showing 90 results matching medium:"Silk, wool"

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From the series The Medallion Months. The Month of September, symbolized by a vintage scene depicted in an oval medallion of which the frame carries the twelve signs of the zodiac alternated with pairs of classic female figures each holding an hour glass. In the upper spandrels Semele and Jupiter; in the lower spandrels a pair of lovers and a peasant cutting gapes. Elaborate border of fruits and figures outlined by guilloche band. Well preserved, colors fresh. This tapestry one of a set of twelve months of which seven pieces are known to exist. Materials warp undyed wool, 7-8½ ends per cm., weft dyed wool and silk, 22-120 ends per cm.

Month of September, 1525-1528

Circle of Bernard van Orley; Designer: Circle of Bernard van Orley

G340

bag with wide shoulder strap with beaded geometric designs; back of strap and interior of bag printed brown fabric; front panel of bag beaded with geometric shapes; top panel and back of bag red wool; 17 short beaded hanging tails with red wool tassels; body of bag trimmed in blue

Bandolier Bag, c. 1870-1900

Anishinaabe (Ojibwe)

Not on View
Handwoven cloth with handprinted bamboo pattern.Balanced weave with 2 colors?) Greyish blues Heliotrope

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bambu, 1988

Larsen Design Studio, New York; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Hand woven red wool horizontally pieced ground with polychrome silk embroidery. The panel is hand stitched at the edges and in a grid pattern, to black cotton fabric. There is no edge binding or backing. The verso is not visible.

Ilgich, 20th century

Kungrat

Not on View
Pieced fringe with warp-twined (tablet) heading and cloth band Pieced, block-printed lining. Pieced, black wool ground with polychrome silk embroidery. Striped cotton twill binding; embroidered silk tape edging with integral fringe. Red dominates. Center square with wide embroidered border on 3 sides. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and stitched through a white scrim and screen to a white linen covered strainer (wood).

Ilgich, early 20th century

Kungrat

Not on View
pieced ikat (red, green, yellow, white) triangle with attached red wool front and lower borders, coming to point--lined and fringed on lower edge in green and wine color; braided embroidered edging; multicolored, multi-patterned embroidery overall on attached front and borders; cotton label 152

Headcloth, c. 1920

Uzbekistan

Not on View
Black wool ground with polychrome silk embroidery. The edges are unfinished, and have been trimmed since the existing photo was taken. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Center square with wide embroidered border that is interrupted to accommodate. Stitched to white flannel and cotton black fabric covered strainer. Chain stitch.

Ilgich, 20th century

Kungrat

Not on View
Fringe with warp-twined (LM) heading, warp-twined (LM) band Black wool ground with silk chain stitch embroidery and two attached silk edgings on four sides. The fringe is cotton. Interior edging is woven in red and white. Outside is all red and carries the fringe. The embroidery is presently hand stitched to a fabric mount; the verso is not visible. It is mounted and sewn through a white flannel on a black wool covered strainer. Red and yellow dominate.

Tabaklau ilgich, late 19th century

Kungrat or Durmen

Not on View
small pouch; brown looped trim with brown cord and orange pompon; embroidered geometricized flowers and zigzag borders in orange, black and cream on maroon ground; (chain stich, feather stitch)

Bag, late 19th-early 20th century

Tajikistan or Uzbekistan

Not on View
red, blue, green; double band weave with four tassels at each end; cotton velvet ties, 9" from each end; silk braid leads to the tassels

Woman's Belt, 1950

Syria

Not on View

Panel, 19th century

Not on View

St. Joseph and the Christ Child, c. 1714–30

Copied from a painting by an imitator of Federico Barocci; Cartoonist: attributed to Giuseppe Chiari; Weaver: the papal San Michele Manufactory

Not on View
purple ground with two men in center next to shield; floral border; two flags at bottom, purple and white fringe on bottom half; 2 purplr and white tasseled cords; British commonwealth nation

Needlepoint Firescreen, late 19th century

England

Not on View
30 squares enclosed within a black border done in ? design; common elements include central black square and radiating black triangles tacked down where corners of squares meet; log cabin variation ?

Crib quilt, late 19th century

United States

Not on View
paisley shawl, silk and wool, cream colored center with border in reds, blues and greens, fringed.

Shawl, 19th century

Scotland

Not on View
vertical sides; slightly conical crown with opening at top; red with metallic strips; three embroidered strips on front with geometric patterns

Hat, Date Unknown

Miao

Not on View
flat, circular crown; padded side with ear covers; black chin cord; blue yarn and green and red cord fringe around crown embelished with multicolored ball and spiral beads; bands of applique and ribbon on crown and around sides; yarn top tassel in blue, green and yellow

Hat, from a three-piece set, Date Unknown

Miao

Not on View
Warp-twined (LM) band. Pieced red and green wool flannel ground with polychrome silk embroidery. There is a block printed cotton substrate beneath the wool. The top edge and the upper four inches of the PR edge retain a narrow embroidered silk finishing band. The remaining edges are raw. There is no backing. Center shield-shaped design surrounded border. Embroidered through backing. Chain stitch.

Uuk kap ilgich, 19th century

Kungrat

Not on View
Braided-net fringe, embroidered band, Lined. Red wool ground with polychrome silk embroidery. The applied border on all sides is overall cross stitch embroidery in silk on a cotton ground. The backing is red cotton fabric. Part of a hanging loop is present on the PR corner.

Uuk kap Ilgich, late 19th century

Lakai

Not on View
Braided-net fringe, fringe with warp-twined (tablet) heading, warp-twined (LM) edge, cloth band, Pieced ikat and printed lining. Black wool ground with polychrome silk embroidery, red wool edge binding, braided silk fringe with wrapped tassels. The red wool panel at the center is pieced with silk/cotton ikat under the flap. The panel is backed with printed cotton fabric, same as flap backing. Chain stitch

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Wrapped and knotted lattice treatment on pieced fringe with warp-twined (tablet) heading, Pieced, printed lining. Black wool ground fabric with polychrome silk embroidery. The knotted fringe is silk. A printed cotton backing is attached to three sides by machine stitching and handsewn on the other. Center square with three borders. Top border not embroidered. Hand stitched to lining. Chain Stitch.

Ilgich, late 19th century

Kungrat

Not on View
Braided-net fringe, Bag back: striped cloth, lined. Black wool ground with polychrome silk embroidery. There is a braided silk fringe with wrapped tassels of silk, cotton, and metal. The backing is cotton twill, striped in red and white. Center square with borders on all four edges.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Black wool ground with polychrome silk embroidery through a substrate of pieced printed and striped cotton. The edges are unfinished and there is no backing. Center square with wide borders. All embroidered. Chain stitch.

Ilgich, early 20th century

Kungrat

Not on View
Braided-net fringe, Pieced ikat lining. The ground fabric is tan cotton flannel, with polychrome silk embroidery. There is a braided cotton finge with wrapped cotton tassels. Chain stitch dominates. Colorful ikat lining.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Black wool plain weave ground with polychrome silk embroidery. The panel is mounted at the edges to black cotton fabric; the verso is not visible. Chain stitch in both directions alternate.

At torba ilgich, 19th century

Lakai

Not on View
Handwoven band, Printed lining. Red wool ground, pieced in the upper six inches. Polychrome silk and synthetic embroidery. There is a woven cotton edging strip on the four sides. The hanging tabs are silk/cotton ikat. The cotton backing is printed with 'moderne' angular gray shapes on a red ground. Chain stitch separated with back stitch dominate fill.

Ilgich, late 19th-early 20th century

Lakai

Not on View
Fringe with warp-twined (tablet) heading, warp-twined (LM) edge, cloth band, Two printed linings. Black wool ground with polychrome silk embroidery. The edges are bound with cotton fabric, and finished with two varieties of red silk fringe. The central red square is outlined with a silk woven edging. The part of the square covered by the flap is red cotton fabric. There is a printed red cotton backing. Three-side designed border and red wool center square are pieced. Flap is embroidered and edged with fringe. Chain stitch.

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Braided-net fringe, Pieced, striped lining. Black wool ground with polychrome silk embroidery. There is a wide woven silk edging with silk and cotton tassels. The backing is woven striped cotton. Two tassels near bottom corners are inset bound above woven edge. Lower left corner has 2 tassels underneath.

Da-our, late 19th-early 20th century

Lakai

Not on View
Fringes with warp-twined (LM) headings, Pieced, printed lining Brushed red wool ground with polychrome silk embroidery. There are two different fringes on the edges; one, on the top and PL, is all silk; the other, on the bottom and PR, is silk and cotton. The backing is pieced from two printed cotton fabrics. There are two intact hanging loops. Chain stitch dominates.

Ilgich, late 19th-early 20th century

Dasht-i-Kipchak (probably Kungrat)

Not on View
Multiple fringes with warp-twined heading, warp-twined (LM) edge. Printed lining. Black wool ground with polychrome silk embroidery and cotton and silk fringes. There is a printed cotton backing, and a silk/cotton ikat edging on the reverse. Center square of large patterns with border on sides and bottom.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Black wool pieced ground with polychrome silk embroidery through a printed cotton substrate. There is no binding, edge finishing, or backing. Red basting stitch along one edge for 12".

Ilgich, early 20th century

Kungrat or Durmen

Not on View
weave type (?) brown ground with large zig-zag patterning at outside edges and lozenge pattern at center; 2 vertical rectangular bands of patterning; worn pink border (wool?) at top and bottom; braided cords at 3 corners; string at 4th corner

Panel, 20th century

Myanmar (Burma)

Not on View
Braided-net fringe, ikat band at top, Bag back: pieced, striped cloth and printed lining. Black wool ground with polychrome silk embroidery. There is a braided cotton edging which probably was originally finished with tassels. Now, it has been trimmed and turned to the reverse to form a binding. The opening of the bag is outlined in synthetic/cotton ikat fabric. Printed cotton fabric forms the inside surface of the bag. Chain stitch dominates fill.

Ilgich, late 19th-early 20th century

possibly Durmen

Not on View
Braided-net fringe with tassels, cloth band. Black wool ground with polychrome silk embroidery. The edges are trimmed with a band of silk cross stitch embroidery on a cotton ground. There is an attached braided silk fringe with wrapped cotton and silk tassels. The embroidery is presently hand stitched to a fabric covered mount. the verso is not visible. Ikat strip at top.

Ilgich, 20th century

Kungrat

Not on View
Pieced fringe with warp-twined (tablet) heading and cloth band Pieced, block-printed lining. Pieced black ground, mostly wool but with some cotton at the top. Polychrome silk embroidery in chain stitch. Silk/cotton ikat binding at the top edge. Nine medaillions, mostly red. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and stiched through white flannel on a black wool covered strainer.

Ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Fringe with warp-twined heading, warp-twined bands, Pieced, printed lining. Dark red wool ground with polychrome silk embroidery. Patterned silk tape edging with red silk fringe border all four sides. The backing is printed cotton fabric (red polka dots). Applied braid with fringe, all four edges. Chain stitch.

Ilgich, late 19th century

Kungrat or Durmen

Not on View
black backing; appliqued vertical and horizontal stripes in yellow, black, red, green and white with medallions and organic symmetrical shapes; yarn fringe; multicolored ties

Apron, Date Unknown

Miao

Not on View
Black wool ground with polychrome silk embroidery. There is a block printed cotton substrate through which the embroidery is worked. A hand written inscription is seen on one edge of the substrate. There is no finish treatment on the edges, and backing. Three edges are turned under and basted; one edge is raw and partially detached. Center square surrounded by border. All is embroidered. Chain stitch.

Ilgich, early 20th century

Kungrat

Not on View
Crocheted fringe, cloth and ikat bands, Pieced, printed lining.Black wool ground with polychrome silk embroidery. Two fabrics are used in the edge binding: black cotton and silk/cotton ikat. There is a braided cotton fringe with metal discs. The backing is pieced printed cotton fabric. Center square motif with wide border, all four sides. Chain stitch.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Embroidered band Pieced, printed lining The black ground is primarily plain weave wool, with a black cotton sateen strip at the top edge. The embroidery is worked in chain stitch with silk thread. The 5/8" wide, applied red and white cross-stitched edging is worked in silk thread on cotton. There is floral print cotton backing. Pieced lining.

Uuk kap Ilgich, 19th century

Lakai

Not on View
Cloth band. Red wool ground with fine polychrome silk embroidery in chain stitch (tambour work?) Striped woven cotton binding applied on the bias. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Stitched to a black wool covered strainer. (wood)

At torba ilgich, late 19th century

Lakai

Not on View
Fringe with warp-twined heading, embroidered and cloth bands, Pieced, printed lining. Red and black plain weave wool ground in the visible area; under the flap the ground is pieced from printed cotton fabrics. The embroidery is worked in polychrome silk threads. There is an edge binding of red cotton fabric. The applied fringe is silk. There is a backing of red printed cotton fabric.

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
dark blue cotton skirt with yellow silk leaf motifs; round mirrors (mica?) with red embroidered edges; top 5" are brown with a drawstring with elaborate beaded wool tassel and bobbles; bottom is embroidered on edge, 1-1/2", with red and yellow silk

Wedding or Festival Skirt, c. 1900-1925

Jat

Not on View
Ikat band, Bag back: striped cloth, printed and woven linings. Black wool ground with polychrome silk embroidery. There is a silk/cotton ikat band at the top edge that folds 1 1/4" into reverse. there are two corded silk/cotton hanging loops at top center and top left. The interior of the bag is pieced of plain and printed cotton fabrics. The backing is a woven striped silk/cotton fabric.

Ilgich, late 19th century

Kungrat

Not on View
Overcast stitching attaches front to back, cloth band at top Striped lining. The face is pieced from red plain weave wool and black cotton twill fabric. The embroidery is worked in silk thread. The bag is backed with pieced red cotton flannel. The top edge of the back is bound in woven striped cotton. The edges of the bag are not finished, but simply overcast with white cotton thread. Chain stitch.

Kaichidon, 19th-20th century

Dasht-i-Kipchak

Not on View
Fringe with warp-twined heading, cloth band . The red ground is pieced from red cotton flannel and red plain weave wool fabrics. There is a pink cotton sateen strip at the top edge under the fringe. The embroidery is worked in silk. Green cotton bias-cut cotton binds the edges. The fringe is green cotton. There is a printed cotton substrate, through which the embroidery is worked. No backing is present. Chain stitch.

At torba ilgich, 19th century

Lakai

Not on View
wood circular background (support frame) covered with 100% unbleached natural linen fabric visible in some areas; long cords wrapped with yarn and sewn in rows to the background; cord ends are free, some are interlaced; several hanks of linen and skeins twisted; colors are natural, ecru, orange, dark red, purple, brown, yellow, light blues, ochre, variegated (purple, red, brown)

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Labyrinth of Communication, 1990-1991

Sheila Hicks

Not on View
two tassels top center (26 inches); fringe, left and right side; loose threads on back, visible top and bottom; vertical bands of decoration (white, brown, black, gold and dark red). Woven fabric.

Cape (Tabrdouhte), 19th century

Beni Ourain Amazigh (Berber)

Not on View
long band with orange, green, black, pink, white flowers against magenta ground; ends in colored fringe

Woman's ceremonial belt (faja), 1945-1950

Maya

Not on View
Tzute (head covering), from Chichicastenango. Cotton, silk, wool.

Cloth (tzute), 20th century

Maya

Not on View
Braided-net fringe, embroidered band, Pieced lining. Felt-like red wool ground with polychrome silk embroidery. The edges are finished in narrow cotton tape with overall cross-stitch embroidery in silk. A crocheted cotton edging with integral fringe is sewn to the bottom edge. There are two intact hanging loops; the PL loop is embroidered in silk cross-stitch and the PR is woven cotton/ Red, black, green, yellow designs: Nine symbols. Horizontal pieced red lining.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Braided-net fringe, embroidered and warp-twined (LM) bands. Black wool ground with polychrome silk embroidery. There is an attached braided fringe with silk and cotton tassels. The edging is a red and white cross stitch band worked on red cotton. Wrapped tassels are randomly placed solid colors center design with 3-sided border. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and sewn through white flannel to a black wool covered wood strainer.

Ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Printed cloth band. Red wool ground with polychrome silk embroidery and printed cotton twill binding. The gringe has been removed since photography by donor. The embroidery is worked through a substrate of printed cotton fabric. There is no backing.

Ilgich, late 19th century

Lakai

Not on View
Bag back: ikat print with printed lining, Pieced, printed linings. The wool ground was originally red, but has faded to orange. Embroidery threads are silk. The backing is red cotton fabric. The bag is lined with two different red cotton printed fabrics. There is a cotton binding on all edges, but it is worn and mostly missing on the face of the bag. Chain stitch dominates. Six large motifs filled with different symbols.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Embroidered bands, Pieced, printed lining. Red wool flannel ground with polychrome silk embridery. Cross stitch embroidered bands form a border on all edges. Hanging loops are also embroidered in cross stitch; the bands and hanging loops are worked in silk thread on cotton fabric. There is a red print cotton backing on the shield. The uppermost of the two embroidered motifs forming the design is unusually fine in execution. Lined in red cotton.

Uuk kap Ilgich, late 19th century

Lakai

Not on View
Fringe with warp-twined (LM) heading, cloth band, Pieced, printed lining. Five medallions on red wool ground with polychrome silk embroidery. There is a woven striped cotton edge binding, and cotton fringe. The borders are pieced of black and dark red wool, with black cotton at the PR upper corner. The backing is printed red cotton with yellow motifs.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Red wool flannel ground with polychrome silk embroidery. The panel is presently hand stitched to a fabric-covered board. There is no edge treatment or binding; edges are turned under before mounting. the verso is not visible. Stitched to black wool fabric-covered wood strainer.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Embroidered bands. Pieced dark red wool ground with polychrome silk embroidery. Chain stitch bands in two designs outline the edges; one pattern on top edge and upper inch of PR side, and a different pattern on the other edges. Three tassels are composed of cotton, silk, and metallic threads over a cotton core. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and stitched to white scrim and sheer screen and a white linen covered strainer. Red.

Uuk kap ilgich, late 19th century

Lakai

Not on View
Pieced, printed lining (also forms edge finish). Red wool ground with polychrome silk and synthetic embroidery. The printed cotton backing is turned to the front along the edges to form a self-binding. Chain stitch outlining with back stitch fill.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Cloth band, Pieced ikat lining. Green wool flannel ground with polychrome silk embroidery, red cotton edge binding, and silk/cotton ikat backing. Five-sided.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Cloth band, No backing cloth, pieced and printed lining. Red wool ground fabric pieced with black cotton pieced velvet border, embroidered with silk threads. The backing is printed cotton fabric. One hanging tab at top. Chain stitch, herrinbone.

Tent hanging, 19th-20th century

Kyrgyz or Kazak

Not on View
braided and tufted; tassels, warped twining, primarily red with yellow, cream, purple and black, metal sequins

Belt, 20th century

Zemmour

Not on View
Warp-twined (LM) edge, Pieced lining. Loose, balanced red plain weave wool ground with polychrome silk embroidery and silk embroidered binding. There is a red cotton backing. Yellow, green, black designs completely covered in chain stitch type embroidery. Center pineapple shape with scrolls and tooth-edge extenders.

Uuk kap ilgich, late 19th century

Lakai

Not on View
Braided-net fringes with tassels, warp-twined (LM) and embroidered bands, assumed LM braid. Pieced, printed lining. Chain stitch, black wool ground with polychrome silk embroidery. There is a woven silk fringe with wrapped silk/cotton tassels on all four sides. There is a silk-on-cotton embroidered finishing band on the bottom edge. The backing is pieced from two different printed cotton fabrics. The fringe and tassels at the upper edge appear to be a later addition; they are a different pattern and color from the rest. woven fringe is in sections of random colors. Some tassels are wrapped with metal wire or wrapped metallic cord.

Da-our, late 19th-early 20th century

Kungrat

Not on View
part of a baby carrier without ties; top square panel with black and red appliqués; black pieces are embroidered overall with tan, brown, white, cream, blue and green flowers; panel bordered on three sides with peachy tan embroidered floral bands accented with sequins; bottom rectangular panel has floral appliqués on purple ground; this panel bordered with black and green geometric appliqués; black and blue backing

Baby carrier, Date Unknown

Shui

Not on View

Borealis, 1987-1991

Jack Lenor Larsen, Inc.

Not on View

Borealis, 1987-1991

Jack Lenor Larsen, Inc.

Not on View

Borealis, 1987-1991

Jack Lenor Larsen, Inc.

Not on View

Borealis, 1987-1991

Jack Lenor Larsen, Inc.

Not on View

Woman's Informal Robe, early 20th century

China

Not on View

Headband (Cinta), 20th century

Guatemala

Not on View
Cloth band, Pieced, printed lining. Red wool round with polychrome silk embroidery, cotton edge binding and printed cotton backing. Square center design and four corner images. Pieced, red print lining. Chain stitch dominates.

At torba ilgich, late 19th-early 20th century

Lakai

Not on View
Hand woven red wool ground with polychrome wool and silk embroidery. There is no edge binding or backing. One edge is a selvage; the others are raw. The panel is hand stitched to black cotton fabric. The verso is not visible. May be folded under at top.

Ilgich, 19th century

Kungrat

Not on View
Fringe with warp-twined heading, warp-twined band, Printed cloth bands on reverse edge, No backing cloth. Pieced black wool ground with polychrome silk embroidery. The panel is edged with cotton woven tape and fringe. There is no backing. There are printed cotton bands on the edges of the reverse.

Tabaklau ilgich, late 19th century

Semiz

Not on View
Embroidered band at top, Striped lining. Red plain weave wool ground with polychrome silk embroidery. The diagonally pattered silk edge binding is embroidered. Cotton tape cross-stitched in silk thread forms a border at the upper edge. The hanging loops are cotton. Sewn on tassels are constructed of cotton and metallic threads, in bundles of three. Striped cotton fabric is secured to the reverse of the panel with starch paste, There is no finished backing.

Uuk kap Ilgich, late 19th-early 20th century

Lakai

Not on View
Embroidered band at top, Pieced ikat lining. Heavy plain weave wool ground with tan warp and black weft. Polychrome silk embroidery. embroidered chain stitch borders are integral on the sides and bottom edge. The top border is applied, embroidered in silk on silk and hand sewn in place. There is a silk/cotton ikat backing. Raw and frayed edges are seen on the face, suggesting a missing fringe or binding.

Da-our fragment, late 19th-early 20th century

Lakai

Not on View
Fringes with warp-twined (LM) heading, wide embroidered bands . Overall cross stitch embroidery in silk, synthetic, and cotton threads on a cotton ground with center vertical join. The borders are attached red wool bands with chain stitch dominating, backed with cotton fabric. The panel is trimmed with cotton fringe. There are two intact hanging loops. No backing is present; the construction technique is clearly visible on the reverse.

Wall hanging, 19th century

Shahrisabs or Kitab center with Kungrat borders

Not on View
Braided-net fringe, cloth band, Pieced plaid lining. Red cotton flannel ground with polychrome silk embroidery. There is a wide braided band at left and lower edge, with silk and metallic wrapped tassels. A green silk binding finishes the upper edge. There is a woven plaid cotton packing, secured to the reverse with starch paste. Made to lie flat at corner with fringe hanging over edge.

Segusha, 1930-1940

Lakai

Not on View

Waistcoat, 18th century

England

Not on View

Alcoa Wallcovering, 20th century

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View

Pavanne, 1969

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View

Pavanne, 1969

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View

Bambu, 1988

Larsen Design Studio, New York; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View

Band, late 19th century

Uzbekistan

Not on View

Band, late 19th century

Uzbekistan

Not on View

Mahratta, 1973

Larsen Design Studio, New York; Mill: Thai Silk; Producer: Jack Lenor Larsen, Inc.

Not on View

Ghana Silk, 1963-1968

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
tan body with dark blue geometric appliques; decorated with shells and cartilage elements on chest, sleeves, and upper back; multicolored braids on front at waist; one brown and two blue silk tassels on front, with metal pendants, beads, and mother-of-pearl ornaments

Attush robe with exceptional decoration of fish bones and tassels, 18th century

Unknown Ainu

Not on View

Woman's blouse (Huipil), early 20th century

Maya

Not on View

Untitled, c. 1990

Sheila Hicks

Not on View

showing 90 results matching medium:"Silk, wool"

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