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ink sketches of trees, rocks and buildings; several blocks of text on paper follow sketches; separate gold-flecked sheet with Chinese text rolled into scroll — Studies of Traditional Trees and Rocks, c. 1610
Dong Qichang

G218

River Landscape, c. 1300

China

Not on View

grey, black and white; tower and roof at right, LRQ; large, dark, rolling mountains at center and bottom; waves or clouds at lower center — Landscape after Mi Fu, April 1918
Fukuda Kodōjin

G238

grey, black and white; snow on rock formations and trees; trees at center and LLC — Landscape with Snow Scenery, April 1918
Fukuda Kodōjin

G238

horizontal landscape painting with thick, gnarled trees and sinuous rock formations in foreground; small structure at R on cliff; grove of trees at L, with figure walking across bridge nearby, small buildings in background; rows of sparse pine trees in middle ground; mountaintops along background; inscription top edge R; mounted and framed — Solitary Journey of a Recluse, October, 1925
Fukuda Kodōjin

G239

flame like mountains in background with swirling clouds; pagoda at base of mountains at L; dense trees lower center with small huts, large rocks; small figure in fishing boat LLC — Fishing Alone in a Pure Creek, Spring 1924
Fukuda Kodōjin

G239

Hill # R-21 — Swallow on a Lotus [right of a pair of Swallow and Heron], late 17th-early 18th century
Kano Tsunenobu

G221

Hill # R-21 — Heron and Reeds [left of a pair of Swallow and Heron], late 17th-early 18th century
Kano Tsunenobu

G221

zigzag mountain range; foreground dominated by large empty pavilion and low hills above this a village is nestled in a valley; background has a band of clouds and towering peaks with misty mountains beyond — Floating Mist on Distant Peaks, 1858
Hidaka Tetsuō

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Left scroll of a triptych. Crane at right, looking right, framed by bamboo at left. Forged signature and seal of Kano Tsunenobu. — Crane and Bamboo, from a triptych of Jurōjin and Cranes, 18th-19th century
Spurious signature and seal of Kano Tsunenobu

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Hotei Riding a Waterbuffalo, Kano Yasunobu — Hotei Riding a Waterbuffalo, 17th century
Kano Yasunobu

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Waterfall, Shibata Zeshin — Waterfall, 1887
Shibata Zeshin

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three men and boat at bottom; one man pulls boat toward shore while another drives a stake into the ground and the third sits inside boat; rocky mountain landscape above — Mooring a Boat on the River, late 16th century
Che Ming Yu

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grapevine with abundant grape clusters, tendrils, and scattered leaves; three small squirrels climbing the vine — Grapevine and Squirrels, 18th-19th century
Unknown Japanese

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tall bamboo stalks with leaves growing next to a stream with rocks at LL and R side near bottom; wood roller — Bamboo and Rocks, 1688
Zhu Sheng

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body of Buddha at center, placed on his PR side, surrounded by mourning figures; animals at bottom; 4 figures on clouds in sky, URC — Parinirvana of Sakyamuni, the Historical Buddha, 1863
Harada Keigaku

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striding man, seen from PR, with beard, wearing sketchy robe; text above — The Priest Xianzi, early 13th century
Unknown

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two quails on a rock over water; tall bamboo plants at right; large flowers above birds' heads — Quails and Bamboo, mid 15th century
Attributed to Jin Shi

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seated tiger with no ears visible; gold brocade border — Tiger [left of a pair of Tiger and Dragon], 1868
Mori Ippo

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tiger swimming with two cubs, one on back and one in water in front; reeds at left; blue and beige borders, blue is brocade — Tiger Fording a Stream with Cubs, early 19th century
Kano Tanshin

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head of dragon with head at top; swirl leading down R edge; gold, floral, brocade border — Dragon [right of a pair of Tiger and Dragon], 1868
Mori Ippo

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two lines; five large characters; grouping of smaller, loopy writing at LLC with two stamps; square, borderless stamp URC — Calligraphy, 1878
Hirano Gogaku

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view of harbor and village: light mountains at horizon; a few ships in harbor; shore curves inward into a peninsula at R with tall rocks and trees; dense village rooftops line the shore at R and center; rolling rocks or hills highlighted in light brow in foreground with dark foliage — Harbor View, first half 20th century
Yoshida Hiroshi

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unsigned; female ghost wearing a white robe, holding front sections of her slightly unkempt hair in each hand, with a horrified facial expression with bulging eyes and wide open, grimacing mouth; grave markers at right; torn lamp in LLQ; ivory roller ends — Ghost in a Graveyard, late 19th century
Unknown Japanese

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figure seated on rocks, with elbows resting on rock and head resting on back of PL hand, contemplating a small plant in a vase; water in foreground; mountains and tree in background; ivory roller ends — White-robed Avalokiteshvara Viewing a Waterfall, 15th century
Unknown Japanese

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tall, cone shaped mountains in middle and background; small rooftop and pagoda center L; pine grove with three buildings at LL; pavilion with waterfall and small water formation at bottom; thick, dotted brushstrokes — Landscape after Mi Fu; Summer, from a set of "Landscapes of the Four Seasons", Autumn 1929
Fukuda Kodōjin

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dark oval scene of trees with a small house in the LL corner and a boat in the LR corner; mountains in the back ground — Winter Landscape with Boat, 12th century
China

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narrow, tall mountains and irregular rock formations dotted with foliage in background; large, tall rock formation with irregular edges and dense dots of foliage at L with small figure seated at flat top; small pavilion on rock formation at R; figures in boat at lower center — Title unknown; Winter, from a set of "Landscapes of the Four Seasons", Autumn 1929
Fukuda Kodōjin

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small landscape with single figure in boat at LL; rocks with tree at LR; overhanging cliff UL — Landscape for Gyokudō, 1796
Totoki Baigai

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cream colored carton with tan stripes; wooden box with inscription on inside and outside of lid; wrapped in tissue; gold fabric; image of landscape with mountains in distance, rivers and small buildings; small bridge in LR and a lone figure on top of a hill in the center — Peaceful Garden and Old Tree, January 1930 (box)
Fukuda Kodōjin

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black gnarled plum branch with white blossoms entering image from UL; branch is thick at top and descends vertically down center — Old Plum, first half 20th century
Ōta Jōsei

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bald, white-robed monk with mischievous smile in tree with birds near upper left; at lower right, a man wearing dark, sumptuous robe and furrowed brow holds object up to face; followed by young boy carrying another object over PL shoulder; grassy, hilly landscape behind with stream — Zen Encounter: Niaoke Daolin and Bai Juyi, second half 18th century
Soga Shōhaku

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rock at bottom center with several tall, thin bamboo sprigs growing from behind; shorter grasses and foliage around rock — Bamboo and Rock, first half 19th century
Yamamoto Baiitsu

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five lines of very neatly written calligraphy; signature at LL; line at far L of smaller, more tightly spaced characters; written on powder blue silk; rectangular relief seal URC; rectangular relief seal LLC, and square intaglio seal LLC — Poem, mid 19th century
Umetsuji Kiretsu

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large fish with teeth and erect upper fin about to bite onto a fishing line at lower R; vertical inscription above — Nature's Beauty with a Fishing Rod, September 1925
Fukuda Kodōjin

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Landscape, 1826

Chen Hui'an

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reclining bull with front leg curled under; bit between nose with rope that wraps behind head — Reclining Bull, 1830s
Mihata Jōryū

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oval shaped rock listing to R with a few sprigs of thin foliage; two smaller boulders to L — Rock, early 19th century
Nagamachi Chikuseki; Artist: Ishikawa Gengaku

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several irregular lines of cursive characters; two larger, bold characters at R — Long Life, 1823
Kameda Bōsai

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dark image of dragon flying through air towards L; flame or lightening-like forms extend from neck; waves at bottom — Dragon in Clouds, 17th century
Unknown Chinese

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three lines of calligraphy with fourth shorter, smaller line with seals at L — Poem in Varied Scripts, late 19th - early 20th century
Yatsuchi Kinzan

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side view of carp swimming upward, fins forward, tail thrust forward; part of body cut off from view — Carp, second half 18th century
Sō Shiseki

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landscape: rocks at LL with thin trees; grasses and small, thin trees in middle ground; small stream running from L through middle — Mountain Stream, first half 19th century
Geppō

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bristly white raccoon with pointy black face and black legs; 3/4 view walking in from UR; some reeds and grasses near feet — Old Raccoon, early 20th century
Konoshima Ōkoku

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inside wooden box with inscriptions; wrapped in tissue; light green fabric; image of dark mountains with fog in background and small waterfall in foreground; inscription UR corner — Landscape after Mi Fu, Summer 1935
Fukuda Kodōjin

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in a cream box with tan stripes; wooden box with inscriptions; paper under tie; fabric is mint green with leaf pattern; image of cherry blossom trees in bloom with river in fore ground and mountains in background; four lines of inscription TL — Plum Forest Landscape; Spring, from a set of "Landscapes of the Four Seasons", Autumn 1929
Fukuda Kodōjin

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white bird standing on one leg in water, with some long, thin leaves around and above bird at left; received without scroll roller ends — White Egret, 12th-13th century
Attributed to Liang Kai

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top 3/4 of a male figure wrapped completely in red robe, frowning mouth, eyes gazing slightly upward; three line inscription in black ink at top; one line red inscription bottom — Daruma, c. 1818 - 1837
Mindō Sōsen; Author: Inscribed by Chūhō Sō'u

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mountain landscape with rolling vertical rock formations and pine trees; water at R side; rocky tree lined shores; two small buildings at R; open pavilion LRQ — Landscape, 1844
Nakabayashi Chikutō

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robed figure seated on rock over small waves with moonlike halo; sprig of bamboo in vase at L; waterfall at L; cliff and branches above — White-robed Kannon, early 15th century
Unknown Japanese

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jagged rock at R; blossoming orchids with thin fronds at R; small clump of brambles behind rock near lower C — Orchids, Bamboo, Brambles, and Rocks, 14th century
Tesshū Tokusai

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ghostly, abstracted image of a full moon ULQ with gray wispy cloudlike dragon over part of moon; pale form lower — Dragon in a Rainy Night, 18th century
Nagasawa Rosetsu

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two thin stalks of bamboo, stalk at R curves to R; taller stalk at center has three knots; two-line inscription at L — Black Bamboo, Summer 1930
Fukuda Kodōjin

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gnarled branches with blossoms against crescent moon in background; larger branches rising up from lower center; darker branch in foreground entering from R — Plum Blossoms Under the Winter Moon, first half 20th century
Matsubayashi Keigetsu

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light pencil-drawn grid with characters in each space, with some empty spaces in leftmost two rows; two red seals, LLQ — Lu Tong's Tea Song, first half 19th century
Maki Ryōko

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five small birds perched on snow-covered bamboo and a small crooked branch growing from side of a cliff; birds facing different directions; snow-covered grasses and rocks in lower portion — Birds in Snow, mid 19th century
Nakabayashi Chikutō

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six lines of calligraphy; blue and light pink mount with burgundy and gold brocade — Poem for Shunkin, 1823 (?)
Tanomura Chikuden

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seven frogs: two frogs at center engaged in wrestling match, with frog at L leaping with arms sprawled; frog at R rolling onto back with wide grimace on face; two frogs with worried looks observing at L; three angry looking frogs watching at R — Frogs in Sumo Match, early 19th century
Mori Shūhō

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full moon in top half against gray background — A Full Moon, mid 19th century
Nakajima Raishō

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moon at top with diagonal space outlined by ink washes jutting into lower edge of the moon; area immediately below moon demarcated by abstract washes of clouds — Strange Mountain in a Moonlit Night, second half 18th century
Nagasawa Rosetsu

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delicate blossoms atop narrow, flat leaves growing from LLQ; at left, two shorter, flat-topped blossoms grow from a thicker, crooked stem; delicate branch with short thorns and small berries extends across bottom from L to R — Narcissus, 1834
Urakami Shunkin

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scholar seated on a carpet under a tree, paper and brush before him; assistant nearby making ink on an inkstone — Album Leaf of a Scholar in Landscape, 14th-15th century
China

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Sydney L. Moss Ltd., London Dealer — Bamboo and Rock, 19th-20th century
Pu Coyin

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crane standing on one leg with neck turned and head tucked behind back, standing among grass blades, tree branches hanging from above coming from left side — Crane with Autumn Grass, late 19th century
Yang Gihun

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two men stand facing each other, standing near a waterside pavillion under a large arching tree; misty towering cliffs fill background — Scholar in Landscape, c. 1500
Jiang Song

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Man wearing a garment with folds, standing on an elaborate staff on rolling waves; man looks up into sky over his proper left shoulder and holds a small flaming ball in his proper right hand; drag in dark clouds at upper right — Arhat and Dragon, 1368-1643
Unknown Chinese, 14th - 17th century

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Smiling seated man with thin, wild black hair, holding a brush in his PR hand; rocks and tree at left with mountains in background — The Immortal Hanshan, c. 1500
Unknown; Artist: Attributed to Jiang Gui

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one line of calligraphy at center with clusters of gold flecks near top and bottom — Poetry slip (tanzaku), first half 20th century
Fukuda Kodōjin

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twelve masks with cords attached to ears; each mask represents a vastly different character: Buddhist figures, demon, elderly man and woman, and various emotions — Noh and Kyogen Masks, early 20th century
Ueda Tekkō

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very skinny old woman with sunken mouth, a beaklike nose, beady eyes, and bun piled high on head sits side-saddle on a rug draped over an ox; woman holds a flutelike instrument in PL hand, faces viewer; inscription URQ — Old Woman on an Ox, 1813
Okada Beisanjin

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landscape with water at right; tall mountain peak at top--other mountains in ULQ; figure walking on a rugged bridge, LRC; building, LLC; two seated figures overlooking water, above center; small text block in black, URC, with two red seals; large red seal at top center — The Soughing of the Wind in the Pines Echoes the Melody of Spring, 1705
Shen Zongjing

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two hikers on a path between rocks with crooked pines in LRQ, walking toward seaside village with thatched roofs; portion of a tall pagoda amid towering rocks at URQ; mountain tops in fog in background; boat amid reeds lower R — Landscape, 17th-18th century
Tsurusawa Tangei

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black and white; rocky, rugged mountain landscape with atmospheric clouds and trees; stream near left edge of image with narrow waterfall between rocks; large block of text at left end of scroll with very regular characters inside a pencil grid; red seal in LLC; pale cream-colored silk mount without rollers — Mountains and Streams, 2014
Tai Xiangzhou

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thin bamboo stalks with leaves at L; thin, wispy inscription at R — Bamboo and Poem, 19th century
Ōtagaki Rengetsu

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The Gathering at Orchid Pavilion, 1581

You Qiu

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foreground scene at bottom with two men on horseback, with bows drawn, aiming at a pair of deer in LLC, with two fox-like animals in front of deer; other men on horseback--some with bows and arrows, rifles and spears--along winding path behind foremost two figures; white dog accompanying hunters on path above deer; procession of men with donkeys at left center; small group of men carrying boxes on poles led by a pointing man on horseback at right below center; procession of women--some with musical instruments--on horses, accompanied by several men with flags and bows and arrows, at right center; pair of flying cranes and another bird above trees at top right above procession of women; winding path through mountain landscape; some scattered trees; black lacquer frame with stepped feet — An Incident on the Hunt, late 17th-early 18th century
Cheng Xiang

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smiling comical mask face near lower right side with exaggerated features; approx 2/3 of the image area is blank — Comical Demon Mask, late 18th - early 19th century
Matsumura Goshun

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landscape with tall jagged rocks; waterfall at R with river at L; tiny figure with donkey in LLC at bank; small buildings in LRC and L behind and above figure and donkey; one seal, LRC; two seals, LLC; two seals and inscription, ULC — Waiting for the Ferry, 1618
Jiang Ai

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rocky landscape with scruffy green trees sparsely interspersed; primarily orange, green, and light brown pigments; mount is robin's egg blue and gold — Mount Kumgang (Kongōzan) in Korea, 20th century
Tsuji Kakō

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dark, ink wash mountains loom beyond an open expanse of water; in the foreground, two tiny fishermen, on the shore, pull a boat containing a solitary figure — Misty Landscape, 1878
Wang Yin

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landscape of large hills and a lone figure in a pavilion surrounded by pine trees in the foreground; line of faint low hills in the far distance — Contemplation Among Pines, 1843
Chin Isshū

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tall, thick bamboo s talk at center with narrower stalk to R, and faint, grey stalks behind; light grey wash in background; black rock at LL — Bamboo, mid 18th century
Ōbaku Taihō

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a lone scholar crosses a bridge to the left beneath a large looming cliff with a waterfall cascading behind a grove of trees — Pure Sound of the Rivers and Mountains, 18th century
Takebe Ryōtai

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shaggy man in white robe seated on river bank; long, scruffy hair, flat head, large, grimacing face, pointed, claw-like nails; man resting PR hand on large frog; waves from river at lower edge; tree with blossoms at L — Gama Sennin, late 18th - early 19th century
Kuroda Ryōzan

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large snow-covered tree at center extending towards UR with black birds perched on branch, two flying off; crooked snow-covered pine branch at LL with two crows; other leafless, snow-covered trees in background — Five Crows in a Snowy Tree, second half 19th century
Kōno Bairei

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mountain landscape with trees: at LL, a figure with straw rain cape crosses a bridge into a grove of trees at R; mountains at center with rooftops emerging from the fog at center R; larger mountain range in background; bands of diagonal, light grey brushstrokes allude to rain — Summer Mountains, Sudden Shower, 1840s
Nakabayashi Chikutō

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four lines of text and three seals at top; portrait of an old balding man with short hair and a beard, frowning; red skull seal, LRC — Self-portrait, 1917
Nakahara Nantenbō

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two sections--top and bottom--with four lines of text each, with alternating lines beginning at different levels; short line of text at left, LLQ; two red seals below short line of text; red oval seal, URC — (Four Seasons Haiku), first half 19th century
Sakurai Baishitsu

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female figure in white robes seated on a jagged rock, with PR foot resting on PL foot; elegant headdress; vase with plant on rock at L; waterfall and cliff with foliage above — White-Robed Kannon, 15th century
Unknown Japanese

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album of eight ink landscape paintings on discolored, brown silk opposite facing eight descriptive poems on decorated paper; album is covered in brocade fabric with burgundy flowers and gold geometric designs — Eight Views of the Xiao and Xiang Rivers, 17th century
Kano Tan'yū

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slightly abstracted image of bamboo branches and leaves in snow; separate panel with text and two seals above image — Bamboo in Snow, mid 18th century
Miyazaki Impo; Author: Inscription by Kashiwagi Jotei

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Calligraphic hanging scroll, one of a pair, 18th century

Shih Ko-fa

G218

Willow and Duck, early 12th century

attributed to Cheng Ruoyun

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Bamboo, c. 15th century

Shi Jinjie

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Lu Tong's Tea Song, mid to late 18th century

Araki Zesui

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Bamboo, one of four, 17th century

Zhu Sheng

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Bamboo, one of four, 17th century

Zhu Sheng

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Bamboo, one of four, 17th century

Zhu Sheng

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Untitled [Village in a Misty Valley], 19th century

China

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Bamboo, one of four, 17th century

Zhu Sheng

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Poem on Silk, mid 19th century

Kikuchi Gozan

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Landscapes of the Four Seasons: Spring, Summer, Autumn and Winter, Autumn 1929

Fukuda Kodōjin

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