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%C2%A9 Craig McPherson

F.D.R. Drive, 1993

Craig McPherson

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John Sheffield, Earl of Mulgrave, 17th century

John Raphael Smith; Artist: after Sir Godfrey Kneller

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Portait of C. Hoppe, 17th century

Wallerant Vaillant

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A Philosopher Shewing an Experiment on the Air Pump, 1769

Valentine Green; Artist: After Joseph Wright of Derby; Publisher: John Boydell

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The Tooth-Extractor, 17th century

Johannes van Somer (after); Engraver: Frederick De Wit

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Pittsburg, 19th century

George Taylor Plowman

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Caricature

Miss Macaroni and her Gallant at a Print-Shop, April 2, 1773

John Raphael Smith; Retailer: John Bowles

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Portrait of Sir Seymour Haden, 1903

Alphonse Legros

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%C2%A9 Robert Kipness

Appoggiatura, 1999

Robert Kipness

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Portrait of a Young Woman with Three Children, 17th century

Wallerant Vaillant

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Pan and Pomona, c. 1685

Jan Verkolje; Artist: after Caspar Netscher

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still life

%C2%A9 Hwang Kyo-Baik

Wood, Paper and Stone, 1979

Hwang Kyo-baik

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man on horseback with back to viewer leading a pack animal; building ahead of rider to right; small bridge at left; hills in distance left

Untitled (Man on Horse), 18th century

Christian Rugendas; Artist: After Georg Philipp Rugendas I

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Mercury seated on shore with back to rocks; primitive lyre in lap; cupid behind holding broken string; winged figure ar right carrying flaming torch

Mercury Inventing the Lyre, 1775

John Raphael Smith; Painter: After James Barry; Publisher: John Boydell

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Salisbury Cathedral from the Meadows, 1830-1855

John Constable; Maker: David Lucas

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Arundel Mill and Castle, 1830-1855

John Constable; Maker: David Lucas

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East Bergholt, 1830-1855

John Constable; Etcher: David Lucas

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A Sea Beach, 1830-1855

John Constable; Maker: David Lucas

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Weymouth Bay, Dorsetshire, 1830-1855

John Constable; Maker: David Lucas

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Stonehenge, 1830-1855

John Constable; Maker: David Lucas

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A Summerland, 1830-1855

John Constable; Maker: David Lucas

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Mill near Colchester, 1830-1855

John Constable; Maker: David Lucas

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The Glebe Farm, 1830-1855

John Constable; Maker: David Lucas

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A Mill near Brighton, 1830-1855

John Constable; Maker: David Lucas

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Gillingham Mill, Dorsetshire, 1830-1855

John Constable; Maker: David Lucas

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View on the Orwell, near Ipswich, 1830-1855

John Constable; Maker: David Lucas

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Hadleigh Castle, near the Nore, 1830-1855

John Constable; Maker: David Lucas

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Age of Innocence, 19th century

Samuel Arlent Edwards; Artist: after Sir Joshua Reynolds

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Head of a Woman, c. 1888

Henri-Charles Guérard

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Summer Afternoon, after a Shower, 1830-1855

John Constable; Maker: David Lucas

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Anthony Chamier, c. 1780

William Ward; Artist: After Sir Joshua Reynolds

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Breaking up of the Agamemnon (The Second Plate), 1886

Francis Seymour Haden

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Robert Burns, 1830

William Walker; Artist: after Alexander Nasmyth

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Summer Evening, 19th century

David Lucas; Artist: after John Constable

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Evening on the Thames, 19th century

Sir Frank Short

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Pan and Syrinx (No. 2), 19th century

Sir Frank Short

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bird hanging upside down by its feet and beak from a thin tree branch; cluster of four berries growing from branch above bird's body

%C2%A9 Honda Kazuhisa

(Bird on Branch), 1980s

Honda Kazuhisa

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%C2%A9 Robert Kipness

Without World, 2000

Robert Kipness

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black and white print depicting images of houses and buildings with alternating lighted and darkened windows; thin vernicle lines scattered across facade of image

%C2%A9 Mario Avati %2F Artists Rights Society %28ARS%29%2C New York

Facades, 1958

Mario Avati

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black and white print with image of a highly stylized peacock in profile view facing to the right; black background with gradated moon in URC; six plant like shapes run vertically along left section of image; white band runs horizontally along bottom of image; peacock is decorated in various abstract patterns consisting of circles and teardrop shapes

%C2%A9 Mario Avati %2F Artists Rights Society %28ARS%29%2C New York

Peacock, 1959

Mario Avati

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whole pomegranate at left; half of a pomegranate at right; fluted green surface; black ground

Pomegranates, 1970s

ItĹŤ Wako

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Jupiter and Io, 18th century

Edouard Gautier-D'Agoty; Artist: after Correggio (Antonio Allegri)

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caricature

A Side Box, December 6, 1781

Sayer & Bennett, Publishers

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The Cross of Gold, Cedar Street Building, 1908

Joseph Pennell

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Flatiron Building, 1908

Joseph Pennell

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still life

%C2%A9 Yokoi Tomoe

Carrot and Lemon, 1973

Yokoi Tomoe

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In the Mist of the Morning, 1908

Joseph Pennell

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Parisian Woman, or the Effect of Night in Paris, 1893

Henri Boutet

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Winter, No. 209, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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Autumn, No. 208, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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Spring, No. 206, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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Caricature No. 357; See P.17,361

A Knowing One, from A Set of Heads, c. 1795

Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Caricature No. 396

Dev'lish Cold, from A Set of Heads, c. 1795

Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Caricature No. 402; See: P.16,946-P.16,951.

A Connoisseur, from A Book of Heads, 1795

attributed to Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Caricature No. 405

What a Glorious Speech!, from A Set of Heads, c. 1795

Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Miss Macaroni and Her Gallant at a Print Shop, April 2, 1773

John Raphael Smith; Publisher: John Bowles

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Caricature; See: D. George. Dighton painted anon. for Bowles before 1780.

Modern Refinement or The Two Maccaroni's, c. 1770-1773

attributed to Robert Dighton; Engraver: Robert Dighton; Retailer: Carington Bowles

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The Paintress of Maccaroni's [sic], 1770

Robert Dighton; Publisher: Carington Bowles

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"From the Original Picture by John Collet, in the possession of Carington Bowles."

Winter, late 18th century

after John Collet; Printer: Carington Bowles; Retailer: Carington Bowles

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Frontispiece: A Real Scene in St. Paul's Churchyard on a Windy Day, c. 1770

Carington Bowles; Artist: after Robert Dighton

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Caricature No. 380

Well Neighbour-- What's the News?, from A Set of Heads, c. 1795

Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Spring, 18th century

John Bowles; Artist: J. Williams; Engraver: James McArdell

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Caricature No. 240; Attribution according to Minnichs, then D. George

Miss Prattle, consulting her Doctor Double Fee about her Pantheon Head Dress, c. 1770-1773

attributed to Robert Dighton; Retailer: Carington Bowles

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Caricature No. 381

We're All in the Suds, from A Set of Heads, c. 1795

Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Caricature No. 386

I Say Nothing, from A Set of Heads, c. 1795

Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Spectators at a Print Shop in Saint Paul's Church Yard, c. 1775-1790

Unknown English, 18th century; Publisher: Carington Bowles

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Summer, No. 207, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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still life

%C2%A9 Mus%C3%A9e Hamaguchi Yozo

Title unknown [Cherries], 1970s

Hamaguchi YĹŤzĹŤ

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blonde woman wearing pink and silver dress (Titania) leaning on a man with the head of a donkey (Bottom), wearing a crown of pink roses; nude Puck at center, seen from back; fairies emerging from behind foliage and two fairies riding on white rabbits at right; winged figure peering over foliage behind woman

Midsummer Night's Dream, 1858

Samuel A. Cousins; Artist: After Sir Edwin Henry Landseer

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group of people gathered around a fruit cart, illuminated by one lamp; buildings and a few other people in shadows in background; dog in LLC

A London Fruit Stall by Night, From Good Entertainment A New Book of Figure Studies, c. 1746-1760

Paul Sandby

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two standing cows and four cows lying down on sloping dirt in sunbeams coming through hidden opening at left in a groin vaulted interior; brown and black

Crypt of Kirkstall Abbey, from Liber Studiorum (Book of Studies), c. 1812

Joseph Mallord William Turner R.A.

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F.58 i/iii

Berry Pomeroy Castle, plate from Liber Studiorum, 1816 (1807-1819)

Joseph Mallord William Turner R.A.

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%C2%A9 Robert Ecker

The Tragic View, 1951-1979

Robert Ecker; Workshop: The Lakeside Studio, Lakeside, Michigan

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A Salmon River, 1882

Francis Seymour Haden

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Grayling Fishing, 1897

Francis Seymour Haden; Printer: Frederick Goulding

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Fall of Babylon, 1835 (1838 edition)

John Martin; Publisher: Charles Tilt

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Winchelsea Canal, 1877

Francis Seymour Haden

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The Mouth of the Thames (The Second Plate), 1897

Francis Seymour Haden; Artist: after Joseph Mallord William Turner R.A.

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Montesquieu, 1768

Jean-Baptiste de Grateloup; Artist: after Dassier

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Wren's City, 1909

Joseph Pennell

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Flötender Faun, 19th century

Georg Jahn

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Winchelsea Canal, 1877

Francis Seymour Haden

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The Mouth of the Thames (The Second Plate), 1897

Francis Seymour Haden; Artist: after Joseph Mallord William Turner R.A.

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Fall of Nineveh, 1835 (1838 edition)

John Martin; Publisher: Charles Tilt

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special proof selected and signed by F. Goulding, mp.

An Early Riser, 1897

Francis Seymour Haden

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Small plate impression from Milton's "Paradise Lost," Book 4, Line 453

Eve at the Fountain, 1824-1826

John Martin; Publisher: Septimus Prowett, London

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Small plate impression from Milton's "Paradise Lost," Book 5, Line 308

Paradise with the Approach of the Archangel Raphael, 1824-1825

John Martin; Publisher: Septimus Prowett, London

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man on horseback with sword raised at center; dragon belo w horseman; fleeing figures at L; trees at L and R

Plate No. 73 from "Liber Veritatis", 1774

Richard Earlom; Artist: after Claude Gellée (called Le Lorrain)

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No. 532

July, from the Twelve Months, late 18th century

Robert Dighton; Printer: Carington Bowles; Retailer: Carington Bowles

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%C2%A9 Jane Kent

Untitled (Black and Yellow), 1990

Jane Kent; Printer: Jane Kent; Publisher: Co-published by Jane Kent; Publisher: Co-published by Dolan/Maxwell Gallery, Philadelphia

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Le Telephone, 1995

Laurent Scholynk

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Untitled (Penn Station), 1997

Michele Zalopany

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Lavinia, Countess Spencer, and her son, Lord Althorp, 19th century

Samuel A. Cousins; Artist: after Sir Joshua Reynolds

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The Woman of the Orange Faction, 17th-18th century

Cornelis Dusart

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Manière noire à la noisette belle, 1963

Mario Avati

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Butterflies of Nagasaki, 1962

Mario Avati

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The Hon'ble Miss Monckton, 1781

John Jacobé; Artist: after Sir Joshua Reynolds; Publisher: John Boydell

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Calais Pier, 19th century

Thomas Goff Lupton; Artist: after Joseph Mallord William Turner R.A.

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Portrait of Ludolf Backhuizen, Frontispiece to the Marine Set, 17th century

Jacob Gole

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Harriet (Howard), Countess Gower, and her daughter Elizabeth, 1832

Samuel A. Cousins; Artist: after Sir Thomas Lawrence

Not on View

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