🔎 medium:"Oil on canvas" | Mia

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Blind Man's Buff, Max Beckmann — Blind Man's Buff, 1945
Max Beckmann

G371

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco Jose de Goya y Lucientes

G321

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570
El Greco (Domenikos Theotokopoulos)

G341

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

Study for Portrait VI, Francis Bacon — Study for Portrait VI, 1953
Francis Bacon

G375

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

Not on View

Abstraction with six horseshoe shapes. — Prospects, 1977
Philip Guston

G370

Three Bathers, Henri Matisse — Three Bathers, 1907
Henri Matisse

G371

Abstraction. — Badlands, 1962
Urban Stanley Couch

G261

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through — Untitled, 1967
Kusama Yayoi

G369

Portrait of Juan de Pareja, the Assistant to Velázquez, Salvador Dali; Depicted: Juan de Pareja — Portrait of Juan de Pareja, the Assistant to Velázquez, 1960
Salvador Dali; Depicted: Juan de Pareja

G376

Black stenciled "8" inside a red hexagon, inside a yellow circle, inside a black square. — 8, 1962
Robert Indiana

G369

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

Christ at top center, wearing pink and blue garment, seated on a cloud; woman in white clings to Christ's PL arm; hands of reclining man in LRC have been freed from shackles, held in Christ's PL hand; another black captive at L edge holds his shackled wrists toward Christ; woman at L kneels over dead child at Christ's feet; adoring male and female figures at L and R edges and top corners — Christus Consolator, 1851
Ary Scheffer

G357

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC — The Comtesse d'Egmont Pignatelli in Spanish Costume, 1763
Alexander Roslin

G307

woman wearing flowered dress, seated on a red sofa at R; man, seated on a stool, cleaning art brushes, at center; woman dressing, with face partially hidden, at L — Studio-End of the Day II, 1974
John Koch

Not on View

Big Slate, Douglas Ohlson — Big Slate, 1974
Douglas Ohlson

Not on View

Mandala V, John McCracken — Mandala V, 1972
John McCracken

Not on View

Convulsionists of Tangier, Eugène Delacroix — Convulsionists of Tangier, 1837-1838
Eugène Delacroix

Not on View

Interior of the house — Dining Room in the Country, 1913
Pierre Bonnard

Not on View

Mythology. Figural. Genre. — Homage to Nina Simone, 1965
Bob Thompson

Not on View

Two men lying on rocky outcrop, one on his back in a blue shirt, the other on his stomach in a white shirt; blue sky and clouds at UR. Frame: painted black with open carving of birds and flowers. — Santos Dumont - The Father of Aviation II, 2009
Kehinde Wiley

Not on View

abstracted image; mottled white ground; red goat body in URC kicking the chin of a brown dog in LRC — Goat over Dog, 1991-1992
Susan Rothenberg

Not on View

Abstraction. — Savanna, 1962
Urban Stanley Couch

Not on View

rural setting with several red buildings and hills in the background; curved black paved highway with two yellow stripes at foreground; unframed — Location Shooting, 1977-1990
Alfred Leslie

Not on View

Abstract Painting No. 9, Ad Reinhardt — Abstract Painting No. 9, 1960-1966
Ad Reinhardt

Not on View

Abstraction. thin ground of swirling purple, brown and green with fingerprints in green and pink at center. Unsigned (checked 2/01) — The Touch, 1987
Ross Bleckner

Not on View

Holy Trinity and Purgatory — The Trinity with Souls in Purgatory, early 1740s
Corrado Giaquinto

G308

Frame probably designed by the artist. It is inscribed 'Mater Amabilis' meaning 'Mother worthy of Love' — Madonna and Child, 1855
Franz Ittenbach

G357

Genre. History. Native American. Indian. — The Signal Fire, 1897
Charles M. Russell

G301

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

G313

Venus and Adonis, Nicolas Mignard (Mignard d'Avignon) — Venus and Adonis, c. 1650
Nicolas Mignard (Mignard d'Avignon)

G330

Landscape with castle and watermill — Castle and Watermill by a River, c. 1670
Jacob van Ruisdael

G311

Landscape. — Isles of Shoals, 1899
Childe Hassam

G322

The Element of Water, Francesco da Ponte (Francesco Bassano); Jacopo da Ponte (Jacopo Bassano) — The Element of Water, c. 1576-1577
Francesco da Ponte (Francesco Bassano); Jacopo da Ponte (Jacopo Bassano)

G341

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1699
Nicolas de Largillière

G308

Abstraction. — Bronze, 1955
Philip Guston

G375

Shepherd / shepherdess — Seated Shepherdess, c. 1852
Jean-François Millet

G321

Interior — The Sunny Room, c. 1920
Edouard Vuillard

G351

Landscape. The subject is one of the many villages around Weimar in Thuringia that the artist visited by bicycle in Bauhaus years. — Gross-Kromsdorf I, 1915
Lyonel Feininger

G367

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

Seascape. German Expressionism. — Evening Glow, 1915
Emil Nolde (born Emil Hansen)

G377

Saint Humphrey (Onuphrius), Salvator Rosa — Saint Humphrey (Onuphrius), c. 1660
Salvator Rosa

G330

Landscape with figures. — Wooded Hillside with a Vista, c. 1645
Jan Both

G311

'Immaculata' with Anthony of Padua and Francis of Assisi. — The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50
Giovanni Benedetto Castiglione (Il Grechetto)

G330

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Canaletto (Giovanni Antonio Canal) — The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, c. 1740
Canaletto (Giovanni Antonio Canal)

G307

Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained. — Portrait of a Girl, 1547
Georg Pencz

G342

Landscape. Tohickon Creek, Pennsylvania. — A Scene on the Tohickon Creek: Autumn, 1868
Thomas Moran

G323

one of a pair of paintings of angels with symbols of the passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate, 1627
Simon Vouet

G313

The Village, Albert Gleizes — The Village, 1913
Albert Gleizes

G276

Portrait of a seated woman head turned to her proper right looking downward at an angle, she wears a white dress with two red jewels at center of dress associated with two strands of pearls and one larger central pearl, a blue cape drapes over proper right shoulder and covers lap. — Anne, Countess of Strafford, 1758–59
Sir Joshua Reynolds

G324

Landscape with two children in foreground walking next to a fence; three other figures with butterfly nets in middleground — The Butterfly Catchers, 1900-1908
Theodore Wendel

G322

Landscape. Minneapolis, Minnesota — Farnham's Mill at St. Anthony Falls, Minneapolis, 1888
Alexis Jean Fournier

G303

rectangular frame with an octagonal opening; three standing figures, a male at left facing right holding the head of St. John's by the hair, a woman wearing a blue dress at right holding a silver tray with the head of St. John on it and Salome at center looking on wearing a white headdress with strands of pearls — Salome with the Head of Saint John the Baptist, 1670s
Onorio Marinari

G330

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

Landscape. Minneapolis, Minnesota. — Mill Pond at Minneapolis, 1888
Alexis Jean Fournier

G303

Minnesota landscape — Cheever's Mill on the St. Croix River, 1847
Henry Lewis

G303

Abstract expressionist. — Trial, 1956
Conrad Marca-Relli

G276

Genre. — Marriage, 1893
Gari Melchers

G302

UL corner is the Duque's Coat of Arms. This is also found on the set of Chinese Export china made for him (85.42.4.1-158), without the papal decoration. — Portrait of the Duque de Agrada, c. 1805
Unknown Spanish, late 17th - early 18th century

G209

Mythology: Diana the Huntress. Artemis. — Diana the Huntress, c. 1690
Giovanni Battista Gaulli (Baciccio)

G330

St. Jean de Paris Forest at Fontainebleau — Autumn at St. Jean de Paris, Forest of Fontainebleau, 1846
Théodore Rousseau

G354

Genre. — A 'Bear' Chance, 1907
Philip R. Goodwin

G301

see previous exhibition catalog for illustrations of all 50 paintings — #31, 1993-2001
Cy Thao

G374

left center foreground stands a shepherdess leaning on her staff and looks into the distance between trees behind her; a flock of sheep stand at her side and behind, grazing and drinking from a small pool of water in the shade of a large tree with v-shaped trunk — Shepherdess and Sheep, Fontainebleau, 19th century
Charles-Émile Jacque

G354

Dancing, drinking and amorous peasants in LRC; bathers in water at right; village buildings in distance — Merry and Rowdy Peasants at an Inn, 1653
Philips Wouwermans

G311

cubist style; face of man with clock in LLC and partial clock faces in ULC and URC; zigzag shapes in lower corners; tans, greys; received unframed — The Clockmaker (Der Uhrmacher/ L'horloger), c. 1914
Ivan Vasilievich Kliun

G367

Harbor in Italy — Imaginary Landscape, Italian Harbor Scene, 1746
Claude-Joseph Vernet

G307

Landscape — Rainy Evening on Hennepin Avenue, c. 1902
Robert Koehler

G302

Diogenes, Johann Carl Loth — Diogenes, 17th century
Johann Carl Loth

G308

Genre. Allegory. Figure. Study for a mural originally executed for the 1893 Chicago World's Columbian Exposition, now in the library at the University of Michigan, Ann Arbor. — The Arts of Peace, 1893
Gari Melchers

G334

Varied floral arrangement in a white ceramic vase with putti; grey ground — An Arrangement with Flowers, 19th century
Georgius Jacobus Van Os

G305

Wheatstack — Grainstack, Sun in the Mist, 1891
Claude Monet

G355

Geometric motifs with red yellow black and blue — Composition with Blue, Red, Yellow, and Black, 1922
Piet Mondrian

G377

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, 1920
George Bellows

G302

Genre. — Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660
Master of the Procession

G330

Dutch and English battle at sea — The Four Days’ Battle, 1666
Abraham Storck

G309

Eurydice, while fleeing from Aristaeus, is killed by a snake. — The Wounded Eurydice, c. 1868-1870
Jean-Baptiste-Camille Corot

G354

dark image; red jug with long neck and loop handle at left; two green apples and one red apple (tomato?) with a whitish fruit--partially hidden--behind them at left in front of jug; nuts of various sizes and types at bottom center--some on stems; bunches of grapes in lower corners; nuts on stems with leaves at right below center and to right of jug; grapevine in URQ with bunches of grapes; fruit or nut with bristly shell/skin in ULC — Still life with grapes, apples, chestnuts, almonds, acorns and a red clay bottle, 17th century
El Labrador (Juan Fernandez)

G341

Cap Noir - St. Pierre, William J. Glackens — Cap Noir - St. Pierre, 1902
William J. Glackens

G322

Untitled (Landscape), Stuart Davis — Untitled (Landscape), c. 1919
Stuart Davis

G371

buildings and bridges with water in foreground; church left of center — Le Pont de Moret, 1888
Alfred Sisley

G355

view of the Grand Canyon; purples in the foreground, oranges in background; blue and purple shades in sky — The Destroyer, c. 1911-1913
Arthur Wesley Dow

G301

line of farm buildings at L surrounded by fields and hillside; pale blue sky; large gold frame — Farm Among Hills, Giverny, c. 1887
Theodore Robinson

G322

Portrait of John Langston, Esquire, of Sarsden, Thomas Gainsborough R.A. — Portrait of John Langston, Esquire, of Sarsden, 1787
Thomas Gainsborough R.A.

G306

Portrait. — Portrait of Marcy Olney (1749 - 1780?), c. 1771
Jeremiah Theus

G336

see previous exhibition catalog for illustrations of all 50 paintings — #11, 1993-2001
Cy Thao

G374

The painting was once an overdoor with a slightly curved top, shallow oval bottom and small oval corners. Now rectangular. — A Vestal Virgin Tending Fire, c. 1726–27
François Lemoyne; Previously attributed to Jean Jacques Lagrenee; Previously attributed to Jean-Honoré Fragonard

G314

Impressionistic style; woman wearing a pink and white dress holding an unfolded pink and yellow parasol and a hat with a green ribbon in a bright landscape; high horizon line — The Parasol, c. 1910-1913
Richard E. Miller

G322

two five-story buildings on a city street; tile roofs; pedestrians on street; donkey or horse and cart at right; predominately blues and purples with touches of yellow and red — Azul, San Sebastian, c. 1900
Dario de Regoyos

G351

water in foreground cascading over rocks; lake at left middle ground; couple with dog in front of log house at right middle ground, with sheep grazing at right edge; castle on top of rocky peak, top center — Nordic Landscape with a Castle, 1818
Johann Christian Clausen Dahl

G321

painting of a seated woman in a red hat with a cane; generally green and red pallette — The Visitor, c. 1895–98
Alexis Jean Fournier

G303

front of nude woman and back of nude man surrounded by buildings; black frame with gold filet — Two Nudes, c. 1922
Marguerite Thompson Zorach

G371

white ground with black horizontal and vertical lines with one rectangle of yellow; thin painted shadow frame — Second Theme, 1934
Burgoyne Diller

G276

Genre. — After the Reception, 1887
Douglas Volk

G302

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left. — Landscape with Men Playing 'Mail à la Chicane', 1624
Paul Bril

G312

Portrait. Man dressed in red breeches and a blue velvet coat trimmed with gold braid and lined with crimson, is leaning with his left elbow on a column; dark blue tricorne in left hand; right hand on hip. He wears a white waistcoat and a white stock; frills at wrists. His slightly powdered hair is worn in a small peruke. Simple gold frame. — Portrait of a Gentleman, 1745
Allan Ramsay

G327

Landscape with mountains in background; tall tree at right; 2 figures, one on horseback, right of center — Hudson River Landscape, c. 1860-1865
Homer Dodge Martin

G323

farmstead with figures in LRC; hillside with distant mountain peaks; darkened sky from URC — Approaching Storm, White Mountains, 1820s
Alvan Fisher

G323

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