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shallow dish with small flaring lip; brown rim with red and black geometric designs; central circular section with brown ground and red organic designs; brown exterior with red and black decoration at edge

Dish, one of a pair, 1st century

China

G215

red lacquer, double gourd shape with quatrefoil panels of scholars and attendants in rocky river landscapes

Vase, one of a pair, c. 1850

China

G210

red lacquer, double gourd shape with quatrefoil panels of scholars and attendants in rocky river landscapes

Vase, one of a pair, c. 1850

China

G210

Barbed rim with foliate form; lobed sides on inner and outer rims carved with birds and flowers in black against a red ground; central area carved with two buildings in a landscape; deer and stork in lower foreground; 3 figures in a building at L; 8 figures at center, including a man on a horse and a man playing the flute

Dish, Wanli period, 1573-1619

China

G210

shallow dish with small flaring lip; brown rim with red and black geometric designs; central circular section with brown ground and red organic designs; brown exterior with red and black decoration at edge

Dish, one of a pair, 1st century

China

G215

Hall plaque, 19th century

Shen Maode (alias Geqing), active early 19th century

G218

ovoid shape, with two handle-like protrusions on long sides; rust-red and brown; rim and handles painted with running geometric designs

Wine Cup, 2nd century BCE

China

G215

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

Unknown

G216

The Wu Family Reception Hall, early 17th century

China

G218

covered box, carved red lacquer in scroll design.

Covered Box, 19th century

China

Not on View
small cup with flaring rim; 5 layers of red and black lacquer; wide band of pommel scrolls and interlocked ji-i heads above band of lotus lappets

Stem Cup, 14th century

China

Not on View
raised scalloped foot; scalloped edges; low relief designs of vines, fruit and leaves around edges, flowers and leaves around edge of cover and central floriform shape made up of scrolls with characters and bats; black, browns, gold; golden brown interior

Box with cover, 18th century

China

Not on View
black lacquer tray decorated with leafy plant with red berries

Small Serving Tray with Spearflower Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
black lacquer tray with design of pink flowers with heart-shaped leaves

Small Serving Tray with Pink Flower Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
black lacquer tray; plant with oblong leaves and delicate flowers with starburst petals lower corner

Small Serving Tray with Maiden Flower Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
black lacquer food tray with pampas grass design at lower corner

Small Serving Tray with Pampas Grass Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
rectangular with rounded top; very thin, tapering profile; open at top; rectangular inset on each long side with gold barren landscape-like elements; dark greenish landscape elements on either side of insets on each long side; scattered tiny square bits of shiny gold and green on black ground

%C2%A9 Enoki Kei

Night Gate (Yoru no mon), c. 2013

Enoki Kei

Not on View
a decorative stand comprised of two horizontal panels in four pieces, frame a three dimensional dragonfly figure; several round, black metal bars run above and below the dragonfly, and run vertically to connect the panels with a rectangular base below; the stand's components are primarily black lacquer; however, the panels each have green areas, with hints of gold and silver, that suggest blowing grasses and/or flowing water with swooping and varied lines, and the dragonfly has iridescent purple and blue chips in its wings and around its eyes and a spray of silver color on its back and lower wings

Lacquer Stand with Dragonfly, early 20th century

Haruyuki

Not on View
Long, narrow toilet box of black lacquer with gold tree and floral decoration bearing the crest of the Tokugawa family, three asarum (ginger) leaves their points to-gether within a circle; crest appears six tme son box, two on top and two on each side. Box made up of three parts.

Covered box, 19th century

Unknown Japanese

Not on View
Square Toilet box of black lacquer decorated in gold and copper in tree and flower motives; bearing Crest of Tokugawa family, three asarum (ginger) leaves, their points together within a circle which appears twice on cover of box and one on box.

Covered box, 19th century

Unknown Japanese

Not on View
Cylindrical shaped covered toilet box of black lacquer decorated with gold and copper in tree and floral motives; bearing three times the crest of the Tokugawa family, three asarum (ginger) leaves, their points together within a circle.

(Round Box), 19th century

Unknown Japanese

Not on View
Bowl shaped toilet box of black lacquer with decoration in gold and copper of tree and floral motives; bearing three times the crest of the Tokugawa family, three asarum (ginger) leaves, their points together within a circle.

(Round Box), 19th century

Unknown Japanese

Not on View
Round covered toilet box of black lacquer decorated with copper and gold in tree and floral motive; bearing three times the crest of the Tikugawa family, three awarum (ginger) leaves, their points together within a circle.

(Round Box), 19th century

Unknown Japanese

Not on View
Round covered toilet box of black lacquer decorated with copper and gold in tree and floral notives; bearing three times the crest of the Tokugawa family, three asarum (ginger) leaves, their points together within a circle.

(Round Box), 19th century

Unknown Japanese

Not on View
flat dish-shaped; raised foot; two fanciful turtle-like animals with long sweeping tails and heads with pointed snouts and ears; water at bottom; three-leaf medallion and flower-like medallion with eight circles surrounding large circle at top; gold and bronze colors

Sake cup (guinomi), 19th century

Unknown Japanese

Not on View
short two-panel folding screen with a carved image of three shrimp and seaweed and left with round elements; blue, tan, and black; open rectangles at top of each panel; black lacquer on back; unsigned

Spiny lobsters (Ise-ebi) emerging from seaweed, c. 1930-1940

Unknown Japanese

Not on View
cylindrical box with stepped cover; inlaid flower on cover; organic and geometric patterns overall in red and brown

Cosmetic Container, c. 100 BCE -c. 200 CE

China

G215

cylindrical box with stepped cover; inlaid flower on cover; organic and geometric patterns overall in red and brown; rouge residue inside container

Cosmetic Container, c. 100 BCE - c. 200 CE

China

G215

black lacquer table; scalloped cutouts on sides between base and rim; curved, scrolling, upturned feet

Black altar table, 15th-16th century

Unknown Japanese

G221

Enshrined Buddha, c. 1850

Myanmar (Burma)

G213

rounded box on a short foot; carved red, green and brown lacquer; dragons in cloud forms around base and cover with dragon at top; geometric bands

Nine Dragon Box, 18th century

China

G210

octagonal box with lid; lid carved with central circle surrounded by 4 C-scrolls and 4 concentric bands of tixi scrolls; box decorated with rolls of same scrolls; black interior

Octagonal Box, 15th century

China

G210

Gesso, color, kirikane on wood, metal

Jizō, the Bodhisattva of the Earth Matrix, early 13th century

Unknown Japanese

G220

Portrait Sculpture of Priest Gyōki, early 17th century

Unknown Japanese

G220

long narrow form; constructed out of a single piece of wood with rectangular hole cut in the underside serving as the sound box; top is slightly convex; sides flat; neck slightly raised; tiger's face with large eyes, flaring nostrils, flattened ears, wide curved mouth carved at one end; tiger's head is pierced with large square opening, designed to hold the single string anchor, and five small holes for pegs; covered overall with black lacquer; painted with a fine red cross-hatched design on top and sides; sides decorated with frieze of 5 black dragons with elongated arched bodies, long tails, thin legs and gold wings; another dragon on top of neck; narrow bands of black diamonds on a solid red ground at edges; fingerboard painted with 4 groups of symmetrically confronting double-headed dragons with snakelike bodies between human-faced dragon figures and either end

Zither (Qin), 5th century BCE

China

G215

shallow dish with small flat rim; painted orange and brown; central organic scrolling design; brown rim with orange dots and zigzags; character(?) repeated 5 times around rim, 3 times on bottom

Dish, 3rd-2nd century BCE

China

G215

headdress consisting of five sections attached together with leather bands; openwork decorations on each section decorated with one of the five dhyani bodhisattvas; above each figure is a roundel bearing a sacred emblem such a three jewels, crossed 'vajras,' the wheel of the law, the lotus and the sword

Ritual crown (diadem), 18th century

Tibet or China

G212

cinnabar lacquer, green glass top, carved; figure under the pine tree playing game; philosopher with Sacred Cow

Snuff Bottle, 1750-1825

China

G216

Snuff Bottle. Cinnabar Lacquer. Carved. Green glass top;

Snuff Bottle, 1800-1880

China

G216

Snuff Bottle; cinnabar lacquer; green jade top in silver; lacquer overlaid with black lacquer, which is deeply carved

Snuff Bottle, 1750-1825

China

G216

cinnabar lacquer, carved; jade top; Philosophers under a Pine Tree

Snuff Bottle, 1750-1850

China

G216

Snuff Bottle. Cinnabar Lacquer. Carved. Green jade top.

Snuff Bottle, 1800-1900

China

G216

cinnabar lacquer, red; green glass top; beautifully carved; children celebrating a fete

Snuff Bottle, 1780-1850

China

G216

cinnabar lacquer, carved; jade top

Snuff Bottle, 1780-1850

China

G216

Incense Box and Stand, 1820-1851

China

G210

Presentation Box and Cover in Tsung Form, 1736-1795

China

G210

Quadrifoil Box, one of a pair, 1662-1722

China

G210

square form with indented corners; lid carved with 2 figures at R in a landscape with buildings at L and UR corner; sides of lid and 3 compartments carved with flowers; base has a raised, sloping foot; red lacquer

Tiered Box, late 15th century

China

G210

Quadrifoil Box, one of a pair, 1662-1722

China

G210

cover and bottom carved with allover design of prunus flowers and branches against background of lines and dots; carved red lacquer

Small Box with Cover, late 15th century

China

G210

cylindrical form with slightly domed cover; carved overall with lychee against a patterned ground

Round Tiered Box, late 15th-early 16th century

China

G210

3 figures surrounded by foliage and rocks on cover; bottom has prunus flowers and branches; diaper ground overall; carved red lacquer

Box and Cover, 16th century

China

G210

waves and flowers on sides; top carved with 3 dragons on top of waves; red lacquer; oval in shape with four lobes, rounded sides and corners

Quatrefoil Box and Cover, 18th century

China

G210

upright rectangular shape; decorated on red lacquer ground with figures amidst rocks with a central celestial figure seated on a cloud with a rabbit on an adjacent cloud; roofs of pavilions appearing through the mist on top and bottom surfaces; vertical sides with long rectangular panels of basketwork within raised gilt edge within lacquered borders with running key pattern; all edges bound in plain baitong mounts with similar rectangular hinges and long lockplate with square locking device

Rectangular Box, 17th century

China

G210

very tall, elongated figure; triangular-shaped face; very close-set features; painted eyes and garment details in red, black and white; long sleeves; mostly dark brown patina overall

Figurine of a Female Court Attendant, 4th-3rd century BCE

China

G215

red, green, ochre and brown carved lacquer; square with indented corners; top has small medallion with Shou Lao in a large chun character, 2 dragons in clouds and radiating bowl with objects at bottom; outdoor scenes with figures on sides

Cover of a Chun Box, 18th century

China

Not on View
red with brown interior and bottom; carved with leaf and flower design around edges of box and cover; two figures on a balcony overlooking rocks, trees and clouds on cover; six characters lightly incised on bottom

Circular Box, 1403-1427

China

G210

hexagonal Box with lid, red lacquer. Flat top incised with two phoenix in flight among flowering peonies on a cell pattern ground; sides with shaped reserves of confronting dragons on key fret ground. Qianlong six character mark.

Hexafoil Box, 1736-1795

China

G210

circular box decorated with image of 2 men in a boat at L, large tree at R and rocks and trees in background on cover

Ink Cake Container, c. 1600

Workshop of Cheng Dayue

G210

Sake pot, gold lacquer, with hinged semi-circular handle, and three short circular, tapering legs. Silver finial on cover. Decoration consists of gold vines, peonies, and arms of Tokugawa family (three asarum leaves within a circle) on bronze ground. Silver lacquer inside.

Ewer (katakuchi), 17th century

Unknown Japanese

G221

Amida, the Buddha of Infinite Light, 12th century

Unknown Japanese

G200

shaped like coiled snake with zigzag decorations; disk at center of coil carved with treelike symbol

Thread waxing tool, 19th-20th century

Taiwan

Not on View
comb topped with row of five faces on each side; u-shaped area around teeth decorated with zigzags and diamonds

Comb, 19th-20th century

Taiwan

Not on View
shaped like coiled snake with triangular decorations

Thread Waxing Tool, 19th-20th century

Taiwan

Not on View
comb topped with six faces (on both sides and on ends) and eight faces above teeth on both sides

Comb, 19th-20th century

Taiwan

Not on View
shaped like a coiled snake with zigzag decorations; disk at center of coil with face carved in shallow relief

Thread waxing tool, 19th-20th century

Taiwan

Not on View
Snuff bottle, black wood lacquer, gold floral motif etched, with white jade stopper.

Snuff bottle, 19th century

China

Not on View
hexagonal basket with tapered, round mouth; squarish handle; patterned weaving along top of handle; swirling, elegant supports and decorations along handle; ornate, star-shaped close weaving pattern; carving on supports; large copper lined bamboo cylinder with grate at top

Chinese-Style Flower Basket, autumn 1921

Tanabe Chikuunsai

Not on View
tall, slender deep red/black basket; 4-sided base flairs out into octagonal form near top; open weave with very thin, wiry strands of bamboo that form a star-shaped pattern; woven handle tapers towards center, with looping ornamentation; center lacquered bamboo cylinder with copper lining

Openwork octagonal flower basket, early 20th century

Tanabe Chikuunsai

Not on View
horizontally oriented black rectangular basket; raised round mouth; black lacquered copper lined cylinder

Horizontal Tubular Basket, early 20th century

Shōseki

Not on View
honey colored basket with three corners folded upward and connected forming a somewhat closed parcel; openwork crisscrossing weave; small, dark lacquered bamboo dish

%C2%A9 Suemura Sh%C5%8Dbun

Ofuroshiki Flower Basket, mid 20th century

Suemura Shōbun

Not on View
open weave basket with decorative knots and braiding at joints; tall handle mounted at back with bottle-shaped design; looping, open weave pattern at top on L and R sides; inner bamboo cylinder with lattice top

%C2%A9 Suemura Sh%C5%8Dbun

Quiver-shaped hanging flower basket, mid 20th century

Suemura Shōbun

Not on View
square basket with rounded corners; square opening at top center with smaller square opening visible through bottom center; bamboo cylinder for flowers

%C2%A9 Tanioka Shigeo

Flower Basket, 2003

Tanioka Shigeo

Not on View
narrow oval basket with rectangular base; bowed sides; open weave with bamboo supports; shorter bamboo supports near top; organic, curving handle; bamboo cylinder mounted to flat base

Narrow, oval flower basket, second half 19th century

Chikusansai

Not on View
hexagonal basket with bulbous sides; open, star patterned weave; stout handle; large bamboo cylinder

Round Handled Flower Basket, early 20th century

Tanabe Chikuunsai

Not on View
low, round basket with hexagonal base; double rungs around lip; three-dimensional, tiny openwork weave patterns; larger weave pattern bottom

Fruit Basket, mid 20th century

Fukuda Chikuyūsai

Not on View
netsuke in the form of a brown woven basket with the image of a fish on top; unsigned

Fish basket, c. 1840s

Unknown

Not on View
plain black matte tea container

%C2%A9 Suzuki Mutsumi

Black tea caddy, 20th century

Suzuki Mutsumi

Not on View
woven bamboo sides and cover edge; circular shape; brown; ring foot; inscriptions (may be identical) on bottom and at underside of cover

Food Box with Cover, 18th century

China

Not on View
standing man with head slightly tilted to proper right holding a cloth(?) behind his head; blue and yellow striped sleeves

Dancer, 19th century

Unknown Japanese

Not on View
woman with long, pointed face like an animal with inverted v-shaped mouth, two small flaring nostrils and beady droopy eyes; black hair and red kimono

Seated animal-faced woman, 19th century

Unknown Japanese

Not on View
seated figure with entire face covered by a sake cup, holding a jug in his proper right hand

Sake drinker, 19th century

Unknown Japanese

Not on View
red and black phallus

Phallus, 19th century

Unknown Japanese

Not on View
square in shape, with squared-off corners; top is decorated with an openwork metal flower around post hole; bottom on exterior decorated with landscape with bridge in front and cottage in distance; interior of lower section decorated with engraved flowers, geometric design at center and cloud shapes

Manju [landscape, bridge and hut], early 19th century

Unknown Japanese

Not on View
curved top section carved with sideways S-shaped forms, X, and groups of our ovoids at top and bottom; flat on back

Ceremonial stick (ikupasuy), around 1900

Unknown Ainu

Not on View
flat, kidney-shaped basket with slightly pointed end; low handle arcing over basket between pointed end and rounded end; vertical weave alternating between wide and thin slats with spiraled horizontal stitching; low lacquered bamboo cylinder

%C2%A9 Tanioka Shigeo

Swallowtail Basket, 2000

Tanioka Shigeo

Not on View
narrow, red lacquered bamboo; large opening carved on each side forming inherent handle; open top; black interior

%C2%A9 Fujinuma Noboru

Red lacquered bamboo vase, 2000

Fujinuma Noboru

Not on View
fine weave basket with raised loop handle; body tapers toward base; weave more open at top section with only vertical strands

%C2%A9 Tanabe Chikuunsai II

Tapered senshū-ami weave flower basket, c. 1935-1945

Tanabe Chikuunsai II

Not on View
rectangular tray with low walls; closed weave bottom of tray with decorative patterns; vertical bamboo slats along outer walls

Square Tray, early 20th century

Ichikōsai

Not on View
oval basket with subtle feet; alternating ridges of open and closed weaving; looping design within inner lip; two curved "teacup" like handles

Flower basket, early 20th century

Tōkōsai

Not on View
flower basket with very wide mouth; dramatically tapering, vertical open woven neck; closed weave body widens below neck, tapering again at base; bamboo cylinder with copper lining

%C2%A9 Tanabe Chikuunsai II

Senshū-ami Weave Flower Basket, c. 1935-1945

Tanabe Chikuunsai II

Not on View
round basket with flat top and round mouth; star-patterned weave with spiraling top weave; hexagonal base; wide bamboo cylinder for holding flowers

%C2%A9 Tanioka Shigeo

Sound of the Tide, 2000

Tanioka Shigeo

Not on View
studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand

Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century

Unknown Japanese

G219

seated cross-legged Buddha with PR hand pointing downward and PL hand palm up on lap; head bent slightly downward, eyes closed; brownish-red color

Shakyamuni Buddha Calling the Earth to Witness, late 18th century

Myanmar (Burma)

Not on View
black lacquer with mother-of-pearl inlay; Kang-Shi Period

Tray, late 17th century

China

G210

table with drawer, curved legs attached to base, design of landscape on top and paired phoenixes on base; carved cinnabar lacquer

Table Top Incense Stand, c. 1425

China

G215

seated figure with legs crossed; PR hand raised in gesture of abhayamudra; wearing robe decorated with patterned block and floral stripes in gold; seated on a lotus petal throne

Amoghasiddhi Buddha, 1403-1424

China

G212

small tray with square form on a short foot; central scene in circular frame of 3 scholars seated in a landscape playing a board game; floral patterns around edge; red lacquer

Square Dish, mid 16th century

China

G210

red, green and yellow carved lacquer tray with short foot and flaring edge; central design of 2 dragons flanking a flaming shou character; 6 dragons at edges with flowers on exterior

Tray, c. 1550

China

G210

hinged covered red lacquer box with a removable front panel; tray under cover, six drawers behind panel; flying crane and phoenix over rock and crashing waves, main design at top and sides of box

Cosmetic Cabinet, 16th century

China

Not on View

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