Looking for medina, metius, media, medic?

boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking — A Stag at Sharkey's, 1917
George Bellows

Not on View

Royal Tiger, Eugène Delacroix — Royal Tiger, 1829-1830
Eugène Delacroix

Not on View

Rue Transnonain, le 15 Avril, 1834, Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris — Rue Transnonain, le 15 Avril, 1834, 1834
Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris

Not on View

Lion of the Atlas Mountains, Eugène Delacroix — Lion of the Atlas Mountains, 1829-30
Eugène Delacroix

Not on View

Persian Woman, Henri Matisse — Persian Woman, 1929
Henri Matisse

Not on View

Lion Devouring a Horse, Eugène Delacroix — Lion Devouring a Horse, 1844
Eugène Delacroix

Not on View

man standing in boat, pushing off from pier with a boat oar — Boatman, 1929
Rockwell Kent

Not on View

standing figure facing PL, wearing a gas mask, a headdress with one vertical feather and Mohawk-like top element, fur (or long hair?) down back, dress, and high heeled boots; figure holds a spear with a hooked and jagged end; red triangle over torso of figure; black and red on white — Taoky, Doyen of the Rez Spine Watchmen, 2020-2021
Virgil Ortiz

G261a

standing figure seen from knees up, with head bent down, wearing feathered headdress and gas mask, holding whips, with a bow and quiver of arrows across back; red circle around upper body; black and red on white — Translator, Commander of the Spirit World Army, 2020-2021
Virgil Ortiz

G261a

abstract image of two identical faces morphed together, with three eyes, two noses, and two mouths; predominately vertical black tattoos on face and neck; black on white — Lee-Tho, Recon of the North Realm Spine Watchman, 2020-2021
Virgil Ortiz

G261a

Black-and-white lithograph from stone drawn by the artist of a figure holding a cloud like form. — Karma Juggler, 2015
Do Ho Suh; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Lithograph printed in black shop mix ink from stone. — The Temptations, 2005
Donovan Durham; Printer: Highpoint Editions, Minneapolis; Publisher: Donovan Durham

G266-G274

Lithograph printed in black shop mix ink from stone. — Stevie Wonder, 2005
Donovan Durham; Printer: Highpoint Editions, Minneapolis; Publisher: Donovan Durham

G266-G274

Lithograph printed in black shop mix ink from stone. — Anita Baker, 2005
Donovan Durham; Printer: Highpoint Editions, Minneapolis; Publisher: Donovan Durham

G266-G274

stylized, roughly symmetrical image; pair of Western soldiers wearing amor and helmets, one with sword and one with a cat-o-nine-tails whip, threatening a bound, kneeling, wounded nude dark-skinned figure; behind central figures is a standing figure in a brown robe, holding a bleeding heart in his PR hand and a cross in his PL hand, in front of an adobe church; solider at left with bloody sword, attacking a dark-skinned nude woman; soldier with sword at right holding a dark-skinned nude man by a rope tied around his neck; checkerboard border; printed in yellow, brown, and red — Saints and Sinners, 2017
Diego Romero

G259

three standing figures wearing jumpsuits, vests with many pockets, boots, knee pads, and gas masks, holding guns; head, upper body, and PR arm of a figure wearing a dark hooded sweatshirt, seen from behind, in foreground, holding up a cellphone, photographing soldiers; yellow and tan flames in background; checkerboard border; printed in yellow, tan, and brown; received in light-toned wood frame — American Diastrophism, 2020
Diego Romero

G259

The Chap-Book: The Blue Lady, William H. Bradley; Publisher: Stone and Kimball, Chicago — The Chap-Book: The Blue Lady, December 1894
William H. Bradley; Publisher: Stone and Kimball, Chicago

G379

Judith Beheads Holofernes, Lovis Corinth — Judith Beheads Holofernes, 1910
Lovis Corinth

Not on View

orange and pink close up image of a woman's face wearing sunglasses; blue text fit into shape of lenses; blue and pink borders — The Chambers Brothers, March 28-30, 1967, April 4-6, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

man's face in orange stripes on turquoise ground; orange pyramids surmounted with radiating triangles with eyes in bottom corners — "Zebra Man," 13th Floor Elevators, Quicksilver Messenger Service, September 30-October 1, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

Art Deco style; woman with long, twisting, green hair wearing a purple dress and holding a cigarette in her PR hand; printed in orange, purple, black, and green — "The Woman with Green Hair," Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train, Avalon Ballroom, October 7-8, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

G316

black and white; image in an archway of a skeleton with an oversized skull wearing a tiny cowboy hat and a black jacket, with a cigar in its mouth; bubble letters — The Quick and The Dead: The Grateful Dead, Quicksilver Messenger Service, The New Tweedy Brothers, June 10-11, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 57; spiral in pink, red, green, and blue with female figure behind; text in blue and pink; yellow border; red typewritten text at bottom — "Swirly," The Doors, Miller Blues Band, Haji Baba, April 14-15, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

head and torso of a topless woman with long hair, printed in green, against a red ground with a black snake with lettering twined around her; green text at top: "SIN DANCE" — Sin Dance: The Grass Roots, The Sons of Adam, Big Brother and the Holding Company, April 29-30, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Bill Graham poster no. 136; blue background; hand holding torch over heart at center; red, yellow, and black text — "Heart and Torch," Big Brother & the Holding Company, Santana, Chicago Transit Authority, September 12-14, Filmore West, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border — Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Family Dog poster no. 61; blue background with pink and orange text; pixilated blurry figure wearing a full skirt with four wings (?) in blue, red, and yellow on purple ground; "ANNABELLES BUTTERFLY DANCE" below figure in blue; purple typewritten text at bottom — "Butterfly Lady," The Doors, The Sparrow, May 12-13, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

white and yellow arcing grid on orange with yellow sun orb at top center; silhouette of a figure attached of purple and green wings on top of sun orb; blue and yellow curving elements at bottom with orange text; pink typewritten text at bottom — "Sky Web," The Charlatans, Buddy Guy, September 22-24, Avalon Ballroom, 1967
Bob Fried; Publisher: Family Dog Productions, San Francisco

G316

red text on either side of a blue and red image of person with afro; blue background — Moby Grape, The Other Half, It's a Beautiful Day, Tim Hardin, January 24-25, Winterland, 1969
San Andreas Fault (Tad Hunter); Publisher: Family Dog Productions, San Francisco

G316

black ground; large round element at top in red, yellow, and white, with looping designs and faint skull element at center; arcs with bubble letters at bottom; white typewritten text at top — "Rorschach Test," Blues Project, It's A Beautiful Day, Nazz Are Blues Band, April 5-7, Avalon Ballroom, 1968
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

pink image of person on blue background; orange and pink flower shapes around image, petals contain text; pink and orange border; — The Wildflower, March 3-5, The Matrix, 1967
Victor Moscoso; Photographer: Elaine Mayes; Publisher: Neon Rose, San Francisco

G316

Family Dog poster no. 68; curling text in blue and green over red with two circles at center; green along one long side and blue along other long side, each with white typewritten text — Quicksilver Messenger Service, Mount Rushmore, Big Brother and the Holding Company, Horns of Plenty, June 29-30, July 1-2, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

eyeball with various appendages--pair of wings, pair of reptilian legs of which one is holding a skull, and a rattlesnake-like tail--climbing through firey hole at center; black text with gold outlines on top and bottom; red background — “The Flying Eyeball,” Jimi Hendrix Experience, John Mayall and the Bluesbreakers, Albert King, February 1, 4, Fillmore Auditorium, February 2, 3, Winterland, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Family Dog poster no. 101; black ground with red text; illustration of bleeding heart with roots and branches at center; blue typewritten text at bottom — "Eternal Reservoir," Quicksilver Messenger Service, Kaleidoscope, Charley Musselwhite, January 12-14, Avalon Ballroom, 1968
Rick Griffin; Publisher: Family Dog Productions, San Francisco

G316

fuchsia, orange, purple, turquoise; geometric lines and rectangles with radiating letters of various typefaces; central photographic image of a woman's face, upside down, in fuchsia on orange; white typewritten text at bottom — "One Hundred Six," Youngbloods, Mount Rushmore, Phoenix, February 16-18, Avalon Ballroom, 1968
William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Squiggly Trinity," Bo Didley, Lee Michaels, November 17-19, Avalon Ballroom, 1967

William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 88; red background with green flame-like design and text; purple and green text in center in a T shape; white typewritten text at bottom of main design motif — "Ohm," Van Morrison, Daily Flash, Hair, Avalon Ballroom, October 20-22, 1967, 1967
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

blue text dissapating behind green image of singer; neon orange background; green text with blue background along bottom; blue border — Junior Wells and his Chicago Blues Band, Steve Mann, December 27, 1966-January 8, The Matrix, 1966
Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

Family Dog poster no. 26; skeleton surrounded by red and white roses and wearing a crown of roses against blue background — "Skull and Roses," Grateful Dead, Oxford Circle, September 16-17, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

row of figures on horses in purple--five figures hold red and white umbrellas; green grass in foreground with elements of yellow; mottled yellow-orange sky — Indians with Umbrellas, 1970-1971
Fritz Scholder

G259

page from a book (pages 35 and 36); recto, top image: large Victorian houses; house on left is brick, house on right is wood frame; figures on sidewalk, in front of houses and on porch of house at right; carriages on street; "RESIDENCE OF C. H. BIGELOW, COLLEGE AVENUE, ST PAUL, MINN." and "RESIDENCE OF E. M. DEANE, COLLEGE AVENUE, ST PAUL, MINN." printed below image; recto, bottom image: factory complex with three buildings, with figures, horses and carriages around them; lumber at right; trains in LLC and center left; "ST. PAUL HARVESTER WORKS" and other text printed below image; verso, top image: large Victorian house with cupola and fountain in front; figures in front of house; carriages and horses on street; "J. C. BURBANK'S RESIDENCE, SUMMIT AVE. / ST. PAUL, MINN." printed below image; verso, bottom image: Victorian house with figures on street; two horses and carriages; "RESIDENCE OF R. BARDEN, COR. 6TH & MARIA AVE. DAYTONS BLUFF, ST PAUL, MINN." printed below image — St. Paul Harvester Works, 1875
Not on View

Title page from Florilège des Amours de Ronsard, Henri Matisse; Author: Pierre de Ronsard; Publisher: Albert Skira , Paris; Lithographer: Mourlot Freres, Paris; Printer: George Girard, Paris, France , (text) — Title page from Florilège des Amours de Ronsard, 1948
Henri Matisse; Author: Pierre de Ronsard; Publisher: Albert Skira , Paris; Lithographer: Mourlot Freres, Paris; Printer: George Girard, Paris, France , (text)

Not on View

The Pleading Woman, Oskar Kokoschka — The Pleading Woman, 1914
Oskar Kokoschka

Not on View

Self-Portrait, Oskar Kokoschka — Self-Portrait, 1914
Oskar Kokoschka

Not on View

[Ferdinand Roten Galleries, Baltimore, until 1957; sold July 9, for $500, to Mia] — Pietà, 1914
Oskar Kokoschka

Not on View

Columbus and St. George, Oskar Kokoschka — Columbus and St. George, 1913
Oskar Kokoschka

Not on View

Sheik Mustafa Khalil El-Ansari, Chief Warden of the Mosque of Omar, Oskar Kokoschka; Publisher: Marlborough Graphics, London — Sheik Mustafa Khalil El-Ansari, Chief Warden of the Mosque of Omar, 1973
Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

Dragons Over a Flame, Oskar Kokoschka — Dragons Over a Flame, 1914
Oskar Kokoschka

Not on View

Women, Joan Miró; Publisher: Maeght Éditeur, Paris — Women, 1948
Joan Miró; Publisher: Maeght Éditeur, Paris

Not on View

Dr. Shimon Agranat, President of the Israel Supreme Court, Oskar Kokoschka; Publisher: Marlborough Graphics, London — Dr. Shimon Agranat, President of the Israel Supreme Court, 1973
Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

Moyshe Dayan, Minister of Defence, Oskar Kokoschka; Publisher: Marlborough Graphics, London — Moyshe Dayan, Minister of Defence, 1973
Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

Ringleader, Henri Gabriel Ibels — Ringleader, 19th-20th century
Henri Gabriel Ibels

Not on View

Golda Meir, Prime Minister, Oskar Kokoschka; Publisher: Marlborough Graphics, London — Golda Meir, Prime Minister, 1973
Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

Tooth, Philip Guston — Tooth, 1966
Philip Guston

Not on View

The Man Raises His Head Above the Grave on which His Wife Sits, Oskar Kokoschka — The Man Raises His Head Above the Grave on which His Wife Sits, 1914
Oskar Kokoschka

Not on View

Pietà (Weibüber Schemengebeugt), Oskar Kokoschka — Pietà (Weibüber Schemengebeugt), 1913
Oskar Kokoschka

Not on View

His Beatitude Benedictos I, Greek Orthodox Patriarch of Jerusalem, Oskar Kokoschka; Publisher: Marlborough Graphics, London — His Beatitude Benedictos I, Greek Orthodox Patriarch of Jerusalem, 1973
Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

Teddy Kollek, Mayor of Jerusalem, Oskar Kokoschka — Teddy Kollek, Mayor of Jerusalem, 1973
Oskar Kokoschka

Not on View

Gethsemane, Oskar Kokoschka — Gethsemane, 1916
Oskar Kokoschka

Not on View

Self-Portrait, Henri Matisse — Self-Portrait, 1923
Henri Matisse

Not on View

Child Drawing (Jean Buhot), Félix Buhot — Child Drawing (Jean Buhot), 1892-1894
Félix Buhot

Not on View

boxer; prize fight — Introducing John L. Sullivan, 1916
George Bellows

Not on View

Gas Synthetics, Louis Lozowick; Printer: George C. Miller — Gas Synthetics, 1944
Louis Lozowick; Printer: George C. Miller

Not on View

abstract composition--black ink on cream--mixing broad strokes, splatters, lines of varying thickness, marbeling effect, and fingerprints; in pencil along bottom reads "For Donn, 'Techniques shit image?' Thanks. Kinji Akagawa '66" — Techniques, 1966
Kinji Akagawa; Printer: Kinji Akagawa; Printer: Tamarind Lithography Workshop, Los Angeles (now Albuquerque, N.M.)

Not on View

surreal image of head, PR arm, and PR foot of man swimming on a solid grey surface; two-part white structure with a right angle and curves at left half of image, over man; wave-like elements on the diagonal at center, parallel to grey surface; four white orbs next to waves; black ground and city skyline in URQ; print received masking taped to off-white mat — Frustration, 1978
Kenji Nakahashi

Not on View

So you want to meddle with the press!, Honoré Daumier — So you want to meddle with the press!, 1833
Honoré Daumier

Not on View

Seated Nude in a Tulle Blouse, Henri Matisse — Seated Nude in a Tulle Blouse, 1925
Henri Matisse

Not on View

Standing Odalisque with a Plate of Fruit, Henri Matisse — Standing Odalisque with a Plate of Fruit, 1924
Henri Matisse

Not on View

Nude Woman Standing, Drying Herself, Edgar Degas — Nude Woman Standing, Drying Herself, 1891-1892
Edgar Degas

Not on View

Accident, Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE) — Accident, 1963
Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)

Not on View

Mr. Fruch, Honoré Daumier — Mr. Fruch, 1833
Honoré Daumier

Not on View

You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, Honoré Daumier — You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, 1848
Honoré Daumier

Not on View

The grand staircase of the Palais de Justice: View of Faces, Honoré Daumier — The grand staircase of the Palais de Justice: View of Faces, 1848
Honoré Daumier

Not on View

Plate 23 — But yes, my wife, I assure you that monsieur is drawing a landscape. . . it is a landscape, monsieur, isn't it?, 1846
Honoré Daumier

Not on View

Plate 1 — Water nymphs of the Seine, 1847
Honoré Daumier

Not on View

Now my flowerpot will have some sunshine. . . I will finally know whether it is a rose or a gillyflower!, Honoré Daumier — Now my flowerpot will have some sunshine. . . I will finally know whether it is a rose or a gillyflower!, 1852
Honoré Daumier

Not on View

One way of using skirts that have just come into style, Honoré Daumier — One way of using skirts that have just come into style, 1856
Honoré Daumier

Not on View

Charming view available exclusively to residents of basements, Honoré Daumier — Charming view available exclusively to residents of basements, 1856
Honoré Daumier

Not on View

-And so Mr. Gendrouillet, how do you find yourself in your new lodgings? -Not too bad, except for the rheumatism and the mushrooms, Honoré Daumier — -And so Mr. Gendrouillet, how do you find yourself in your new lodgings? -Not too bad, except for the rheumatism and the mushrooms, 1856
Honoré Daumier

Not on View

Travelers showing less and less appreciation for third-class carriages in winter, Honoré Daumier — Travelers showing less and less appreciation for third-class carriages in winter, 1856
Honoré Daumier

Not on View

The danger of wearing petticoat-ballons during the season of strong gales, Honoré Daumier — The danger of wearing petticoat-ballons during the season of strong gales, 1857
Honoré Daumier

Not on View

Concerning the advantage of a crinoline for cheating the toll-house, Honoré Daumier — Concerning the advantage of a crinoline for cheating the toll-house, 1857
Honoré Daumier

Not on View

I should regret this style. . . These great ladies make my work less every day!, Honoré Daumier — I should regret this style. . . These great ladies make my work less every day!, 1857
Honoré Daumier

Not on View

Look at that huge Fifine trying to be a Venus!, Honoré Daumier — Look at that huge Fifine trying to be a Venus!, 1842
Honoré Daumier

Not on View

Wrong place!, Honoré Daumier — Wrong place!, 1840
Honoré Daumier

Not on View

Hold on! Waitress, I prefer the vegetables clean-shaven., Honoré Daumier — Hold on! Waitress, I prefer the vegetables clean-shaven., 1848
Honoré Daumier

Not on View

The Conqueror Menelaus, Honoré Daumier — The Conqueror Menelaus, 1841
Honoré Daumier

Not on View

Lucky Strike in the Mirror (Lucky Strike I), Larry Rivers; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE) — Lucky Strike in the Mirror (Lucky Strike I), 1961
Larry Rivers; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View

Plate 35 — Ungrateful nation, you will not have my masterpiece!, 1840
Honoré Daumier; Printer: d'Aubert & Co.; Publisher: Charles Philipon

Not on View

Minneapolis, Louis Lozowick; Printer: George C. Miller — Minneapolis, 1925
Louis Lozowick; Printer: George C. Miller

Not on View

Pygmalion, Honoré Daumier — Pygmalion, 1842
Honoré Daumier

Not on View

Plate 2 — The Way Home (Der Nachhausweg), plate from "Die Holle" (Hell), 1919
Max Beckmann; Printer: J.B. Neumann, Berlin

Not on View

The mother is in the fire of composition, the baby is in the water of the bath!, Honoré Daumier — The mother is in the fire of composition, the baby is in the water of the bath!, 1844
Honoré Daumier

Not on View

Humanist woman of letters, taking up Man, has heady philosphical thoughts!, Honoré Daumier — Humanist woman of letters, taking up Man, has heady philosphical thoughts!, 1844
Honoré Daumier

Not on View

Muse of the tavern, Honoré Daumier — Muse of the tavern, 1864
Honoré Daumier

Not on View

They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, Honoré Daumier — They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, 1864
Honoré Daumier

Not on View

Let's see. . open your mouth!, Honoré Daumier — Let's see. . open your mouth!, 1864
Honoré Daumier

Not on View

El requiem, José Clemente Orozco; Printer: George C. Miller; Publisher: The Weyhe Gallery, New York — El requiem, 1928
José Clemente Orozco; Printer: George C. Miller; Publisher: The Weyhe Gallery, New York

Not on View

Casa arruinada, José Clemente Orozco — Casa arruinada, 1929
José Clemente Orozco

Not on View

Innes Harbor, Childe Hassam — Innes Harbor, c. 1916
Childe Hassam

Not on View

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