showing 16 results matching medium:"Red chalk on laid paper"

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mounted to ivory sheet with pale red borders; sketchy figures in clouds; two central figures look down; figures at left conversing together; one figure in URC looks up; verso not examined--received framed

Angels Looking Down from Clouds (recto and verso), 17th-18th century

Matteo Bonechi

Not on View
seated nude male with long curly hair; PL arm across lap, PR arm resting on top of backrest, head lying to backrest, leaning back to PL, ankles crossed; study of an arm in LLQ

Seated Male Nude, c. 1620-1650

Unknown (Italian, Bologna or Rome, 17th century); Artist: Formerly circle of Andrea Sacchi; Artist: Formerly circle of Pietro da Cortona (Pietro Berrettini)

Not on View
standing man with his PL hand on his hip, resting his PR elbow on a ledge; heavy-set man wears a small brimmed hat; long sheepskin overcoat, coat with large buttons and knickers

Standing Man in a Sheepskin Coat, 1778

N. Grenicher

Not on View
image of right hand and arm, with arm stretched out horizontally and hand held palm up

Right Hand and Arm, c. 1625-46

Circle of Francesco Furini; Artist: Formerly attributed to Ludovico Cigoli

Not on View
Jesus standing left of center, wearing a loincloth, with John the Baptist right of center, pouring water on Jesus' head; two figures at left, one kneeling figure at right; sketchy angels at right edge; several other sketchy figures at left; tiny face in black ink, URC

Baptism of Christ, 17th century

Orazio Borgianni; Artist: After school of Raphael (Raffaello Sanzio or Santi)

Not on View
recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward

Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century

Unknown French, 18th century

Not on View
seated nude (seated on a leaning against blocky structures) seen from PR side, holding a book in his PR hand; PR leg bent with foot to side; figure leans on PL elbow; slightly cartoonish face, looking out of picture plane

Seated Male Youth Reading a Book, 16th century

Attributed to Pietro Faccini

Not on View
drapery over back and PL arm of a kneeling figure; very light, very sketchy head and hand

Drapery Study, 1711

Bernard Picart

Not on View
head, torso and upper legs of standing figure, holding partially reclining boy down by his head; man holds dagger in PR hand; man turns to look at small angel behind man holds man's PL arm; sketchy; watermarks (or pencil sketches?) on back of mount--shield and circle with bird

Sacrifice of Isaac, 17th century

Attributed to Giovanni Andrea de' Ferrari; Artist: Formerly attributed to Gioacchino Assereto

Not on View
mounted on heavy paper with grey and black borders; green overmat; profile of man from PL side; man is balding, with stray tufts of hair on front of head, thin scraggly beard and moustache, and long eyebrow hairs; man has closed eyes and open mouth; wearing red shirt and grey cloak

A Grosteque Male Head, 16th-17th century

Camillo Procaccini

Not on View
mounted on tan paper; central female figure with long hair and her drapery flowing behind her head; two putti, each with a bow and arrow, fly in top corners; kissing figures at left; male figure in LRC holding horns (?) with curly hair and beard; putto with sea serpent below female figure

Triumph of Galatea, c. 1630

Cavaliere d'Arpino

Not on View
mounted on ivory paper; study for a sculpture of a standing male in a contrapposto pose, with PL arm held up; each hand holding a staff; figure stands on a dolphin on top of a base with shells and foliate swags; another smaller figure study in same pose at right; study of a hand holding a staff in red chalk at left

Study for a Fountain of Neptune, 16th-17th century

Cherubino Alberti

Not on View
mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout

A City Square with Tradesmen, 17th century

Giovanni Maria Tamburini

Not on View
mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand

Battling Tritons and Men on Hippocampi, 16th century

Pellegrino Tibaldi

Not on View
four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image

Forge of Vulcan, 16th-17th century

Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View

Allegory of Painting, 1729

Jacob De Wit

Not on View

showing 16 results matching medium:"Red chalk on laid paper"

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