showing 233 results matching medium:"Pen and brown ink"

advanced

Looking for medina, metius, media, medic?

sketch of a man wearing a tri-cornered hat and knickers, standing in an awkward profile pose with bent knees and head turned over PL shoulder; illegible text in URC; lines of text on verso

Caricature of a Young Soldier, 1809

Unknown French, 19th century

Not on View
eight studies of women, mostly head studies; one 3/4 length--one waist length; one woman balancing a tray of fruit on head

Studies of Women, c. 1910-12

Albert Besnard

Not on View
sketch of standing woman in profile from PL wearing a hat and a long mermaid dress with a short train, looking at a small sculpture on a pedestal at left; foliage, LLC; two other sketchy sculptures in URQ

Woman with Garden Statues, c. 1890

Henry Somm (François Clément Sommier)

Not on View
standing man wearing a hat with a wide brim, pushed back on his head, with long ties and robe-like garment; man holds a pen in his PR hand and an open book in his PL hand; standing lion next to and behind man; columns and a wall with architectural details behind man, with landscape and buildings visible beyond columns; sheet trimmed into round shape (tondo)

Saint Jerome, c. 1520

Master of 1518

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Studies of Saint John the Evangelist and Saint Matthew, 17th century

Giacinto Calandrucci

Not on View
woman wearing flowing draperies in LLQ, with a suggestion of a billowing garment behind her head, hovering over a body; another sketchy figure in URC, with billowing garment behind his head

Diana and Endymion, 17th century

Giovanni Lanfranco

Not on View
various small sketches on sheet; round coat of arms medallion with acanthus leaves surrounding small irregularly-shaped shield mounted with a helmet of armor and a small scroll with text at top, at right center of sheet; sketch of helmet of armor in LLC; small sketches of figures in various poses overall, including scene of flogging at left center and soldiers with flags and spears

Medici Coat of Arts with Figures from Callot, 17th century

Ercole Bazzicaluva

Not on View
landscape with trees at R and L and village at horizon line; three figures in foreground seated, slumping and lying on large rocks

Three Figures Resting in a Landscape, 17th century

Ercole Bazzicaluva

Not on View
standing soldier wearing armor, helmet, sandals; two heads visible over shoulders of front soldier; another possible drawing on verso

Study of Two Roman Soldiers and a Bearded Figure (recto); Study of a Bearded Man Walking with a Stick (verso), 17th century

Francesco Allegrini

Not on View
landscape in brown ink with water in foreground; figure in a small boat, LRC; another figure in LLQ sitting on a dock, fishing; building at ULC; cross next to trees at center; 2 figures on shore under tree R of center; another small boat with figure below 2 figures on shore; attached to blue mount

Landscape with Figures Fishing, mid 17th century

Attributed to Francesco Allegrini

Not on View
head of a man in profile, looking toward PR; man has curly hair and long beard and wears a cap with a rolled brim at the nape of his neck; small strip of paper at bottom of image with two collectors' stamps

Head of a Bearded Man in Profile, 16th century

Attributed to Carlo Urbino

Not on View
standing figures with draping garments; arms outstretched

Standing Draped Figure, 16th century

Attributed to Carlo Urbino

Not on View
male figure standing on stern of boat with PR arm outstretched in front, and a cluster of fish on a stringer in PL hand

Fisherman Standing in a Boat, c. 1630-1640

Stefano della Bella

Not on View
hippocamp seen from front, with very curly mane, slightly off-center, open mouth and long curving sea serpent tail; corners of sheet clipped

Sea Dragon, 16th-17th century

Benedetto Brandimarti

Not on View
sketch of a barrel vaulted corridor with arched openings at L and R; sky and foliage above

Architectural Fantasy, 18th century

Guiseppe Valeriani

Not on View
portrait of head and shoulder of a man with medium-length curly hair and a short beard looking out of picture plane; man wears a hat and a neckerchief tied in a bow

Portrait of a Man Wearing a Hat, 17th century

Attributed to Jacques de Gheyn III; Artist: Formerly attributed to Jacques de Gheyn II

Not on View
head and torso of bearded man, with curly hair, holding a thin club over his PR shoulder; PL hand on hip; bare-chested, with lion skin over his PR shoulder

Hercules, 1641-1642

Guercino (Giovanni Francesco Barbieri)

Not on View
light, sketchy drawing of a 2 putti side by side; L putti seated on a goat; L putti has PR arm raised; brown ink; mounted onto sheet with brown and pink borders

Two Putti on a Goat, c. 1640

Stefano della Bella

Not on View
tiny sketch of a foreshortened reclining nude male, resting on PL hip and PL elbow with bent knees and PR arm upraised; brown ink

Study of a Reclining Male Figure, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC

Massacre of the Innocents, 17th century

Pietro Testa

Not on View
recto: Mary holding Christ child, both looking down, in ULC; St. Catherine at right in LRQ; man in bishop's hat reading, LLQ; three small figures (cherubs?) and lower center; verso: sketch of seated woman with text in Italian

Studies of the Madonna and Child Adored by Saints, 17th century

Circle of Simone Cantarini

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Angelic Vision of a Bearded Man (Saint Jerome?), 17th century

Attributed to Alonso Cano

Not on View
standing nude male with thick curly hair; hands not delineated; verso: sketch of arms, torso and head and sketchy figure study; brown ink

Standing Nude Male, 19th century

Filippo Pelagio Palagi

Not on View
recto: seated Madonna holding standing Christ child, on clouds at top center, surrounded by angels and cherubs in a ring, hand in hand; at bottom, three standing male saints, from left: John the Baptist with his cross, man holding an open book, man holding a closed book in his PL hand and man in bishop's hat with crozier; verso: scene of the descent from the cross with Mary behind Jesus, holding him beneath this PL arm; praying and mourning figures surround Jesus, with two ladders behind them; lower left corner of drawing is missing

Madonna and Child with Four Saints (recto); Pietà (verso), 16th century

Federico Zuccaro; Artist: verso attributed to Antonio Viviani

Not on View

Study for "The Combat", 19th century

William Etty R.A.

Not on View

Two Putti Covering a Cartouche on the Base of a Pediment with a Tapestry Showing a Man Playing a Lute in a Landscape Setting, c. 1621

Guercino (Giovanni Francesco Barbieri)

Not on View
Represented by a seated female figure with a globe and a compass

Allegory of Geography, c.1590

Attributed to Anton Eisenhoit; Artist: Formerly attributed to Lelio Orsi

Not on View
Demon bending over, reaching toward slips of paper on the ground; Gebrüder Hirsh invoice verso

Caricature of Demon with Tail, 1923

Heinrich Kley

Not on View
On verso the model again, in red and black chalks

A Little Rustic, late 19th century

Sir George Clausen

Not on View
tall, thin image of a standing satyr playing pan pipes; satyr may be wearing a hat

Pan, 16th century

Attributed to Pellegrino Tibaldi

G317

two figures--one standing, rowing--in a small boat, LLC; figure walking down steps to riverbank in LRC; figures with a horse standing under a small open roofed structure at center, with one tall tree to right; another horse to right of tree; several buildings

River Landscape with Blacksmith at Work outside a Village, 1653

Jan van Goyen

G344

An Anatomical Lecture at Royal Academy of Arts, 1780s

Thomas Rowlandson

Not on View
head and suggestion of a shoulder of boy looking up and left; long curly hair

Head Looking Up, 17th century

Stefano della Bella

Not on View
figure wearing flowing robes on rearing horse, with PR arm extended forward, seen from PR side; standing and kneeling figures at left

The Flight of Cloelia, 1545-1551

Battista Franco

Not on View
landscape scene with male and female satyrs in foreground at left; putti atop a structure behind foreground figures, with one putti standing on rock at left, rubbing his eyes; tree at right

A Bacchanale with Putti, 1651

Charles-Alphonse Dufresnoy

Not on View
sketch of male lion with PL front paw raised on a rock, directly under his chin; corners of sheet and mount clipped

Study of a Lion, 18th-19th century

Giuseppe Bernardino Bison

Not on View
water in foreground with sailing ships; mountains at center and right with some buildings; corners clipped

View of Mountainous Coastal Town and Fortificaton, 18th century

Attributed to Francesco Zucchi

Not on View
PL hand with fingers outstretched; dark crosshatched shading

Left Hand, 17th century

Antonio del Castillo

Not on View
Jesus standing at right with head bend, hands in prayer; John the Baptist standing at center, holding a tall cross, pouring water from his PR hand; winged cherub heads in ULC and dove; lamb and standing figures including a boy at right

Baptism of Christ, 18th century

Domenico Tiepolo

Not on View
line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder

Apollo Flaying Marsyas, 16th century

Circle of Luca Cambiaso

Not on View
group of kneeling supplicating men, some wearing thin drapery or loincloths; many zigzag pen strokes

Group of Worshipping Men, 17th century

Pseudo Gherardi

Not on View
seated female figure holding feather-like object and book in PR hand; sword (?) in PL hand; two female figures standing on either side; architectural background; broken wheel, center front

Saint Catherine Enthroned with Saint Lucy and Saint Agatha, 16th-17th century

Lazzaro Tavarone

Not on View
doorway with two putti and coat-of-arms above; figural sculpture and pillar L of doorway

Design for a Wall Decoration, 1570s

Jacopo Zucchi and studio

Not on View
woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane

Lucretia, early 1640s

Guercino (Giovanni Francesco Barbieri)

Not on View
sketchy style; seated Madonna at R with head drawn in two different poses, holding infant Jesus; another figure at L behind St. John

Madonna and Child with Saint Elizabeth and the Infant Saint John the Baptist, c. 1600-1635

Attributed to Giovan Paolo Pisani; Artist: Unknown Italian (Tuscan), mid-16th century; Artist: Formerly attributed to Alessandro di Agostino Casolani

Not on View
view into the apse of a cathedral with a choir screen; small chapel at L

View of the Chapel of the Madonna de' Mascoli in San Marco, Venice, 19th century

Baldassare Cavallotti

Not on View
view inside St. Peter's; canopy over alter with figures worshipping; sketchy style

View of a High Altar, perhaps in San Marco, Venice, 19th century

Baldassare Cavallotti

Not on View
very sketchy, unfinished figure study of figure leaning slightly backwards with PL arm overhead; brown ink

Male Figure Study, 16th-17th century

Attributed to Palma il Giovane

Not on View
sketch of two figures; figure at left lying on side with PL arm under head; figure at R slumped on PR hip with legs stretched to side, head lowered

Two Male Figures (Study for the Resurrection), 18th-19th century

Giuseppe Bernardino Bison

Not on View
2 women at L, one holding a baby, in front of a wall of windows (or paintings?); wall at L with rounded steps up to a doorway; other structures in background center

City Street in Genoa, with the Lighthouse and Port in the Background, early 19th century

Unknown Italian, early 19th century

Not on View
four tiny sketches; clockwise from ULC: two men pouring from one large vessel into another, man pouring from a small vessel into a large one while pouring over a utensil, man stirring a large vessel, man seen from back slightly bent over with PL hand in a vessel

Soap or Soup Makers, 17th century

Stefano della Bella

Not on View
centaur with PR front leg raised; thick midsection at human waist; centaur looks backward toward PL; trees in background

Centaur, 17th century

Carlo Saraceni

Not on View
owl perched on an ovoid element

Owl, 18th century

Pier Antonio Novelli

Not on View
old man in profile, with long beard and hair brushed forward

Head of an Old Man in Profile, 17th century

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View
standing woman in profile from PR, wearing calf-length skirt and apron

Maid Servant, 18th century

Francesco Simonini

Not on View
reclining man lying on his PR side; man looks up toward PRC; man has long beard; sphere behind man in URQ

River God "Archimedes", 18th century

Gaspare Diziani

Not on View
standing bearded man, head turned to PL, holding a thick staff; man appears to be stepping up

Standing Draped Man (Saint James Major or Saint Roch), 17th century

Jan de Bisschop

Not on View
tree branches at top center, heavy with leaves, hanging over tall walls; 2 figures wearing hats visible through open doorway L of center

Landscape with Ruins, early 19th century

Unknown German or French ?, early 19th century

Not on View
Christ kneeling on rock in water at bottom left, arms folded across his chest, head looking down toward PR; John the Baptist at bottom right, leaning again same rock, holding shell above Christ's head in his PR hand and a thin cross-shaped staff in his PL hand; two angels and three cherubs (without wings) in sky at upper corners, with dove in light between clouds at top center; figures at left edge look on; two bathers in background at right

The Baptism of Christ, 17th century

Jacques Stella

Not on View
sketch of figure straddling another figure lying down; top figure is stabbing reclined figure; brown ink

Study of Two Male Figures Fighting, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
sketch of a striding heavily draped figure; brown ink

Study of a Male Beggar, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
2 striding figures, one looking up, the other looking down with fingers pressed to eyes; brown ink

Study of Two Kneeling Male Figures, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
abstract-appearing image which may be hunched-over figure with arms drawn in; brown ink

Study of a Woman Holding a Child, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
fallen horse at L and fallen soldier at R; brown ink

Study of Two Dead Figures and a Horse, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
male figure seated in chair holding rod-like object in PL hand; female figure with PR arm extended with small oval shaped object in hand; three figures behind woman at edge of image; drapery at UL; pillars at R; arches in distance

Tamar Presenting Judah with his Staff and Signet Ring, mid 17th century

Unknown Italian, 17th century

Not on View
sketch; angel at left, gesturing across body and upward with PR arm, holding a flower (?) in PL hand; woman in LRQ, gesturing with PR hand held open and out; putto in URQ

The Annunciation, c. 1557

Paolo Farinati; Artist: Circle of Orazio Samacchini; Artist: Unknown Italian (Bologna), late 16th century; Artist: Formerly attributed to Bernardino Lanino

Not on View
two standing figures--male on left, female on right; each figure has PR arm held out in front of them; both figures heavily draped; man has curly shoulder-length hair and beard and wears sandals; woman has long curly hair covered with headscarf; verso: light sketch of a face

Standing Draped Male and Female Figures, 16th century

Circle of Giulio Romano; Artist: Workshop of Raphael (Raffaello Sanzio)

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

El Tio Pepe Don José, 1905

Pablo Picasso

Not on View
group of figures seen from behind, watching a bullfight; head of a bull visible through bars of railing at center

At the Bullfight, c. 1825-1845

Leonardo Alenza y Nieto

Not on View
standing male nude with short curly hair at L, slightly bending at waist, with PR hand on chest and PL hand on shoulder of seated nude women with PL arm across lap

Study of a Standing Male Nude and Seated Female Nude, 19th century

Filippo Pelagio Palagi

Not on View
recto: seated Madonna and Child; Mary has bare feet, with PR foot resting on a riser; nude Christ child with arms spread outward; other sketchy figure studies in black chalk around main figures; verso: John seated on clouds accompanied by a large bird at right; John is writing on a tablet; long curly hair; sheet affixed to mount with black tape on recto and verso

Madonna and Child (recto); Saint John the Evangelist (verso), 16th century

Unknown Italian, 16th century

Not on View
two horses at left; central soldier in armor holding a sword up behind his back, preparing to slay a fallen soldier before him on ground; other soldiers and horses at right and in background at center

Battle Scene, 16th-17th century

Antonio Tempesta

Not on View
mounted on cardboard; Mary holding and looking at baby Jesus with Joseph at right looking on

Holy Family, 17th century

Circle of Simone Cantarini

Not on View
figure tending to a fallen figure at center; horse at left; another horse in background, URQ, with another partially reclining figure; hook-like hatching

The Good Samaritan, 17th century

Attributed to Simone Papa III

Not on View
Preliminary study for the painting, Le Grand Dessinateur (The Great Draftsman).

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Grand Dessinateur, 1934

Jacques Villon

Not on View

Caricature of an Obese Man Seated at an Easel, 1923

Heinrich Kley

Not on View

The Couple, 19th century

Constantin Guys

Not on View

Plant Man, 1922

Heinrich Kley

Not on View

Portrait of Duke Beccadelli, early 20th century (?)

Imitator of Pier Leone Ghezzi; Artist: Formerly attributed to Pier Leone Ghezzi

Not on View
Studies for an altarpiece of the Madonna and Child with Sts. Lawrence, Roch, and others (recto and verso)

Madonna and Child with Saints Laurence, Roch, Jerome, and others, c. 1630

Giovanni Baglione

Not on View
Gerbrüder Hirsch invoice, verso

Nude Man Making a Sign, 1923

Heinrich Kley

Not on View
mounted on green paper with black borders; portrait of frowning solider with long, flat nose and curly hair, wearing helmet with winged female caryatid on front surmounted by a bird, and a long plume, and armored breastplate with animal head on PR shoulder, holding a dagger or sword in his PR hand and the sheath in his PL hand; other soldiers behind, including solider holding a staff tied with a billowing ribbon

Lucius Brutus, c. 1663-1665

Domenico Peruzzini

Not on View
mounted to ivory paper with brown border; female figure standing, leaning against curved element at left; leafy architectural element to right of woman's head; PR elbow resting up, PL arm down; woman wears draping garments; light brown sketch of a female bust at right

Female Figure in a Spandrel, Study for the Allegory of Modesty, 1583-1585

Bernardino Poccetti

Not on View
portraits of two boys, each in profile from PR, and each wearing caps; boy at right has hair curing in front of his ear, with the ends of his hair at his neck curling outward; boy at left has head turned slightly toward PL, with hair at his neck curling under

Heads of Two Boys, 16th-17th century

Giovanni Battista Caracciolo

Not on View

%C2%A9 Estate of Albert Paris von G%C3%BCtersloh %2F Artists Rights Society %28ARS%29%2C New York

Self-portrait, 1913

Albert Paris von Gütersloh

Not on View
crowded scene with partially draped male and female figures at center, femal figure on left has arm up and male figure holds her other arm

Orpheus and Eurydice in Hades (recto); Triumph of Bacchus in a Landscape (verso), c. 1800-1805

Pietro Fancelli

Not on View
mounted on ivory paper with blue overmat; two kneeling male figures in foreground, with short hair; four standing figures behind--two with beards, one in partial shadow, one balding, with a walking stick

Group of Men Looking to the Right, c. 1540-1550

Unknown Artist (Siena), 1540-50; Artist: Formerly attributed to Domenico Beccafumi

Not on View
mounted to ivory sheet with brown borders; ivory and green overmat with tan and gold borders; sketch; cart at bottom drawn by a horse with its rider wearing a mask and carrying a switch; five seated figures on cart and one women wearing a mask (or female scarecrow figure?) seated on a stool at back of cart; sketch of a man on horseback in ULC; small portrait of the head and torso of a masked woman behind horseman

A Horse-Drawn Festival Cart with Studies of a Horseman and a Masquerader, 17th century

Stefano della Bella

Not on View
mounted on stiff paper; St. Jerome, with long curly white hair and long beard, crawling out of a cave; baskets in a lean-to to right of cave; lion in foreground, LRQ; lush landscape scene with large tree at left; inscription at bottom

Saint Jerome in the Wilderness, 1623

Francesco Grigiotti

Not on View
Mary at left, wearing voluminous draperies, holding baby Jesus, with her PR elbow on a cushion; Joseph seated behind a rock (?), resting his head on his PL hand and holding a book in his PR hand; sketchy

Rest on the Flight into Egypt, 1620s

Pietro da Cortona (Pietro Berrettini)

Not on View
Bound in book "David Wilkie, Holograph Letter 1829"

Letter from David Wilkie to William Newton, May 22, 1829, 1829 or 1839

Sir David Wilkie; Miniaturist: Sir William John Newton

Not on View
recto: figures seated around a table at left; some standing figures at right; dog, LRC; Jesus seated, left of center, with a zigzag halo; verso: bottom half of sheet--Mary, Joseph and two other figures seated in a semicircle around baby Jesus; Mary and Joseph have zigzag halos; top half of sheet--light black chalk sketch of Madonna and Child

The Last Supper (recto); Adoration of the Shepherds (verso), c. 1621

Pietro D'Asaro (called il Monocolo di Racalmuto); Artist: Formerly attributed to Pietro Novelli (called il Monrealese)

Not on View
2 sketches: at L, two shadowy women walking up an incline carrying mortar on top of rectangular objects on their heads, in front of a sketchy building; another sketch of a woman in profile at R; brown ink

Women Carrying Mortar, 19th century

Henri Lehmann

Not on View
standing robed figure ringing a bell held in his PR hand, with PL hand outstretched; PL foot resting on rock; radiating lines extending from head; mounted on blue paper

Standing Male Saint Holding a Chalice, late 17th century

Unknown Italian (Neapolitan), 17th century

Not on View
standing woman wearing flowing garment and head scarf, with PL hand on chest, in controposto pose with head tilted slightly to PL; radiating lines extending from head; dog seated on PL side of woman, looking up at her; mounted on blue paper

Saint Margaret of Cortona, late 17th century

Unknown Italian (Neapolitan), 17th century

Not on View
four small sheets, each with one figure, mounted together on a larger sheet: each study numbered (left to right): 301 (?), 102, 100, 302 (?); #301 (ULC): male with heavy beard wearing a skirt, leaning on PL leg with bent knee, PL arm up with elbow bent; #102 (URC): nude male wearing a flowing cape, leaning PR knee on an invisible support; #100 (LLC): standing woman wearing a helmet and a log dress with a shield on her PL upper arm; #302 (LRC): striding man wearing loop of flowing fabric, body twisted to PL with PR arm extended downward

Four Figure Studies, 18th century

Unknown French, 18th century

Not on View
view of a building with multiple stories; arched doorway at left, arched opening to a small balcony at center and arched opening in wall at right; potted plants on high patio at center; trees at left

Italian Landscape, 18th-19th century

Giacomo Quarenghi

Not on View
standing figure with long white beard; PL leg on a block; PR hand resting on PL thigh; figure holds stone tablet on PL knee; border drawn around figure

Moses, 18th century

Circle of Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
three figures on a cloud; figure at left kneels; figure at right crowns kneeling figure; third figure in back raises PL hand; squared-off corners

Apotheosis of Classical Divinities, 18th-19th century

Giuliano Traballesi

Not on View
4 small sheets, each with one figure, mounted together on a larger sheet; each study numbered (L to R): 70, 50, 111, 56; #70 (ULC): nude male with PR arm upraised, PL hand holding shield, weight on PL leg, PR leg extended back off the ground; #50 (URC): nude male from back, striding, looking back, with PR arm over head; #111 (LLC): seated nude with both hands on head; #56 (LRC): standing nude with PL foot on block, PR arm raised, looking down, holding an object in each hand

Four Studies of Male Nudes, 18th-19th century

Unknown French, 18th century

Not on View
two draped figures at right--foreground figure holds a staff aloft with his PR hand, pointing to a waterfall; woman at left catches the water in a large jug; other figures at left with basins and jugs; woman assists a child drinking in foreground

Moses Striking the Rock and Bringing Forth Water, 16th century

Unknown artist (Italian, 16th century); Artist: Formerly attributed to Rosso Fiorentino or his circle

Not on View
head and torso of a man with a moustache and receding hairline, holding a pen-like tool in his PL hand; many diagonal hatched lines; man wears jacket, tie and vest; loose style

Self-Portrait, April 19, 1923

Lovis Corinth

Not on View
2 soldiers at center; soldier at L grabbing the shoulders of soldier at R; caped man at L extends arm and rushes toward soldiers; figures with cow at R; 2 jugs, LLC; black and brown ink

Mucius Scaevola Before Porsena, 1740s

Gaspare Diziani

Not on View
many boats in with many figures; Venice skyline in background; low horizon line; received in gilt frame

The Return of the Buncintoro from S. Nicolò di Lido, c. 1778

Francesco Guardi

Not on View
mounted to ivory paper; standing central figure with his PL hand on the forehead of a thin, seated old man, and his PR hand held in a blessing gesture; dog, LRC; many figures in background, including child at central man's PL elbow and woman with baby at right; column and base at top right of center; squared off with black chalk

Saint Lawrence Restoring the Sight of Lucillus, c. 1604-1606

Giovanni Baglione

Not on View
mounted to heavy paper with gold and brown borders; kneeling nun, hands in prayer, looking up, with a book in front of her knees on ground

Kneeling Carmelite Nun: Saint Teresa of Avila (?), 17th century

Attributed to Jean-Baptiste de Champaigne

Not on View
two standing figures at L flogging a crouching figure at center; two standing figures at R

Martyrdom of Saint John the Baptist, 17th century

Francesco Allegrini

Not on View
large open vaulted space with pointed arches; timber ceiling; altar at L; figures scattered through space

View of a Church Interior, early 19th century

Attributed to Baldassare Cavallotti

Not on View
view into a small plaza from a vantage under a barrel-vaulted colonnade; Classical style building elements; mounted to green paper

View of an Italian Colonnade and Courtyard, early 19th century

Unknown Italian, 19th century

Not on View
view through an archway at a series of arched doorways and walls in a roofless ruin

Sketch of the Baths of Caracalla, early 19th century

Unknown early 19th century

Not on View
sketchy style; standing figure carrying another figure in his arms; possible architectural element at right

Dedalus Burying Icarus, c. 1605

Carlo Saraceni

Not on View
three angels in pendentives, each holding up right arm; two angels at left look toward right; squared

Design for Angels in Pendentives, 17th century

Attributed to Giovanni Battista della Rovere; Artist: Attributed to Giovanni Mauro della Rovere

Not on View
recto: man seen from back, wearing a coat with large pockets and stitching on slit at back; man holds papers with text in PR hand; legs of stool visible beneath coat hem; verso: fantastic columnar architectural element with cartouche, swags and foliate scrolls, face and animal legs

Man Seated at a Draftsman's Table, 18th century

Attributed to Carlo Marchionni or; Artist: Attributed to Pier Leone Ghezzi

Not on View
architectural study of ceiling with figures in spandrel in LRC and at bottom center below central ovoid element, and with various scrolls and swags

Ceiling Design, c. 1785

Giovanni Giuseppe Jarmorini

Not on View
profile of a rotund monk facing R; hooked nose; thin crown of curly hair; resting PR arm across belly

Caricature of a Monk, late 18th to early 19th century

Jean-Baptiste Isabey

Not on View
large tree near center; figure standing on steps at R; 2 figures in LLQ next to a shrub; city in background, at L

Italian Landscape with Oak Tree, early 19th century

Unknown German, early 19th century

Not on View
Pan at right, grabbing Syrinx around the waist, who has her PR arm up and her PL arm across her chest, pulling away; three other figures seated in LLQ; medium brown wash through much of image

Pan and Syrinx, c. 1760

Attributed to Giuseppe Bazzani; Artist: Formerly attributed to Francesco Trevisani

Not on View
fifteen small sketches on one sheet: arches, staircases, pillars and streets--most contain human figures; sketch in UR corner resembles landscape more than architecture

Fifteen Miniature Architectural and Italian Views, 18th century

Victor Jean Nicolle; Artist: Previously attr. to Unknown French, 18th century

Not on View
Moses on hill; figures raising pole with single branch on L side of pole; serpent curled around pole; figures sprawled around bottom of hill; tree at L edge, R edge and distance

Moses and the Brazen Serpent, c. 1743-1744

Corrado Giaquinto

Not on View
seated pope receiving gift from kneeling man; large family kneeling behind; family figures numbered with key at L; two figures standing to PL of pope and one to PR; two men conversing at R foreground

The Rospigliosi Family Paying Homage to Pope Clement IX, 1667-1669

Attributed to Carlo Maratti

Not on View
processing figures, moving toward right; figure third from left holds a shallow bowl in his PR hand; second figure from right in foreground has PR arm outstretched; man at right edge has long beard

Procession, 16th century

Attributed to Andrea Boscoli; Artist: after Polidoro da Caravaggio

Not on View
woman seated at right on rocks looking left; wears dress and elaborate headdress; gestures with right hand, landscape at left with low horizon line

Sibyl in a Landscape, 1640

Attributed to Leonardo Scaglia

Not on View
St. John the Baptist at center, Christ at center right, flanked by angels, who draws a cloth over Christ's head; God the Father and Holy Ghost represented as dove in clouds; crwod at left

Baptism of Christ, 17th-18th century

Tommaso Redi

Not on View
sheet of studies; man in hat, LL corner; figural shapes, top half of sheet; on verso, man semi-reclining

Study of an Old Testament Prophet and other Figure Studies (recto); Study of a Male Figure with a Rope (verso), 17th century

Unknown Dutch, 17th century

Not on View
central rectangular image of man wearing helmet and carrying shield, riding a rearing horse; three female figures at left; round building in URC; nude female figure standing on an orb at left; female caryatid at right; decorative frieze below

Heroism of Marcus Curtius, c. 1550-95

Circle of Federico Zuccaro; Artist: Circle of Taddeo Zuccaro; Artist: Formerly attributed to Francesco Salviati or his circle

Not on View

The Holy Family, 17th century

Follower of Guercino (Giovanni Francesco Barbieri)

Not on View
Recto Mary Magdalen converting the People of Marseilles (?) verso Lazarus, Bishop of Marseilles (?)

Mary Magdalen Converting the People of Marseilles, late 17th century

Unknown , French

Not on View
study of a man wearing a turban

Turk, 17th century

Unknown; Artist: after Stefano della Bella

Not on View

Bird (Crow), 1852

Félix Bracquemond

Not on View
Sketches rendered upon an account statement

Caricature of Seated Man Writing at a Table; Sketch of a Canal; Sketch of Four Viking Ships, 1923

Heinrich Kley

Not on View
standing man wearing cape and holding framed picture; text at bottom

Portrait of Giovanni Battista Maini, 1749

Pier Leone Ghezzi

Not on View

View of Northumberland House and Charing Cross, c. 1752

Canaletto (Giovanni Antonio Canal)

Not on View

The Musician, c. 1768

Jean-Baptiste Le Prince

Not on View
verso Lazarus, Bishop of Marseilles (?) recto Mary Magdalen converting the People of Marseilles (?)

Lazarus, Bishop of Marseilles, late 17th century

Unknown , French

Not on View

Mounted Officer, 1610s-1630s

Unknown Flemish, 17th century

Not on View
meeting of two opposing groups of men on horseback; man and horse on ground in center foreground

Fighting Horsemen, c. 1565-1566

Luca Cambiaso or his workshop

Not on View

The Holy Family, 1750s

Follower of Donato Creti

Not on View

Allegory of America, late 1690s

Giovanni Antonio Pellegrini

Not on View

Hercules with the Nemean Lion, c. 1555

Prospero Fontana

Not on View

Spandrel Study: Angels with the Symbols of St. Luke, 1747-1755

Joseph Wilton

Not on View
sketch; three figures--foreground head and torso slumped, with head supported by figure at right; standing figure at left; large shadowy areas of ink wash

Death of Hyacinth, c. 1752-1753

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
mounted on ivory paper with tan, grey and gold borders; two sketches of female statue in contrapposto pose at right and left edges of paper; central sketch of a bearded man wearing a cap at center bottom

Studies of a Nude Female Statue (Venus) and Head of a Mature Bearded Man (recto); Architectural Studies (verso), 16th-17th century

Cherubino Alberti

Not on View

Stage Design: Set Proposal for a Ballet, c. 1790

Bernardino Galliari

Not on View
couple seated at a table with green and white table coverings--man just rising from his chair; another woman in blue dress with white apron stands at right; seated woman holds a white cat; painting and sketch hang on wall in background

Painter and His Wife Just Finishing Their Meal, 19th century

Michael Baschiloff

Not on View
mounted to ivory sheet with grey, green and pink borders; sketch; figure kneeling on one knee in LRC; standing figures at left; sketchy tall figures (sculpture?) in background

Michelangelo Presenting the Moses of the Tomb of Pope Julius II to Pope Paul III, 17th-18th century

Attributed to Pietro Antonio de' Pietri

Not on View
soldier at left wearing helmet handing a spherical object to a standing man at right wearing robes; four figures at center look toward right; two faces at left behind robed man looking left

The Adventus of Hadrian (Marcus Aurelius), 17th century

Attributed to Pietro da Cortona (Pietro Berrettini)

Not on View
mounted on ivory paper; two angels flying toward left; angel at bottom kneels on a cloud; angel at top is flying horizontally

Two Angels in Flight, c. 1645-47

Pier Francesco Mola

Not on View

Stage Design: Proposals A and B for a Drawing Room, c. 1790

Bernardino Galliari

Not on View
mounted on ivory sheet with blue-grey border; line sketch with enthroned Madonna and Christ child on very tall throne with at least two figures standing on right and one on left, another possible seated figure in front

Madonna and Child with Saints (Sacra Conversazione), 18th century

Attributed to Domenico Tiepolo; Artist: Formerly attributed to Pietro Antonio de' Pietri

Not on View
mounted on ivory paper; male satyr at left, seen from PL side, pulling a baby satyr up against the back of his head to ride on his shoulders; female satyr at right, with her PL hand on male satyr's hip; sketchy tree at right

A Satyr Family, 1580s

Formerly attributed to Cavaliere d'Arpino

Not on View
sketchy, unfinished; two figures; left figure reclines on cloud; right figure with arms out, PR hand touching arm of left figure; legs of right figure redrawn several times--figure has four legs

Diana and Eolus, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
Seated man playing a lyre, with various animals and birds seated and perched on branches around him; inscriptions at top and bottom; mounted to ivory sheet with grey and gold borders

Orpheus Charming the Beasts, 16th century

Pirro Ligorio

Not on View
angels and cherubs in clouds in a V-shaped configuration; St. Matthew at center, holding a large book (?); architectural details at top and edges; mat cut to cover URC

Glorification of Saint Matthew, c. 1754

Martin Knoller

Not on View

Apotheosis of a Male Cleric Saint, 17th century

Paolo Pagani

Not on View
the infant Christ is depicted being circumcised in an architectural interior, with figures gathered around him and on the steps in foreground

The Circumcision of Christ, 1588-1589

Pasquale Cati

Not on View

Spandrel Study: Angels with the Symbols of St. Mark, 1747-1755

Joseph Wilton

Not on View
woman wearing a sleeveless gown and a veil seated side-saddle on a horse with a thick mane; man with curly hair wearing a shirt with a ruffled collar stands behind horse; brown wash tones

Young Man Accompanying a Young Woman on Horseback, 19th century

Unknown German, early 19th century

Not on View
sketchy; three female figures; seated central female figure looking down to PR, with a yoke on her PL shoulder; standing woman at right with head tilted slightly upward; standing woman at left holding an olive branch in her PR hand and a dove in her PL hand; fallen figure (?), LLC

Chastity, Obedience, and Poverty, c. 1600-1630

Attributed to Giulio Benso

Not on View
three seated figures and one standing figure, all looking toward left; frontmost figure seated on a bench

Study for the Calling of Saint Matthew, 16th-17th century

Giovanni Baglione

Not on View
man at right wearing armor and holding a shield, running toward right, looking behind him; woman behind man running with her arms stretched out in front of her, looking back; another man with dark hair and beard running toward couple, hitting soward out of soldier's hand with a shovel

Roman Soldier and Woman Fleeing Man Armed with a Shovel, 18th century

Attributed to Francesco Fontebasso; Artist: Formerly attributed to Luigi Sabatelli; Artist: Attributed to John Hamilton Mortimer A.R.A; Artist: May be Guiseppi Sabatelli; Artist: May be Francesco Sabatelli; Artist: May be Giuseppe Piattoli

Not on View
falling partially draped figures; falling angel at left; clouds at bottom

Fall of the Damned, 19th century

Giuseppe Bezzuoli

Not on View
crowded, busy scene of horses and men fighting; empty, blank rectangle at bottom center

Study of a Battle, preparatory sketch for the fresco 'Clovis Defeats Alaric II', 1653

Raffaello Vanni

Not on View
four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy

Putti Floating a Banner, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
ink with red wash; women with jugs and baskets at R; male figures with camels at L; seated figure seen from back, LLC; city with buildings and sculptures in background at R

Laban and Rebecca Receiving Eliezer, 1562-1563

Maerten de Vos

Not on View
recto: Mary with Christ child reclining on her lap, surrounded by draperies, ascending at center top, accompanied by nude male angels, with standing angels in top corners; angel in ULC plays a pipe; house-like structure at bottom center being lifted aloft by other angels on left and right sides and beneath structure; sketchy style; verso: Mary with Christ child standing on her lap being carried aloft by a group of angels beneath and behind her, with three musical angels in ULC, playing a lute, a drum and a pipe

The Miracle of the Santa Casa of Loreto (recto); The Virgin and Child Carried by Angels (verso), c. 1700

Pietro Antonio de' Pietri

Not on View
young man wearing skirtlike garment kneeling on a sack, kissing the hand of a standing old man with long white hair and beard; architectural elements (column and steps) at left; lightly-penciled trees at right

Return of the Prodigal Son, 16th century

Attributed to Paulus van Vianen

Not on View
smiling man with curly beard and long moustache, wearing foliate wreath

Head of Pan, 16th century

Attributed to Giulio Romano

Not on View

A Group of Figures with a Woman and Two Pages, c. 1713

Giovanni Antonio Pellegrini

Not on View
two seated nudes at center, in a landscape; putto at LRC; two dogs at LLC; drapery at right behind figures and drapery study at top

Venus and Adonis, c. 1620

Palma il Giovane

Not on View
four male figures in a forge; figure at L working bellows; center, kneeling figure holding round disk at floor level; center standing figure holding object being hammered by L figure with raised hammer; pieces of armor in center front; arched and vaulted ceiling

A Forge, late 18th century

Antonio Zucchi

Not on View
three figures on the ground--one on hands and knees; a sketched-in fourth figure in URQ

Three Male Figures Writhing on the Ground, Study for a Resurrection, Pentecost, or Conversion of St. Paul, 16th-17th century

Palma il Giovane

Not on View
standing man R of center holding a very tiny baby over a table; 3 bearded men seated at the table; 3 younger men stand behind seated figures; 2 men--one a soldier--at R; shields and swords on wall behind table; brown and black ink

Infant Pyrrhus before Glaucias [?], 18th-19th century

Circle of Luigi Sabatelli

Not on View
ceiling decoration; segments separated into geometric forms with egg and dart moldings; central tiny circle with dove; largest segments with seated figures writing--figure at left accompanied by a bull; other segments with scrolls, flowers and cherub heads

Design for a Ceiling with the Evangelists John and Luke and the Medici Coat of Arms, late 16th century

Attributed to Cesare Nebbia; Artist: Attributed to Giovanni Battista Ricci da Novara

Not on View
Peter seated at center with shackles on his wrists and ankles broken, with arms held open, PR arm raised and PL arm down with hand near his PL thigh; Peter has curly hair and beard; angel at right touches Peter on shoulder and holds PL arm toward open doorway at right with view of buildings; two sleeping soldiers in foreground--figure on left holds his head in his PL hand, figure on right wears helmet and leans on his shield

Liberation of Saint Peter, 16th-17th century

Patricio Cajes

Not on View
recto: female nude, with lower legs undefined, seen from PR side, with upper body twisted to left; PR arm raised; verso: portion of a drawing with two figures in a boat at center; landscape in background with three standing figures; pointing hand at left edge of sheet

Twisting Nude (recto); Two Figures in a Boat with Landscape (verso), 16th-17th century

Formerly attributed to Ferraù Fenzoni

Not on View
head and torso of man with long hair, leaning toward right; long, thin fingers; PR hand on chest, PL hand holds goblet; shades of brown and white

Saint John the Evangelist, 17th century

Giovanni Battista della Rovere

Not on View
recto: two figure sketches; figure at right faces left, turned 3/4, with head down and wrists bound; figure at left faces right, bent forward at the waist, wrists bound; cloudy wash overall; cloudy third figure at top center--bleeding through from back of sheet; verso not examined--received framed

Two Studies of the Bound Christ (recto); Study of the Bound Christ (verso), 17th century

Alessandro Maganza

Not on View
Jesus at center, praying, leaning on a rock, with an angel in front of him carrying a cross and a goblet; three sleeping figures at left

Agony in the Garden, 17th century

Domenico Piola

Not on View
Ink and Wash on Paper

The Choice of Hercules, c. 1685

Michel Corneille

Not on View

View of Campo Vacino, Rome, 1767

Charles Joseph Natoire

Not on View

Phaeton asks his Father Phoebus for the Sun’s Chariot, 17th century

Bernard Picart

Not on View

Rinaldo Abandoning Armida, c. 1785

Jean-Jacques Lagrenée

Not on View

Rest on the Flight into Egypt, late 17th century

after Simone Cantarini; Artist: Unknown Italian; Artist: Formerly attributed to Donato Creti

Not on View
hooded and cloaked seated figure with winged figure holding medallion at L on plinth with two columns and all within a niche

Study for a Funerary Monument, 1750

Augustin Pajou

Not on View

Illustration for 'Ingoldsby Legends', 19th century

John Leech

Not on View

Drawing for a Frontispiece, Bust of Saint Gennaro Adored by Angels, 1732-33

Francesco Solimena

Not on View

Minerva with her Sacred Bird, the Owl, c. 1767

Gaetano Gandolfi

Not on View

Study for a Console, 17th century

Giovanni Battista Foggini; Maker: Giovanni Paoli Schorr

Not on View

Landscape with Farm Buildings, 17th century

attributed to Pieter de With

Not on View
Line drawing of coastal mountainous landscape (Sierra Madre del Sur) near Acapulco, Mexico

Near Acapulco, Coast of Mexico, c. 1869-1872

Ralph Albert Blakelock

Not on View

View of Heemstede, 1779

Jacob Cats

Not on View

St. James Major, or a Pilgrim, 18th century

Unknown Italian, 18th century; Artist: Formerly attributed to Unknown French, 18th century

Not on View

Mars and Venus Caught in Vulcan's Invisible Net, c. 1809

Christian Friedrich Tieck

Not on View
man with halo and drapery over one shoulder holding book and looking over his PL shoulder; drawing is the study for the engraving which is 67.46.3

Saint Jude, 1591-1592

Jacob de Gheyn, the Younger

Not on View

A River Landscape, 1783

Gerard Van Nijmegen

Not on View
man standing on table at R with many people in room surrounding him including musicians

A Recital in a Monastery, c. 1791

Domenico Tiepolo

Not on View

Hagar and Ishmael in the Desert, 17th century

Domenico Piola

Not on View
Pluto driving an open chariot pulled by four horses, holding the gesturing Persephone by the waist; running figure in front of horses; two putti fly over chariot; verso not examined (received framed)

Pluto Abducting Persephone (recto); Figural Studies (verso), 17th century

Unknown Italian (Lombardy?), 17th century; Artist: Circle of Pellegrino Tibaldi

Not on View
five heads in a circle; head in lower right has mouth open with long fangs; frowning face with long nose at bottom center; grimacing balding head in lower left; compacted face in ULC, with head looking up; head with very large chin in profile, URC

Five Grotesque Heads, 18th century

Gaetano Gandolfi

Not on View
mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout

A City Square with Tradesmen, 17th century

Giovanni Maria Tamburini

Not on View
Forty-seven pages with drawings on front and back covers; bound in vellum

Italian Sketchbook of Antique and Revolutionary Subjects, after 1797

Unknown Italian, late 18th - early 19th century

Not on View

The Holy Ghost, 1680s (?)

Attributed to Giacinto Brandi

Not on View
battle scene with soldiers fighting hand-to-hand at left in middle ground; two soldiers--one fallen--in foreground; Alexander Farnese behind soldiers in foreground, standing with feet apart, pointing with his PL arm; soldiers wear draping garments and helmets with plumes; buildings at right; additional armies in far distance, UL; mounted to ivory sheet with attached green border

Alexander Farnese Directing the Siege of Antwerp, 1580s

Ludovico Carracci

Not on View
sketched studies; torso and head of reclining winged female with a horn (?) at left; lighter sketches of architectural elements at right; verso not examined--received framed

Female Figure Reclining (Allegory of Fame Vanquished by Time), Architectural Studies (recto); Three Studies of a Female Figure Reclining, Studies of Sculptural Ornament (verso), 1660s-1670s

Baldassare Franceschini (il Volterrano)

Not on View
mounted on ivory paper; architectural element with scrolls; putto at left sitting on architectural element; tiny putto in URQ

Putti with the Impresa of Pope Leo X, 1585-1587

Jacopo Zucchi

Not on View
verso: angel standing on cloud at right, with PR arm upraised; kneeling Mary at left with wrists crossed, hands on chest; cherubs in clouds overhead; another smaller angel, ULC; squared off in a grid in red; received framed; see 2012.58.39b for recto

The Annunciation (verso), 17th century

Matteo Rosselli

Not on View

Spandrel Study: Angels with the Symbols of St. Matthew, 1747-1755

Joseph Wilton

Not on View
mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand

Battling Tritons and Men on Hippocampi, 16th century

Pellegrino Tibaldi

Not on View
three striding female figures at left, each carrying an attribute: pallet and brushes, building plan, small sculpture; sculpture at right of torch-bearing winged figure holding three foliate crowns; Apollo riding his chariot in the sky overhead preceded by a winged figure

The Coronation of the Allegories of Painting, Sculpture, and Architecture, 18th century

Louis Gauffier

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Water Carrier, 1904-1905

Pablo Picasso

Not on View

Spandrel Study: Angels with the Symbols of St. John, 1747-1755

Joseph Wilton

Not on View
mounted on ivory paper with brown border; sketchy; seated woman hugging distressed child at left; standing man at right; handwritten text, ULC

Expulsion of Hagar, c. 1750

Domenico Tiepolo

Not on View
seated and crouched figure with hands clenched and large shadow behind

Study for "The Lapland Witch", c. 1775-1777

George Romney

Not on View
laid down on mount with black, tan and gray framing lines; figure at center pulls back drapery to reveal scene of Judith with sword raised, holding struggling Holofernes, lying on bed, by the hair; soldiers at left; squared off in a grid

Judith Beheading Holofernes, c. 1583-1585

Ludovico Carracci

Not on View
foreshortened figure lying down, with feet, legs, backside and PR arm visible

Sleeping Boy, 17th century

Salvator Rosa

Not on View
mounted to ivory paper with blue overmat; top drawing of man wearing knickers, tall spats, simple shirt and cap, with straight hair; man seen from PR, standing, working at a table; crossbowman at bottom with PR knee on a rock, with crossbow held up; man wears a hat with two long feathers

Figure Studies: A Painter's Apprentice and Crossbowman, 17th century

Giovanni Battista Spinelli

Not on View
mounted to blue sheet with black borders; heavily-worked sketch with standing crowned figure at left, reaching out to a floating figure in URC holding spears; seated figure in LRC being crowned by a putto; standing soldiers at center; some architectural details

Allegory of the Investiture of Cosimo I as Duke of Florence, 17th century

Attributed to Giovanni Battista Foggini

Not on View
recto: seated man wearing draping robes with PL elbow resting on a book; balding, with long beard; verso not examined--received framed

Drapery Study (recto); Kneeling Woman (verso), 16th century

Attributed to Girolamo Siciolante da Sermoneta

Not on View
mounted on white paper with pink border; two group of figures confronting one another; group at left lead by a figure carrying a bundle of paintbrushes; figure at far left holds a painter's palette; monkey-like animal in front of figure with paintbrushes; group at right lead by a figure handing a cello; goose peering around drapery of same figure

The Imitative and Descriptive Arts, 17th century

Marco Boschini

Not on View

Head of a Woman and Study of Hands, 1837

Sir David Wilkie

Not on View
four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image

Forge of Vulcan, 16th-17th century

Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View
two standing male figures drawn on a grid; both figures wear heavy, draping garments; figure on left has one foot on a small block; figure on right gestures with PL hand

Pair of Draped Figures, 16th-17th century

Lazzaro Tavarone

Not on View
sketchy figures; compositional lines (large X and horizontal line) drawn over image; collapsing woman in LRQ, supported by standing figure; woman has PR arm outstretched to standing saint, who holds out PR hand to her; other standing and kneeling figures

Saint Benedict Exorcising Demons from a Young Woman, 17th century

Fromerly attributed to Ventura Salimbeni; Artist: Formerly attributed to Francesco Vanni

Not on View
drawing of naked, muscular male figure with beard and wings at center, standing atop rocks with arms out wide; more figures in LLQ (two of which are sketched in, other are line drawings), nearest with club in hand

Satan in Hell, from Milton’s Paradise Lost (The Rise of Satan), c. 1800

Luigi Sabatelli

Not on View
group of figures in landscape with man in front holding spotted panther by collar

King Arsaces Dedicating a Panther to Dionysus, c. 1596

Joannes Stradanus (Jan van der Straet); Engraver: Jan Collaert II; Publisher: Philips Galle

Not on View

Couple in Garden, 1640-1649

Jan Thomas van Yperen

Not on View
2 draped figures holding up a foliate swag, with a cartouche in front of them, being held by 2 putti

Design for a Wall Decoration at Fontainebleau, 1643-1644

Simon Vouet

Not on View
mounted to ivory paper with grey border; three putti; foremost putti holds a cello

Putti Playing Music, Design for a Pendentive, 1538-1539

Pomponio Amalteo

Not on View
eight gods in the clouds, accompanied by two putti with ribbons; four gods are standing, four are seated; nine muses seated below on a hill with musical instruments, books, scepters and crowns

The Olympian Gods and the Nine Muses, 17th century

Attributed to Jacopo Ligozzi

Not on View
seated figure wearing long drapery, including drapery in a hood over head; figure had PR knee raised and rests PL elbow on a rock, with head on PL hand, looking up; rocky ground

Drapery Study: Seated Figure, 17th century

Attributed to Ortensio Crespi

Not on View
Mary seated at right, holding baby Jesus on her PR knee; Joseph stands at left, pointing to Jesus, with his PR arm raised, PR foot resting on a rock; adoring man, LRC, and angels at right and top; squared off into a grid

Rest on the Flight into Egypt, 1585-1588

Federico Zuccaro

Not on View

Portrait of Goya, copy of Plate I of Los Caprichos (1793-98), 19th century

Unknown

Not on View
five figures and a dog in an interior

The Return of the Young Hunter, c. 1775

Jean-Baptiste Greuze

Not on View

showing 233 results matching medium:"Pen and brown ink"

Download results as CSV