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Carrara marble

Ganymede and the Eagle, 1817–29

Bertel Thorvaldsen

G307

Veiled Lady, c. 1860

Raffaelo Monti

G357

bust of a man with thick curly hair, beard under his chin and moustache; draping garment with round brooch at PR shoulder; unfinished concave back

Bust of Emperor Hadrian as a Young Man, c. 1590

Giovanni Battista Caccini

G340

bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, c. 1854

Harriet Goodhue Hosmer

Not on View
after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies

The Doryphoros (after Polykleitos), 27 BCE - AD 68

Unknown Roman; Artist: Polykleitos

G241

Bacchante and Satyr, 1869

Jean-Baptiste Auguste Clésinger

Not on View
Full bust, undraped, head turned left in profile slightly downward. The figure terminates just below the breasts by means of a shallow, saucer-like border with reeded edge and is attached to a circular socle.

Bust of the Greek Slave, after 1845-1846

Hiram Powers

Not on View
Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8'

Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780

Jean-Jacques Caffieri

G317

crouching female figure with swags of a variety of flowers on an oblong octagonal base

Flora Kneeling, c. 1871

Jean-Baptiste Carpeaux

G324

Madonna Enthroned with the Christ Child, marble.

Madonna Enthroned in Majesty with the Christ Child, late 12th century

France

G340

Based on the original sculpture in 1785 by Jean-Antoine-Houdon. Shoulders draped with classical toga; circular pedestal base.

Bust of George Washington, c. 1853

Hiram Powers

G332

Figure

The Tiber Muse, 2nd-1st century BCE

Graeco-Roman

G241

St. Paul the Hermit, 1772

Andrea Bergondi

G330

'Portrait of Madame de Serilly', white marble, French XVIIIc. cat. card dims H. 34-l/2 x W. 24'; weight 271 lbs.

Portrait of Madame de SĂ©rilly, 1780

Jean-Antoine Houdon

Not on View
may represent the nature goddess or "Great Mother" of early man.; simple, schematic standing figure with crossed arms

Female Figure, c. 2500-2400 BCE

Cycladic

G241

Dionysus on a Donkey, 2nd century

Roman

Not on View
this piece has been cracked through the middle

Cinerary Box with Cover, 1st century CE

Roman

G241

probably Roman copy of a Greek original

Torso, 100-200 CE

Graeco-Roman

G241

after a Hellenistic Greek bronze

Torso of a Dancing Faun, 1st century CE

Graeco-Roman

Not on View

Clock, c. 1789

Jean-Antoine Lepine; Painter: Joseph Coteau

G314

Bust of Diana, 19th century

Jean Alexandre Joseph FalguiĂšre

G319

Standing Bodhisattva of white marble, arms broken off below shoulder. The figure wears a narrow scarf, barely defined, and a skirt girdled at the waist, its upper edge finished with a curling line. Jewelled necklace and long chains. High headdress. Feet missing, head restored at throat where formerly broken off.

Standing bodhisattva, one of a pair, late 6th century

China

G200

Fountain, 16th century

Italy

G235

A Roman legionary fallen in battle embraced at the moment of death by the genius or spirit of victory.

Kiss of Victory, 1878–1881

Sir Alfred Gilbert

G357

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division

Bust of General Guillaume Brune, c. 1800

Joseph Chinard

G310

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769)

Pier table, c. 1768

Giovanni Battista Piranesi

G307

figure

Flight of Night, 1916

Paul Manship

G371

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

painted and giltwood, plaster, marble and iron

Grand Salon from the HÎtel de la BouëxiÚre, c. 1735

France

G318

Anatole Demidoff, Prince of San Donato (1812-1870) was a distinguished scientist and explorer, as well as art collector. He is shown in this portrait with the attributes of his collecting--a classically inspired ewer and basin--and tools indicative of his scientific explorations--a globe, maps, a telescope and a compass. The books by his feet and the pamphlet in his hand bear the titles of his scholarly publications on the natural history, geology and anthropology of Crimea and southern Russia. The prince's crest, a three-dimensional rendition, is affixed to the center of the base.

Prince Anatole Demidoff, 1839

Jean-Pierre Dantan II

Not on View
Formal portrait bust of a middle-aged woman, solemn facial expression, wearing a ruffled collar made of printed fabric, no jewelry.

Portrait of Mrs. Grace Morrison Kimball, 1887

Orazio Andreoni

Not on View
Formal portrait of a middle-aged man, heavy mustache, solemn facial expression; nineteenth-century coat, waistcoat and shirt with bow tie.

Portrait of Dr. Hannibal Hamlin Kimball, 1887

Orazio Andreoni

Not on View
Erastus Dow Palmer, 'Pair of Reliefs, Morning and Evening Stars', marble relief, United States XIX c. (One of a pair with 89.124.1)

Morning Star, c. 1851-1855

Erastus Dow Palmer

Not on View
Erastus Dow Palmer, 'Pair of Reliefs, Morning and Evening Stars', marble relief, United States XIX c. (One of a pair with 89.124.2)

Evening Star, c. 1851-1855

Erastus Dow Palmer

Not on View
full bust, undraped, head turned half-left with gaze in same direction, slightly downward. The figure terminates just below the breasts by means of a shallow, saucer-like border with reeded edge and is attached to a circular socle. The hair is dressed with a small sunflower, symbolizing the allegory.

Clytie, c. 1868-1870

Hiram Powers

Not on View
surface well preserved with the exception of the nose and chin

Head of Aphrodite, 3rd century BCE

Ancient Greek

Not on View
slightly tapered cylinder; larger end has subtile spiral pattern carved at end; white marble with grey and rust streaks

Bracelet in the Shape of a Conch, c. 6th-2nd century BCE

Thailand

Not on View
white and grey veined marble; carved sculpture in the form of a Chinese side chair with curved back

Copyright %C2%A9 Ai Weiwei 2008

Marble Chair, 2008

Ai Weiwei

Not on View

Head of a Woman, c. 150

Roman

Not on View

Bust of a Cardinal, c. 1640

Italy

Not on View
Religion: NT.

Madonna and Child, 20th century

Libero Andreotti

Not on View
torso and legs of a figure--head, PL arm at bicep and PR arm at elbow lost; clinging drapery; beaded necklace and long beaded strands from PR shoulder, around knees and down center of back; lotus blossom base; cream-colored stone

Standing bodhisattva, late 7th-early 8th century

China

Not on View
Madonna stands upon dragon and clouds with hands placed to chest

Immaculate Madonna, c.1710

Giacomo Antonio Ponsonelli

Not on View
head of a man looking to PR; light beard and short hair; furrowed brow; mounted on black base

Portrait of a Man, 252-268

Roman

Not on View
hook-shaped pendant, with round knob at one end and egg-shaped hole at other; dark-green Serpentine marble

%C2%A9 Carlo Herrmann%2C Estate of Carla Lavatelli

Pendant, 20th century

Carla Lavatelli

Not on View
sculptural pendant in abstract form with hole near top; yellow Siennese marble

%C2%A9 Carlo Herrmann%2C Estate of Carla Lavatelli

Pendant, 20th century

Carla Lavatelli

Not on View
sculptural neckpiece with two elliptical holes and two incised grooves running to edge; black Belgian marble

%C2%A9 Carlo Herrmann%2C Estate of Carla Lavatelli

Neckpiece, 20th century

Carla Lavatelli

Not on View
sculptural neck piece in abstract form with long groove incised and circular hole near one end; black Belgian marble

%C2%A9 Carlo Herrmann%2C Estate of Carla Lavatelli

Pendant, 20th century

Carla Lavatelli

Not on View
woman in flowing robe with one hand shading face, other hand pointing off into distance, life size.

The Lost Pleiad, 1874 (modeled)

Randolph Rogers

Not on View
round face; wispy, shaggy, short hair; light beard; irregular bottom edge; mounted on black/green marble base

Portrait Head of a Man, 3rd-5th century

Roman

Not on View
incised seal, figure of a reclining bull; marble; Iraqi; seal incised with four feline-like forms

Reclining Bull, c. 3000 BCE

Iraq

Not on View
standing bovine animal (incised image); marble?; Iraqi

Standing Bovine, c. 3000 BCE

Iraq

Not on View
standing ram (incised image); marble?; Iraqi

Standing Ram, c. 3000 BCE

Iraq

Not on View
a.k.a. The Roman Matron

Roman Matron, 60–70

Roman

Not on View
tondo; tomb relief

Tondo: Portrait of a Young Noblewoman, 2nd century

Roman

Not on View

Bust of a Young Nobleman, 2nd century

Roman

Not on View

Head of a Man, c. 250-275

Roman

Not on View
bust of man with wrinkled face, with high cheekbones; slits in earlobes with two large earrings with dangles at top of each ear; cloth wrapped around head with ponytail-like tassels on each side of cloth; drapery over PL shoulder; white marble

Bust of Aysh-ke-bah-k-ko-zhay (Flat Mouth), an Ojibwa Chief, 1857

Francis Vincenti

Not on View
dark wood rectangular stand with open sides topped with grey and white marble

Rectangular stand, 18th century

China

G216

Standing Bodhisattva of white marble, right arm broken off below shoulder, left above wrist. Figure wears narrow scarf tied in x-like form at waist, and skirt whose upper edge falls over in narrow peplum effect over girdle. Elaborate jewelled necklace and heavy chains hanging to knees. High headdress. Feet missing; head restored at throat where formerly broken.

Standing bodhisattva, one of a pair, late 6th century

China

G200

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus

Crouching Lion, 330-317 BCE

Ancient Greek

Not on View
male figure wearing a robe carved from brown-veined rock, seated on a red and cream stone plinth; head, hands and feet of gilt bronze; curly hair and beard; wearing cap; man holds scroll in PL hand and two keys in PR hand

The Ludovisi Saint Peter, 2nd century (marble body); c. 1590 (gilt bronze head, hands and feet; throne)

Attributed to Bastiano Torrigiani (head, hands and feet)

G340

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province.

Standing Bodhisattva, 571

China

G200

Clock with vestals, c. 1790

Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period.

Console table, c. 1775-1800

Italy (?)

G310

mottled marble-yellow jade, cloud-spiral pattern covers bead

Yuanle Columnar Bead, 475-221 BCE

China

G215

ornately carved wood table mount for framed marble insert; inscription and seal at UL

Table screen, c. 1800

China

G216

small table with stone inlay top; 4 straight corner legs, turned slightly inward at bottom; runners connect 4 feet in rectangular shape

Incense stand, late 16th century

China

G218

marbled black jade. Smooth, undecorated surface, small perforation at handle.

Ceremonial Ge Dagger, 475-221 BCE

China

G215

base made up of parts of gilt metal sculptures attached together in a surreal fashion: human, animal and bird feet, dolphins, horse head, human figures and body parts, key, scrolls, bird's head, tiny grate section; top wishbone-shaped element made of white marble with grey veins, with two candle cups

%C2%A9 Fernando Campana %2F Humberto Campana

Aleijadinho Candlestick, 2011

Fernando Campana; Designer: Humberto Campana

G310

Side table, late 17th century

Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

column base is front half of stylized lion with mouth slightly open with tongue out and head turned slightly toward PR; lion rests its front paws on a small serpent which is biting the lion's neck; reddish marble--tan tones at top--with black spots; grey spiral fluted column; reddish marble capital with horizontal deeply-incised wavy ribs and lion's head at each corner

Lion with Serpent, one of a pair of monumental lions with columns and capitals, c. 1210-1220

Attributed to the workshop of Anselmo da Campione

G340

column base is front half of stylized lion with mouth slightly open and head turned slightly toward PL; lion rests its front paws on the carcass of a calf; birds on lion's shoulders; reddish marble--tan tones at top--with black spots; grey spiral fluted column; reddish marble capital with horizontal deeply-incised wavy ribs and lion's head at each corner

Lion with Calf, one of a pair of monumental lions with columns and capitals, c. 1210-1220

Attributed to the workshop of Anselmo da Campione

G340

Commode, c. 1775-1800

Antione (Pierre-Antoine) Foullet

G314

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand

Screen, 17th century

Unknown

G217

Louis XV style ormolu-mounted parquetry commode; marble top, in bois satiné with purpleheart borders; the front has two drawers with shallow cupboards at the sides, the mounts with crowned C marks

Commode, c. 1745

attributed to Charles Cressent

G318

3/4 length standing figure; bald, with placid face, closed eyes, long ears with elongated lobes; head slightly bent forward; palms of hands held together at chest; figure wars a robe draped over PL shoulder and PL arm--PR shoulder, chest and arm are bare; traces of gilt, red and green pigments on garment; cream-colored stone with mottled brown areas

Standing Arhat, 6th century

China

Not on View
the figures, of bronze gilded, seated on the circular dial, are in the style of Falconet and represent Venus with two cherubs; the dial has pierced hands in the shape of arrows to mark hours and minutes, and secondary hands of blue steel for days weeks and month; the pedestal, which rests on a square base, is in the baroque style with medallions and branches of bay leaves, and is supported by inverted consoles

Mantle clock, c. 1770

Jeann-Antoine Lepine

Not on View
from grave stele, modern red marble base

Head of a Bearded Man, c. 375 BCE

the Sculptor of the Pheidylla Stele

Not on View
Figure, stored on side

Copyright of the artist%2C artist%27s estate%2C or assignees

Bison, 1949

John Rood

Not on View
Attic style, classical period; represents a man of the Philomelos family and his wife, Plathane

Grave Stele, 5th century BCE

Ancient Greek

Not on View
circular; black Belgian marble and silver

%C2%A9 Carlo Herrmann%2C Estate of Carla Lavatelli

Necklace, 20th century

Carla Lavatelli

Not on View
circular; black Belgian marble and silver

%C2%A9 Carlo Herrmann%2C Estate of Carla Lavatelli

Bracelet, 20th century

Carla Lavatelli

Not on View
necklace of two joined circles suspended from lengths of multi-colored cord; white Carrara marble

%C2%A9 Carlo Herrmann%2C Estate of Carla Lavatelli

Necklace, 20th century

Carla Lavatelli

Not on View
stepped base with four drawers and marble top; two vertical stepped Gothic supports hold mirror; each mirror support has brass candle sconce with ten crystal pendants

Dressing bureau, c. 1844

Crawford Riddell's Journeymen Cabinet Makers

Not on View
marble top not original

Chest of drawers with mirror, 1881

Herter Brothers

Not on View

Courtesy Marshall Girard

End table from a suite designed for Braniff Airlines, one of a pair, c. 1965

Alexander Girard; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View
very tall, graceful form; five edges rising from a narrow bottom into a single, beveled point at top; mounts by a metal post to a marble slab; light blue/green color (seihakuji); marble has a polished top with rugged edges

%C2%A9 Fukami Sueharu

Rise, 2005

Fukami Sueharu

Not on View
Bilbao Mirrors, pair, marble mosaic veneer, delicate shade of pink; gilded bead and reed molding next to glass. In the open work crest, wire scrolls, leaves and flowers surround oblong insert of veneer. The engaged columns in paneled inserts are surmounted by flower basket finials with characteristic leaf pendants below.

Bilbao mirror, one of a pair, c. 1790

Spain

Not on View
three piece clock garniture; white marble with ormolu mounts of sunburst and floral scrollwork, pendulum swing; circle of rhinestones around clock; two three-branch candlesticks with faces mounted as hadles on each side

Clock from a three-piece Garniture, c. 1860

France

Not on View
removable veined marble top; open front; heavy scroll on each side, supporting top; mirror on back, bottom; solid flat base; medium finish

Pier table, c. 1835

United States

Not on View
'The Fashionable Girl', ivory figure with stone base, base need repair - piece broken off

Copyright of the artist%2C artist%27s estate%2C or assignees

The Fashionable Girl, 20th century

Fritz Preiss

Not on View
rectangular sheet folded four times vertically, wrapped horizontally six times and tied off at the back by thick rope

%C2%A9 Karl Matson

Untitled, 20th century

Karl Matson

Not on View
Louis XVI Cabinet (Meuble D'Entre Deux)

Cabinet, c. 1765

Claude Charles Saunier

G314

Marble-grey jade with grey-black veins and ochre clouds. Indentation at one side of hu suggests that it was modelled after a stone cutting tool with a handle.

Hu Trapezoidal Blade, 1100-771 BCE

China

G215

Corner cabinet (Encoignure), 18th century

Jean-Chrysotome Stumpff

G314

6 lobed legs, curving outward and in, resting on a hexagonal raised base; marble top with green, grey and burnt orange swirls on creamy white

Round Stool with Stone Seat, one of a pair, late 17th century

China

Not on View

Corner cabinet (Encoignure), c. 1770–80

Jean-Chrysotome Stumpff

G314

Fragment from a monumental sarcophagus with male head, late 3rd century

Roman

Not on View

Head of Mary Stuart, 16th century

France

Not on View

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