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gallery installation of a fictional "period room"

%C2%A9 Mark Dion Studio

Curator's Office, 2012-13

Mark Dion

G378

five detaching sections of mixed media construction that is painted primarily maroon in center section with embracing couple

Copyright %C2%A9 2008 Swoon

Alixa and Naima, 2008

Swoon

G374

applied front and side elements with black background, decorated with organic forms in tan and silver metallic, and small gold metallic tube beads; women’s faces on each side, with closed eyes, flushed cheeks, and touches of blue on eyelids; pair of grey feathers on top; back is black with silver metallic threads, with an inverted T-shaped overlay of openwork silver metallic crochet

Crocheted hat, c. 1985-1987

Irene Reed

G281

crown of hat is striped in bright multicolors (orange, gold, purple, turquoise, gold) with a U shaped thick purple band around it; black around edges and back; black flap on back with horizontal broken stripes with tails and knots in bright multicolors; four tassels on each side with purple crocheted vertical elements at ends and vertical crocheted beadlike elements in multicolors

Crocheted hat, c. 1985-1987

Irene Reed

G281

black crocheted chevron-shaped front element with tapering crocheted neck band, with loop and square button closure; chevron decorated with various buttons--clear round, blue and purple squares, pink domed basket-weave--loops of iridescent black wire in flower shapes, shield with stripes and stars at front center, and iridescent wing form ornaments at edges; rust colored backing fabric

Necklace, c. 1985-1987

Irene Reed

G281

pair of "wings" extend back over top of head, in black and metallic blue with some touches of lavender and pink; iridescent wing-shaped ornaments at left and right front; round metallic silver circle on forehead with domed clear button at center; cap is metallic dark blue with black and metallic blue band around bottom

Crocheted hat, c. 1985-1987

Irene Reed

G281

assembly of rifle butts, machine gun magazines, shell casings, a hammer, and other weaponry and utilitarian objects crating abstracted face; two shell casings within metal O-rings create eyes; offset cylinder mouth

%C2%A9 Goncalo Mabunda

Untitled (mask), 2017

Goncalo Mabunda

G254

%C2%A9 Jean Willy Mestach

Enlacement, 1990

Jean Willy Mestach

Not on View
journal with texts and photogravures bound in gray paper

Camera Work, 20th century

Edward Steichen

Not on View

%C2%A9 1962 Lucas Samaras %2F Pace Gallery. All rights reserved.

Dinner #2, 1962

Lucas Samaras

Not on View
carved frame around blank canvas, displayed with back of frame facing out, resting on two blocks covered with blue carpet; back of canvas is covered with cork; two large twill straps screwed into frame at bottom; tension springs and rods at corners and center of stretcher; handing loops at left and right sides; "E8290" in white on right side of frame; MIA's permanent collection label for Rembrandt's "Lucretia" at top; small MIA loan tag in ULC Scotch taped to stretcher; scallop-edged sticker at top center on stretcher; white tape on shims between stretcher and frame edges

%C2%A9 2012 Vik Muniz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Verso (Rembrandt, Lucretia), 2012

Vik Muniz

Not on View
Abstraction in a circular format.

%C2%A9 2002 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Untitled, 1967

Jimmy Ernst

Not on View

Untitled, 1964

Agatha Wojciechowsky

Not on View
eye mask with base of blue and black grid pattern fabric covering stiff frame; top edge and eye holes are lined with small conical white and light pink shells strung together on white and pink string respectively; three loops of shells, two pink and one white, hang from space between eyeholes, over nose opening; on forehead, mask has a round black ball with gold ball attached, sitting on gold plastic disks surround by more shells; a small gold ball is attached on outer sides, near location of temples; black elastic band attached to backside

%C2%A9 Paulina Peavy %2F Andrew Edlin Gallery

Blue Coral Crescent, 20th century

Paulina Peavy (with Lacamo)

Not on View
abstracted colorful image; two faces with wide eyes--LRC, with upper torso and PR arm and hand, and ULC; hand at center; snowman form at right center; bright multicolored circles, spirals, Xs, stars, arrows, and various lines and forms throughout; "NOTHING" in white above head in ULC; "I AM EVERYTHING, / AND NOTHING AT ALL" at left center; received in light-toned wood frame

Untitled, 2018

Phillip Vigil

G259

Crucifixion of Christ. Expressionism. Religious.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Crucifixion, early 1920s

Georges Rouault

G377

Abstraction. Mixed media on seven panels of canvas applied to one larger white canvas.

%C2%A9 Larry Bell %2F Artists Rights Society %28ARS%29%2C New York

Moses Xing the Delaware, 1990

Larry Bell

Not on View
birch log shaped like torso and legs; 1/4 spherical head; wood ring around proper left ankle with other rings around neck; round wood disk at top of chest

%C2%A9 Jean Willy Mestach

Femme Ciblee (Bouleau), 1997

Jean Willy Mestach

Not on View
two prints, taped together at back vertically; left print: partial view of page and side view of pages behind; sliver fist atop pages; TLC, photograph of giraffe attached with paper clip; LRC, pink matchbook glued onto print; R print: collage of fashion photographs; photograph of a book at L edge center, extending onto L print; feather attached to print at LL edge

%C2%A9 Peter Beard %2F Artists Rights Society %28ARS%29%2C New York

Khadija and '78 Diary, 2003

Peter Beard

Not on View
small white plastic figure with large head, blonde hair, two mouths, and many green eyes sits in meditation position atop a green plastic orb covered with brightly colored flowers, each smiling at the center; orb comes apart revealing small CD supported on white base with blue swirl; underside of top of orb is decorated with white lotus with eyeball at center; sits on silver base with eyeballs

%C2%A9 Murakami Takashi

Oval on a Cosmos Ball, 1999

Murakami Takashi

Not on View
abstract image; creamy ground with tan teardrop-like, horizontal shapes, appearing to receed into background in pairs; larger shapes have blue centers

%C2%A9 Todd Norsten

Descent/Ascent, 1994

Todd Norsten

Not on View
red ovoid shape with black serpentine line on top of it; red, grey and green smudged ground

%C2%A9 Todd Norsten

Untitled, 1993

Todd Norsten

Not on View

%C2%A9 Thomas Rose

The Converse is as Often True, 1977

Thomas Rose

Not on View
surreal landscape scene; geometric layered imagery in center that resembles a floor or carpet, with multi-colored triangles and squares; green shape in center that opens up to reveal stylized leaves and foliage; black diamond shape with cut out raised sections that look like scales, revealing peach colored underlay; two large tentacle-like shapes on left and right, both with gold lines and darker shading around outside; blue background with dark outlines of trees, and small hills in URC; dark hill with dimensional elements in LRC

%C2%A9 Marcy Hermansader

Swamp Life, 1981

Marcy Hermansader

Not on View
series of abstract circular images in orange, red, green, blue and black pigment forming overlapping linear and swirling forms; small, squiggly, branch-like elements overlap circular forms, forming a cage-like appearance; mottled white and rust-colored background

%C2%A9 T. L. Solien

Ornament (Little Blue Guitar), 1991

T.L. Solien

Not on View
open book at center with majority of text smeared or scribbled out; images collaged around outside edges; magazine clipping of woman's mouth at TL extending off of sheet; red and white pigment throughout

%C2%A9 Peter Beard %2F Artists Rights Society %28ARS%29%2C New York

Sunday October 26th, 1980, 2003

Peter Beard

Not on View

%C2%A9 1988 Margery Edwards

N.Y. 815, 1988

Margery Edwards

Not on View
abstract image with swirls and repeating linear patterns like ripples on water; many colors--medium and light blue, purple, green, red, white, black

%C2%A9 Andrea Carlson

Untitled, 2012

Andrea Carlson

Not on View
urban scene of several gray and blue buildings under gray sky; skyway tunnel and three round street lights visible in foreground; Foshay Tower on R

%C2%A9 Richard J. Haas %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Minneapolis Skyline, 1989

Richard Haas

Not on View
Abstraction.

%C2%A9 Larry Bell %2F Artists Rights Society %28ARS%29%2C New York

Autumn Leaves (Mirage Painting), 1990

Larry Bell

Not on View
Abstraction. *(Not Narcoossee Neither is this Watervliet)

%C2%A9 1985 Steven Sorman

Again: A Meeting House*, 1985

Steven Sorman

Not on View
abstract image with multicolored pigments in many layers; blue and white striped triangular shape at T; repeating pattern of the Sphinx in TC; Kente cloth pattern in background, appearing in URQ and at LL edge; swirling, mottled brushstrokes throughout; line of numbers and letters, some upside-down, in BR edge; large pink blobs of pigment throughout; glittered elements in text over red woven pattern in LRQ

George 8:46, 2021

David Huffman

Not on View
Saddle stitched binding, photomechanical image of a fly printed in offset lithography on wove paper covers that are cut along the contour of the fly; 16 pp.

Sister Blister, late 20th-early 21st century

Etta Cetera

Not on View
four applied rectangles on top half of sheet--three on top, with one beneath; rectangles from left to right: green square with white flower at top and white lines at bottom, white rectangle with reddish-purple stylized torso and head of figure with open mouth with white horizontal line on chest, purplish-red rectangle with thin circular white scratch-outs; irregular rectangle of soiled white cloth with blue stripes and pattern in ULC beneath green rectangle; some black ink vertical scratchy lines beneath rectangles; black ink splatters, ULC; brown and reddish brown vertical and horizontal waxy marks around rectangles; ground paper is white with pale grey

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
grey-peach wash on bottom of ground, with touches of peach and yellow at bottom center; six applied rectangles of various sizes and orientations at center, including vertical strips of cloth (maroon and blue stripes beneath dirty cream-colored cloth) at center top; grey abstract splotchy imagery at left on largest rectangle (standing figure?); thin lines in sketchy letter-like configurations at bottom center, on applied rectangle in ULQ in reddish-black and on soiled blue and white striped fabric at left center; rectangle of red with white scratches circular design at center bottom

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
cream ground with orange around edges of sheet and pale grey wash; four applied rectangular collage elements; one rectangle of blue and white striped cloth with orange and green lines at right; red blotchy rectangle with black linear marks at top center; mottle black organic form at top center beneath red rectangle; scratchy black marks, ink spots and reddish-black square beneath mottled organic form

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
cream colored ground paper; applied rectangles and squares of paper at left, with some red linear marks along edges of ground sheet and on collage elements; frog-like form at top left of center in black and red; square and rectangle with red and green blotches; rectangle with three shades of pale grey below and to right of frog

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View

%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York

The Minnesota Drawing (Verburg), 1982

Jim Dine

Not on View
primitive painting with four horizontal rows of imagery; bright colors, white ground; "1909" at left edge in black, ULQ; "1902", in black, and "1903", in blue in URQ; "1904", "1909" and "1911" at bottom edge near center in yellow; image of standing bearded man (Jesus?) in URC wearing green garments, with pants tucked into short boots, holding a yellow loop of rope encircling 12 heads of bearded men (the disciples?); small female figure with very long blonde hair at top center, wearing white and green; kneeling figure with Star of David on waist sash pointing at two goats at right edge above center; brown and blue rocket at center right; lower section has two very tall female figures in LLQ--one with long dark hair, one with long blonde hair, accompanying two shorter women with dark hair in a braid, each wearing a long cape; three trees at bottom; flames in LLQ; white frame

Copyright of the artist%2C artist%27s estate%2C or assignees

1902, 1903, 1904, 1909, 1911, c. 1950s

Peter Charlie Besharo

Not on View
red pigments with black shading; large bomb in center; text at top of image that reads "9000 lbs. "LITTLE BOY"= 12,500 tons of T.N.T...."; heart etched in bottom left of body of bomb, with the inscription reading "FERMI OPPENHEIMER TELLER" inside of the heart; blue print of bomb at bottom center of image; grid with tiny black dots in LLC: white, small airplane in ULC

The Hiroshima Bomb, 1984

Robert Arneson

Not on View
abstracted skull at L with red ring around PL eye and abstracted black body extending with arched spine towards R; red borer; ink spatters; text in red at top R; pencil printed text URQ

%C2%A9 Rick Bartow%2C Hyaku Monogatari II %2F Froelick Gallery

Hyaku Monogatari II, 1997

Rick Bartow

Not on View
raised, fabric covered alter; striped fabric covering both levels of alter and back piece; black fringe around bottom and back edges, green, red, and pink braided trim with gold sequins on all edges, and a pink, patterned fabric flower in each back corner; a white cut out of Africa with handwritten black text is attached to the backpiece, as are two black and pink beaded pendents; on the upper level of the alter sits an ornate, silver casket with four blue green stones, irridescent gems, and silver floral decorations around a cut out on lid, which is open to a black, fabric female figure with blue hair and features, wrapped in white irridescent sequins; the silver box is flanked by two gold vases with red fabric flowers with braided and sequined trim around bases; set into the alter in front of the silver box is a flat, brown compact with gold trim and smoothed stones set into a circle on the lid

%C2%A9 Faith Ringgold %2F Artists Rights Society %28ARS%29%2C New York

Lucy: The 3.5 Million Year Old Lady, 1977

Faith Ringgold

Not on View
A grid of collage on postcards: 153 separate collages on Bockley Gallery exhibition announcements with a black and white photograph by Frank Stefanko of musician and artist Patti Smith, wearing a jacket, t-shirt, necklace and small hoop earrings; printed text on the back with information about an exhibition of Frank Stefanko photographs at the Bockley Gallery, Minneapolis.

%C2%A9 Frank Big Bear

Untitled (Patti Smith), 2012

Frank Big Bear

Not on View
large painting with rust colored pigment that is applied in a thick layer; dimensional elements under pigment that resemble thick straps that crisscross horizontally and are secured with large bolts and grommets, which have also been covered with pigment; paint coated ropes and cords dangle from straps on top, in the center and on the bottom; traces of yellow and green pigment show through in several areas

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Coverup, 2012

Harmony Hammond

Not on View

%C2%A9 Luis Gonz%C3%A1lez Palma%2C Courtesy of Schneider Gallery

La Fidelidad del Dolor (The Fidelity of Pain), 1991

Luis González Palma

Not on View
Artist's multiple

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

The Empire State Building, 1997

Red Grooms; Publisher: Akasha Studio, Minneapolis , Minneapolis; Fabricator: Akasha Studio, Minneapolis

Not on View
abstract image with linear geometric forms (triangles, quadrilaterals) with three crescents (two in LLQ, one near top left of center) and biomorphic curvilinear form with shaded circle inside in LRQ; black on tan with cream and light tan elements; received in gold frame

Untitled, June 1936

Charles Biederman

Not on View

Take Flight, 1994

Joan M. Soppe; Publisher: Joan M. Soppe

Not on View

Flight, 1998

Karen Ann Klein; Author: Kisaka Ryo

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work No. 22, April 1908

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Camera Work, 20th century

Alfred Stieglitz

Not on View

Four Concrete Poems and a Reconstruction of a Fifth, 1975

Philip Gallo; Publisher: Hermetic Press, Minneapolis

Not on View

Heap, 20th century

A. Vaccino

Not on View

Palimpsest, 1998

Christine Kermaire; Publisher: Christine Kermaire

Not on View

Saturday Nights in Marietta, 1999

Bonnie Thompson Norman et al.; Author: Robert Bly; Publisher: Minnesota Center for Book Arts, Minneapolis

Not on View

The Summer House, 2000

Maureen Cummins et al.; Author: Patricia Hampl; Publisher: Minnesota Center for Book Arts, Minneapolis

Not on View

Saturday Nights in Marietta, 1999

Bonnie Thompson Norman et al.; Author: Robert Bly; Publisher: Minnesota Center for Book Arts, Minneapolis

Not on View

Playing Haydn for the Angel of Death, 1997

Barbara Tetenbaum et al.; Author: Bill Holm; Publisher: Minnesota Center for Book Arts, Minneapolis

Not on View

Postcard from, "A Collaborative Cabinet: A Postcard Exchange with Mark Dion", 2015

Caty Corbin; Collaborator: Andy DuCett; Collaborator: Mark Dion

Not on View

Postcard from, "A Collaborative Cabinet: A Postcard Exchange with Mark Dion", 2015

Mark Dion; Collaborator: Andy DuCett

Not on View

Postcard from, "A Collaborative Cabinet: A Postcard Exchange with Mark Dion", 2015

Shanice Ellison-Jackson; Collaborator: Andy DuCett; Collaborator: Mark Dion

Not on View

Postcard from, "A Collaborative Cabinet: A Postcard Exchange with Mark Dion", 2015

Mark Dion; Collaborator: Andy DuCett

Not on View

Postcard from, "A Collaborative Cabinet: A Postcard Exchange with Mark Dion", 2015

Bailey Williams; Collaborator: Andy DuCett; Collaborator: Mark Dion

Not on View

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