🔎 medium:"Ink and color on paper" | Mia

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depicting a composition of objects associated with the scholar's study — Books and Scholar’s Objects (Chaekgeori), 19th century
Korea

G206

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Prostitute Hanaōgi of the Ōgiya House, Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō — Prostitute Hanaōgi of the Ōgiya House, 1793-1794
Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō

Not on View

10 panel screen with mounted colorful images of children playing in gardens, climbing trees, swimming, playing games — One Hundred Children at Play, late 19th century
Korea

G206

different images of Kannon, images of Buddha figures within large halos, with attendants, on lotus pedestals; text, some in Sanskrit — Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month
Shinken

G220

fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background — Zhou Dunyi Gazing Out Over Lotus, c. 1500
Liu Jun

Not on View

R screen: large tree at R with branches and foliage extending over several panels; cluster of squared rocks at R; lotus blossoms and leaves at R; hawk perched on stone near center; another hawk at UL about to dive downward — Hawks by a Stream [right of a pair], mid 17th century
Soga Nichokuan

G221

L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water — Hawks by a Stream [left of a pair], mid 17th century
Soga Nichokuan

G221

pink, light lavender and white peonies and yellow dandelion-like flowers; two blue rocks in foreground; butterflies, bees and other insects; three-character inscription and seal, LLC — Spring [left of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

G223

yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC — Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

G223

towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees — Landscape with Scholar Viewing a Waterfall, 1722
Cai Jia

Not on View

seated man with long beard, with a woman in a fur-trimmed hat behind him; burner with 2 teapots in foreground; table with foliage bouquet in vase, box and cup in background — Beauty in Winter, 17th-18th century
Gao Qipei

G203

Landscape, Wang Su — Landscape, 1734
Wang Su

Not on View

images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures — People of Many Nations, 1649
Unknown Japanese

Not on View

slightly abstracted image; purple Mt. Fuji in background with horizontal pinkish-blue cloud; green rolling hills in middle ground; pink flowers with orange centers in LLC — Remaining Flowers, 1981-1986
Hagiwara Hideo

G227

landscape scene with faint gray triangular mountain in center; gold sky with stylized gray clouds floating throughout; grassy land at bottom with bending fanned-out foliage in gray and green pigments — Autumn Wind in the Foothills, 1981-1986
Hagiwara Hideo

G227

landscape scene with blue mountain with white and red peak in bottom left; light green and gold sky with pink clouds, dark blue rising jagged hills at bottom — Dawn over Lake Kawaguchi, 1981-1986
Hagiwara Hideo

G227

unsigned; abstracted image with Mount Fuji in LRQ in purple; orange, green and purple streaks and clouds in sky — As Darkness Leaves, 1990-1991
Hagiwara Hideo

G237

abstracted landscape with Mount Fuji in purple in LLQ; vertical branching black lines--bare trees?--at right; purple sky with dull orange at low horizon line; lavender and purple section of moon in ULC — An Evening Moon, 1990-1991
Hagiwara Hideo

G237

abstracted image of Mount Fuji in medium and pale grey in background with layers of land forms in foreground in blue-grey, blue, purple and green, with pink, brown and green foliage in foreground; orange sky — Longing at Kagosaka, 1981-1986
Hagiwara Hideo

G227

abstracted image of Mount Fuji with waving grass-like elements in white over image throughout; foreground is tan and orange; dark blue and grey mountain; tan and pale grey sky — Hint of Sunshine, 1981-1986
Hagiwara Hideo

G227

abstracted image of Mount Fuji in purple and white in ULQ; brownish-purple land forms in foreground and middle ground, with jagged lines of green and tan foliage; salmon-colored sky — Burning Meadows at Asagiri, 1981-1986
Hagiwara Hideo

G227

tiger to the left of two bamboo; design within a circle, within a square; light blue floral design silk at top and bottom; brown floral design silk, middle; thin strip of dark blue floral design, top and bottom of image; has scroll box — Tiger Emerging from Bamboo, early 18th century
Kano Tsunenobu

Not on View

Benkei with Halberd, Japan — Benkei with Halberd, second half 17th century
Japan

G219

Still Life with Peaches, Hagiwara Hideo — Still Life with Peaches, 1954
Hagiwara Hideo

G226

abstract; black/dark blue at top with scrolls; grey at bottom with red, yellow, blue, white wavy lines; black on verso — Stone Flower: Blue, Grey, 1960
Hagiwara Hideo

G226

abstract; black ground; variegated lavender rectangle at top; yellow rectangle at bottom; smaller green, white, and turquoise rectangles; black on verso — Window, 1959
Hagiwara Hideo

G226

swimming merman with seaweed; legs, URC — Glaukos, 1965
Hagiwara Hideo

G226

abstract; blue ground; multicolored triangles, rectangles, blue circle clustered together left of center — Soil (9): Town in the Earth, 1960
Hagiwara Hideo

G226

Actor Ichikawa Ebizō as Takemura Sadanoshin, Sharaku; Publisher: Tsutaya Jūzaburō — Actor Ichikawa Ebizō as Takemura Sadanoshin, 1794, 5th lunar month
Sharaku; Publisher: Tsutaya Jūzaburō

Not on View

print with a mostly blue background with abstract shapes; large pink oblong circle in top center; gold-colored half-moon shape in bottom center; aqua circle in LRC of image; black circle with curving "stem" at upper right edge of image; scattered linear shapes — Star Dust 1, 1964
Hagiwara Hideo

G226

abstracted image of Mount Fuji at right in dark blue, with purple stripe at bottom; red sky with grey smoke-like clouds — The Sky is Aflame, 1981-1986
Hagiwara Hideo

G237

The Miracle of Famous Paintings by Ukiyo Matahei, Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke — The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month
Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

Sunrise on New Year's Day at Kanazawa, Totoya Hokkei — Sunrise on New Year's Day at Kanazawa, 1810s-1830s
Totoya Hokkei

Not on View

A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, Eisen — A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, late 1830s - early 1840s
Eisen

Not on View

Cherry Blossoms in Full Bloom at Goten-yama, Utagawa Hiroshige; Publisher: Sanoya Kihei — Cherry Blossoms in Full Bloom at Goten-yama, c. 1840-1842
Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

abstract; green ground; red and blue flags; form with black, black, orange, and red elements; white arrow, LRQ — Circus No. 6, 1968
Hagiwara Hideo

G226

abstract; blue ground; white stars and lines; face at bottom center; stripes in green, white, and red; green crescent, URC — Clown No. 8, 1969
Hagiwara Hideo

G226

One, Nihonbashi, Utagawa Hiroshige; Publisher: Maruya Seijirō — One, Nihonbashi, c. 1850-1851
Utagawa Hiroshige; Publisher: Maruya Seijirō

Not on View

Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting. — Page from the Manafi al-Hayavan, 14th century
Iran

Not on View

Page from the Materia Medica, Arabia — Page from the Materia Medica, 1224
Arabia

Not on View

thick brown vines and dark green-grey leaves; four yellow, green and brown gourds growing on vines; text, LLC — Gourds, 1932
Zhao Yunhe

Not on View

five white mum blossoms on thick stems with green-grey leaves; text, URC — White Chrysanthemums, 1929
Wang Zhen

Not on View

delicate landscape with brown-leafed trees, stream and mountain in background; small buildings in middle ground with two small figures; fog; tan, orange, grey, brown, blue — Untitled, Date Unknown
China

Not on View

Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233). — The Spinners, 14th century
Iran

Not on View

rooster with head held low to ground, fiercely looking toward R side of scroll; tail feathers erect, wide stance; blossoming crooked branch with big white flowers and green leaves at center L edge — Roosters in Face Off [left of a pair], late 16th century
attributed to Kano Yukinobu

Not on View

standing woman with hair in an updo with ornaments, wearing a kimono with maroon, blue and black dragon and cloud designs and black lacquered geta; woman wears wide black obi with blue flowers; woman holds folded white cloth in her PL hand; boy attendant peers out from behind woman; boy wears light blue kimono with fan design and Daruma netsuke (?); mount has pattern of blue, green and orange leaves and white branches on orange brocade with tie-dye elements and appliqued and some areas of gold metallic stitching — Kamigata Beauty, 19th century
Japan

Not on View

unsigned; man wearing massive robes seated on low podium behind partially closed screen; arrangement of robes and tall black hat give figure triangular appearance — Retired Emperor Gotoba, Date Unknown
Japan

Not on View

imagery from left to right: bearded man playing a bowed stringed instrument at left; table with plates and cups, with bamboo and plant behind it; man wearing a grey fur-trimmed jacket and peach-colored pants; woman wearing a pink hat, green pants and sleeveless blouse with purple flowers; man with beard wearing a hooded jacket with animal ears and mittens; plant with red flowers — Happiness is Bittersweet and vice-versa, 2013
Li Jin

Not on View

standing woman left of center with dark hair in an updo, wearing a semi-transparent dress with black bird pattern and a bright green bracelet; seated man at right with beard wearing a red hooded jacket; plants in background and at left; bow and arrow, LLC; tan paper — New Barbarian, 2010
Li Jin

Not on View

portrait of man seated on a rock, with beard and moustache, wearing mint green garment, with legs crossed, holding a tiny pipe; child wearing a pale blue garment and holding a stick to right of man; rocky landscape; long inscription at top, with four red seals; one additional red seal in LLC — Portrait of Zhu Yizun, late 17th-early 18th century
Yu Zhiding

Not on View

standing woman at left wearing a long-sleeved red blouse and blue pants; seated bearded man with full face at center wearing a grey Asian-style jacket and white pants; man rests his PL elbow on a table with chopsticks, fish on a plate, bowl and flask; plant with red flower and left edge; green shaded ceiling light fixture hanging at top of image between man and woman's heads; tan paper — There is a Flower in my Family, 2013
Li Jin

Not on View

three women relaxing together; woman in light blue lying on stomach, supporting head in hands while another woman leans on her back; younger woman in pink at LL holds a bouquet and looks up toward the other two women — Three Beauties, 17th century
Japan

Not on View

small pavilion on a clearing on rocky bluff; trees at LR and to L of pagoda; towering rocks above — Landscape with a Solitary Hut, 1760s
Yosa Buson

Not on View

album with six colorful paintings with poems; image of blossoming tree with river; blossoming trees with hikers amid hills; blooming flowers; flowers amid thatched rooves; grasses blowing in wind with geese; autumn red maple leaves; images extend borders — Poems from Shūi gusō and Shin kokin wakashū, Six Immortal Poets from the Shinkokinshu, 1718
Japan

Not on View

two panel screen: two puppies on R panel: brown puppy is scratching its face, and white puppy is looking on with mouth partially open; three puppies on L panel, one at far L is seated, while the two others are standing near each other; blue background with gold flecks — Puppies, 1781
Maruyama Ōkyo

Not on View

cat on ground looking up to cat on rock above at L, amid bamboo; purple and white chrysanthemums — Cats by Bamboo and Chrysanthemums, 18th century
Chin Sen

Not on View

winter landscape of a bay with bare, snow-covered trees; small buildings on shoreline at L; angular mountains in back; figure on horseback with another figure carrying pack on bridge at bottom; trees LRQ; more rocks UR — Snowy Landscape, mid 19th century
Yamamoto Baiitsu

Not on View

landscape scene of jagged, rocky mountains, hills within fog, bays with boats, and small buildings tucked away within rocky embankments and trees — Landscape, 16th century
Japan

Not on View

male figures on a white-curtained balcony; one man is standing, aiming a longbow toward a cloud carrying grotesque figures brandishing weapons — Fragment from Tengu zōshi emaki, 1500
Japan

Not on View

unsigned; front view of man in General's uniform, standing with legs close together, PR hand on waist, looking toward R; white pants, short blue jacket with red lining in tails; pink sash, two star decorations, and red-plumed black hat — Russian Admiral, early 19th century
Japan

Not on View

six panel screen: group of people at R carrying and displaying hanging scrolls at the bases of mountains; harbor with ships at C with people traveling on road, with some traveling on horses; mountains at L with men gathered around a table with a paper inside a hut with thatched roof — Four Accomplishments, 17th century
Untaku Toetsu

Not on View

lively scenes of demons, some dancing, some playing instruments, others running and fighting; some of the demons are broken instruments, tools, or cookware; sun on horizon at far L — Night Parade of One Hundred Demons, c. 1830s
Attributed to Eigyō

Not on View

eight panel screen; lotus leaves with pink blossoms and foliage in pond; blue and black birds perched on or hovering around blossoms; each panel has unique image — Lotus Flowers and Birds, late 19th century
Korea

Not on View

unsigned; two men in military dress; man at L wears red coat and striped pants, standing with back to viewer; man at R wears short blue coat, white pants, and cravat; both men have swords, triangular black hats, and curly hair; framed — Two Russian Officers, 19th century
Japan

Not on View

male figure seated on ground at L with arms crossed wearing billowing, angular black robes, looking toward R; inscription at R — Fujiwara Teika, from One Poet One Poem (Ikkasen isshu), early 14th century
Japan

Not on View

cheerful, bright garden-like scenes featuring children playing, dancing, pulling a boat on wheels full of toys; playing games with balls, battledore, tops, etc.; a few adults selling toys and games, and acting as guardians; wisteria trellis at end — Scenes from the Four Seasons, 18th century
Hishikawa Mitsukuni

Not on View

framed: tortoise standing on a lotus leaf at C, blowing a large blue bubble that encloses the entire image; two carp swimming along bottom, with a third peeking out from behind lotus leaf; pink and white lotus blossoms — Lotus and Fish in Rondel, 19th century
Korea

Not on View

landscape featuring a male figure sitting on a cliff edge near a blossoming tree at R overlooking a valley enveloped in fog and clouds; rooftops visible amid white blossoming trees; poem at R on separate paper — Fragment from the Illustrated Scrolls of the Tales of Saigyō (Saigyō monogatari emaki), 17th century
Japan

Not on View

woman in 3/4 pose wearing white kimono decorated with gold fog and wispy chrysanthemum blossoms; blue and red hems; green obi — Standing Beauty, 18th century
Japan

Not on View

brightly colored images of 18 figures riding waves on various sea creatures; each holding an instrument or tool — Eighteen Rakan, 19th century
Japan

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six richly painted scenes: couple sitting close at R with approaching figure; male and female sitting across from one another in small structures; female figure in stylized rickshaw with male figure nearby; two male figures fighting; male figure at end with sword and open fan — Six No and Kyogen Pieces, 17th century
Japan

Not on View

framed: thirteen Bodhisattvas standing on lotus blossoms within a cloud; each is dressed differently, and is standing in a different pose, looking in a different direction; figure at top has a sword in PR hand; figure at LR is surrounded by flame, and holding a sword and a rope; black background; metallic halos — Thirteen Buddhas and Bodhisattvas, 16th century
Japan

Not on View

unsigned; female figure with long, flowing hair; white outer kimono with autumn motifs of deer, chrysanthemums, pampas grass, bush clover, and maple leaves; a design of waves on the red kimono peeking through — Lady from the “Visiting Kawachi” Episode of the Tales of Ise, second half 17th century
Japan

Not on View

a male figure stands with a parasol in his left hand; he has a bald pate, a kimono that is shorter in front and exposes his legs; and he bears his teeth slightly — Actor Onoe Kikugorō V, late 19th century
Hasegawa Chikuyō

Not on View

four men push a fishing boat ashore with a frothy tide at their feet; three boats populate the scene — Fishermen [right of a pair], c. 1900-1910
Kiyokata

Not on View

three fishing boats on a shore with scattered shells and seaweed and a frothy, low tide; two small birds are perched atop middle boat — Fishermen [left of a pair], c. 1900-1910
Kiyokata

Not on View

a seated man sharpens a sword and looks up toward a ghostly, disembodied head peering through a window; the ghost figure has bloodshot eyes and a menacing, wide-open grin; two rats scamper around in the lower right corner near the base of a lantern — Ghost Story, late 19th century
Utagawa School

Not on View

abstracted mountain peaks at varying heights composed of swirling black lines and smudges of gray, pink, and blue; mounted against gold brocade — Competing Mountain Peaks, first half of 20th century
Kai Kozan

Not on View

pink, black, and gray rounded mountain tops against white background — Red Rock Mountains, mid 20th century
Kai Kozan

Not on View

a demon carrying a tattered parasol and a woman carrying wisteria walk together; behind them stands a moss-covered lantern with a crescent-moon design; there are trees in the distance — Demon and Wisteria Maiden, late 19th century
Kikuchi Yōsai

Not on View

walking tiger with mouth open, baring teeth, emerging from tall, leafy black grasses; wooden roller ends — Tiger, 20th century
Hu Shuang'an

Not on View

six paneled folding screen depicting flock of flying cranes in a golden sky with gilded clouds; winding river across lower middle of image; eight pine trees line lower landscape; untranslated characters in black ink in LRC; red stamp in LRC — Cranes and Pines [right of a pair], first half 19th century
Yamamoto Sodō

Not on View

six paneled screen depicting images of a flock of cranes; gilded background with river running diagonally across image behind flock; small, scattered bushes in throughout; untranslated characters in panel sixth from the right in LLQ — Cranes and Pines [left of a pair], first half 19th century
Yamamoto Sodō

Not on View

interior scene with man in blue squatting, holding shadow lantern in PL hand, and red fan with crane in PR hand; child in orange at his PR; bureau and green insect screen in background — Theater signboard depicting a scene from the play "Oyako tōrō", 1961
Torii Tadamasa

Not on View

leaf from a small album of flower paintings; five blooms (four red and one white) with leaves and buds — Flower Painting, late 18th century
Mianyi

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peony-like pink bloom with leaves and branches; small opening bud at upper right — Flower Painting, late 18th century
Mianyi

Not on View

two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs — Family of Cranes [left of a pair], c. 1787
Nagasawa Rosetsu

Not on View

rocky formations ascending upward; blue-grey, green and red foliage, flowers and moss; inscription at left edge, ULC — Red Jade and Coral, c. 1685
Cheng Yi

Not on View

inside a wooden box with no inscription on lid; no tissue around outside of scroll; paper under tie and around scroll; dark wooden roller; olive green support fabric with gold accent; image is a cliff with a tree and house at the top with figure at the top of a path leading down; path and tree trunk are red/brown in color; two lines of inscription along LL edge; three red chops, two square chops on the bottom of the inscription and a rectangular one UR corner — Landscape, c. 1912-1918
Fukuda Kodōjin

Not on View

rear view of abstracted pear-shaped figure at LR seated behind low table; near center, converging lines resemble abstracted, scattered papers; blocks of inscription weave back and forth down scroll, ending in vertical inscription down LL edge — Figure with Inscription, early 20th century
Higashiyama Bugyoku

Not on View

frog riding toad in center surrounded by frogs wearing white robes; other white robed frogs on L and R as well as unclothed frogs carrying various objects; some tadpoles on L — Procession of Frogs, c. 1738
Ogawa Haritsu

Not on View

frogs in an interior dressed in various types of garments; many frogs writing or reading; screens on R with two frogs outside on street wearing hats — Frogs in Writing Contest, c. 1738
Ogawa Haritsu

Not on View

male figure stands at LR scratching head with PL hand, and holding red sword in PR hand; woman at man's PR holds other end of sword in PR hand while shyly turning away; both figures are on a bridge or platform; tall tree along L side — Michiyuki, first half 19th century
Hosokawa Rinkoku

Not on View

figure walking with a staff in LLC; another figure inside a building surrounded by trees with changing leaves, below center; three flying birds with long tail feathers, LLQ; misty rugged mountain peak at top; muted fall colors — Visiting a Recluse in Autumn Mountains, 18th century
Cai Jia

Not on View

inside two wooden boxes, wrapped in tissue; fabric is blue; image of red crabs and a black stem of reed; single line inscription down R side — Shellfish Walking Sideways, c. 1928
Fukuda Kodōjin

Not on View

multiple scenes: man in Chinese dress with 3 attendants sitting behind red table looks at gold paper before him, while two demon-like creatures look on; ogre runs towards devilish figure at center who stands next to room with man in red praying to Amida; at R, Buddha with Bodhisattvas surrounded by orange tinted clouds with small figure in red at LR; text border — Sketches (shukuzu), mid - late 17th century
Kano Tan'yū

Not on View

red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall — Monkey on a snow hill, mid 19th century
Ōhara Donshū

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short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side — Ōtsu-e, 17th - 19th century
Japan

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frog at LL strutting on two long legs, holding open fan in PR hand, balancing white mochi in mouth; young frog swaddled to back with red cords carrying bag of mochi balls; rabbit in black robes in round vignette at UR fanning tray of white mochi balls — Frogs and Rabbit, mid 19th century
Japan

Not on View

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