🔎 medium:"Screenprint" | Mia

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portrait of George Floyd in black inside an irregularly shaped dark form — George Floyd, In Memorium 2020, 2020
David Barthold

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Half Cakes, Wayne Thiebaud; Publisher: Parasol Press Ltd., New York — Half Cakes, 1971
Wayne Thiebaud; Publisher: Parasol Press Ltd., New York

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Plate from an album of ten screenprints — The Blue Bottle, 1951
after Fernand Léger

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(four color proof) — Death of a Five, 1975
Tom Egerman

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black and white design; man with raised arm at center of circle; text on bottom — AGAM Sculptures Tapisseries Oeuvres Graphiques. 9 fevrier au 31 mars 1973, 1973
Designed and published by Pamela Helmer Verlag

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An E.A.T. Expedition, Red Grooms; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York — An E.A.T. Expedition, 1973
Red Grooms; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York

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Features from Currents 61, Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis; Publisher: Castelli Graphics, New York — Features from Currents 61, 1970
Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis; Publisher: Castelli Graphics, New York

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Title page from a portfolio of eight screenprints — Untitled, from 8 Odi di Orazio, Series I, 1968
Cy Twombly; Publisher: Published and printed by Edizioni Sergio Tosi, Milan, Italy

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hand-written text in black in two columns with a vertical line between them, titled "Expedition to the Holyland" — Introduction for "Expedition to the Holyland", 1983
Text by A. R. Penck (Ralf Winkler); Publisher: Joshua Gessel, Jerusalem; Printer: Burston Graphic Center, Jerusalem

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Features from Currents 58, Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis; Publisher: Castelli Graphics, New York — Features from Currents 58, 1970
Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis; Publisher: Castelli Graphics, New York

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Features from Currents 62, Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis; Publisher: Castelli Graphics, New York — Features from Currents 62, 1970
Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis; Publisher: Castelli Graphics, New York

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Currents, Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis and Castelli Graphics, New York; Printer: Styria Studio, Glendale, California — Currents, 1970
Robert Rauschenberg; Publisher: Dayton's Gallery 12, Minneapolis and Castelli Graphics, New York; Printer: Styria Studio, Glendale, California

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Cagney, Andy Warhol; Publisher: Leo Castelli Gallery — Cagney, 1963
Andy Warhol; Publisher: Leo Castelli Gallery

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Portfolio of 100 color screenprints and loose text pages on colored papers. Introduction by Christopher Finch. — Title Page for Moonstripes Empire News Volume I, 1967
Sir Eduardo Paolozzi; Publisher: Editions Alecto, London; Printer: Kelpra Studio, Ltd., London

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abstract design; red, yellow, orange, teal and green; butterfly-like shape; many symbolic elements including eagle and fish; thin lines like streams — Red Eagle, 1975
Alex Janvier

G259

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Blue/Orange, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Blue/Purple, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Blue/Green, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Red/Green, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint torn on four edges to create a bleed image depicting Mound Man (a humanoid effigy earthwork in Wisconsin), trail marker trees, Mississippian mica hand/talon objects, hands signing Exit, and text in a landscape. — Exit, 2019
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint bleed torn on four edges depicting figures, horses, trees, text, and abstracted indigenous masks in a landscape. — Anti-Retro, 2018
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Eleven-color screenprint bleed printed with visually irregular borders. The image includes drawings and marks by the artist made on Denril, overhead projector film and Rubylith film, and a halftoned image manipulated by the artist. It is signed and dated 2011 by the artist in pencil on the border and in the image in ink 2010. — Continuous, 2011
Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Multi-color screenprint with photographic halftone images altered by the artist; figurative elements and layered drawing by the artist printed in flat inks and overprint varnish in select areas. — Forthcoming, 2011
Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A four run two-color screenprint of a white iron shape on a gray field on the left side and a gray iron shape on a white background on the right. — Virgin of Enlightenment (ascending/descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Yellow/Orange, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Yellow/Purple, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Yellow/Green, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A four run two-color screenprint of a light blue iron shape on a blue field on the left side and a blue iron shape on a light blue field on the right. — Virgin of Wisdom (ascending/descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Red/Purple, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Red/Orange, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint based on the cover of "The Forest" from the "Nature Library" series published by TIME-LIFE BOOKS. The book cover was scanned, manipulated by the artist removing the original 'knocked-out' text and red text box, separated and printed in C/M/Y/K, and a clear satin was printed over the image. The text box was recreated and printed in red. The text was recreated in a font style similar to the original and printed in white ink. — The Forest, 2015
Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint in 19 layers and 40 colors of a twin peaked mountain (Mount Rainer) predominately printed in blended transparent purples and blacks. — Conflation, 2006
Cameron Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

three black-and-white images, from top: mouth, chin and collar bones of dark-skinned female figure; small cylindrical brick building with conical roof; and cylinrical loops of hair braids; surrounded by six black blocks with white text — Counting, 1991
Lorna Simpson; Printer: Branstead Studio, New York; Publisher: Brooke Alexander Editions, New York; Publisher: Josh Baer Gallery, New York

Not on View

32-color screenprint and lithograph co-published by Highpoint and the Walker Art Center produced from computer files and drawings by the artist hand-printed from photosensitive screens and lithographic plates. The four lithographic elements were retained for possible reworking and inclusion in separate project. — Entropia (review), 2004
Julie Mehretu; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

G266-G274

16-color lithograph and screenprint. — Streaming, 2009
Lisa Nankivil; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

14-color lithograph and screenprint. — Equinox, 2008
Lisa Nankivil; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

14-color lithograph and screenprint. — Lacuna, 2008
Lisa Nankivil; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Four-color intaglio printed in process yellow, red, blue, and black inks. Hard-ground and spit-bite aquatint techniques were used to create the copper intaglio plate. After drying and flattening, the intaglio inks were screenprinted over with a very transparent satin golden yellow. — South, 2002
Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

G266-G274

Lithograph and screenprint on two sheets of paper. Right panel is bleed printed from three plates in blue, light pink, and dark pink depicting a coyote in a tutu. Left panel is bleed printed from one plate in blue and screenprinted from one screen in black and satin gloss depicting a rabbit in a skirt with a wand. — The Trickster Showdown, 2015
Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint depicting 14 book spines based on the "Human Behavior" series published by TIME-LIFE BOOKS with gold foil text. The original book spines were scanned, manipulated by the artist removing the text, separated and printed in C/M/Y/K. The text was recreated in a similar font eliminating the original's texture and screenprinted using acrylic adhesive onto which gold hot stamping foil was applied. — Human Behavior, 2015
Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint with applied bronze, silver, and pearl foils in 25 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately red and is one of four related works from the artist's "Take Care of Them" suite. — Wačháŋtognaka | Nurture, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint with applied gold foil in 14 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly blue and is one of four related works from the artist's "Takes Care of Them" suite. — Wówahokuŋkiya | Lead, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint with applied bronze foil in 18 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly green and is one of four related works from the artist's "Takes Care of Them" suite. — Nakíčižiŋ | Protect, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Screenprint with applied copper foil in 20 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately gold and is one of four related works from the artist's "Takes Care of Them" suite. — Wókaǧe | Create, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Five-color screenprint in silver, metalic pearl blue, gold, and red with three over printings of gloss clear and flat green. After printing, the image was debossed with an intaglio plate to create a plate mark. — West, 2002
Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

G266-G274

Psychedelic design with birds and stylized floral motif. — Panel, c. 1970
Norway

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silkscreen print — Stones of Bath, 1962
John Piper; Manufacturer: Sanderson

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Trees, foliage red and ecru; ground dark brown with white outlined leaves; black trunks and branches — Botanic Red, 1973
Sater Textil

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Spectrum of colors from green to dark red; complete spectrum repeated four times; divided by dark blue lines — Spectroscope, 1973
Peter Phillips; Manufacturer: Heal's Fabrics

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4-1/2 repeats; symmetrical forms blue, purple, violet, turquoise on white bkg. — Strata, 1975
Hans J. Holzer; Manufacturer: Heal's Fabrics

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2-1/3 repeats; bkg. ecru; sunflowers motifs black, brown, dark and light green — Sunflower, 1962
Howard Carter; Manufacturer: Heal's Fabrics

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Beige rose ground; brown and blue circles, stripes, ovals sketched freely — Astral, 20th century
Kendrix

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4-1/2 repeats; geometrical patterns triangles, squares; dark and light blues, greens, beige, black and brown — Calpreta, 20th century
Grafton Company

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Untitled, Herbert Bayer — Untitled, 1968
Herbert Bayer

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From suite of 10 color screenprints; background color: pink; flower color clockwise direction: yellow, orange, blue — Flowers, 1970
Andy Warhol; Publisher: Factory Additions, New York; Printer: Aetna Silkscreen Products, New York

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Grooming the Steed, Cameron Booth — Grooming the Steed, c. 1935
Cameron Booth

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white ground, green letters HEAL Fabrics London — Heal Fabrics Banner, 20th century
Heal's Fabrics

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Spectrum of colors from brown to purple; complete spectrum repeated four times; divided by dark blue lines — Spectroscope, 1973
Peter Phillips; Manufacturer: Heal's Fabrics

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White transparent fabric; black outlined squares with perspective effects — Network, 20th century
Heal's Fabrics

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Organic Variant, Dean Jackson Meeker; Publisher: Print & Drawing Club of the Art Institute of Chicago , 1956 — Organic Variant, 1956
Dean Jackson Meeker; Publisher: Print & Drawing Club of the Art Institute of Chicago , 1956

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Protocol-Sentences, from Universal Electronic Vacuum portfolio, Sir Eduardo Paolozzi — Protocol-Sentences, from Universal Electronic Vacuum portfolio, 1967
Sir Eduardo Paolozzi

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Trees, foliage brown and orange with leaves outlined black; ground yellow green with leaves outlines black; trunks and branches are black — Botanic Yellow, 1973
Sater Textil

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Swans, Leopold Krumel — Swans, 1927
Leopold Krumel

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Harbor Boats, Leopold Krumel — Harbor Boats, 1928
Leopold Krumel

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Deadlock, Edward Landon — Deadlock, 1947
Edward Landon

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New Moon, Clement Haupers — New Moon, c. 1936
Clement Haupers

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Supermarket No. 1, Ben Shahn — Supermarket No. 1, 1957
Ben Shahn

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Pink and red zigzag chain. — Panel, late 1960s - early 1970s
de Ploegstoffen, the Netherlands

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The Terrible Moon, Elizabeth Erickson — The Terrible Moon, 1976
Elizabeth Erickson

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Image of a man's face on dark gray background; text at in black and gold ink — Black, Beautiful, c. 1968
Unknown , 20th century; Printer: Shohar Printhouse, Beit Herut, Israel

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black tree-like form at center with gray and red background — Jean Couy. 28 janvier - 3 mars 1972, 1972
Galerie at Home, Toulouse, France

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black and blue abstract on white background — Robert Wogensky. 8 novembre-4 décembre 1972, 1972
Maison de la culture d'Amiens, Amiens, France

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cream-colored paper; globe sits atop stand with black ribbon across bottom of globe; decorative floral element at bottom; tan, yellow, grey, brown and black ink; behind Plexiglas in blonde wood frame — Untitled (Sphere and Moulding), 1987
Ross Bleckner; Publisher: Lincoln Center for the Performing Arts, New York

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reclining woman with long black hair, wearing a gold and black robe, with a book on her lap and a blue bird on her PR shoulder; black at at right — Aurora, 1977
Will Barnet; Printer: Fine Creations, Inc., New York

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bright orange ground with squares filled with dark blue dots — Untitled [Abstract image with dots and squares], 1969
Victor Vasarely

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mid-sized navy blue and peach colored polka-dots on white background in alternating grid pattern — Divisions, 2016
John Armleder

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mid-sized pink polka-dots against white background — End of Line, 2016
John Armleder

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Permutations, Victor Vasarely; Publisher: Editions Denise René, Paris — Permutations, 1969
Victor Vasarely; Publisher: Editions Denise René, Paris

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Untitled, Jimmy Ernst — Untitled, 1970
Jimmy Ernst

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Yellow Center, Herbert Bayer; Publisher: Marlborough Graphics, New York — Yellow Center, 1970
Herbert Bayer; Publisher: Marlborough Graphics, New York

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black block text on gray background — Keep the Faith Baby, 1967
David Nordahl; Publisher: Pandora Productions

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at L, a round, gray patterned pot decorated with yellow lilies, filled with sunflowers, white lilies and dark red flowers sitting on table; at R, rising from behind table are yellow and orange irises/lilies with leaves and stems; table just visible in LL corner, with red tablecloth decorated with blue floral pattern — Buds, 1975
Jack Beal

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landscape with palm trees at right; water at center; black fence, LLC; clouds in ULQ — After Rain, Hilo, 1949
Byron Randall

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very light colors--pale blue, green, yellow; overall repeating pattern of lined right-angle triangles forming geometric design with pale blue-grey border around design — Lemon Blue, 1976
Barry Kahn

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abstract image; thin arcing forms with wider central form, with Native American motifs; light blue elements at center, left center and bottom center — Yellow Feather, 1975
Alex Janvier

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abstract image; thin arcing forms with Native American motifs; light blue arc in URQ; green forms in ULQ and LLC — Turntable Bird, 1975
Alex Janvier

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three panels, each with a square tower; each tower slightly different with different number and placement of windows, different archways at base of tower; colors primarily dark red, black and a grayish bluewith white accents — Three Somerset Towers, 1973
John Piper; Printer: Kelpra Studio, Ltd., London; Publisher: Marlborough Fine Art Ltd., London

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abstracted image with large yellow face with green metallic around eyes and blue lips at L; green radiating ovals at bottom; two horizontal rows of multicolored buildings and blue bands at top; squares and circles of various colors at L; metallic gold linear repeat of same image in ULC in margin — Irinaland over the Balkans, 1971-1972
Friedensreich Hundertwasser (Friedrich Strowasser)

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Untitled, Jimmy Ernst — Untitled, 1970
Jimmy Ernst

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Amish Intersection, Sandra Kraskin — Amish Intersection, 1976
Sandra Kraskin

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High Sierra Landscape, Maurice Auguste Del Mue — High Sierra Landscape, c. 1927-1928
Maurice Auguste Del Mue

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Pine County Farm, Clement Haupers — Pine County Farm, 1936
Clement Haupers

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Fishouse Series #4, Larry Stark — Fishouse Series #4, 1991
Larry Stark

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Pine County Farm, Clement Haupers — Pine County Farm, 1936
Clement Haupers

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The Other Chair, Clayton Pond; Printer: Clayton Pond; Publisher: Clayton Pond — The Other Chair, 1965
Clayton Pond; Printer: Clayton Pond; Publisher: Clayton Pond

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Soprattutto, Adja Yunkers — Soprattutto, 1978
Adja Yunkers

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In the Pink, Patricia Olson — In the Pink, 1976
Patricia Olson

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One Culture Under God, IX, Larry Stark — One Culture Under God, IX, 1970
Larry Stark

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Silvery Trip, Ed O'Connell — Silvery Trip, 1969
Ed O'Connell

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stylized figures; flat bright color planes; decorative patterns; blue ground; man on horseback at bottom; horse led by another man; people on tops of 2 buildings, one upside down — Purim, from The Seven Festivals, 1981
David Sharir; Publisher: Safrai Gallery, Jerusalem

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