Looking for medina, metius, media, medic?

boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking — A Stag at Sharkey's, 1917
George Bellows

Not on View

man standing in boat, pushing off from pier with a boat oar — Boatman, 1929
Rockwell Kent

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Royal Tiger, Eugène Delacroix — Royal Tiger, 1829-1830
Eugène Delacroix

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Lion Devouring a Horse, Eugène Delacroix — Lion Devouring a Horse, 1844
Eugène Delacroix

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Rue Transnonain, le 15 Avril, 1834, Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris — Rue Transnonain, le 15 Avril, 1834, 1834
Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris

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Lion of the Atlas Mountains, Eugène Delacroix — Lion of the Atlas Mountains, 1829-30
Eugène Delacroix

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Persian Woman, Henri Matisse — Persian Woman, 1929
Henri Matisse

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gloved fist in ULQ; falling brick-like forms; abstract skyscrapers at left and right; shoes, seen from bottom, in a pile of debris with pipe and board with nails at bottom center — The Street, 1970 (published 1971)
Philip Guston; Publisher: Skowhegan School of Art, Maine

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A Frenchman Portrayed by himself, Honoré Daumier — A Frenchman Portrayed by himself, 1848
Honoré Daumier

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The orchestra during a tragedy, Honoré Daumier — The orchestra during a tragedy, 1852
Honoré Daumier

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Album containing 39 lithographs by and after Géricault — Horse Being Devoured by a Lion, 1822-1823
Jean Louis André Théodore Géricault; Artist: Louis-Pierre-Marie Courtin; Lithographer: François de Villain

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heavily-worked abstract image with round starburst-like designs, floral motifs, wavy horizontal forms; repeating bars across top — City of Lakes, 1978
Luciano Lattanzi; Publisher: Vermillion Editions Limited, Minneapolis; Printer: Vermillion Editions Limited, Minneapolis

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Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., Honoré Daumier — Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., 1865
Honoré Daumier

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Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., Honoré Daumier — Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., 1864
Honoré Daumier

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La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, Honoré Daumier — La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, 1856
Honoré Daumier

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C'est tout d'même flatteur d'avoir son portrait à l'exposition, Honoré Daumier — C'est tout d'même flatteur d'avoir son portrait à l'exposition, 1857
Honoré Daumier

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Triste contenance de la Sculpture placée au milieu de la Peinture, Honoré Daumier — Triste contenance de la Sculpture placée au milieu de la Peinture, 1857
Honoré Daumier

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Amateurs classiques de plus en plus convaincus que l'art est perdu en France, Honoré Daumier — Amateurs classiques de plus en plus convaincus que l'art est perdu en France, 1852
Honoré Daumier

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two figures wearing tailcoats, vests and top hats seated on a bench; figure on L appears to be a woman; back of another figure at L — Mais puisque je vous dis que j'ai un mari. . ., 1838
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man in dark garments and round glasses with large (false?) nose, separating a short man in a large overcoat with arms crossed and a woman in a gown and slippers with clenched fist — J'vous dis que vot' femme a insulté la mienne, m'sieu!, 1838
Paul Gavarni (Sulpice-Guillaume Chevalier)

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tired-looking man wearing a harlequin costume, seated backwards on a chair, holding a spoon; man watches a pot on stove; woman behind him — Avancez-moi, donc cent sous m'man. . ., 1838
Paul Gavarni (Sulpice-Guillaume Chevalier)

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couple huddled under umbrellas; man wears top hat and tailcoat and carries a bundled child; woman wears shawl, muff and hat; other figures in background — C'était bien composé, pas vrai Laurent?, 1838
Paul Gavarni (Sulpice-Guillaume Chevalier)

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portrait of a man seated in an armchair; man wears dark coat and has thin, dark hair with long sideburns; man holds pencils and paper — Raymond La Garrigue, 1842
Paul Gavarni (Sulpice-Guillaume Chevalier)

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two men seated at a table, playing a card game on a tray; man at L examines cards under his PL hand; man at R wears apron and cap and has a beard — Les cartes, Plate 20 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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two men at a billiard table; man in foreground extends PR leg to reach far across table with his shot; both men wear vests — Le billard, Plate 19 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man wearing a top hat, knickers and a bow tie riding a horse — Le Locati, Plate 18 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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two men leaning against a bar, each wearing a cap and an apron; man at L holds a small glass in his PL hand — La goutte, Plate 17 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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kneeling man wearing slippers, pants, a shirt with rolled-up sleeves and a cap, reaching both hands into a hole in the ground; small bag and shovel near tree at R — L'or, Plate 16 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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two men seated at a table, playing chess; man on R has his glasses pushed up on his forehead — Les échecs, Plate 15 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man wearing spectacles working on a wood-turning machine; maid at L carries a footed glass on a tray — Le tour, Plate 14 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man with long sideburns, wearing a coat, vest, tie and top hat, looking up; wood structure at R — Inspecteur privé des travaux publics, Plate 13 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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elderly figure wearing a cap, seated at a table, playing solitaire; young woman in a white cape looks over card player's shoulder — La réussite, Plate 12 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man wearing a top hat, seated with a portfolio on his lap, looking at a sheet held in his PR hand; woman wearing a bonnet, with her PL hand drawn to her mouth, stands behind — Avant la lettre, Plate 10 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man wearing hat, vest, shirt, slacks and spats, seated on a steep bank, fishing — La pêche à la ligne, Plate 7 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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Le baromètre, Plate 6 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

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seated man wearing spectacles, cap, coat and scarf, looking down into a valley; feet resting on rock; knees drawn up to chest — L'affût, Plate 5 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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Le portrait de la Prima Donna, Plate 4 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

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standing man wearing a long jacket and a cap, holding a small potted plant in his PR hand — Le cineraria candidissima, Plate 3 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man wearing an overcoat and bow tie, seated at a desk, with PL elbow on desk and PL hand on forehead; man reads a newspaper — Mon journal, Plate 2 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

man in foreground seen from back, crouching, holding lawn bowling balls; three men stand in background at R beside other balls on ground — Les boules, Plate 11 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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balding man wearing a long jacket and bow tie, holding a scope up to his PR eye — Les voisine, Plate 9 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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man wearing a top hat and overcoat, looking at a small book; other books in bins on table in front of man; second man, wearing a cap, leans against wall at R — L'edition princeps, Plate 8 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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bare-chested young man with long hair, wearing a printed robe with a jester's scepter stuck into the belt; man holds a skull in his PL hand with emerging butterflies — Toqués, toqués, Plate 1 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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Le constitutional contemplant l'horizon politque, from Le Charivari, Honoré Daumier; Printer: Charivari — Le constitutional contemplant l'horizon politque, from Le Charivari, 1849
Honoré Daumier; Printer: Charivari

Not on View

rooftops in foreground with dormer window with plant in windowbox and birdcage hanging next to window; two cats on rooftop; large building complex in background with scaffolding; arc of birds flying at top of scaffolding — La Construction du Sacré-Cour, c. 1910
Eugène Ogé

Not on View

Triptych — Offshore I, 1978
Scott Sandell

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Truck, Red Grooms; Project Manager: Brooke Alexander Editions, New York; Publisher: Marlborough Graphics, New York — Truck, 1979
Red Grooms; Project Manager: Brooke Alexander Editions, New York; Publisher: Marlborough Graphics, New York

Not on View

black and white mother cat, seated, with five kittens in various poses (two tiger, one white, two white with black spots) on a small rug — Kittens, 1931
Mabel Dwight; Printer: George C. Miller

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abstract geometric image resembling rings, pipes and blocks; black and white — Study for Clairvoyant, 1970
Seymour Lipton

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woman, draped with a sheet, lying on a wood floor, with her head resting on her PR arm, sleeping — Sleep, 1945
Kyra Markham

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Greetings from the House of Weyhe, Mabel Dwight; Printer: George C. Miller — Greetings from the House of Weyhe, 1928
Mabel Dwight; Printer: George C. Miller

Not on View

various small sections of letterpress printing in various languages and various type fonts; some diagrams (a circular chart in LLQ, a column base at top center, a round diagram in URQ), illustrations (organic designs in LLC, images from stamps and a ticket in LLQ) and bars of music; some sections of handwritten text in various languages including a section at bottom center of possibly Arabic text — The Dictionary, 1971
William Dole

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various small sections of letterpress printing in various languages and various type fonts; some diagrams (column and cornice sections in URQ, four diagrams of various skulls at top URQ) and illustrations (column capital at bottom center, certificate with eagle in LRQ); some small sections of handwritten text in various languages; vertical section of three lines of Asian text at right; yellowed rectangles in LLC and at left edge (probably inherent, but may be damage to sheet?) — The Dictionary, 1971
William Dole

Not on View

small paragraphs, lines of text, words, letters, bar of music scattered throughout image, in black and red; abstract cloudy areas of color and spots of color over text in red, khaki, forest green and medium blue — Generalba, 1971
William Dole

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man and woman embracing in a hammock, with their bare legs, one of man's arms and one of woman's arms, small portion of side of man's body and woman's hair the only visible body parts — Hammock, 1969
Joseph Hirsch

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man with light colored hair wearing a light suit jacket, striped shirt and dark tie, with his PR hand raised, standing, taking an oath to testify given by a balding man wearing a dark suit, with his PR hand raised, seen from back, standing in front of man — Taking the Oath, 1970
Joseph Hirsch

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seated nude male--torso fully finished--head, legs and arms sketched; man sitting on his PR hip, resting his weight on his PR hand; PL knee drawn up; looking down — Male Torso, 1916
George Bellows

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boats in cove; two small buildings in LLC; buildings on short at left center; birds flying; two figures in foreground, right of center — Pigeon Cove, c. 1947
Gordon Grant; Publisher: Associated American Artists, New York

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sailboat in front of a bridge across narrow waterway; buildings at left, right and middle ground; raft, LLC — Vue de Caen, 1832
Eugène Isabey

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recto: two women standing against wall on city street with carriage at right; woman at right faces forward, with her hands on her hips, looking sideways at her companion; both women wear bonnets; woman at right wears dark cape--woman at left has her cape over her PR arm and leans on a folded parasol; verso: frowning woman kneeling on a cushion-covered stool while a woman behind her places a dark hat on her head; woman at left reading from a book, standing behind a counter with a pair of small floral arrangements; two other women and right hold beribboned poles — Le meme jour, ma chére! me laisser siffler deux hommes, dieu!, 1842
Paul Gavarni (Sulpice-Guillaume Chevalier)

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page from a book (pages 35 and 36); recto, top image: large Victorian houses; house on left is brick, house on right is wood frame; figures on sidewalk, in front of houses and on porch of house at right; carriages on street; "RESIDENCE OF C. H. BIGELOW, COLLEGE AVENUE, ST PAUL, MINN." and "RESIDENCE OF E. M. DEANE, COLLEGE AVENUE, ST PAUL, MINN." printed below image; recto, bottom image: factory complex with three buildings, with figures, horses and carriages around them; lumber at right; trains in LLC and center left; "ST. PAUL HARVESTER WORKS" and other text printed below image; verso, top image: large Victorian house with cupola and fountain in front; figures in front of house; carriages and horses on street; "J. C. BURBANK'S RESIDENCE, SUMMIT AVE. / ST. PAUL, MINN." printed below image; verso, bottom image: Victorian house with figures on street; two horses and carriages; "RESIDENCE OF R. BARDEN, COR. 6TH & MARIA AVE. DAYTONS BLUFF, ST PAUL, MINN." printed below image — St. Paul Harvester Works, 1875
Not on View

couple in shadows at left; house behind trees and bushes at right, with rolling hills; tall tree at center middle ground; small horizontal separate scene below larger image with building at left, figures and boats on shore — Return from the Fields, 1908
Auguste Louis Lepère

Not on View

five tall, thin men in black suits in a mock funeral procession, with heads bowed; man at right has a walking stick; man at center carries an urn partially covered by a black cloth — Les garçon en habit noir (The Waiters in Black Suits), from "Croquis Parisiens", 1855
Honoré Daumier

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black and white image of an older male figure and younger female figure seated at a table outdoors; shrubbery and trees in URQ; figure in a top hat resting in a carriage behind male figure in ULQ; text in French on top margin reads, "MAYEUX ET ROBERT MACAIRE"; text on bottom margin — Mayeux et Robert Macaire - Oui, Charmante j'ai le dos vouté..., c. 1839
Charles-Joseph Travies de Villers

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black and white lithograph with illustrated image of figures on horseback; two central figures are an older male figure on the left and a younger female figure on the right; another male figure in a top hat and on horseback in background on center left; faint standing figure on center right; wooded trees in URQ; text in French across top margin reading, "MAYEUX ET ROBERT MACAIRE", as well as a block of French text on the bottom — Mayeux et Robert Macaire - Sous les auspices de ses deux associes..., c. 1839
Charles-Joseph Travies de Villers

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two young girls--one wearing pink kimono, one wearing purple kimono--outdoors at night — No. 72, Two young girls, 1905
Otake Chikuha

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young woman in striped kimono; boy in striped swimming costume and straw hat, rowing boat — No. 51, Young woman and boy in rowboat, 1903
Otake Chikuha

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woman holding bolt of red and gold patterned fabric; tan and silver pleated fans — No. 42, Woman with patterned fabric and pleated fans, 1902
Otake Chikuha

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kneeling woman hanging up garments on a black rack — No. 22, Woman hanging up garments, 1901
Otake Etsudō

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young girl wearing kimono with orange skirt and silver and tan checked top arranging flowers in a basket and vase — No. 26, Young girl arranging flowers, 1901
Otake Etsudō

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woman in kimono with blue skirt and flowered top riding a bike — No. 3, Woman riding a bicycle, 1900
Otake Etsudō

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girl holding a flag with red characters, lying in a hammock; little boy in LRC wearing a sailor suit — No. 74, Girl with flag in hammock and little boy, 1905
Otake Etsudō

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woman in tan and purple floral patterned kimono, with a gnarled branch and stylized water behind her; silver sky — No. 38, Woman with water and branch, 1902
Otake Etsudō

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woman wearing kimono and little boy in western dress (sailor suit and straw hat) catching an orange dragonfly — No. 78, Woman and little boy catching a dragonfly, 1905
Otake Etsudō

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pussy willow branch with blue swirl stream — No. 57, Willow branch over a stream, 1904
Otake Chikuha

Not on View

standing figure wearing a baggy overcoat, large brimmed hat and skirt, resting his PR hand on the end of a broom handle, holding a shovel (?) behind back with PL hand — Man with Broom, 19th century
Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

cover (recto) and first page (verso) of periodical; image on cover of standing man with a moustache and dark hair, wearing dark jacket, striped vest and pants, holding his cap in his PR hand and a newspaper in his PL hand, with a factory in the background; printed text at top; verso: image of a newspaper boy in ULC and text — L'Honnête ouvrier (Honest Worker), cover for "La Feuille", no. 24 (recto), February 15, 1899 published
Théophile-Alexandre Steinlen

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reclining female nude with a billowing drapery beneath her body and around the top of her head, being carried aloft by four winged youths and children; printed text at bottom — Psyche Carried Off by the Zephrys, 1824
Jean-Baptiste Aubry-Lecomte; Artist: after Pierre-Paul Prud'hon

Not on View

river at center foreground; trees at right on bank; farm with cluster of buildings at left center of left bank — Farm on Smoky River, 1936
Birger Sandzén

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abstract, chaotic image with black ink on white paper; cloudlike forms at top; black horizontal swirl wrapping around highly abstracted horse-like figures upper C; drip, splatter, and scribble marks; jagged lines forming triangular markings LLQ; vertical swirl at LL; black bubble pattern LRQ — Accelerator, 1985
Carroll Dunham

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L'Equilibre Européen (Actualités), from Le Charivari, Honoré Daumier — L'Equilibre Européen (Actualités), from Le Charivari, 1866
Honoré Daumier

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The Lover of Oysters (Galerie Physionomique), from Le Charivari, Honoré Daumier — The Lover of Oysters (Galerie Physionomique), from Le Charivari, 1836
Honoré Daumier

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Service Flag, Childe Hassam — Service Flag, 1915
Childe Hassam

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Stone Fences, Land of Nod, Childe Hassam — Stone Fences, Land of Nod, 1918
Childe Hassam

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One of 62 impressions — St. Thomas, New York, 1918
Childe Hassam

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One of 56 impressions — Deshabille, 1918
Childe Hassam

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Vous-avez la parole, expliquez-vous, vous êtes libre!, Honoré Daumier — Vous-avez la parole, expliquez-vous, vous êtes libre!, 1835
Honoré Daumier

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Plate 9 — Artistes en train d'examiner le tableau d'un rival, from Le Public au Salon, Vol. VII, pub. in Le Charivari, 1852
Honoré Daumier; Publisher: Charles Philipon; Printer: Ch. Trivocq, Cour des Miracles, 9 Paris

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8 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 8 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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5 Heures Du Matin. Portrait, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 5 Heures Du Matin. Portrait, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

Church of the Abbey at Tounus, Richard Parkes Bonington — Church of the Abbey at Tounus, 1825
Richard Parkes Bonington

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Landscape at Stanton Street, Willem de Kooning; Publisher: Hollander Workshop, New York , and Fourcade, New York — Landscape at Stanton Street, 1971
Willem de Kooning; Publisher: Hollander Workshop, New York , and Fourcade, New York

Not on View

Nude woman stands with chin down, and holds a cloth around her waist; silver metal frame, linen wrapped mat — Standing Female Nude Facing Right, 1935
Aristide Maillol

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abstract portrait of a man with his PR hand bent downward under his chin; small moustache; balding; verso: front page of "Der Bildermann," August 5, 1916, with lithographs of a smoking man talking on the telephone and a group of people around a newsstand, along with text in German — Portrait of Carl Sternheim, 1916
Ernst Ludwig Kirchner

Not on View

standing horse seen from PR, tied with ropes by ankles and neck; horse looks back toward left; dark cloud-like forms in sky — Horse, No. 1, 1932
Leo Katz

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head and torso of black woman with stars covering her nipples and two Band-Aids across her mouth, wearing a jeweled tiara, two necklaces (one with pendant reading, "NET / BLANKES") and earrings--one with antelope skull and one with wheel; two faux logos for shoe polish and detergent on either side of her head; text and top and bottom — Untitled, from "i-jusi", June 2010
Garth Walker

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caricature face of black man with round eyes, wide ovoid nose and very wide ovoid lips; symbol in grey on man's forehead of hand holding two lightening bolts; symbols and text in black circles at left; personified stove with German or Dutch (?) text, LRC; reproduced tooth whitener ad at top, reading, "Use WYTEN To Cover-Up" — Untitled, from "i-jusi", June 2010
Brandt Botes

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slightly abstracted image of a bullhorn with face of person speaking into it below and behind it; words radiating out of bullhorn: "REMEMBER / DEMOCRACY / RULES / SOUTH / AFRICA / 1994-?"; black and white with greys — Untitled, from "i-jusi", 2010
Wilhelm Kruger

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three rectangles in horizontal rows, each with drawings of stylized faces--three in top and bottom rectangles, four in center rectangle; black and white — Untitled, from "i-jusi", June 2010
Mark Kannemeyer

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line drawing style nude woman wearing a beaded necklace, reclining on her PL side, leaning on her PL elbow, with her PL hand on her shoulder and her PR arm along her side — Nude, Left Hand near Shoulder, 1926
Henri Matisse

Not on View

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