Looking for medina, metius, medic?

Smiling seated man with thin, wild black hair, holding a brush in his PR hand; rocks and tree at left with mountains in background — The Immortal Hanshan, c. 1500
China

Not on View

dark oval scene of trees with a small house in the LL corner and a boat in the LR corner; mountains in the back ground — Winter Landscape with Boat, 12th century
China

G203

River Landscape, China — River Landscape, c. 1300
China

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foreground scene at bottom with two men on horseback, with bows drawn, aiming at a pair of deer in LLC, with two fox-like animals in front of deer; other men on horseback--some with bows and arrows, rifles and spears--along winding path behind foremost two figures; white dog accompanying hunters on path above deer; procession of men with donkeys at left center; small group of men carrying boxes on poles led by a pointing man on horseback at right below center; procession of women--some with musical instruments--on horses, accompanied by several men with flags and bows and arrows, at right center; pair of flying cranes and another bird above trees at top right above procession of women; winding path through mountain landscape; some scattered trees; black lacquer frame with stepped feet — An Incident on the Hunt, late 17th-early 18th century
Cheng Xiang

G203

crane standing on one leg with neck turned and head tucked behind back, standing among grass blades, tree branches hanging from above coming from left side — Crane with Autumn Grass, late 19th century
Yang Gihun

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landscape with water at right; tall mountain peak at top--other mountains in ULQ; figure walking on a rugged bridge, LRC; building, LLC; two seated figures overlooking water, above center; small text block in black, URC, with two red seals; large red seal at top center — The Soughing of the Wind in the Pines Echoes the Melody of Spring, 1705
Shen Zongjing

G203

ink sketches of trees, rocks and buildings; several blocks of text on paper follow sketches; separate gold-flecked sheet with Chinese text rolled into scroll — Studies of Traditional Trees and Rocks, c. 1610
Dong Qichang

G218

seven frogs: two frogs at center engaged in wrestling match, with frog at L leaping with arms sprawled; frog at R rolling onto back with wide grimace on face; two frogs with worried looks observing at L; three angry looking frogs watching at R — Frogs in Sumo Match, early 19th century
Mori Shūhō

G226

scholar seated on a carpet under a tree, paper and brush before him; assistant nearby making ink on an inkstone — Album Leaf of a Scholar in Landscape, 14th-15th century
China

Not on View

Hill # R-21 — Heron and Reeds [left of a pair of Swallow and Heron], late 17th-early 18th century
Kano Tsunenobu

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two men stand facing each other, standing near a waterside pavillion under a large arching tree; misty towering cliffs fill background — Scholar in Landscape, c. 1500
Jiang Song

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Waterfall, Shibata Zeshin — Waterfall, 1887
Shibata Zeshin

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Sydney L. Moss Ltd., London Dealer — Bamboo and Rock, 19th-20th century
Pu Coyin

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male figures and attendants in a lush landscape with water and buildings; text at front (partially on mount) and back — The Gathering at Orchid Pavilion, 1581
You Qiu

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striding man, seen from PR, with beard, wearing sketchy robe; text above — The Priest Xianzi, early 13th century
China

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Man wearing a garment with folds, standing on an elaborate staff on rolling waves; man looks up into sky over his proper left shoulder and holds a small flaming ball in his proper right hand; drag in dark clouds at upper right — Arhat and Dragon, 1368-1643
China

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body of Buddha at center, placed on his PR side, surrounded by mourning figures; animals at bottom; 4 figures on clouds in sky, URC — Parinirvana of Sakyamuni, the Historical Buddha, 1863
Harada Keigaku

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tall bamboo stalks with leaves growing next to a stream with rocks at LL and R side near bottom; wood roller — Bamboo and Rocks, 1688
Zhu Sheng

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three men and boat at bottom; one man pulls boat toward shore while another drives a stake into the ground and the third sits inside boat; rocky mountain landscape above — Mooring a Boat on the River, late 16th century
Che Ming Yu

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grapevine with abundant grape clusters, tendrils, and scattered leaves; three small squirrels climbing the vine — Grapevine and Squirrels, 18th-19th century
Japan

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ghostly, abstracted image of a full moon ULQ with gray wispy cloudlike dragon over part of moon; pale form lower — Dragon and Moon in Rain, 18th century
Nagasawa Rosetsu

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two hikers on a path between rocks with crooked pines in LRQ, walking toward seaside village with thatched roofs; portion of a tall pagoda amid towering rocks at URQ; mountain tops in fog in background; boat amid reeds lower R — Landscape, 17th-18th century
Tsurusawa Tangei

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mountain landscape with rolling vertical rock formations and pine trees; water at R side; rocky tree lined shores; two small buildings at R; open pavilion LRQ — Landscape, 1844
Nakabayashi Chikutō

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top 3/4 of a male figure wrapped completely in red robe, frowning mouth, eyes gazing slightly upward; three line inscription in black ink at top; one line red inscription bottom — Daruma, c. 1818 - 1837
Mindō Sōsen; Author: Inscribed by Chūhō Sō'u

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horizontal landscape painting with thick, gnarled trees and sinuous rock formations in foreground; small structure at R on cliff; grove of trees at L, with figure walking across bridge nearby, small buildings in background; rows of sparse pine trees in middle ground; mountaintops along background; inscription top edge R; mounted and framed — Monochrome Landscape, October, 1925
Fukuda Kodōjin

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black and white; rocky, rugged mountain landscape with atmospheric clouds and trees; stream near left edge of image with narrow waterfall between rocks; large block of text at left end of scroll with very regular characters inside a pencil grid; red seal in LLC; pale cream-colored silk mount without rollers — Mountains and Streams, 2014
Tai Xiangzhou

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Hill # R-21 — Swallow on a Lotus [right of a pair of Swallow and Heron], late 17th-early 18th century
Kano Tsunenobu

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inside wooden box with inscriptions; wrapped in tissue; light green fabric; image of dark mountains with fog in background and small waterfall in foreground; inscription UR corner — Landscape after Mi Fu, Summer 1935
Fukuda Kodōjin

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white bird standing on one leg in water, with some long, thin leaves around and above bird at left; received without scroll roller ends — White Egret, 12th-13th century
Attributed to Liang Kai

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landscape: rocks at LL with thin trees; grasses and small, thin trees in middle ground; small stream running from L through middle — Mountain Stream, first half 19th century
Sō Geppō

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six lines of calligraphy; blue and light pink mount with burgundy and gold brocade — Poem for Shunkin, 1823 (?)
Tanomura Chikuden

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tall, cone shaped mountains in middle and background; small rooftop and pagoda center L; pine grove with three buildings at LL; pavilion with waterfall and small water formation at bottom; thick, dotted brushstrokes — Landscape after Mi Fu; Summer, from a set of "Landscapes of the Four Seasons", Autumn 1929
Fukuda Kodōjin

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in a cream box with tan stripes; wooden box with inscriptions; paper under tie; fabric is mint green with leaf pattern; image of cherry blossom trees in bloom with river in fore ground and mountains in background; four lines of inscription TL — Plum Forest Landscape; Spring, from a set of "Landscapes of the Four Seasons", Autumn 1929
Fukuda Kodōjin

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tiger swimming with two cubs, one on back and one in water in front; reeds at left; blue and beige borders, blue is brocade — Tiger Fording a Stream with Cubs, early 19th century
Kano Tanshin

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rocky landscape with scruffy green trees sparsely interspersed; primarily orange, green, and light brown pigments; mount is robin's egg blue and gold — Mount Kumgang (Kongōzan) in Korea, Date Unknown
Tsuji Kakō

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Left scroll of a triptych. Crane at right, looking right, framed by bamboo at left. Forged signature and seal of Kano Tsunenobu. — Crane and Bamboo, from a triptych of Jurōjin and Cranes, 18th-19th century
Spurious signature and seal of Kano Tsunenobu

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two quails on a rock over water; tall bamboo plants at right; large flowers above birds' heads — Quails and Bamboo, mid 15th century
Attributed to Jin Shi

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cream colored carton with tan stripes; wooden box with inscription on inside and outside of lid; wrapped in tissue; gold fabric; image of landscape with mountains in distance, rivers and small buildings; small bridge in LR and a lone figure on top of a hill in the center — Landscape, January 1930
Fukuda Kodōjin

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moon at top with diagonal space outlined by ink washes jutting into lower edge of the moon; area immediately below moon demarcated by abstract washes of clouds — Moon and Cloud, second half 18th century
Nagasawa Rosetsu

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oval shaped rock listing to R with a few sprigs of thin foliage; two smaller boulders to L — Rock, early 19th century
Nagamachi Chikuseki; Artist: Ishikawa Gengaku

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dark image of dragon flying through air towards L; flame or lightening-like forms extend from neck; waves at bottom — Dragon in Clouds, 17th century
Unknown Chinese

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side view of carp swimming upward, fins forward, tail thrust forward; part of body cut off from view — Carp, second half 18th century
Sō Shiseki

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narrow, tall mountains and irregular rock formations dotted with foliage in background; large, tall rock formation with irregular edges and dense dots of foliage at L with small figure seated at flat top; small pavilion on rock formation at R; figures in boat at lower center — Title unknown; Winter, from a set of "Landscapes of the Four Seasons", Autumn 1929
Fukuda Kodōjin

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thin bamboo stalks with leaves at L; thin, wispy inscription at R — Bamboo and Poem, 19th century
Ōtagaki Rengetsu

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large fish with teeth and erect upper fin about to bite onto a fishing line at lower R; vertical inscription above — Nature's Beauty with a Fishing Rod, September 1925
Fukuda Kodōjin

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five small birds perched on snow-covered bamboo and a small crooked branch growing from side of a cliff; birds facing different directions; snow-covered grasses and rocks in lower portion — Birds in Snow, mid 19th century
Nakabayashi Chikutō

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gnarled branches with blossoms against crescent moon in background; larger branches rising up from lower center; darker branch in foreground entering from R — Plum Blossoms Under the Winter Moon, first half 20th century
Matsubayashi Keigetsu

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tall, thick bamboo s talk at center with narrower stalk to R, and faint, grey stalks behind; light grey wash in background; black rock at LL — Bamboo, mid 18th century
Taihō (Obaku)

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full moon in top half against gray background — A Full Moon, mid 19th century
Nakajima Raishō

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jagged rock at R; blossoming orchids with thin fronds at R; small clump of brambles behind rock near lower C — Orchids, Bamboo, Brambles, and Rocks, 14th century
Tesshū Tokusai

Not on View

landscape with tall jagged rocks; waterfall at R with river at L; tiny figure with donkey in LLC at bank; small buildings in LRC and L behind and above figure and donkey; one seal, LRC; two seals, LLC; two seals and inscription, ULC — Waiting for the Ferry, 1618
Jiang Ai

Not on View

Landscape, 19th century

Chen Hui'an

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several irregular lines of cursive characters; two larger, bold characters at R — Long Life, 1823
Kameda Bōsai

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two lines; five large characters; grouping of smaller, loopy writing at LLC with two stamps; square, borderless stamp URC — Calligraphy, 1878
Hirano Gogaku

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five lines of very neatly written calligraphy; signature at LL; line at far L of smaller, more tightly spaced characters; written on powder blue silk; rectangular relief seal URC; rectangular relief seal LLC, and square intaglio seal LLC — Poem, mid 19th century
Umetsuji Kiretsu

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unsigned; female ghost wearing a white robe, holding front sections of her slightly unkempt hair in each hand, with a horrified facial expression with bulging eyes and wide open, grimacing mouth; grave markers at right; torn lamp in LLQ; ivory roller ends — Ghost in a Graveyard, late 19th century
Japan

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very skinny old woman with sunken mouth, a beaklike nose, beady eyes, and bun piled high on head sits side-saddle on a rug draped over an ox; woman holds a flutelike instrument in PL hand, faces viewer; inscription URQ — Old Woman on an Ox, 1813
Okada Beisanjin

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two thin stalks of bamboo, stalk at R curves to R; taller stalk at center has three knots; two-line inscription at L — Black Bamboo, Summer 1930
Fukuda Kodōjin

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delicate blossoms atop narrow, flat leaves growing from LLQ; at left, two shorter, flat-topped blossoms grow from a thicker, crooked stem; delicate branch with short thorns and small berries extends across bottom from L to R — Narcissus, 1834
Urakami Shunkin

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one line of calligraphy at center with clusters of gold flecks near top and bottom — Poem-slip (tanzaku), first half 20th century
Fukuda Kodōjin

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twelve masks with cords attached to ears; each mask represents a vastly different character: Buddhist figures, demon, elderly man and woman, and various emotions — Noh and Kyogen Masks, early 20th century
Ueda Tekkō

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small landscape with single figure in boat at LL; rocks with tree at LR; overhanging cliff UL — Landscape for Gyokudō, 1796
Totoki Baigai

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smiling comical mask face near lower right side with exaggerated features; approx 2/3 of the image area is blank — Comical Demon Mask, late 18th - early 19th century
Matsumura Goshun

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flame like mountains in background with swirling clouds; pagoda at base of mountains at L; dense trees lower center with small huts, large rocks; small figure in fishing boat LLC — Landscape with Pine Grove and Rocky Mountains, Spring 1924
Fukuda Kodōjin

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reclining bull with front leg curled under; bit between nose with rope that wraps behind head — Reclining Bull, 1830s
Mihata Jōryū

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head of dragon with head at top; swirl leading down R edge; gold, floral, brocade border — Dragon [right of a pair of Tiger and Dragon], 1868
Mori Ippo

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seated tiger with no ears visible; gold brocade border — Tiger [left of a pair of Tiger and Dragon], 1868
Mori Ippo

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view of harbor and village: light mountains at horizon; a few ships in harbor; shore curves inward into a peninsula at R with tall rocks and trees; dense village rooftops line the shore at R and center; rolling rocks or hills highlighted in light brow in foreground with dark foliage — Harbor View, first half 20th century
Yoshida Hiroshi

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three lines of calligraphy with fourth shorter, smaller line with seals at L — Poem in Varied Scripts, late 19th - early 20th century
Yatsuchi Kinzan

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dark, ink wash mountains loom beyond an open expanse of water; in the foreground, two tiny fishermen, on the shore, pull a boat containing a solitary figure — Misty Landscape, 1878
Wang Yin

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Hotei Riding a Waterbuffalo, Kano Yasunobu — Hotei Riding a Waterbuffalo, 17th century
Kano Yasunobu

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bristly white raccoon with pointy black face and black legs; 3/4 view walking in from UR; some reeds and grasses near feet — Old Raccoon, early 20th century
Konoshima Ōkoku

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black gnarled plum branch with white blossoms entering image from UL; branch is thick at top and descends vertically down center — Old Plum, first half 20th century
Kaigan Gyōsei

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robed figure seated on rock over small waves with moonlike halo; sprig of bamboo in vase at L; waterfall at L; cliff and branches above — White-robed Kannon, early 15th century
Japan

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figure seated on rocks, with elbows resting on rock and head resting on back of PL hand, contemplating a small plant in a vase; water in foreground; mountains and tree in background; ivory roller ends — White-robed Avalokiteshvara Viewing a Waterfall, 15th century
Unknown

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rock at bottom center with several tall, thin bamboo sprigs growing from behind; shorter grasses and foliage around rock — Bamboo and Rock, first half 19th century
Yamamoto Baiitsu

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bald, white-robed monk with mischievous smile in tree with birds near upper left; at lower right, a man wearing dark, sumptuous robe and furrowed brow holds object up to face; followed by young boy carrying another object over PL shoulder; grassy, hilly landscape behind with stream — Zen Encounter: Niaoke Daolin and Bai Juyi, second half 18th century
Soga Shōhaku

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a lone scholar crosses a bridge to the left beneath a large looming cliff with a waterfall cascading behind a grove of trees — Pure Sound of the Rivers and Mountains, 18th century
Takebe Ryōtai

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female figure in white robes seated on a jagged rock, with PR foot resting on PL foot; elegant headdress; vase with plant on rock at L; waterfall and cliff with foliage above — White-Robed Kannon, 15th century
Japan

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four lines of text and three seals at top; portrait of an old balding man with short hair and a beard, frowning; red skull seal, LRC — Self-portrait, 1917
Nakahara Nantenbō

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landscape of large hills and a lone figure in a pavilion surrounded by pine trees in the foreground; line of faint low hills in the far distance — Contemplation Among Pines, 1843
Chin Isshu_

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zigzag mountain range; foreground dominated by large empty pavilion and low hills above this a village is nestled in a valley; background has a band of clouds and towering peaks with misty mountains beyond — Floating Mist on Distant Peaks, 1858
Hidaka Tetsuō

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mountain landscape with trees: at LL, a figure with straw rain cape crosses a bridge into a grove of trees at R; mountains at center with rooftops emerging from the fog at center R; larger mountain range in background; bands of diagonal, light grey brushstrokes allude to rain — Summer Mountains, Sudden Shower, 1840s
Nakabayashi Chikutō

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two sections--top and bottom--with four lines of text each, with alternating lines beginning at different levels; short line of text at left, LLQ; two red seals below short line of text; red oval seal, URC — (Four Seasons Haiku), first half 19th century
Sakurai Baishitsu

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large snow-covered tree at center extending towards UR with black birds perched on branch, two flying off; crooked snow-covered pine branch at LL with two crows; other leafless, snow-covered trees in background — Five Crows in a Snowy Tree, second half 19th century
Kōno Bairei

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shaggy man in white robe seated on river bank; long, scruffy hair, flat head, large, grimacing face, pointed, claw-like nails; man resting PR hand on large frog; waves from river at lower edge; tree with blossoms at L — Gama Sennin, late 18th - early 19th century
Kuroda Ryōzan

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light pencil-drawn grid with characters in each space, with some empty spaces in leftmost two rows; two red seals, LLQ — Lu Tong's Tea Song, first half 19th century
Maki Ryōkō

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album of eight ink landscape paintings on discolored, brown silk opposite facing eight descriptive poems on decorated paper; album is covered in brocade fabric with burgundy flowers and gold geometric designs — Eight Views of the Xiao and Xiang Rivers, 17th century
Kano Tan'yū

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slightly abstracted image of bamboo branches and leaves in snow; separate panel with text and two seals above image — Bamboo in Snow, mid 18th century
Miyazaki Impo; Author: Inscription by Kashiwagi Jotei

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Calligraphic hanging scroll, one of a pair, 18th century

Shih Ko-fa

G218

Untitled [Village in a Misty Valley], 19th century

China

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Bamboo, one of four, 17th century

Zhu Sheng

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Bamboo, one of four, 17th century

Zhu Sheng

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Willow and Duck, early 12th century

attributed to Cheng Ruoyun

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Bamboo, one of four, 17th century

Zhu Sheng

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Bamboo, one of four, 17th century

Zhu Sheng

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Bamboo, c. 15th century

Shi Jinjie

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Landscapes of the Four Seasons: Spring, Summer, Autumn and Winter, Autumn 1929

Fukuda Kodōjin

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Lu Tong's Tea Song, mid to late 18th century

Araki Zesui

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Poem on Silk, mid 19th century

Kikuchi Gozan

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