showing 37 results matching medium:"Ink, color, and gold on silk"

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Parinirvana of Sakyamuni, the Historical Buddha, 14th century

Unknown Japanese

Not on View
two phoenixes at center, perched on a gnarled tree branch; waves at L; greens, blues, pink and white; seal and inscription, LRC

Phoenixes and Paulownia [right of a pair], early 18th century

Kano Tanshin

Not on View
colorful images of a daimyo procession leaving Edo, traveling through the various notable stops and stations of the Tokaido road; castles, villages; tea houses; mountains, and other landscapes; stops are labeled in gold pigment

Tōkaidō Picture Scroll, 17th century

Hishikawa Moronobu

Not on View
male figure with flames behind back; holds sword up in PR hand and beads out in PL hand; face is grimacing, with one fang pointing up on one side of his mouth, and down on the opposite; red male figure at his L foot looking down holding a staff; female figure at his PL foot

The Immovable Wisdom King (Fudō Myōō) with Two Attendants, 14th century

Japan

Not on View
two narrow waterfalls on either side of one wider waterfall cascading from a billowing rock formation; waterfalls separate over boulders at bottom; inscription written in gold across center of image within fog

Kegon Falls [center of a triptych of Kegon Falls and Flowers], 1902

Ishikawa Kosai

Not on View
cluster of flowers: blue hydrangea, magenta roses; two white flowers; magenta and purple peonies; red chrysanthemums, and crooked branch of light green, white, and blue blossoms

Flowers [right of a triptych of Kegon Falls and Flowers], 1902

Ishikawa Kosai

Not on View
painting of a spray of colorful flowers including narcissus with exposed bulbs, pink lotuses; yellow chrysanthemums; trumped-shaped red velvet flower; white chrysanthemums; pink hollyhocks; large yellow mum, and purple flowers

Flowers [left of a triptych of Kegon Falls and Flowers], 20th century

Ishikawa Kosai

Not on View
3/4 portrait of a young woman gazing outward, with her eyes slightly crossed; thick layered, beige and white kimono; she is loosely clutching a red brocaded cloak just below shoulders, with index finger pointing downward; richly decorated navy obi with dragon and flaming pearl

Kamigata Beauty, 1790s

Gion Seitoku

Not on View
remnants of burned scroll mounted to paper decorated with gold flakes; colorful scenes of men and women interacting alternating with cursive text panels

The Tale of Usugumo, first half 18th century

Miyagawa Chōshun

Not on View
morning glory vines and leaves interwoven with tiny white flowers, purple, and pink flowers; a few insects exploring the foliage

Autumn Flowers [right of a pair], mid 19th century

Oki Ichiga

Not on View
two-sided standing screen; recto: two male figures in partial armor wrestling; male figure lying on back is pulling at the armor near the thigh of standing male figure; verso: green basket full of shells; blossoming cherry branch across basket; bright red rose behind basket at L

Armor-tugging, 1802

Kō Sūkoku

Not on View
seated figure wearing sumptuous purple, green, gold brocade robe; seated near center of image facing LR; holding string of gold rosary in both hands; exaggerated facial features, large eyebrows; several missing teeth; golden halo behind head; incense vessel and vase with flowers at PL; landscape of bamboo, a rock with cascading water, and a branch behind PR

Seated arhat with rosary, one of a pair, 1850

Kano Kazunobu

Not on View
female figure soaring through clouds with long, trailing green sash; short wooden wand in each hand; strings of beads wafting around waist

Flying Celestial, second half 17th century

Kiyohara Yukinobu

Not on View
landscape in greens and browns; rugged mountain peaks; scattered trees; some small buildings; water at center with two boats with figures, including one boat with a canopy

West Lake in Spring, 1750s-1770s

Ike (Tokuyama) Gyokuran

Not on View
figure with white face and outstretched arms at center holding decorated fan in PR hand; figure wears purple robe decorated with blue, yellow, gold, green, and red flowers; highly detailed orange skirt underneath; detailed white garment under top of robe, ornate golden headdress

Noh Scene: Hagoromo, 1920s-1930s

Kamisaka Sekka

Not on View
cluster of red painted berries at center of grey and green foliage near bottom; watercolor like quality to image; inscription and stamp at upper right; very small image

Flowers, early 19th century

Nakamura Hōchū

Not on View
two kneeling women (one wears peach and white kimono, other wears light blue and white kimono), with a Go board between them; board platform and vessel for playing pieces is blush pink with tan and brown flowers; woman at R holds a thin brown and black pipe; two fold screen

A Game of Go, c. 1924

Tanikado Hisaharu

Not on View
brown and gold brocade cover with a floral and diamond-shaped design; each page features two cartouches: one with inscription at top, and a brightly colored imge of a woman in large robes at bottom

Thirty-Six Immortal Poetesses, 17th century

Unknown Japanese

Not on View
five white and black cranes: group of three standing at L, with the other two facing one another at R; low black rocks at LRC and behind far L crane

Cranes, late 19th-20th century

Kamisaka Sekka

Not on View
mounted fan painting: seated man holding long, thin object in PR hand looking over PL shoulder toward garden gate; blue, white, and pink flowers grow along gate and fence

Painting with Kogō in Sagano, 1920s-1930s

Kamisaka Sekka

Not on View
ghostlike female figure with ashen grey face and horns holds a brilliantly colored red and orange robe like a canopy over body; arms spread outward; figure wears gold and white triangle patterned top and navy blue bottom with brilliantly colored circles; top and bottom mount are painted with silver

%C2%A9 Yamamoto Tar%C5%8D

Emerging from the Robe, 2012

Yamamoto Tarō

Not on View
man reclining on mat in dark room, looking wistfully to L; large medallion designs on his robes; man has triangular hat, and wispy facial hair; inscription panels with grasses decoration ULC

Kakinomoto no Hitomaro, 16th century

Unknown Japanese

Not on View
six armed red figure seated on lotus pedestal; each arm is holding a different object; large halo

Aizen Myōō, The Wisdom King of Passion, early 14th century

Unknown Japanese

Not on View
seated figure with purple, green, and gold robe over PL shoulder holds green jewel in PR hand, stroking it with PL hand; figure has large hoop earring, distended earlobe; exaggerated features, bald forehead; halo around figure; seated before tree with few green leaves and purple flowers; short figure with long fingernails and outstretched arms stands at seated figure's PL; chalice hanging from tree in front of Rakan

Arhat with wish-granting jewel and attendant, one of a pair, 1850

Kano Kazunobu

Not on View
two panel screen with two separate images of flowers: blossoming white lilies and hydrangeas highlighted with blue, and two butterflies near top on R screen; three stalks of red and white hollyhocks on L panel

Lilies with Hydrangea and Hollyhocks, 1801

Sakai Hōitsu

Not on View
courtesan in voluminous gray robes with a younger attendant on each side; all three are standing below part of a cherry tree branch; courtesan and attendant on PR are looking toward L

A Prostitute and her attendants under a cherry tree, 1790s

Hosoda Eishi

Not on View
unsigned; corner of a building with a woman standing on the verandah, looking out at a man and young boy on the ground; the child is holding a sword, and the man kneels with a fan; older woman with a young girl sit inside behind the standing woman; maple tree behind building

Beauty on a Veranda (“Visiting Kawachi” from the Tales of Ise), early 18th century

Unknown Japanese

Not on View
golden Buddha figure with halo stands on a cloud at center; PL hand extended downward, index finger and thumb clasped in blessing gesture; PR hand bent upward with similar gesture; two other figures below Buddha painted in gold; figure at LL stands with hands together in front bowing subtly; LR figure kneels, admiring lotus-shaped object in hands

Welcoming Descent of the Amida Buddha Triad, 15th century

Traditionally attributed to Kyosei Sonchi

Not on View
robed figure standing in center with large halo behind head, holding golden staff in PR hand and round black object in PL hand; figure stands on lotus riding on swirling clouds or waves

Welcoming Descent of Jizō, Bodhisattva of the Earth Matrix, early 19th century

Sakai Hōitsu

Not on View
cluster of morning glories, with vines, small pink flowers, and grasses; a few insects perched on grasses

Autumn Flowers [left of a pair], mid 19th century

Oki Ichiga

Not on View

Aizen Myōō, The Wisdom King of Passion, 16th century

Unknown Japanese

Not on View
reclining tiger nursing a cub; 2 cubs playing at L; mountains in background; gold ground; inscription and seal, LRC

Tigers by Mountain Streams [right of a pair], c. 1892-1895

Kishi Chikudō

Not on View
2 tigers descending down rocky hill; gold ground; inscription and seal, LLC

Tigers by Mountain Streams [left of a pair], c. 1892-1895

Kishi Chikudō

Not on View
two-paneled screen with silver background; each panel has two gold fans; R panel: moss-covered tree with white blossoms; red chrysanthemums with blue flowers; L panel: tree with arced limbs and bushy clumps of foliage; blue wave cresting in front of red sun

Screen with four fans, 1920s-1930s

Kamisaka Sekka

Not on View
Kannon figure seated on lotus on rock, wave-like motif underneath; in the background is a large gold-bordered halo and cloud-like motif behind; upper half of composition a very deep indigo blue; green and gold mount with lucite roller

Shō-Kannon, first half 19th century

Suzuki Kiitsu

Not on View
white and blue phoenix perched on a gnarled tree branch at center; waterfall and tree trunk at L; waves and pink flowers at R; seal and inscription, LLC

Phoenixes and Paulownia [left of a pair], early 18th century

Kano Tanshin

Not on View
obverse: female figure in vibrant, billowing robes seated in front of a small black box full of red maple leaves that look like flame; reverse: sprigs of wispy white flowers and small, rounded leaves extending to center from UL against gray background; wooden stand with scalloped bridges; delicate leaf and fern motif in silver and gold at outer edges

Fan with Akikonomu Chūgū from "The Maiden" Chapter of the Tale of Genji, early 19th century

Sakai Hōitsu

Not on View

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