Looking for medina, metius, media, medic?

boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking — A Stag at Sharkey's, 1917
George Bellows

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man standing in boat, pushing off from pier with a boat oar — Boatman, 1929
Rockwell Kent

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Persian Woman, Henri Matisse — Persian Woman, 1929
Henri Matisse

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Lion Devouring a Horse, Eugène Delacroix — Lion Devouring a Horse, 1844
Eugène Delacroix

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Lion of the Atlas Mountains, Eugène Delacroix — Lion of the Atlas Mountains, 1829-30
Eugène Delacroix

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Royal Tiger, Eugène Delacroix — Royal Tiger, 1829-1830
Eugène Delacroix

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Rue Transnonain, le 15 Avril, 1834, Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris — Rue Transnonain, le 15 Avril, 1834, 1834
Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris

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The Englishman at the Moulin Rouge, Henri de Toulouse-Lautrec — The Englishman at the Moulin Rouge, 1892
Henri de Toulouse-Lautrec

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five rows of 30 total images of painted portraits of men and women; each numbered; all are black people except #28 (white man); image of electric hair clippers with "Bruno / Signs" in cursive over clippers at bottom center; address and phone numbers printed in LLC — Untitled, from "i-jusi", June 2010
Brode Vosloo

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The Chap-Book: Thanksgiving Number, William H. Bradley; Publisher: Stone and Kimball, Chicago — The Chap-Book: Thanksgiving Number, November 1895
William H. Bradley; Publisher: Stone and Kimball, Chicago

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The Chap-Book: The Blue Lady, William H. Bradley; Publisher: Stone and Kimball, Chicago — The Chap-Book: The Blue Lady, December 1894
William H. Bradley; Publisher: Stone and Kimball, Chicago

G379

Judith Beheads Holofernes, Lovis Corinth — Judith Beheads Holofernes, 1910
Lovis Corinth

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Target, Jasper Johns; Publisher: Universal Limited Art Editions (ULAE) — Target, 1967
Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

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page from a book (pages 35 and 36); recto, top image: large Victorian houses; house on left is brick, house on right is wood frame; figures on sidewalk, in front of houses and on porch of house at right; carriages on street; "RESIDENCE OF C. H. BIGELOW, COLLEGE AVENUE, ST PAUL, MINN." and "RESIDENCE OF E. M. DEANE, COLLEGE AVENUE, ST PAUL, MINN." printed below image; recto, bottom image: factory complex with three buildings, with figures, horses and carriages around them; lumber at right; trains in LLC and center left; "ST. PAUL HARVESTER WORKS" and other text printed below image; verso, top image: large Victorian house with cupola and fountain in front; figures in front of house; carriages and horses on street; "J. C. BURBANK'S RESIDENCE, SUMMIT AVE. / ST. PAUL, MINN." printed below image; verso, bottom image: Victorian house with figures on street; two horses and carriages; "RESIDENCE OF R. BARDEN, COR. 6TH & MARIA AVE. DAYTONS BLUFF, ST PAUL, MINN." printed below image — St. Paul Harvester Works, 1875
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cubist image of figure lying down, holding a book — Homme étendu lisant, 1928
Jacques Villon

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printed in black; repeated stamp-like design of stylized head and torso of figure, with lines and numbers (targets); very heavy concentration of figures in lower left--black area — Gladiators, 2013
Mitchell Squire; Publisher: World House Editions, Middlebury, Conn.; Printer: Derriere L'Etoile Studios, New York

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five tall, thin men in black suits in a mock funeral procession, with heads bowed; man at right has a walking stick; man at center carries an urn partially covered by a black cloth — Les garçon en habit noir (The Waiters in Black Suits), from "Croquis Parisiens", 1855
Honoré Daumier

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cover (recto) and first page (verso) of periodical; image on cover of standing man with a moustache and dark hair, wearing dark jacket, striped vest and pants, holding his cap in his PR hand and a newspaper in his PL hand, with a factory in the background; printed text at top; verso: image of a newspaper boy in ULC and text — L'Honnête ouvrier (Honest Worker), cover for "La Feuille", no. 24 (recto), February 15, 1899 published
Théophile-Alexandre Steinlen

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standing figure wearing a baggy overcoat, large brimmed hat and skirt, resting his PR hand on the end of a broom handle, holding a shovel (?) behind back with PL hand — Man with Broom, 19th century
Paul Gavarni (Sulpice-Guillaume Chevalier)

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river at center foreground; trees at right on bank; farm with cluster of buildings at left center of left bank — Farm on Smoky River, 1936
Birger Sandzén

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standing figure with arms and legs spread wide apart, holding a cloud-like form; image made up of round elements of various sizes and heaviness of pigmentation — Karma Juggler, 2015
Do Ho Suh; Publisher: Highpoint Editions, Minneapolis

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abstract composition--black ink on cream--mixing broad strokes, splatters, lines of varying thickness, marbeling effect, and fingerprints; in pencil along bottom reads "For Donn, 'Techniques shit image?' Thanks. Kinji Akagawa '66" — Techniques, 1966
Kinji Akagawa; Printer: Kinji Akagawa

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abstract image; black ground; biomorphic form with black and white circles, zigzags, squares, figure eights and various other designs and shapes — Idea for Sculpture No. 1, from "Expedition to the Holyland", 1983
A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

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abstract image; grey ground with swirling marks; three vertical dark grey biomorphic forms with round holes/openings — Idea for Sculpture No. 2, from "Expedition to the Holyland", 1983
A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

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one large fingerprint with loop patterning in lower left corner — Impronte pollice sinistro, 1960, 2015
Mike Bidlo; Publisher: World House Editions, Middlebury, Conn.

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abstract image; horizontal grey marks across background--darker at bottom; two connected forms, with form on right appearing slightly like a stick figure and figure on left like an animal with long ears standing on its hind legs; thin black linear elements at center between two forms — Idea for Sculpture No. 3, from "Expedition to the Holyland", 1983
A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

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heavily-worked abstract image with round starburst-like designs, floral motifs, wavy horizontal forms; repeating bars across top — City of Lakes, 1978
Luciano Lattanzi; Publisher: Vermillion Editions Limited, Minneapolis; Printer: Vermillion Editions Limited, Minneapolis

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one large thumbprint with loop patterning at right center — Impronte pollice destro, 1960, 2015
Mike Bidlo; Publisher: World House Editions, Middlebury, Conn.

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ten fingerprints in two horizontal rows with five fingerprints in each row — Impronte, 1960, 2015
Mike Bidlo; Publisher: World House Editions, Middlebury, Conn.

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farm scene with pair of chickens in foreground on a path; hayfield in middle ground; barn, silo, house and two other small sheds in background; haystack with ladder at left — The Hayrick, c. 1939
Arnold Blanch

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Plate 8; interior scene; veiled woman on right standing over series of candles on a cloth covered table, hands raised over candles; large cabinet behind woman in URC; window with curtains in ULQ; chair beneath window and one at table; smaller table and chair in LLQ — On the Eve of the Sabbath, 1961
Anatoli Luovitch Kaplan

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Plate 25; black and white scene of building with two window and doorway with overhang; sign above doorway and figure sitting on steps; woman and child stand in background in between two shutters; three children grouped in lower left quadrant; three more children and dog grouped in lower right quadrant — The Children of the Town of Anatevka, 1961
Anatoli Luovitch Kaplan

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Plate 19; two figures, one male and one female, beneath a tree on left; male figure crouches and gazes at object in his hands; female is standing behind male, hands in prayer position with white flat object held in her arms; goat grazing in LRQ; two figures fishing in distance behind the goat; body of water in middle ground; boat with figure in the distance toward the horizon; sun in URQ with gradated sky — Awaiting Sentence, 1961
Anatoli Luovitch Kaplan

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Wildeview, John Wilde; Publisher: John Wilde — Wildeview, 1985
John Wilde; Publisher: John Wilde

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Plate 9; street scene; group of four figures in front, two men and two women; chickens in LRC; horse pulling wagon behind chickens with two figures riding; buildings in background; two figures sitting on steps of building in ULQ; dog or goat in middle left — In Boiberik, 1961
Anatoli Luovitch Kaplan

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Plate 21; interior scene of woman standing in front of a window looking out onto a village or town; small horse and wagon in distance; clock hanging on wall in URQ — Waiting, 1961
Anatoli Luovitch Kaplan

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Plate 11; black and white image of bearded man standing in a room; chair on left edge; hanging clock top center; window on right with cat seated below it; girl seated at window opening; man wears long, striped robe that covers his head — Praying Before Breakfast [Tevia Praying], 1961
Anatoli Luovitch Kaplan

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black and white image; outer band of design with six roundels dispersed with portraits of faces, one on top center, one on bottom center and two each of right and left side; swirling linear designs between portraits; rectangle in center; Hebrew text in center, with dates 1957-1961 along bottom edge — Title page from "Tevia the Milkman", 1957-1961
Anatoli Luovitch Kaplan

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Plate 22; interior domestic scene; two figures, one male and one female, sit at a table in front of a window; female sits at right side of table, male at left; hanging clock on wall above female in URC; stove and cooking items in LRQ; shelves with jars and containers as well as second window in ULQ — In Exile, 1961
Anatoli Luovitch Kaplan

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abstract, chaotic image with black ink on white paper; cloudlike forms at top; black horizontal swirl wrapping around highly abstracted horse-like figures upper C; drip, splatter, and scribble marks; jagged lines forming triangular markings LLQ; vertical swirl at LL; black bubble pattern LRQ — Accelerator, 1985
Carroll Dunham

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Nude woman stands with chin down, and holds a cloth around her waist; silver metal frame, linen wrapped mat — Standing Female Nude Facing Right, 1935
Aristide Maillol

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A Frenchman Portrayed by himself, Honoré Daumier — A Frenchman Portrayed by himself, 1848
Honoré Daumier

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Wood is expensive and the Arts are not doing well, Honoré Daumier — Wood is expensive and the Arts are not doing well, 1833
Honoré Daumier

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couple in shadows at left; house behind trees and bushes at right, with rolling hills; tall tree at center middle ground; small horizontal separate scene below larger image with building at left, figures and boats on shore — Return from the Fields, 1908
Auguste Louis Lepère

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boats in cove; two small buildings in LLC; buildings on short at left center; birds flying; two figures in foreground, right of center — Pigeon Cove, c. 1947
Gordon Grant; Publisher: Associated American Artists, New York

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recto: two women standing against wall on city street with carriage at right; woman at right faces forward, with her hands on her hips, looking sideways at her companion; both women wear bonnets; woman at right wears dark cape--woman at left has her cape over her PR arm and leans on a folded parasol; verso: frowning woman kneeling on a cushion-covered stool while a woman behind her places a dark hat on her head; woman at left reading from a book, standing behind a counter with a pair of small floral arrangements; two other women and right hold beribboned poles — Le meme jour, ma chére! me laisser siffler deux hommes, dieu!, 1842
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man with light colored hair wearing a light suit jacket, striped shirt and dark tie, with his PR hand raised, standing, taking an oath to testify given by a balding man wearing a dark suit, with his PR hand raised, seen from back, standing in front of man — Taking the Oath, 1970
Joseph Hirsch

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seated nude male--torso fully finished--head, legs and arms sketched; man sitting on his PR hip, resting his weight on his PR hand; PL knee drawn up; looking down — Male Torso, 1916
George Bellows

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sailboat in front of a bridge across narrow waterway; buildings at left, right and middle ground; raft, LLC — Vue de Caen, 1832
Eugène Isabey

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© Fritz Scholder

Indian with Pigeon, 1970-1971

Fritz Scholder

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slightly stylized image of standing rounded figure wearing black blanket; two feathers on top of head; round medallion with cross at center on belly; black and white — Waiting Indian, 1970-1971
Fritz Scholder

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stylized image of head wearing fur headdress with white horns; blotchy wrap around mouth and neck; white nose; black spots for eyes; grey shaded skin — Buffalo Dancer, 1970-1971
Fritz Scholder

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Untitled, George Morrison; Publisher: Vermillion Editions Limited, Minneapolis — Untitled, 1977
George Morrison; Publisher: Vermillion Editions Limited, Minneapolis

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abstract image; many parallel wavy lines forming woven patterns, rather like braids and weaving in hair; primarily vertical with horizontal section below top quarter of image; grey lines — Untitled, 1976
George Morrison; Printer: Steven M. Andersen

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seated woman with knees drawn up, wearing a long white dress with 3/4 sleeves; woman is pulling her long hair into a ponytail over her PR ear; printed in brown — Seated woman arranging her hair, 1972
R. C. Gorman

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From a suite of four lithographs — The Hero Leaves His Ship II (Hero), 1960
Grace Hartigan; Publisher: Universal Limited Art Editions (ULAE)

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Selbstbildnis im Profil nach rechts (Self-Portrait in Profile towards Right), Käthe Kollwitz — Selbstbildnis im Profil nach rechts (Self-Portrait in Profile towards Right), 1938
Käthe Kollwitz

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Parthenon I, Marcia Scanlon — Parthenon I, 1986
Marcia Scanlon

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White Collar Boys, Elizabeth Olds; Printer: George C. Miller — White Collar Boys, 1936
Elizabeth Olds; Printer: George C. Miller

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A Vision I Can't Forget, Renée Stout; Publisher: Zanatta Editions, Shawnee, Kansas , Kansas City; Printer: Derriere L'Etoile Studios, New York — A Vision I Can't Forget, 1999
Renée Stout; Publisher: Zanatta Editions, Shawnee, Kansas , Kansas City; Printer: Derriere L'Etoile Studios, New York

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Progress, Wanda Gág — Progress, 1936
Wanda Gág

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Grandma's Kitchen, Wanda Gág — Grandma's Kitchen, 1932
Wanda Gág

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Stone Crusher, Wanda Gág — Stone Crusher, 1928-1929
Wanda Gág

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three nude females; one woman at center in a tub is being pulled up by her hands by standing woman at L; woman at R bending over — Women, c. 1895 (1932 edition)
Suzanne Valadon

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Untitled, Betty Hahn — Untitled, 1976
Betty Hahn

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Plate 6 — Peresvet and Oslyabya, 1914
Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

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Plate 9 — Christ-loving Warriors, 1914
Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

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Plate 10 — Angels and Airplanes, 1914
Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

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Plate 12 — The Pale Horse, 1914
Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

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geometricized design of outlines of buildings and shadows; grey, black and white — Dock Street Patterns, c. 1930-1940
Ruth Appledoorn Mead

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Ninth Stone, Lee Bontecou; Publisher: Universal Limited Art Editions (ULAE) — Ninth Stone, 1965-1968
Lee Bontecou; Publisher: Universal Limited Art Editions (ULAE)

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flow chart with wavy lines, cursive writing on white paper; details possible outcomes after encountering the same stranger in New York — My Potential Future Based on Present Circumstances (8/15/05), 2017
Beth Campbell; Publisher: World House Editions, Middlebury, Conn.

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woman, draped with a sheet, lying on a wood floor, with her head resting on her PR arm, sleeping — Sleep, 1945
Kyra Markham

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The orchestra during a tragedy, Honoré Daumier — The orchestra during a tragedy, 1852
Honoré Daumier

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standing man with round face, wearing a buttoned black coat; slightly turned toward PL; man has dark wavy hair — Portrait of Henri Bonaventure Monnier, 1853
Paul Gavarni (Sulpice-Guillaume Chevalier)

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abstract portrait of a man with his PR hand bent downward under his chin; small moustache; balding; verso: front page of "Der Bildermann," August 5, 1916, with lithographs of a smoking man talking on the telephone and a group of people around a newsstand, along with text in German — Portrait of Carl Sternheim, 1916
Ernst Ludwig Kirchner

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slightly abstracted image of a zeppelin in the sky in the beams of three searchlights; trees at bottom; dark night sky — Le Zeppelin, from "Paysages de guerre", 1915
Maxime Maufra; Publisher: G. Boutitié & Cie, Paris

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Teddy Kollek, Mayor of Jerusalem, Oskar Kokoschka — Teddy Kollek, Mayor of Jerusalem, 1973
Oskar Kokoschka

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Innes Harbor, Childe Hassam — Innes Harbor, c. 1916
Childe Hassam

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Ringleader, Henri Gabriel Ibels — Ringleader, 19th-20th century
Henri Gabriel Ibels

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The Wife Leading the Man, Oskar Kokoschka — The Wife Leading the Man, 1914
Oskar Kokoschka

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Pietà (Weibüber Schemengebeugt), Oskar Kokoschka — Pietà (Weibüber Schemengebeugt), 1913
Oskar Kokoschka

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Gethsemane, Oskar Kokoschka — Gethsemane, 1916
Oskar Kokoschka

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Columbus and St. George, Oskar Kokoschka — Columbus and St. George, 1913
Oskar Kokoschka

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His Beatitude Benedictos I, Greek Orthodox Patriarch of Jerusalem, Oskar Kokoschka; Publisher: Marlborough Graphics, London — His Beatitude Benedictos I, Greek Orthodox Patriarch of Jerusalem, 1973
Oskar Kokoschka; Publisher: Marlborough Graphics, London

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Plate 2 — The Way Home (Der Nachhausweg), plate from "Die Holle" (Hell), 1919
Max Beckmann; Printer: J.B. Neumann, Berlin

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Dragons Over a Flame, Oskar Kokoschka — Dragons Over a Flame, 1914
Oskar Kokoschka

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Accident, Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE) — Accident, 1963
Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)

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Nude Woman Standing, Drying Herself, Edgar Degas — Nude Woman Standing, Drying Herself, 1891-1892
Edgar Degas

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Seated Nude in a Tulle Blouse, Henri Matisse — Seated Nude in a Tulle Blouse, 1925
Henri Matisse

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Child Drawing (Jean Buhot), Félix Buhot — Child Drawing (Jean Buhot), 1892-1894
Félix Buhot

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boxer; prize fight — Introducing John L. Sullivan, 1916
George Bellows

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Self-Portrait, Henri Matisse — Self-Portrait, 1923
Henri Matisse

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Gas Synthetics, Louis Lozowick; Printer: George C. Miller — Gas Synthetics, 1944
Louis Lozowick; Printer: George C. Miller

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La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, Honoré Daumier — La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, 1856
Honoré Daumier

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Amateurs classiques de plus en plus convaincus que l'art est perdu en France, Honoré Daumier — Amateurs classiques de plus en plus convaincus que l'art est perdu en France, 1852
Honoré Daumier

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Triste contenance de la Sculpture placée au milieu de la Peinture, Honoré Daumier — Triste contenance de la Sculpture placée au milieu de la Peinture, 1857
Honoré Daumier

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Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., Honoré Daumier — Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., 1864
Honoré Daumier

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abstracted nude female figure, reclining with legs crossed and hands held to PL side of head — The Large Nude, 1906 ?
Henri Matisse

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Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., Honoré Daumier — Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., 1865
Honoré Daumier

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