🔎 medium:"Intaglio and relief printed from laser-engraved acrylic templates" | Mia

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Eagle head shapes printed 116 times in 11 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #3, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Eagle head shapes printed 109 times in 12 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #1, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 86 times in 9 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #2, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 157 times in 14 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #5, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 122 times in 8 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #4, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #3, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #4, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #2, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #1, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

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