showing 37 results matching medium:"Ink on mica paper"

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fan shaped format; nine bold lines of calligraphy; light red seals, LLC and URC

Song Zhiwen's Layered Peaks, mid 18th century

Ike Taiga

G252

landscape with poem on fan; expressive landscape with fence in foreground and gate; tall trees and pine trees drawn with horizontal lines lie outside of fence in foreground; more pine trees in middle ground; hut with human figure just inside fence; rolling mountains, hills, and trees in background; calligraphic inscription at ULC; mounted to yellow board with gold flecks and tan border

My Natural Place, second half 19th century

Murase Taiitsu

Not on View
nine lines of calligraphy written on every other panel; signature at UL; rectangular intaglio stamp URC; square relief stamp UL; dark border at top and bottom of fan; mounted on black mat

Poem, mid 19th century

Kikuchi Gozan

Not on View
ten lines of calligraphy, on a fan, alternating between three characters and one character; signature at far L; rectangular relief stamp at URC; two square intaglio stamps LLC; mounted on cobalt blue board

Poetic Quatrain, mid 19th century

Hirose Tansō

Not on View
five small animals arranged in a V at center with pointed faces, black legs, and grey bodies with wispy lines coming off ends; crabs with large claws and black legs at LR; short inscription along R edge with two part oval relief stamp at LR; gold border, mounted on white board

Crabs and Tortoises, late 18th century

Sō Shizan

Not on View
fourteen total lines (last line signature); lines proceed: four characters, one character, one character; four, one, one, etc.; very small rectangular intaglio stamp URC; two small square intaglio stamps under signature at LL; mounted to burgundy board

Misty Rain, second half 19th century

Tamate Kikushū

Not on View
five large characters written across top of fan; vertical line of looping characters at far L; small rectangular relief stamp at URC; rectangular relief stamp at far L center

Five-word Phrase, second half 19th century

Maki Ryōtan

Not on View
ten lines on white paper with silver and gold flecks; lines alternate between four and two characters; red relief stamp URC; square relief stamp LLC; mounted on cobalt blue

Poem, late 19th - early 20th century

Ichikawa Tokuan

Not on View
fan with ten lines of characters, mostly alternating between approx. 4 characters and 2 characters; rectangular relief stamp URC; two plain square relief stamps LL; mounted on burgundy colored board

Poem, second half 18th century

Kan Tenjū

Not on View
ten total lines, on every other panel section; last two lines written much smaller; dark border at top and bottom edges; fully mounted to jet black board; two small square relief stamps LLC; small rectangular relief stamp URC

Things Seen at a River Village, late 18th - early 19th century

Ichikawa Kansai

Not on View
forty lines of very small, compactly written and spaced calligraphy; last few lines have even smaller characters; rectangular relief stamp URC; two square intaglio stamps at L edge; mounted on jet black board

Poem, 1843

Shinozaki Shōchiku

Not on View
nine lines of calligraphy, alternating between long and short lines; signature and seal at L; unmounted

Poetic Quatrain, late 18th - early 19th century

Totoki Baigai

Not on View
large round boulder near center with light grey shading and foliage at center; dark bamboo sprigs rise up at center from light grey marks at center; three line inscription at R; large rectangular relief stamp LRC, smaller rectangular relief stamp LLC; mounted on off-white board

Bamboo and Rocks, 1835

Nukina Kaioku

Not on View
cluster of thin bamboo stems and foliage in greyscale at R, extending upward to UL; short inscription at URQ; still mounted to bamboo strips

Bamboo at Age Seventy-Five, 1849

Okada Kanrin

Not on View
ten lines, alternating between four characters and two characters; large, clearly wrritten characters; bold top and bottom borders; rectangular intaglio stamp URC, circular relief stamp at LLC; mounted on deep red board

Poem, mid 19th century

Ema Saikō

Not on View
ten total lines; every other line is full-length, alternating with one-character lines; last two lines are longer, including signature; long rectangular relief stamp URC; square intaglio stamp LLC; square relief stamp LLC; mounted on jet black board

Poem, early 18th century

Itō Tōgai

Not on View
landscape with large, rolling rocky outcroppings in foreground with hint of a cascading river at R; rounded mountain in middle rises behind pine trees drawn with horizontal brushstrokes; mountain is dotted with trees; lower mountains and pine trees in background; three line inscription at UL; faded relief stamp at R center, square intaglio stamp at UL

Landscape, 1803

Nagamachi Chikuseki

Not on View
small (nearly) square paper with nine lines of scrawling, looping cursive; two center lines are shorter

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View
three full lines of calligraphy; shorter, smaller broken line at far L; brown mount with cream and brocade border

Poem at Age Eighty-Four, 1861

Nukina Kaioku

Not on View
twenty six short lines of angular calligraphy; alternating mostly between four and two characters, with the last three lines to the L written with slightly more condensed characters and more to a line; oval relief seal URC; two part rectangular relief ULQ

Autumn Streams, early 19th century

Rai San'yō

Not on View
snowy mountain at R dotted with trees; pine trees at base and surrounding mountain; rocks and boulders in front of mountain with gnarled tree; a bridge and echo of a stream near center, shorelines following low rocks and pine trees; another leafless green at LL; two line inscription with faded stamp along far L edge; shorter two lined inscription with two stamps in ULQ; rectangular intaglio stamp along R edge

Alone in the Cold Mountains, early 19th century

Rai San'yō

Not on View
23 very short (1-3 characters) lines of calligraphy on white fan with black borders; small, rectangular intaglio stamp at URC, small rectangular intaglio stamp ULQ; mounted on yellow board with gold flecks and tan border

Poem, second half 19th century

Yanagawa Kōran

Not on View
billowing mountains through left half of fan; three small buildings including a short pagoda nestled in the mountain crevasses through the center; trees and pine trees, represented by short, horizontal brushstrokes line the mountains; large stump with a tall tree at center in foreground; four line inscription at R with signature and rectangular relief stamp; short signature with two small square stamps at ULC; greenish-gold border at top and bottom; mounted to black board

Landscape, second half 19th century

Yanagawa Kōran

Not on View
blossoming grey orchids with black and grey foliage at center of fan; lines of text at L and R; rectangular relief stamp URC; rectangular intaglio stamp with rounded edges L center

Orchids, 1870

Okuhara Seiko

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

showing 37 results matching medium:"Ink on mica paper"

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