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sketch of a man wearing a tri-cornered hat and knickers, standing in an awkward profile pose with bent knees and head turned over PL shoulder; illegible text in URC; lines of text on verso

Caricature of a Young Soldier, 1809

Unknown French, 19th century

Not on View
tree branches at top center, heavy with leaves, hanging over tall walls; 2 figures wearing hats visible through open doorway L of center

Landscape with Ruins, early 19th century

Unknown German or French ?, early 19th century

Not on View
2 women at L, one holding a baby, in front of a wall of windows (or paintings?); wall at L with rounded steps up to a doorway; other structures in background center

City Street in Genoa, with the Lighthouse and Port in the Background, early 19th century

Unknown Italian, early 19th century

Not on View
Jesus standing at right with head bend, hands in prayer; John the Baptist standing at center, holding a tall cross, pouring water from his PR hand; winged cherub heads in ULC and dove; lamb and standing figures including a boy at right

Baptism of Christ, 18th century

Domenico Tiepolo

G344

Represented by a seated female figure with a globe and a compass

Allegory of Geography, c.1590

Attributed to Anton Eisenhoit; Artist: Formerly attributed to Lelio Orsi

Not on View
Demon bending over, reaching toward slips of paper on the ground; GebrĂĽder Hirsh invoice verso

Caricature of Demon with Tail, 1923

Heinrich Kley

Not on View

Two Putti Covering a Cartouche on the Base of a Pediment with a Tapestry Showing a Man Playing a Lute in a Landscape Setting, c. 1621

Guercino (Giovanni Francesco Barbieri)

Not on View

Study for "The Combat", 19th century

William Etty R.A.

Not on View
head and torso of bearded man, with curly hair, holding a thin club over his PR shoulder; PL hand on hip; bare-chested, with lion skin over his PR shoulder

Hercules, 1641-1642

Guercino (Giovanni Francesco Barbieri)

Not on View
portrait of head and shoulder of a man with medium-length curly hair and a short beard looking out of picture plane; man wears a hat and a neckerchief tied in a bow

Portrait of a Man Wearing a Hat, 17th century

Attributed to Jacques de Gheyn III; Artist: Formerly attributed to Jacques de Gheyn II

Not on View
head of a man in profile, looking toward PR; man has curly hair and long beard and wears a cap with a rolled brim at the nape of his neck; small strip of paper at bottom of image with two collectors' stamps

Head of a Bearded Man in Profile, 16th century

Attributed to Carlo Urbino

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Studies of Saint John the Evangelist and Saint Matthew, 17th century

Giacinto Calandrucci

Not on View
On verso the model again, in red and black chalks

A Little Rustic, late 19th century

Sir George Clausen

Not on View
standing soldier wearing armor, helmet, sandals; two heads visible over shoulders of front soldier; another possible drawing on verso

Study of Two Roman Soldiers and a Bearded Figure (recto); Study of a Bearded Man Walking with a Stick (verso), 17th century

Francesco Allegrini

Not on View
landscape with trees at R and L and village at horizon line; three figures in foreground seated, slumping and lying on large rocks

Three Figures Resting in a Landscape, 17th century

Ercole Bazzicaluva

Not on View
various small sketches on sheet; round coat of arms medallion with acanthus leaves surrounding small irregularly-shaped shield mounted with a helmet of armor and a small scroll with text at top, at right center of sheet; sketch of helmet of armor in LLC; small sketches of figures in various poses overall, including scene of flogging at left center and soldiers with flags and spears

Medici Coat of Arts with Figures from Callot, 17th century

Ercole Bazzicaluva

Not on View
sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC

Massacre of the Innocents, 17th century

Pietro Testa

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Angelic Vision of a Bearded Man (Saint Jerome?), 17th century

Attributed to Alonso Cano

Not on View
woman wearing flowing draperies in LLQ, with a suggestion of a billowing garment behind her head, hovering over a body; another sketchy figure in URC, with billowing garment behind his head

Diana and Endymion, 17th century

Giovanni Lanfranco

Not on View
recto: Mary holding Christ child, both looking down, in ULC; St. Catherine at right in LRQ; man in bishop's hat reading, LLQ; three small figures (cherubs?) and lower center; verso: sketch of seated woman with text in Italian

Studies of the Madonna and Child Adored by Saints, 17th century

Circle of Simone Cantarini

Not on View
recto: seated Madonna holding standing Christ child, on clouds at top center, surrounded by angels and cherubs in a ring, hand in hand; at bottom, three standing male saints, from left: John the Baptist with his cross, man holding an open book, man holding a closed book in his PL hand and man in bishop's hat with crozier; verso: scene of the descent from the cross with Mary behind Jesus, holding him beneath this PL arm; praying and mourning figures surround Jesus, with two ladders behind them; lower left corner of drawing is missing

Madonna and Child with Four Saints (recto); PietĂ  (verso), 16th century

Federico Zuccaro; Artist: verso attributed to Antonio Viviani

Not on View
hippocamp seen from front, with very curly mane, slightly off-center, open mouth and long curving sea serpent tail; corners of sheet clipped

Sea Dragon, 16th-17th century

Benedetto Brandimarti

Not on View
light, sketchy drawing of a 2 putti side by side; L putti seated on a goat; L putti has PR arm raised; brown ink; mounted onto sheet with brown and pink borders

Two Putti on a Goat, c. 1640

Stefano della Bella

Not on View
standing nude male with thick curly hair; hands not delineated; verso: sketch of arms, torso and head and sketchy figure study; brown ink

Standing Nude Male, 19th century

Filippo Pelagio Palagi

Not on View
sketch of a barrel vaulted corridor with arched openings at L and R; sky and foliage above

Architectural Fantasy, 18th century

Guiseppe Valeriani

Not on View
landscape in brown ink with water in foreground; figure in a small boat, LRC; another figure in LLQ sitting on a dock, fishing; building at ULC; cross next to trees at center; 2 figures on shore under tree R of center; another small boat with figure below 2 figures on shore; attached to blue mount

Landscape with Figures Fishing, mid 17th century

Attributed to Francesco Allegrini

Not on View
tiny sketch of a foreshortened reclining nude male, resting on PL hip and PL elbow with bent knees and PR arm upraised; brown ink

Study of a Reclining Male Figure, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
male figure standing on stern of boat with PR arm outstretched in front, and a cluster of fish on a stringer in PL hand

Fisherman Standing in a Boat, c. 1630-1640

Stefano della Bella

Not on View
standing man wearing a hat with a wide brim, pushed back on his head, with long ties and robe-like garment; man holds a pen in his PR hand and an open book in his PL hand; standing lion next to and behind man; columns and a wall with architectural details behind man, with landscape and buildings visible beyond columns; sheet trimmed into round shape (tondo)

Saint Jerome, c. 1520

Master of 1518

Not on View
eight studies of women, mostly head studies; one 3/4 length--one waist length; one woman balancing a tray of fruit on head

Studies of Women, c. 1910-12

Albert Besnard

Not on View
standing figures with draping garments; arms outstretched

Standing Draped Figure, 16th century

Attributed to Carlo Urbino

Not on View
sketch of standing woman in profile from PL wearing a hat and a long mermaid dress with a short train, looking at a small sculpture on a pedestal at left; foliage, LLC; two other sketchy sculptures in URQ

Woman with Garden Statues, c. 1890

Henry Somm (François Clément Sommier)

Not on View
woman wearing a sleeveless gown and a veil seated side-saddle on a horse with a thick mane; man with curly hair wearing a shirt with a ruffled collar stands behind horse; brown wash tones

Young Man Accompanying a Young Woman on Horseback, 19th century

Unknown German, early 19th century

Not on View
view into a small plaza from a vantage under a barrel-vaulted colonnade; Classical style building elements; mounted to green paper

View of an Italian Colonnade and Courtyard, early 19th century

Unknown Italian, 19th century

Not on View
large tree near center; figure standing on steps at R; 2 figures in LLQ next to a shrub; city in background, at L

Italian Landscape with Oak Tree, early 19th century

Unknown German, early 19th century

Not on View
view through an archway at a series of arched doorways and walls in a roofless ruin

Sketch of the Baths of Caracalla, early 19th century

Unknown early 19th century

Not on View
sketch; three figures--foreground head and torso slumped, with head supported by figure at right; standing figure at left; large shadowy areas of ink wash

Death of Hyacinth, c. 1752-1753

Giambattista Tiepolo (Giovanni Battista Tiepolo)

G344

many boats in with many figures; Venice skyline in background; low horizon line; received in gilt frame

The Return of the Buncintoro from S. Nicolò di Lido, c. 1778

Francesco Guardi

G344

Forty-seven pages with drawings on front and back covers; bound in vellum

Italian Sketchbook of Antique and Revolutionary Subjects, after 1797

Unknown Italian, late 18th - early 19th century

Not on View
four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy

Putti Floating a Banner, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

G344

man standing on table at R with many people in room surrounding him including musicians

A Recital in a Monastery, c. 1791

Domenico Tiepolo

G344

Preliminary study for the painting, Le Grand Dessinateur (The Great Draftsman).

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Grand Dessinateur, 1934

Jacques Villon

Not on View

Caricature of an Obese Man Seated at an Easel, 1923

Heinrich Kley

Not on View

Portrait of Duke Beccadelli, early 20th century (?)

Imitator of Pier Leone Ghezzi; Artist: Formerly attributed to Pier Leone Ghezzi

Not on View
GerbrĂĽder Hirsch invoice, verso

Nude Man Making a Sign, 1923

Heinrich Kley

Not on View
Studies for an altarpiece of the Madonna and Child with Sts. Lawrence, Roch, and others (recto and verso)

Madonna and Child with Saints Laurence, Roch, Jerome, and others, c. 1630

Giovanni Baglione

Not on View
crowded scene with partially draped male and female figures at center, femal figure on left has arm up and male figure holds her other arm

Orpheus and Eurydice in Hades (recto); Triumph of Bacchus in a Landscape (verso), c. 1800-1805

Pietro Fancelli

Not on View

An Anatomical Lecture at Royal Academy of Arts, 1780s

Thomas Rowlandson

Not on View
portraits of two boys, each in profile from PR, and each wearing caps; boy at right has hair curing in front of his ear, with the ends of his hair at his neck curling outward; boy at left has head turned slightly toward PL, with hair at his neck curling under

Heads of Two Boys, 16th-17th century

Giovanni Battista Caracciolo ,1578-1635

Not on View
Mary at left, wearing voluminous draperies, holding baby Jesus, with her PR elbow on a cushion; Joseph seated behind a rock (?), resting his head on his PL hand and holding a book in his PR hand; sketchy

Rest on the Flight into Egypt, 1620s

Pietro da Cortona (Pietro Berrettini)

Not on View
mounted on stiff paper; St. Jerome, with long curly white hair and long beard, crawling out of a cave; baskets in a lean-to to right of cave; lion in foreground, LRQ; lush landscape scene with large tree at left; inscription at bottom

Saint Jerome in the Wilderness, 1623

Francesco Grigiotti

Not on View
mounted on green paper with black borders; portrait of frowning solider with long, flat nose and curly hair, wearing helmet with winged female caryatid on front surmounted by a bird, and a long plume, and armored breastplate with animal head on PR shoulder, holding a dagger or sword in his PR hand and the sheath in his PL hand; other soldiers behind, including solider holding a staff tied with a billowing ribbon

Lucius Brutus, c. 1663-1665

Domenico Peruzzini

Not on View
mounted to ivory paper with brown border; female figure standing, leaning against curved element at left; leafy architectural element to right of woman's head; PR elbow resting up, PL arm down; woman wears draping garments; light brown sketch of a female bust at right

Female Figure in a Spandrel, Study for the Allegory of Modesty, 1583-1585

Bernardino Poccetti

Not on View
mounted on ivory paper with blue overmat; two kneeling male figures in foreground, with short hair; four standing figures behind--two with beards, one in partial shadow, one balding, with a walking stick

Group of Men Looking to the Right, c. 1540-1550

Unknown Artist (Siena), 1540-50; Artist: Formerly attributed to Domenico Beccafumi

Not on View
mounted to ivory sheet with brown borders; ivory and green overmat with tan and gold borders; sketch; cart at bottom drawn by a horse with its rider wearing a mask and carrying a switch; five seated figures on cart and one women wearing a mask (or female scarecrow figure?) seated on a stool at back of cart; sketch of a man on horseback in ULC; small portrait of the head and torso of a masked woman behind horseman

A Horse-Drawn Festival Cart with Studies of a Horseman and a Masquerader, 17th century

Stefano della Bella

Not on View
line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder

Apollo Flaying Marsyas, 16th century

Circle of Luca Cambiaso

Not on View
old man in profile, with long beard and hair brushed forward

Head of an Old Man in Profile, 17th century

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View
PL hand with fingers outstretched; dark crosshatched shading

Left Hand, 17th century

Antonio del Castillo

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

El Tio Pepe Don José, 1905

Pablo Picasso

Not on View

%C2%A9 Estate of Albert Paris von G%C3%BCtersloh %2F Artists Rights Society %28ARS%29%2C New York

Self-portrait, 1913

Albert Paris von GĂĽtersloh

Not on View
view inside St. Peter's; canopy over alter with figures worshipping; sketchy style

View of a High Altar, perhaps in San Marco, Venice, 19th century

Baldassare Cavallotti

Not on View
view into the apse of a cathedral with a choir screen; small chapel at L

View of the Chapel of the Madonna de' Mascoli in San Marco, Venice, 19th century

Baldassare Cavallotti

Not on View
sketchy style; seated Madonna at R with head drawn in two different poses, holding infant Jesus; another figure at L behind St. John

Madonna and Child with Saint Elizabeth and the Infant Saint John the Baptist, c. 1600-1635

Attributed to Giovan Paolo Pisani; Artist: Unknown Italian (Tuscan), mid-16th century; Artist: Formerly attributed to Alessandro di Agostino Casolani

Not on View
head and suggestion of a shoulder of boy looking up and left; long curly hair

Head Looking Up, 17th century

Stefano della Bella

Not on View
very sketchy, unfinished figure study of figure leaning slightly backwards with PL arm overhead; brown ink

Male Figure Study, 16th-17th century

Attributed to Palma il Giovane

Not on View
seated female figure holding feather-like object and book in PR hand; sword (?) in PL hand; two female figures standing on either side; architectural background; broken wheel, center front

Saint Catherine Enthroned with Saint Lucy and Saint Agatha, 16th-17th century

Lazzaro Tavarone

Not on View
four tiny sketches; clockwise from ULC: two men pouring from one large vessel into another, man pouring from a small vessel into a large one while pouring over a utensil, man stirring a large vessel, man seen from back slightly bent over with PL hand in a vessel

Soap or Soup Makers, 17th century

Stefano della Bella

Not on View
centaur with PR front leg raised; thick midsection at human waist; centaur looks backward toward PL; trees in background

Centaur, 17th century

Carlo Saraceni

Not on View
landscape scene with male and female satyrs in foreground at left; putti atop a structure behind foreground figures, with one putti standing on rock at left, rubbing his eyes; tree at right

A Bacchanale with Putti, 1651

Charles-Alphonse Dufresnoy

Not on View
figure tending to a fallen figure at center; horse at left; another horse in background, URQ, with another partially reclining figure; hook-like hatching

The Good Samaritan, 17th century

Attributed to Simone Papa III

Not on View
Christ kneeling on rock in water at bottom left, arms folded across his chest, head looking down toward PR; John the Baptist at bottom right, leaning again same rock, holding shell above Christ's head in his PR hand and a thin cross-shaped staff in his PL hand; two angels and three cherubs (without wings) in sky at upper corners, with dove in light between clouds at top center; figures at left edge look on; two bathers in background at right

The Baptism of Christ, 17th century

Jacques Stella

Not on View
water in foreground with sailing ships; mountains at center and right with some buildings; corners clipped

View of Mountainous Coastal Town and Fortificaton, 18th century

Attributed to Francesco Zucchi

Not on View
sketch of male lion with PL front paw raised on a rock, directly under his chin; corners of sheet and mount clipped

Study of a Lion, 18th-19th century

Giuseppe Bernardino Bison

Not on View
two standing figures--male on left, female on right; each figure has PR arm held out in front of them; both figures heavily draped; man has curly shoulder-length hair and beard and wears sandals; woman has long curly hair covered with headscarf; verso: light sketch of a face

Standing Draped Male and Female Figures, 16th century

Circle of Giulio Romano; Artist: Workshop of Raphael (Raffaello Sanzio or Santi)

Not on View
standing woman in profile from PR, wearing calf-length skirt and apron

Maid Servant, 18th century

Francesco Simonini

Not on View
group of kneeling supplicating men, some wearing thin drapery or loincloths; many zigzag pen strokes

Group of Worshipping Men, 17th century

Pseudo Gherardi

Not on View
standing bearded man, head turned to PL, holding a thick staff; man appears to be stepping up

Standing Draped Man (Saint James Major or Saint Roch), 17th century

Jan de Bisschop

Not on View
male figure seated in chair holding rod-like object in PL hand; female figure with PR arm extended with small oval shaped object in hand; three figures behind woman at edge of image; drapery at UL; pillars at R; arches in distance

Tamar Presenting Judah with his Staff and Signet Ring, mid 17th century

Unknown Italian, 17th century

Not on View
sketch of figure straddling another figure lying down; top figure is stabbing reclined figure; brown ink

Study of Two Male Figures Fighting, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
abstract-appearing image which may be hunched-over figure with arms drawn in; brown ink

Study of a Woman Holding a Child, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
fallen horse at L and fallen soldier at R; brown ink

Study of Two Dead Figures and a Horse, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
standing male nude with short curly hair at L, slightly bending at waist, with PR hand on chest and PL hand on shoulder of seated nude women with PL arm across lap

Study of a Standing Male Nude and Seated Female Nude, 19th century

Filippo Pelagio Palagi

Not on View
sketch of two figures; figure at left lying on side with PL arm under head; figure at R slumped on PR hip with legs stretched to side, head lowered

Two Male Figures (Study for the Resurrection), 18th-19th century

Giuseppe Bernardino Bison

Not on View
2 striding figures, one looking up, the other looking down with fingers pressed to eyes; brown ink

Study of Two Kneeling Male Figures, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
sketch of a striding heavily draped figure; brown ink

Study of a Male Beggar, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane

Lucretia, early 1640s

Guercino (Giovanni Francesco Barbieri)

Not on View
sketch; angel at left, gesturing across body and upward with PR arm, holding a flower (?) in PL hand; woman in LRQ, gesturing with PR hand held open and out; putto in URQ

The Annunciation, c. 1557

Paolo Farinati; Artist: Circle of Orazio Samacchini; Artist: Unknown Italian (Bologna), late 16th century; Artist: Formerly attributed to Bernardino Lanino

Not on View
figure wearing flowing robes on rearing horse, with PR arm extended forward, seen from PR side; standing and kneeling figures at left

The Flight of Cloelia, 1545-1551

Battista Franco

Not on View
Bound in book "David Wilkie, Holograph Letter 1829"

Letter from David Wilkie to William Newton, May 22, 1829, 1829 or 1839

Sir David Wilkie; Miniaturist: Sir William John Newton

Not on View
doorway with two putti and coat-of-arms above; figural sculpture and pillar L of doorway

Design for a Wall Decoration, 1570s

Jacopo Zucchi and studio

Not on View

Plant Man, 1922

Heinrich Kley

Not on View
mounted on cardboard; Mary holding and looking at baby Jesus with Joseph at right looking on

Holy Family, 17th century

Circle of Simone Cantarini

Not on View
group of figures seen from behind, watching a bullfight; head of a bull visible through bars of railing at center

At the Bullfight, c. 1825-1845

Leonardo Alenza y Nieto

Not on View
two horses at left; central soldier in armor holding a sword up behind his back, preparing to slay a fallen soldier before him on ground; other soldiers and horses at right and in background at center

Battle Scene, 16th-17th century

Antonio Tempesta

Not on View
owl perched on an ovoid element

Owl, 18th century

Pier Antonio Novelli

Not on View
recto: seated Madonna and Child; Mary has bare feet, with PR foot resting on a riser; nude Christ child with arms spread outward; other sketchy figure studies in black chalk around main figures; verso: John seated on clouds accompanied by a large bird at right; John is writing on a tablet; long curly hair; sheet affixed to mount with black tape on recto and verso

Madonna and Child (recto); Saint John the Evangelist (verso), 16th century

Unknown (Italian, 16th century)

Not on View
reclining man lying on his PR side; man looks up toward PRC; man has long beard; sphere behind man in URQ

River God "Archimedes", 18th century

Gaspare Diziani

Not on View

The Couple, 19th century

Constantin Guys

Not on View
recto: figures seated around a table at left; some standing figures at right; dog, LRC; Jesus seated, left of center, with a zigzag halo; verso: bottom half of sheet--Mary, Joseph and two other figures seated in a semicircle around baby Jesus; Mary and Joseph have zigzag halos; top half of sheet--light black chalk sketch of Madonna and Child

The Last Supper (recto); Adoration of the Shepherds (verso), c. 1621

Pietro D'Asaro (called il Monocolo di Racalmuto); Artist: Formerly attributed to Pietro Novelli (called il Monrealese)

Not on View

Mounted Officer, 1610s-1630s

Unknown Flemish, 17th century

Not on View

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