🔎 medium:"Oil on canvas" | Mia

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Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570-75
El Greco (Domenikos Theotokopoulos)

G341

Portrait. — Portrait of a Burgomaster, c. 1665–70
Attributed to Bartholomeus van der Helst

G311

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt van Rijn

G311

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

G355

Blind Man's Buff, Max Beckmann — Blind Man's Buff, 1945
Max Beckmann

G371

Study for Portrait VI, Francis Bacon — Study for Portrait VI, 1953
Francis Bacon

G376

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

G306

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook — The Grand Staircase of the Villa d'Este at Tivoli, 1760
Jean-Honoré Fragonard

G310

Mythological figures in a landscape. A tribute to jazz musician Nina Simone. — Homage to Nina Simone, 1965
Bob Thompson

G375

Interior of the house — Dining Room in the Country, 1913
Pierre Bonnard

G355

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

Fauve. London: Church. St. Paul's Cathedral — London: St. Paul's Cathedral seen from the Thames, 1906
André Derain

G371

Genre. — A "Bear" Chance, 1907
Philip R. Goodwin

G323

Dancing, drinking and amorous peasants in LRC; bathers in water at right; village buildings in distance — Merry and Rowdy Peasants at an Inn, 1653
Philips Wouwermans

G311

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background. — The Asparagus Vendor, 1675–80
Pieter de Hooch

G309

Portrait of a woman in red dress, cut low at the neck, with blue sash; white muslin veil falling from her hair; resting her right hand upon the back of a chair. — Portrait of Dorothy Beridge, nèe Gladwin, 1777
Joseph Wright of Derby

G306

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) — The Betrayal of Christ, c. 1618–1620
Anthony van Dyck

G313

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Bernardo Bellotto; Artist: Formerly attributed to Canaletto (Giovanni Antonio Canal) — The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, early 1740s
Bernardo Bellotto; Artist: Formerly attributed to Canaletto (Giovanni Antonio Canal)

G307

Through Birds, Through Fire but Not Through Glass, Yves Tanguy — Through Birds, Through Fire but Not Through Glass, 1943
Yves Tanguy

G376

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Cubist landscape — The Viaduct at L'Estaque, 1907
Georges Braque

G367

Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner's art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96. — Seated Girl (Fränzi Fehrmann), 1910 (altered 1920)
Ernst Ludwig Kirchner

G371

Portrait of Cardinal Pietro Maria Borghese — Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s
Pietro da Cortona (Pietro Berrettini)

G313

Venus and Adonis, Nicolas Mignard (Mignard d'Avignon) — Venus and Adonis, c. 1650
Nicolas Mignard (Mignard d'Avignon)

G330

Landscape. Chestnut trees. Impressionism. — Chestnut Trees at Jas de Bouffan, c. 1885-1886
Paul Cézanne

G355

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

Interior — The Sunny Room, c. 1920
Edouard Vuillard

G351

City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry. — The Promenades of Euclid, 1955
René Magritte

G376

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1700
Nicolas de Largillière

G308

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads — Saint John the Baptist, c. 1755
François Boucher

G308

Frame probably designed by the artist. It is inscribed 'Mater Amabilis' meaning 'Mother worthy of Love' — Madonna and Child, 1855
Franz Ittenbach

G357

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G355

Portrait. George Washington in red drapery, black costume with white frills. No signature visible. — Portrait of George Washington, c. 1820
Thomas Sully

G305

Seascape. German Expressionism. — Evening Glow, 1915
Emil Nolde (born Emil Hansen)

G377

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627
Simon Vouet

G313

Holy Trinity and Purgatory — The Trinity with Souls in Purgatory, early 1740s
Corrado Giaquinto

G308

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female — Modern Bohemia, 1924
Ernst Ludwig Kirchner

G371

Bagpipes Bagpiper — The Bagpiper, 1910-1911
André Derain

G367

Snow, Boulevard de Clichy, Paris, Paul Signac — Snow, Boulevard de Clichy, Paris, 1886
Paul Signac

G351

Landscape with figures. — Wooded Hillside with a Vista, c. 1645
Jan Both

G311

Metaphysical School. Scuola Metafisica. Surrealist still life with anatomical charts, drafting triangles and tools, and banded rod or maulstick. Architectural drawing in foreground. Various abstracted rectangles and triangles in remainder of composition. — The Scholar's Playthings, 1917
Giorgio de Chirico

G367

Purple, green, orange and white abstraction of a dog howling at the moon. Stylistic and formal differentiation of art. — Howling Dog, 1928
Paul Klee

G376

Mythology: Diana the Huntress. Artemis. — Diana the Huntress, c. 1690
Giovanni Battista Gaulli (Baciccio)

G330

Landscape. Architecture. — The Bronze Horses of San Marco, Venice, 1876
Charles Caryl Coleman

G357

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G351

Impressionist. Brook with a bridge. — The Japanese Bridge, c. 1923-1925
Claude Monet

G377

'Immaculata' with Anthony of Padua and Francis of Assisi. — The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50
Giovanni Benedetto Castiglione (Il Grechetto)

G330

Religious Old Testament The Prodigal Son — The Prodigal Son, c. 1720–30
Pier Leone Ghezzi

G308

Mother and child seated in field with tree in background and water in foreground. The mother holds an apple in her hand — Temptation, 1880
William-Adolphe Bouguereau

G357

Cityscape of Venice Venezia — View up the Grand Canal toward the Rialto, c. 1785
Francesco Guardi

G307

Portrait of Juan de Pareja, the Assistant to Velázquez, Salvador Dali; Depicted: Juan de Pareja — Portrait of Juan de Pareja, the Assistant to Velázquez, 1960
Salvador Dali; Depicted: Juan de Pareja

G376

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

Love Dies in Time, Edouard Bernard Debat-Ponsan — Love Dies in Time, 1878
Edouard Bernard Debat-Ponsan

G357

Courtly procession on a tree-lined road, moated castle in left distance. Large coulisse tree in left foreground, open hillside before woods beyond at right. Man in center foreground standing on his head. The work depicts Margaretha van Mechelen riding out with Prince Maurits near Abspoel House in the vicinity of Oegstgeest. — Courtly Procession before Abstpoel Castle, 1619
Esaias van de Velde I

G312

Dutch still life with fruit, foliage, and insects. — Still Life with Fruits, Foliage and Insects, c. 1669
Abraham Mignon

G311

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

Woman in a white gown seated next to the sea. Picasso's Classical period. — Woman by the Sea, 1922
Pablo Picasso

G371

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

G351

Château d’Ornans, Gustave Courbet — Château d’Ornans, 1855
Gustave Courbet

G321

Penitent Magdelene, Bartolomé Esteban Murillo — Penitent Magdelene, c. 1650–65
Bartolomé Esteban Murillo

G341

The Element of Water, Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano) — The Element of Water, c. 1576-1577
Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano)

G340

Geometric motifs with red yellow black and blue — Composition with Blue, Red, Yellow, and Black, 1922
Piet Mondrian

G377

Convulsionists of Tangier, Eugène Delacroix — Convulsionists of Tangier, 1837-1838
Eugène Delacroix

G321

Silenus, Jean-Baptiste-Camille Corot — Silenus, 1838
Jean-Baptiste-Camille Corot

G321

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

Portrait. 1929 frame — Portrait of Our Nurse, Margaret Burgess, 1929
Florine Stettheimer

G303

The Denial of St. Peter, Gerrit van Honthorst — The Denial of St. Peter, c. 1623
Gerrit van Honthorst

G313

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath. — Dance Training, 1910-11 (altered 1920)
Ernst Ludwig Kirchner

G351

Landscape. — Catskill Mountain House, 1855
Jasper Francis Cropsey

G323

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Abstraction. 63.14.1 ter is on P49B MS(old frame) — Composition, 1936-39
Arshile Gorky

G376

Holy Family, Luis Tristán — Holy Family, 1613
Luis Tristán

G341

Little Girl, Otto Dix — Little Girl, 1922
Otto Dix

G371

Landscape — The Merced River in Yosemite, 1868
Albert Bierstadt

G323

Cottage on Fire, Joseph Wright of Derby — Cottage on Fire, c. 1786-1787
Joseph Wright of Derby

G306

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

Woman in an Armchair, Pablo Picasso — Woman in an Armchair, 1927
Pablo Picasso

G376

A wounded officer lying on his couch, at the head of which is seated his wife. An Irish wolfhound is also lying curled up on the sofa. Arched top. — Peace Concluded, 1856
Sir John Everett Millais

G357

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G306

View of Tangier, Eugène Delacroix — View of Tangier, 1852-1853
Eugène Delacroix

G357

Wheatstack — Grainstack, Sun in the Mist, 1891
Claude Monet

G355

rectangular frame with an octagonal opening; three standing figures, a male at left facing right holding the head of St. John's by the hair, a woman wearing a blue dress at right holding a silver tray with the head of St. John on it and Salome at center looking on wearing a white headdress with strands of pearls — Salome with the Head of Saint John the Baptist, 1670s
Onorio Marinari

G330

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

Portrait of a seated woman head turned to her proper right looking downward at an angle, she wears a white dress with two red jewels at center of dress associated with two strands of pearls and one larger central pearl, a blue cape drapes over proper right shoulder and covers lap. — Anne, Countess of Strafford, 1758–59
Sir Joshua Reynolds

G324

Landscape with deer — Deer in the Forest, 1868
Gustave Courbet

G321

Dutch landscape. Golden Age of Holland. A wide river with various river craft, which stretches across the width of the canvas and flows to meet the horizon. In the far right distance, a village can be seen through a gentle mist, while on the wooded bank to the left, a cart filled with singing and shouting peasants stands before a row of cottages. As they wave to the boatload of passengers approaching the shore, a ferryboat loaded with cattle pushes off. Further upstream, a boat in full sail carries its passengers toward the distant hamlet with its church steeple. — River Landscape with a Ferry, 1656
Salomon van Ruysdael

G311

Still life.Trompe l'oeil door, with ephemera tacked to the green door, including image of Abraham Lincoln, money, clippings, and labels. '1809', '1865' and 'ABE' are "carved" into the door. — Reminiscences of 1865, 1904
John Frederick Peto

G322

Abstraction. — Billboard, 1957
Grace Hartigan

G375

Seduction — The Poorly Defended Rose, 1789
Michel Garnier

G317

Head of a woman. — Head of a Woman, 1938
Joan Miró

G376

Composition is very similar to L'Intrigue by Ensor in collection of Royal Museum of Fine Arts, Antwerp, which measures 35 1/2' x 59' and is dated 1890. — The Intrigue, 1911
James Ensor

G371

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

The Fugitives, Honoré Daumier — The Fugitives, c. 1868–70
Honoré Daumier

G354

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