birds and flowers in silk embroidery, attached cotton band (fringe applique)

Valance for a Wedding Bed, 20th century

Miao

Not on View
satin ground with auspicious flowers in silk embroidery, attached cotton band

Valance for a Wedding Bed, late 20th century

Miao

Not on View
pouch with top central scalloped edge flap; phoenix on flap; two facing dragons below flap on bag

Money Bag, 20th century

Miao

Not on View
towel fragment of cotton emboridered at each end with three roses, two of which are surrounded by leaves, seperated one from the other by bow knots, and a running floral and leaf design; shades of rose, green and black predominate; silk on cotton

Towel fragment, 19th century

Armenia

Not on View
Brocade: blue satin with a silver pattern of pomegranates and grapes

Panel, 19th century

Russia

Not on View
Ikat; long; gathers under arms, flaring out to a full skirt; red, brown, blue, white swirled designs

Coat, late 19th century

Uzbekistan

Not on View
embroidery, brown field, geometric square and triangular patterns of fuchsia, yellow, orange and white

Woman's Shawl (pulkari), 20th century

India

Not on View
black and white geometric design banding at extreme ends followed by three bands of silk and sequin embroidery and again bands of black and white geometric patterns; central two-thirds unadorned

Chief's Belt, 20th century

Miao

Not on View
Kira, Mensi Mattha; silk/cotton striped brocade on silk/cotton background; L.91 in., W.52-1/2 in. 3 panels, predominantly gold and maroon stripes with supplementary warp pattern and wool supplementary weft medallions; striped edge borders; fringed.

Kira, 20th century

Bhutan

Not on View
Sleeve Panel, silk, cotton, metal, embroidery

Sleeve Panel, 20th century

Miao

Not on View
ikat in green and burgundy with red and white; red print cotton lining; green band at cuffs and edges

Coat, 1890-1900

Tajikistan

Not on View

Waistcoat, c. 1770-1785

France

Not on View
panel, silk, lined with cotton, ikat dyed.

Panel, 19th century

Uzbekistan

Not on View
Sleeve Panel, silk, cotton, metal, embroidery

Sleeve Panel, 20th century

Miao

Not on View
pink, white, yellow, blue, purple, green ikat; warp twined trim around cuffs, front and bottom--purple and white; lined in various printed fabrics

Woman's robe (munisak), c. 1850-1875

Uzbekistan

Not on View
long silk ikat panel; red/black/navy/gold/tan; top 31" are a second piece sewn on

Panel, late 19th century

Uzbekistan

Not on View
red and black; bands of red, white, black silk-like fabric sewn together with machine stitching; black cut-work; floral embroidery with yellow metal outlining, 3 red and purple satin-stitched petals one set on white and the other set on blue; wide black twill band at each end of sash; main section lined in pink checked fabric; machine stitched

Headband (or Sash?), Date Unknown

Miao

Not on View
black hat with brown and red organic and geometric embroidery on crown; eight silver figures and eight half-spheres attached to front; medallion at each temple with two pendants on chains (fish and bell)

Hat, Date Unknown

China

Not on View
"Mochi work"; red center square, bordered with black, bound in red; embroidery in overall floral pattern with blue, yellow, red, white, green; surrounded by floral border

Chakla, late 19th century

India

Not on View
purple, metallic gold, peach and pink woven fabric with diamonds, stars and flowers inside paisleys; green, white and black trim; lined with red fabric printed with black and red flowers

Child's coat, early 20th century

Uzbekistan

Not on View
abstract ikat; five (four full, 1-1/2 panel) panels seamed together; fuschia, pink, grey, yellow selvedges

Quilted Ikat Panel, Date Unknown

Uzbekistan

Not on View
Suzani embroidery on green, red and white ikat ground; stylized motifs in white, red, blue, purple, orange, black; red polka dot binding

Hanging, mid 19th century

Uzbekistan

Not on View
ikat central panel in red, yellow, blue, purple, green; central panel surrounded by red border, edges bound with narrow strips of purple and green fabric; piece of another ikat fabric in corner

Panel, 1900-1910

Uzbekistan

Not on View
Overall silk cross stitch embroidery on coarse cotton fabric. There is presently no backing, but a glue and paper residue on the reverse suggests a previous mounting for display. At one end are several inches of machine stitching. There is a black and white applied herringbone stitch edging on three sides. One long side has a polychrome cross stitched border. Red, green, yellow.

Decorative band for clothing, late 19th century

Uzbekistan

Not on View
Leather lining. Overall silk cross stitch embroidery on a cotton ground. The band has been turned into a belt, with a leather backing machine stitched to the reverse.

Kamarband, late 19th century

Uzbekistan

Not on View
unusual design; blue lining; two parts; large red square with embroidered appliqued circle and surrounding shapes in pale green, lavender and yellow, surrounded by 1" woven tape and 2" blue border; other part has horizontal embroidered band--point applique--green, black and white; below: central embroidered square in red, green, pink, bordered by applique and tape; side triangles; lower border of commercial floral cotton applique on wide blue tail; suspended between two side panels is two side embroidered triangles with remains of fringe

Baby Carrier, Date Unknown

Miao

Not on View
center diamond has green, gold and black floral embroidered appliques forming a flower with pink, dark blue and green triangles around it; border of embroidered appliques in green, gold and mauve with black piping; black lining; some metallic tape outlines

Baby Carrier, Date Unknown

Miao

Not on View
purple, pink, blue, white and yellow ikat fabric; black velvet trim; lined predominantly with blue, rust, white, green, yellow and black floral printed fabric

Coat, 19th century

Uzbekistan

Not on View
blue, white, pink and yellow ikat fabric; lined predominately with printed fabric with red and blue checks and grey flowers; black trim

Coat, 19th century

Central Asia

Not on View
pointed toes; layered soles; bootie style; fuscha collars with black applique at top and around top of foot; floral embroidery around foot in blue, white, pink and green

Pair of Shoes, Date Unknown

Miao

Not on View
ecru woven fabric with supplementary weft patterning; embroidered borders of flowers and foliage in peach, blue, green, metallic

Ottoman Towel, mid to late 19th century

Syria

Not on View
blocks arranged in Barn Raising pattern; block centers of red wool; strips in variety of solid colors and prints; blue edge binding; back is black and white small floral print on grey ground

Log Cabin (Barn Raising) Quilt, c. 1890

Unknown

Not on View
curved hem; black silk body; cuffs and chest have embroidered bird, flower and insect designs; ribbon trim; gold buttons; blue lining

Jacket, from a two-piece set, Date Unknown

Miao

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
pair of leggings; mostly deep red silk threads in horizontal bands at top and vertical bands at bottom; geometric patterns at top in dark blue, light green, cream, gold and orange; feather patterned rows at bottom; bottom bands intersected with two single rows of gold threads on b only; some small feathered areas in orange, dark blue, light green, aqua and creamy gold (a and b); heavy black thread seams

Pair of woman's leggings, 1925-1950

Pashtun Mangal

Not on View
round hat embroidered with silk (?) and metallic threads; gold threads couched over napped fabric form floral designs; dull gold laid over stiff material (cardboard?) in long stitches forming background; geometric design in black, green, purple, pink, white and yellow fiber along edge; yellow and blue tassel

Hat, c. 1950-1960

Uzbekistan

Not on View
Printed lining. Multicolored fine cross stitch embroidery in silk and cotton on cotton ground. The embroidery completely covers the ground except for the centers of three green motifs at the bottom. There are integral cross stitch borders on the top and sides. Tassels are composed of cotton, silk, and metallic threads (wool, too?). There is a printed cotton backing. The tassel at the PR top corner appears to be a replacement, does not match the others.

Uuk kap ilgich, late 19th-early 20th century

Lakai

Not on View
Printed lining with ikat band on reverse edge. Red dominates, polychrome silk embroidery on white morey silk ground, applied wide purple border also embroidered (silk). Four vertical panels. Cotton print lining edged with wide strips of silk ikat. Velcro heading band attached.

Suzani, late 19th-early 20th century

Uzbekistan

Not on View
Cloth band. Newly lined. Chain stitch. Red, orange, blue silk threads on tan cotton ground. Four panels floral and leaf motifs. Center design with outer borders edged with striped silk binding. Lined with khaki cotton (newer than textile) some thread designs unfinished. Velcro heading band.

Suzani, 19th century

Uzbekistan

Not on View
resist dyed silk square; white, yellow, rust and black; cotton braided 2-1/2" fringe on two sides in green, purple, orange, black and white; center black 31" square with medallion center; scarf is five sections sewn together

Head scarf, second quarter 20th century

Uzbekistan

Not on View
red with red and yellow chain stitch floral embroidery; short, multicolored silk fringe on both long edges with white metal braid; each red lining ends with face-exposed, 2" chevrons; all hand stitched

Belt, Second quarter of the 20th century

Afghanistan

Not on View
appliqued abstract embroidered figure on deep blue damask; red silk ties and border bound in black and embroidered in flora and fauna; appliques bordered with metallic thread; green, pink; black lining

Baby Carrier, Date Unknown

Miao

Not on View
intricately embroidered silk cording with alternate patterns of linear and heavy scroll embroidery; eight large decorative nut shaped buttons on front openings are covered with embroidery; three buttons have coral tips; brown with brown wool (?) felt lining; inside pocket

Vest, late 19th-early 20th century

Bulgaria

Not on View
two handstitched panels of batik with embroidery on selvage edges; dark red field with green and yellow dots overall with center geometric pattern; lower left edge has rows of markings 9" long; either end has applied silk fringe in dark blue, ecru, red, orange and green; 2" horizontal band of circles in same colors; center mirror; continuing inward, 1 1/2" band and 5/8" mirrors enclosed in oval silk embroidery with tear shaped mirror, above horizontal row of floral embroidery in similar colors

Pulkari, Date Unknown

India

Not on View
yellow dominates multicolored embroidery; satin stitch, chain stitch, outlined mirrors--large and small; long sleeves; waist ties; yellow fabric, green lining; diamond shapes dominate embroidery; V-neck; neck ties; also print lining at back edges; body shape

Blouse, c. 1960

Rajput group

Not on View
long robe with long side slits; green fabric woven with orange, metallic gold and brown stripes; multicolored simple floral embroidery between stripes; white lining

Robe, second quarter 19th century

Ottoman

Not on View
top panel with black velvet border on top and sides surrounding embroidered rectangle with multicolored cross stitch and applique border surrounding floral circles in white, yellow, green, purple on red; lower panel has red bottom border, two embroidered rectangles enclose and surrounded by similar floral circles; blue lining

Baby Carrier, Date Unknown

Miao

Not on View
T-shaped red and gold damask borders on three sides; top section has embroidered inset with seven squares of chain stitch flowers, sequins and metal medallions on orange with blue borders; larger section includes some embroidery with 14 medallions on squares and rectangles; back lined in blue and black

Baby Carrier, Date Unknown

Miao

Not on View
conical shaped; white round knob-like finial with filigree metal elements at top and bottom; twisted red tassels at top; cream colored silk with subtitle stripes; dark brocade trim at edges; red lining

Hat, 1644-1911

China

Not on View
handle with black wrappings; tsuba with scrolling floral designs; scabbard of brown lacquer with scrolling openwork metal piece at end with scrolling floral designs; blue, grey, and white wrapping cord with metal fittings with similar scrolling designs; blade received wrapped separately (not unwrapped for exam)

Tachi (sword), c. 1280

Fukuoka Ichimonji Kagenori

Not on View
Purple velvet coat with gold cord buttons and gold trim; gold cord in scrolling designs at center, hem and front and back of sleeves; lined with pink and white

Caftan, early 20th century

Morocco

Not on View
kira (woman's garment), three panel woven piece in striped sections with multicolored embroidery, silk, cotton, and metallic thread

Woman's garment (Kira), 20th century

Bhutan

Not on View
Chaksay Pankhep, royal/religious lap cover; silk/cotton brocade on cotton background; red and blue supplementary warp and discontinuouos supplementary weft patterns on neutral ground; in three sections; fringe

Chagsi pangkheb, 20th century

Bhutan

Not on View
Valance of faded brick-red satin embroidered, in the lower area, with the Eight Imortals in colored silks. In upper section a row of crane medallions in blues, green and rust. Chiefly satin stitch, with couched gold thread details. Lining of ecru cotton.

Valance, 19th century

China

Not on View
blue damask body with rectangle in top center with flat embroidery of flora in green, pink, blue on brown silk; ties form border on three sides in red and brown with padded embroidered flora; black velvet applique with scroll corners outlined in green and pink braid with gold metallic; lined in red chrysanthemum print

Baby Carrier, Date Unknown

Miao

Not on View
heavily embroidered bodice--skirt has been removed; colors include gold, maroon, green, white, black, red; geometric patterns in wide bands; back of bodice not embroidered; woven silk piece at top in yellow and red--maroon below; embroidered band at waist; tufts of yarn in red and black on cuffs and center front, along shoulder seams and sleeve seams in front

Bodice (dress top), c. 1920-1950

Pashtun

Not on View
small embroidered piece, wider at bottom; top section is light green, tan and pink; bottom part is black, tan, pink and green on gray; trim cross bands include silver metallic threads and sequins; lined in blue

Top Portion of Under Apron, Date Unknown

Miao

Not on View
small embroidered piece, wider at bottom than top; satin stitch panels with sequins; red, tan, pink, green with green and silver metallic thread; dark green background and lining; yarn strings at top

Top Portion of Under Apron, Date Unknown

Miao

Not on View
two-part slippers; inner slippers of black silk with pink flowers on toes, blue and gold rickrack and red heel trim; outer heel cup of red silk with purple trim and embroidered fish (or insects?) on each side

Pair of shoes for bound feet, Date Unknown

China

Not on View
firm brown small crown cap; flap at back; cut threads around top indicate something was once attached and also around brim; false braid of black silk threads (long) attached to back flap; inside of flap has a few long black threads attached with gold braid

Woman's cap, first quarter 20th century

Unknown Anatolian

Not on View
gray rectangle pattern; enclosed in each rectangle is a pink, red, white, yellow, or black trapezoid; pink lining inside

Cotton-quilted kimono (wataire), first half 20th century

Unknown Japanese

Not on View
royal blue uchikake with cranes and colorful ribbons motifs; ribbon designs include embroidered flowers, fans, waves, phoenixes, crests, and clouds

Wedding robe (uchikake) with design of cranes and sashes, 20th century

Unknown Japanese

Not on View
beige brocade with floral motifs; padding at bottom with light blue lining; three golden paulownia crests embroidered along top of back

Wedding robe (uchikake) with design of paulownia and chrysanthemums in flowing water, 20th century

Unknown Japanese

Not on View
Pieced embroidered bands, Pieced lining. Overall silk cross-stitch embroidery on cotton. The pattered vertical bands on the sides are worked in the same technique, in a finer stitch. Chain stitch embroidered tape outlines the edges. The tassels are cotton with metal elements. Red, white, yellow, green on black background, 5-sided panel ending with three tassels. Completely covered with embroidery: cross stitch and others. Two center medallions: round with hook shapes surrounding and in center. 3/4" chain stitch borders surround outer edges. 1 1/4" side embroidered panels in cross-stitch. Striped, pieced lining. Stamped "Made in Afghanistan" on reverse.

Uuk kap Ilgich, early 20th century

Lakai

Not on View
Mounted. Chain stitch. Large red embroidered designs, some floral, dominate purple ground center rectangle Wide, then narrow borders. Four vertical panels, embroidered separately, then joined. Edged with ikat binding. Mounted on wood frame. Sewn to white linen fabric stretched in strainer, no lining.

Suzani, late 19th century

Uzbekistan

Not on View
Cloth band, Bag back: cotton with printed lining, Red cotton flannel ground with polychrome silk embroidery. The black and white edge binding is formed from silk threads arranged in a herringbone pattern. The back of the bag is cotton flannel, and the inside lining is printed cotton fabric. Center five-sided shield with wide border on all five sides. Ties at upper corners, Chain stitch, embroidered through backing.

Uuk kap ilgich, 1920-1950

Kungrat

Not on View
black cotton center square has three elaborate rows of embroidered petals forming large flower with white center with bird embroidery; petals are pinks, greens, reds and dark blue; triangle corners in blue and pink silk appliques are similarly embroidered; butterfly appliques at top and bottom; borders of aqua and orange embroidered with Chinese symbols, flora and fauna; metal studs throughout; commercial printed lining; cotton with three snaps on bottom

Baby Carrier, Date Unknown

Miao

Not on View
square composed of nine squares bordered by 2-1/4" black border; satin stitch floral embroidery in blue, red, green; white raised tape criss-crosses squares centered with four attached fabric flowers; four flowers missing; wood rod on back

Wall Hanging, Date Unknown

Miao

Not on View
blue lining; upper panel: braided and outline (wrapped wire); embroidered on black whorled fabric in faded green, orange, blue and maroon--white outline; border embroidery unfinished; lower panel: fully embroidered in braided and outline style; black, orange, green and maroon with ocassional sequins divided by horizontal and vertical woven tape in orange and green

Baby Carrier, Date Unknown

Miao

Not on View
black background; embroidered cross stitch border and corner square--green background in red and taupe; center has applied green circle with red embroidery and silver tape; four interior corners embroidered with running stitch circle patterns in green, red, blue

Pillow, Date Unknown

Miao

Not on View
bands of heavy colored embroidery on red horizontal bands; predominately green embroidery, some yellow metal bands; vertical woven and embroidered two sides and bottom; black lining

Embroidery Sample, Date Unknown

Miao

Not on View
short; print lined; black satin brocade with PR front side opening; two closures of loops and bell buttons; scattered large eight-pointed star cross stitch embroidery--red and white dominate; applique on front and lower edge, cuffs and around upper sleeve in multicolor; chenille pompoms above cuff

Boy's Jacket, 20th century

Hmong

Not on View
Braided-net fringe, embroidered bands, Pieced, striped, and printed lining Large center panel with narrow panels on each side. Overall cross stitch embroidery in silk thread on a cotton ground. there are applied chain stitched edging bands. At the top edge is a damaged braided cotton strip; the original fringe or tassels have been lost or removed. Fragments of the same braided edging are seen on the other three sides. The panel is backed with pieced striped and printed cotton fabrics. Fragmented tassels at upper corners.

Ilgich, late 19th-early 20th century

Dasht-i-Kipchak

Not on View
Fringe with plain-weave heading, warp-twined band, Lined. Black cotton ground with polychrome silk embroidery. An applied, patterned woven silk band outlines the edges. A separate silk fringe is sewn to the reverse at the bottom edge. The backing is red cotton.

Uuk kap ilgich, late 19th century

Lakai

Not on View
Braided-net fringe, embroidered band, Lined. The ground of red printed cotton is entirely embroidered in cross stitch worked in silk thread. The stitching is particularly fine. There is a cotton embroidered tape edging and a braided fringe terminating in wrapped cotton tassels. The backing is coarsely woven blue cotton fabric, adhered to the reverse with starch paste.

Ilgich, 19th century

Lakai

Not on View
Fringe with warp-twined heading, ikat band, Pieced, block-printed lining The ground fabric is red cotton with a brown striped cotton substrate. The polychrome silk embroidery is worked through both layers. There is a silk/cotton ikat binding, and a cotton fringe. The back of the bag is pieced of coarsely woven block printed cotton. Ikat binding extends to reverse to form sides of bag.

Ainak push, late 19th-early 20th century

Uzbekistan

Not on View
large blocks of green, red, and pink; metallic stripes run through the blocks; red verso; zari with traditional arrowhead pattern

Hanging, c. 1900

India

Not on View
long knitted hot pink tube, with diamond openwork design and tassels with metal (?) accents; bottom is rounded with orange and yellow tightly-knitted piece

Bag, 19th century

Turkey

Not on View
coarse woven black jacket with blue lining with side vents; front edges with woven black and brown tape with embroidery; two short ties; neck back, yoke and top of sleeves heavily embroidered on red satin with stylized braid embroidery of animals and flowers, gold colored tape and sequin trim; twined raised metal tape on back of neck and sleeves

Jacket, Date Unknown

Miao

Not on View
lined upper rectangular black panel; geometric embroidery and applied tape; 12 long/large tassels, red and green, suspended by knotted tape; lower panel of horizontal bands of scroll embroidery and tapes--reds, orange, blues, greens, white and black

Baby Carrier, Date Unknown

Miao

Not on View
cape with lion's mane in shoulder area; flaps dangle down, made of velvet with floral embroidery around the outer edges of the flaps; metal oblong pieces line the inner side of the flaps at the body as well as at the bottom; metal chains at outside edges; gold metal fastener; blue silk lining on inner side of flaps

Cape, c. 1900

Amhara

Not on View
21 separate three-part velvet panels on black waistband; top part of panels have flowers embroidered on black velvet; center ovals have fauna embroidered on varied colored silk; bottom portion has flora and fauna embroidered in bright colors on red satin; green and yellow tassels alternate on top two panels, which are separated by silver glass beads; all highlighted with gold thread; lined in red plaid; woven ties on waistband

Skirt, Date Unknown

Miao

Not on View
purple uchikake with koto, biwa, taiko and flower motifs

Wedding robe with design of musical instruments and flowers, 20th century

Unknown Japanese

Not on View
silk, cotton, ikat. Surface ornamentation (Dyed)

Woman's wedding or ceremonial skirt (corte), early 20th century

K'iche' Maya

Not on View
Bunti; protective wrapping cloth; silk/cotton brocade on cotton background; 3 panels discontinuous supplementary weft design in red and blue on natural ground; edges hemmed; tie at one end

Wrapping Cloth (Bunti), mid 20th century

Bhutan

Not on View
kira (woman's dress), silk/cotton brocade on white cotton background; L.88 in., 56-1/2 in. Kushotara 3 panels; blue and red striped borders with blue, red and white discontinuous supplementary weft patterning on white center ground; fringe

Woman's Dress (kira), 1900-1925

Bhutan

Not on View
Kira, Oshem; silk/cotton brocade on blue or black cotton background; L.106 in., W.52 in. 3 panels, red, blue, yellow, green stripes with discontinuous supplementary weft pattern concentrated in center; fringed.

Woman's garment (Kira), 20th century

Bhutan

Not on View
three segment band of heavy fringe; spiraling caterpillar fringe alternating with flower and loop fringe; metal substructure creates the ridged forms which are covered by colored thread

Fringe, 20th century

England (?)

Not on View
plain weave, horizontal stripes; red cotton

Panel, 20th century

Laos

Not on View
Two Belts, c.1910-20,silk, cotton, natural dyes, applique, and embroidery. Snail and cockleshell designs. Originally sewn together at one end, silk sashes attached to the other two ends. Worn wrapped twice around the waist and tied with silk sashes. Part of a ceremonial costume.

Pair of belts, c. 1910-1920

The Family of Sy Vang

Not on View
theatrical headdress with ornate gold accents; two inner silk and cotton liners, grass headgear with silk head and shoulder guards, brass studs; brass filigree finish topped with red coral ornament, and two shafts of feathers, embellished in gold and bead trim EXHIBITED WITH HELMET 42.8.331a

Helmet, 1662-1722

China

Not on View
short-sleaved, multi-colored, with slit neckline; six squares on front; three vertical stripes on each side; horizontal bands on back, primarily blue and black

Marriage tunic, 20th century

Tunisia

Not on View
two horizontal flannel sections, each with five embroidered tableaus depicting fanciful animated reptiles and animals separated by vertical straps with tacked-on floral and fauna appliqued medallions with tassels; top section is light blue, bottom red; brown border on each section; embroidery is multicolored pastels with black accents; doubled 8" white strip across top, probably for hanging; dark blue lining

Marriage Banner, Date Unknown

Miao

Not on View
alternating red and green silk bands, 4 horizontal and 13 vertical, with appliqued symbols; some narrow purple bands with silver/gold threads separate; thick multicolored soft paper fringe (3-1/2") attached to bottom with silver beads; black band at top with two 30" braid ties; black cotton lining

Apron, Date Unknown

Miao

Not on View
blue-green silk felt panels embroidered with dragons, birds and organic designs; panels sewn to neutral-colored body; 12 tails with feathers and seeds or beans on bottom hem

"Hundred Birds" Jacket, Date Unknown

Miao

Not on View
red ground; printed faux tie dye pattern in green and black, and floral and geometric patterns in white, green and yellow; metallic thread trim on 2 1/2 sides. Textiles-Surface Ornamentation-Dyed-Printed

Inner wedding veil (Patori), c. 1925-1950

India

Not on View
luntaya and print skirt with yellow lining and black waistband; wrap style; horizontal woven pattern in pastel colors; vertical pink and purple striped edges; bottom horizontal sheer print band with metallic thread and glitter

Skirt, 20th century

Shan

Not on View
Newly lined. Red. Circle motifs. Large circles surround smaller ones. Green leaf border. All on red embroidered ground. Six vertical panels embroidered, then joined. Newer tan lining.

Suzani, late 19th-early 20th century

Uzbekistan

Not on View
Embroidered band, warp-twined (LM) edge; Printed lining. Overall cross stitch embroidery on a cotton ground. The hat is constructed of three pieces: a circular crown, a band forming the front and sides, and a wide band extending down the back. There is an attached embroidered border at the bottom of the back band. The back band is partially lined with cotton fabric to draw the edges into a tube form. The crown is lined with silk/cotton ikat; a bull's-eye motif is centered in the crown. Embroidery is cross-stithed through a guaze-like striped fabric.

Woman's hat, late 19th-early 20th century

Uzbekistan

Not on View
No backing cloth, striped lining. Polychrome colors. Overall cross stitch in two vertical columns with center sem. Lined in stirped cotton. Two long side tassels include metal wrappings. Five bottom edge tassels metal and silk wrapping with yellow and black beads.

Tent hanging, 19th-20th century

Lakai

Not on View
Printed cloth band, Pieced, printed lining. Soft multi colors, red ground. Chain stitches large center medallion in vertical rectangle with three borders. Applied print edge. Embroidered on thre vertical panels. Red ikat print lining. Two adjacent velcro heading bands. Pieced lining.

Suzani, second half of the 19th century

Uzbekistan

Not on View

Suzani, 20th century

Uzbekistan

Not on View
nine elaborate, horizontal embroidered black bands with fauna and dragons; bright multicolors; blue lining makes 2" mitered border

Embroidery Sample, Date Unknown

Miao

Not on View
Warp-twined edge (LM) with cross-stitch embroidery. Ikat band on reverse edge. Multi-color silk embroidery on cotton black ground. Floral, vines, medallions, three vertical panels. Hanging cord in upper left corner. Panels joined after embroidered. Attached woven braid all four sides, joined at center top and bottom and may created a fringe at center. Ikat edging on three sides of reverse. No lining.

Suzani, c. 1930

Uzbekistan

Not on View
Cloth band

Suzani, late 19th-early 20th century

Uzbekistan

Not on View
small rectangular pouch; multicolored cord with blue beaded tassel at top; eight multicolored yarn and bead tassels on sides and bottom; pouch woven with three stepped diamond motif designs in multicolors; gold metallic trims;(cresstitch)

Bag, late 19th-early 20th century

Turkoman

Not on View
cap with animal hide (?) lining; covered overall on exterior with primarily round hammered discs with floral designs; elaborate metal finial at top with two twisted multicolored yarn tassels at front with black and white beads; triangular multicolored yarn medallion hanging from back of finial, with geometric designs and four yarn and bead tassels on bottom edge; long tail on back of purple silk with green cotton backing, covered on the front with hammered floral medallions; purple, red and blue twisted fringe at bottom edge of back tail; vertical element at each side of head of purple silk (backed with printed cotton with brown and green floral designs) with hammered floral discs, pendant drops and large geometric elements with red glass gemstones; pair of multicolored tassels with beads on each side of hat between side vertical fabric elements and back tail

Hat, late 19th-early 20th century

Uzbekistan or Afghanistan

Not on View
beige robe with black trim around collar, yoke, sleeve cuffs, and bottom hem and center; yoke, cuffs, center and bottom hems also have brown/green applique with stepped cut outs; small string tie on either side of front opening at waistline

Simple retarpe robe without back design, mid 19th century

Unknown Sakhalin Ainu

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright © Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright © Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
purple yuzen uchikake with carts, flowers, trees and cloud motifs

Wedding robe, 20th century

Unknown Japanese

Not on View
Dark blue knotted net linen ground, embroidered with multicolored silk floss. Two cut edges, left and right. Floral and leaf design in greens, yellows, blue, pink and brown. One inch border at top and bottom edges.

Band, 16th-17th century

Italy

Not on View
Brocade, velvet, palmette pattern, voided velvet on gold ground

Panel, late 16th century

Turkey

Not on View

Hairtie (Cinta), 20th century

Kaqchikel Maya

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red; comprised of 18 separate bundles that are about 16' long.

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
garment-like decorative hanging

%C2%A9 Tim Harding

Untitled, 1989

Tim Harding

Not on View
Elaborately decorated hair ribbon; designs formed with a variety of tapestry techniques, including interlocking, slit, eccentric weft; geometric and figurative motifs, birds, dancing women, rabbits; puffy pompoms on each end with looped and wrapped tassles emerging from the pompoms.

Hair ribbon (Cinta), early 20th century

Maya

Not on View
orange ground tapestry mounted between two pieces of glass and framed

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Tibetan Dignity, 1990

Sheila Hicks

Not on View
red ground; central and side stripes border two areas of banding; geometric patterning; DSWP of silk bands and tassels

Saddle Cover (rataya), first half of the 20th century

Morocco

Not on View
rectangular panel, central body white and unadorned; supplimentary weft patterning of red bands at each end, additional band of diamonds in purple, green and orange; end with more embroidery has a triange which terminates banding and points into body of towel

Bride's Gift Towel, late 19th century

Macedonia

Not on View
weft-faced with supplementary weft patterning Zaiane culture

Cape (Handira), 20th century

Zemmour

Not on View
Wool, cotton and silk. Natural wool with white cotton weft alternating to make very thin stripes in weft faced plain weave. Natural wool warp. At one end there is a thin stripe of red, followed by natural, follwed by two thin blue stripes. The other end is the same but with black stripes instead of blue. Along both sides silk has been introduced to make three groupings of short stripes near the edge on the proper right side and two groupings of similar stripes near the edge on the proper left . These shorter stripes are various combinations of red, purple, brown, cream (all silk), white (cotton and black (wool) and are approximately three inches long. Tufts of the silk embellish the stripes on the face of the Haik on all groupings except one grouping of seven stripes near one end which is embellished on the reverse. Warp is bound tightly in small groupings near edge of textile at both ends. Fringe varies but averages about three inches.

Headcover (Amendil), 20th century

Ida ou Semlal Amazigh (Berber)

Not on View
Cloth band, Newly lined. Overall cross stitch embroidery in silk thread on red cotton fabric. The four 'horn' motifs are embroidered in herringbone stitch over the cross stitch. There is a striped cotton twill backing.

Ilgich, 19th century

Lakai

Not on View
front: all-over embroidery with pink, black, purple, ecru, yellow, green, orange, red, metallic; sequins and mirrors embroidered into patterns; back: central orange panel with diamond embroidered patterns, surrounded by borders of embroidery, rickrack, sequins and lace; tassels at neck

Wedding Coat, 20th century

Sindh

Not on View
pounded indigo lining; black velvet jacket; front panels longer; side vents; pounded indigo cuffed sleeves; shoulder and yolk heavily embroidered with bird and dragons; multi-colored with red predominating; edged with gold and red narrow tape bordered by embroidered bands; neck edge has blue satin insert bordered by embroidered tape which encloses an intricate rectangular design applique on PL center; similar rectangular design at back of neck; three embroidered figures on blue satin insert; two woven front ties

Jacket, Date Unknown

Miao

Not on View

Wedding Belt, 18th century

Morocco

Not on View

Long strip of yellow satin, Kangxi period, 1662-1722

China

Not on View

RUG, Qianlong period, 1736-1795

China

Not on View

Cocoon, 1975

N-K Tex, Inc. (Nipkow & Kobelt); Producer: Jack Lenor Larsen, Inc.

Not on View

Man's Ceremonial Court Skirt, early 20th century

China

Not on View

Cloth, 18th century

Italy

Not on View

Imperial Silk, 1988-1990

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

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