🔎 medium:"Oil on canvas" | Mia

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Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Portrait. — Portrait of a Burgomaster, c. 1665–70
Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

G355

Blind Man's Buff, Max Beckmann — Blind Man's Buff, 1945
Max Beckmann

G371

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

G306

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570-75
El Greco (Domenikos Theotokopoulos)

G341

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

The Fugitives, Honoré Daumier — The Fugitives, c. 1868–70
Honoré Daumier

G354

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female — Modern Bohemia, 1924
Ernst Ludwig Kirchner

G371

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

The Gamblers, Hendrick ter Brugghen — The Gamblers, 1623
Hendrick ter Brugghen

G312

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, 1920
George Bellows

G302

Bagpipes Bagpiper — The Bagpiper, 1910-1911
André Derain

G367

Impressionist. Brook with a bridge. — The Japanese Bridge, c. 1923-1925
Claude Monet

G377

Snow, Boulevard de Clichy, Paris, Paul Signac — Snow, Boulevard de Clichy, Paris, 1886
Paul Signac

G351

Interior — The Sunny Room, c. 1920
Edouard Vuillard

G351

Fauve. London: Church. St. Paul's Cathedral — London: St. Paul's Cathedral seen from the Thames, 1906
André Derain

G371

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

Harbor. Pointillism. — Blessing of the Tuna Fleet at Groix, 1923
Paul Signac

G355

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Seascape. German Expressionism. — Evening Glow, 1915
Emil Nolde (born Emil Hansen)

G377

Genre. Unsigned. — The Birthday Party, 1885
John Singer Sargent

G351

Abstraction. 63.14.1 ter is on P49B MS(old frame) — Composition, 1936-39
Arshile Gorky

G376

Portrait of Cardinal Pietro Maria Borghese — Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s
Pietro da Cortona (Pietro Berrettini)

G313

Harbor in Italy — Imaginary Landscape, Italian Harbor Scene, 1746
Claude-Joseph Vernet

G307

Holy Trinity and Purgatory — The Trinity with Souls in Purgatory, early 1740s
Corrado Giaquinto

G308

Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained. — Portrait of a Girl, 1547
Georg Pencz

G342

Landscape. Tohickon Creek, Pennsylvania. — A Scene on the Tohickon Creek: Autumn, 1868
Thomas Moran

G323

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627
Simon Vouet

G313

A wounded officer lying on his couch, at the head of which is seated his wife. An Irish wolfhound is also lying curled up on the sofa. Arched top. — Peace Concluded, 1856
Sir John Everett Millais

G357

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Genre. — Rural Delivery (Where the Mail Goes, Cream of Wheat Goes), 1906
Newell Convers Wyeth

G301

Genre. — A "Bear" Chance, 1907
Philip R. Goodwin

G301

Silenus, Jean-Baptiste-Camille Corot — Silenus, 1838
Jean-Baptiste-Camille Corot

G321

Holy Family, Luis Tristán — Holy Family, 1613
Luis Tristán

G341

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads — Saint John the Baptist, c. 1755
François Boucher

G308

Landscape. — Tornado over St. Paul, 1893
Julius Holm

G303

Portrait. Posthumous mourning portrait of an unknown child. — Portrait of a Boy, 1856
attributed to James B. Read

G304

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath. — Dance Training, 1910-11 (altered 1920)
Ernst Ludwig Kirchner

G371

Dancing, drinking and amorous peasants in LRC; bathers in water at right; village buildings in distance — Merry and Rowdy Peasants at an Inn, 1653
Philips Wouwermans

G311

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

G313

Penitent Magdelene, Bartolomé Esteban Murillo — Penitent Magdelene, c. 1650–65
Bartolomé Esteban Murillo

G340

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background. — The Asparagus Vendor, 1675–80
Pieter de Hooch

G309

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea. — Fishing Vessels Offshore in a Heavy Sea, 1684
Ludolph Backhuysen

G309

Courtly procession on a tree-lined road, moated castle in left distance. Large coulisse tree in left foreground, open hillside before woods beyond at right. Man in center foreground standing on his head. The work depicts Margaretha van Mechelen riding out with Prince Maurits near Abspoel House in the vicinity of Oegstgeest. — Courtly Procession before Abstpoel Castle, 1619
Esaias van de Velde I

G312

Dutch and English battle at sea — The Four Days’ Battle, 1666
Abraham Storck

G309

Portrait of Juan de Pareja, the Assistant to Velázquez, Salvador Dali; Depicted: Juan de Pareja — Portrait of Juan de Pareja, the Assistant to Velázquez, 1960
Salvador Dali; Depicted: Juan de Pareja

G376

Cottage on Fire, Joseph Wright of Derby — Cottage on Fire, c. 1786-1787
Joseph Wright of Derby

G306

Genre. History. Native American. Indian. — The Death Song of Lone Wolf, 1901
Charles M. Russell

G301

Woman with a basket containing a large fish and a stingray presenting them to a man on a white horse with a dog; rocky coastal scene with boats at left. — Selling Fish, 1792
George Morland

G306

Dutch still life with fruit, foliage, and insects. — Still Life with Fruits, Foliage and Insects, c. 1669
Abraham Mignon

G311

Venus and Adonis, Nicolas Mignard (Mignard d'Avignon) — Venus and Adonis, c. 1650
Nicolas Mignard (Mignard d'Avignon)

G330

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

Triptych — Triptych: Prisoners of the Mountain Mist, c. 1910
Giovanni Battista Crema

G310

Landscape. — Catskill Mountain House, 1855
Jasper Francis Cropsey

G323

View of Tangier, Eugène Delacroix — View of Tangier, 1852-1853
Eugène Delacroix

G357

The Element of Water, Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano) — The Element of Water, c. 1576-1577
Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano)

G341

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Landscape with deer — Deer in the Forest, 1868
Gustave Courbet

G321

Portrait. Three-quarter figure facing spectator, right hand on back of chair; left on hip. Hair worn in pompadour style of early twentieth century. Greyish-blue taffeta dress trimmed with ruching of cocoa brown silk. — Portrait of Elizabeth L. Burton, 1905-1906
Thomas Eakins

G322

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left. — Landscape with Men Playing 'Mail à la Chicane', 1624
Paul Bril

G312

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund — Wooded Landscape with Watermill, c. 1665
Meindert Hobbema

G310

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove. — Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copley

G322

Portrait of a seated woman head turned to her proper right looking downward at an angle, she wears a white dress with two red jewels at center of dress associated with two strands of pearls and one larger central pearl, a blue cape drapes over proper right shoulder and covers lap. — Anne, Countess of Strafford, 1758–59
Sir Joshua Reynolds

G324

white cottage with slanted roof at L; trees behind - tallest with turning leaves; woman on path with a pony; figures at R by haystack — Caretaker's Cottage in the Forest of Compiegne, 1826
Paul Huet

G321

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook — The Grand Staircase of the Villa d'Este at Tivoli, 1760
Jean-Honoré Fragonard

G310

Still life.Trompe l'oeil door, with ephemera tacked to the green door, including image of Abraham Lincoln, money, clippings, and labels. '1809', '1865' and 'ABE' are "carved" into the door. — Reminiscences of 1865, 1904
John Frederick Peto

G322

rectangular frame with an octagonal opening; three standing figures, a male at left facing right holding the head of St. John's by the hair, a woman wearing a blue dress at right holding a silver tray with the head of St. John on it and Salome at center looking on wearing a white headdress with strands of pearls — Salome with the Head of Saint John the Baptist, 1670s
Onorio Marinari

G330

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

Portrait. — Portrait of an Ecclesiastic, late 1550s
Giovanni Battista Moroni

G310

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

Genre. Commissioned by the Cream of Wheat Company, Minneapolis — Bronco Buster, 1906
Newell Convers Wyeth

G301

Religious Old Testament The Prodigal Son — The Prodigal Son, c. 1720–30
Pier Leone Ghezzi

G308

Portrait of a woman in red dress, cut low at the neck, with blue sash; white muslin veil falling from her hair; resting her right hand upon the back of a chair. — Portrait of Dorothy Beridge, nèe Gladwin, 1777
Joseph Wright of Derby

G306

View of Mont Blanc, Seen from La Faucille, Théodore Rousseau — View of Mont Blanc, Seen from La Faucille, c. 1865
Théodore Rousseau

G321

Convulsionists of Tangier, Eugène Delacroix — Convulsionists of Tangier, 1837-1838
Eugène Delacroix

G321

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

'Immaculata' with Anthony of Padua and Francis of Assisi. — The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50
Giovanni Benedetto Castiglione (Il Grechetto)

G330

Through Birds, Through Fire but Not Through Glass, Yves Tanguy — Through Birds, Through Fire but Not Through Glass, 1943
Yves Tanguy

G376

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, 1907
Henri Matisse

G371

Brook in the Mountains, George Ault — Brook in the Mountains, 1945
George Ault

G302

The Denial of St. Peter, Gerrit van Honthorst — The Denial of St. Peter, c. 1623
Gerrit van Honthorst

G313

Portrait. George Washington in red drapery, black costume with white frills. No signature visible. — Portrait of George Washington, c. 1820
Thomas Sully

G305

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

G322

Landscape. Marine. — Quiet Seascape, 1883
William Trost Richards

G323

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G351

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

Not on View

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G355

Wheatstack — Grainstack, Sun in the Mist, 1891
Claude Monet

G355

Geometric motifs with red yellow black and blue — Composition with Blue, Red, Yellow, and Black, 1922
Piet Mondrian

G377

Head of a woman. — Head of a Woman, 1938
Joan Miró

G376

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

G351

City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry. — The Promenades of Euclid, 1955
René Magritte

G376

Landscape — Rainy Evening on Hennepin Avenue, c. 1902
Robert Koehler

G302

Purple, green, orange and white abstraction of a dog howling at the moon. Stylistic and formal differentiation of art. — Howling Dog, 1928
Paul Klee

G376

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