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unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned

Cranes under Pine Trees, 16th century

Unknown Japanese

G221

images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures

People of Many Nations, 1649

Unknown Japanese

Not on View
depicting a composition of objects associated with the scholar's study

Books and Scholar’s Objects (Chaekgeori), 19th century

Unknown Korean

Not on View

Landscape, 1734

Wang Su

Not on View
towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees

Landscape with Scholar Viewing a Waterfall, 1722

Cai Jia

Not on View
one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background

Zhou Dunyi Gazing Out Over Lotus, c. 1500

Liu Jun

Not on View
six richly painted scenes: couple sitting close at R with approaching figure; male and female sitting across from one another in small structures; female figure in stylized rickshaw with male figure nearby; two male figures fighting; male figure at end with sword and open fan

Six No and Kyogen Pieces, 17th century

Unknown Japanese

G219

male figures on a white-curtained balcony; one man is standing, aiming a longbow toward a cloud carrying grotesque figures brandishing weapons

Fragment from Tengu zōshi emaki, around 1500

Unknown Japanese

G221

eight panel screen; lotus leaves with pink blossoms and foliage in pond; blue and black birds perched on or hovering around blossoms; each panel has unique image

Lotus Flowers and Birds, late 19th century

Unknown Korean

G206

seated man with long beard, with a woman in a fur-trimmed hat behind him; burner with 2 teapots in foreground; table with foliage bouquet in vase, box and cup in background

Beauty in Winter, 17th-18th century

Gao Qipei

G203

tiger to the left of two bamboo; design within a circle, within a square; light blue floral design silk at top and bottom; brown floral design silk, middle; thin strip of dark blue floral design, top and bottom of image; has scroll box

Tiger Emerging from Bamboo, early 18th century

Kano Tsunenobu

Not on View
abstract; backwards maroon C at top center; blue lever- or arm-like elements

%C2%A9 Amano Kazumi

Inner Motion (Embrace), 1963

Amano Kazumi

G226

abstract; stepped form in black and white with circle and geometric lines; blues, green, brown, and black lines and circle

%C2%A9 Amano Kazumi

Moral (Intention), 1964

Amano Kazumi

G227

abstract image; yellow form with geometric rays; grey paper

%C2%A9 Amano Kazumi

Assemblage (Yellow), October 1962

Amano Kazumi

G226

black, green, blue, red, and dark blue abstract image; over all image is comprised of circles and waves to create an overall rectangle shape;

%C2%A9 Amano Kazumi

From Gauge (Trace) A, 1969

Amano Kazumi

G237

large peanut-shaped form with organic black, red, and green curving forms inside; white circle upper C within form; gray bracket on R side with circles and swooping lines

%C2%A9 Amano Kazumi

Mold (Life) A, 1968

Amano Kazumi

G237

colorful abstract; blue and green upside-down "P" shape at ULC with yellow and orange circle at its center; curved green and blue shape and curved blue and black shape, both on diagonal, with orange and yellow outlines near C; gray circle URQ; framed by black border at L and top, and orange border at R and bottom

%C2%A9 Amano Kazumi

Disjoint, 1969

Amano Kazumi

G237

large rectangular abstract form made up by various shapes and colors; colors conist of dark blue, teal, black, and uninked area;

%C2%A9 Amano Kazumi

Layers, 1962

Amano Kazumi

G226

multicolored bars with squared off hooks at ends in warm colors at top and bottom and cool colors at left at right, surrounding text

%C2%A9 Amano Kazumi

A Piece of Poetry, Drawing, Assemblage, March 1965

Amano Kazumi; Poet: Yoshimura Masatoshi

G227

The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month

Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, late 1830s - early 1840s

Eisen

Not on View

Kyōgen Dancers Disguised as Ōharame, c. 1854-1859

Tanaka Shūtei

G219

South Wind, Clear Weather, 1830-1833

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View
abstract; circle made of various forms in predominately red

%C2%A9 Amano Kazumi

Inside and Outside (Round) A, 1968

Amano Kazumi

G237

%C2%A9 Amano Kazumi

Chorus, 1967

Amano Kazumi

G237

Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting.

Page from the Manafi al-Hayavan, 14th century

Iran

Not on View

Page from the Materia Medica, 1224

Not on View
delicate landscape with brown-leafed trees, stream and mountain in background; small buildings in middle ground with two small figures; fog; tan, orange, grey, brown, blue

Untitled, Date Unknown

China

Not on View
old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted

Fan Painting of a Daoist Magician, c. 1650

Wan Shouqi

Not on View
hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea

Deer By Stormy Sea, c. 1670

Ma Futu

Not on View

Three Crossbills on a Leafless Tree, c. 1878

Kawanabe Kyōsai

Not on View
two long slender stalks of bamboo grow from the left corner; left of bamboo is a lichen-covered rock; two lines of Chinese running script extend down left side

Autumn Reflections, 19th century

Cho_ Shu_koku

Not on View

Standing Prostitute with Shamisen at Her Feet, first half 18th century

Unknown Japanese

Not on View

Ox herder as Mitate of Kengyu_, 19th century

Teisai Hokuba

Not on View

Fighting Bulls, c. 1700

Unknown Japanese

Not on View
One of three panels mounted as a triptych of kakemono. Unsigned.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View
One of three panels mounted as a triptych of kakemono; ink and slight color on paper.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View
tall reddish mountain peaks at top; 3 trees next to a stream with a small bridge in foreground; wood rollers

Landscape at Han River Bamboo Hall, 1668

Zhu Chang

Not on View
two bulls, one black, one reddish brown

Two Bulls, c. 1810

Maruyama Ōju

Not on View
unsigned

No. 26, Mochizuki, c. 1835-1838

Utagawa Hiroshige

Not on View

Exalted Gathering in the Green Woods, c. 1620

Title written by Dong Qichang

Not on View
leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below

Flower Painting, late 18th century

Mianyi

Not on View
elaborate landscape with mountains, trees, buildings and lake with waterfall in black, green and tan; 2 figures in building in front; man in boat near center; stored and shipped rolled

Landscape After Huang Gongwang, 1752

Wang Yu

Not on View
2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings

Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928

Various artists

Not on View

Flower Studies [one of a pair], second half 19th century

Shibata Zeshin

Not on View

The Insect Scroll, c. 1710

Torii Kiyomasu

Not on View

The Tenjin Shrine Scrolls [one of a pair], early 17th century

Tosa School

Not on View
unsigned

Cherry Viewing Party, first half 18th century

Attributed to Miyagawa Chōshun

Not on View

Standing prostitute wearing a kimono with plum-blossom motif, c. 1715

Kaigetsudō Anchi

Not on View
image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions

White and Red Plum Blossom, 1546

Wang Guxiang

Not on View
2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner

Gathering Herbs, 1612

Xie Daoling

Not on View
L.J. Wender, NY dealer

Egrets, Lotus and Hibiscus Mutabilis, 18th century

Zhang Yu

Not on View
One of three panels mounted as a triptych of kakemono; ink and slight color on paper; unsigned

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View
Chinese scholar-official viewing a hanging scroll with a painting of bamboo held by a young servant boy.

Scholar Viewing a Painting [center of a triptych of Scholar with Heron and Myna], mid 17th century

Kusumi Morikage

Not on View

Shotoku Riding a Lion, 16th century

Traditionally attributed to Ashikaga Yoshitane

Not on View

Standing Prostitute, 18th century

Kitagawa Utamaro

Not on View
Kakemono.

Copyright of the artist%2C artist%27s estate%2C or assignees.

Sanjusangendo Temple, c. 1916

Maeda Seison

Not on View
Mountains with water below; buildings at right

Autumnal Colors Among Streams and Mountains, 1723

Jin Yongxi

Not on View

Seated Man Plucking Beard with Standing Woman, 1741

Ogawa Ritsuō

Not on View

Dancing at the Bon Festival, 19th century

style of Torii Kiyomasu

Not on View
unsigned

Hanasaka Jiji, c. 1830-1835

After Katsushika Hokusai

Not on View

Flower Studies [one of a pair], second half 19th century

Shibata Zeshin

Not on View
Snow-covered mountains; bare trees; ice-covered water

Snow in Mountain Villa, 1723

Jin Yongxi

Not on View
Three very tall, thin, straight plant stems with grey and black leaves; on top of each stem is a large red flower

Chrysanthemum, 20th century

Qi Baishi

Not on View
standing, barefoot man looking up and pointing a bow straight up; arrow falling down toward man's head

%C2%A9 Estate Clifton Karhu

Untitled [arrows], late 20th century

Clifton Karhu

Not on View
Stream with trees in ink and wash

Bamboo and Trees Enveloped in Cold Mist, 1723

Jin Yongxi

Not on View
Green mountains; red-leafed trees; buildings center

Autumnal Color Among Mount Quan and Mount Hua, 1723

Jin Yongxi

Not on View
Tree-dotted mountains; buildings with figures in foreground

Pure Gathering in a Spring, 1723

Jin Yongxi

Not on View
yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC

Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View
a demon carrying a tattered parasol and a woman carrying wisteria walk together; behind them stands a moss-covered lantern with a crescent-moon design; there are trees in the distance

Demon and Wisteria Maiden, late 19th century

Kikuchi Yōsai

Not on View
abstracted mountain peaks at varying heights composed of swirling black lines and smudges of gray, pink, and blue; mounted against gold brocade

%C2%A9 Kai Kozan

Competing Mountain Peaks, first half of 20th century

Kai Kozan

Not on View
a male figure stands with a parasol in his left hand; he has a bald pate, a kimono that is shorter in front and exposes his legs; and he bears his teeth slightly

Actor Onoe Kikugorō V, late 19th century

Hasegawa Chikuyō

Not on View
three fishing boats on a shore with scattered shells and seaweed and a frothy, low tide; two small birds are perched atop middle boat

Fishermen [left of a pair], c. 1900-1910

Kiyokata

Not on View
seated tiger with raised front PR paw, partially open mouth, ears back, and blue eyes

Tiger, 1735-1765

Yūhi

Not on View
four men push a fishing boat ashore with a frothy tide at their feet; three boats populate the scene

Fishermen [right of a pair], c. 1900-1910

Kiyokata

Not on View
pink, black, and gray rounded mountain tops against white background

%C2%A9 Kai Kozan

Red Rock Mountains, mid 20th century

Kai Kozan

Not on View
walled, mountain community surrounded by a body of water upon which two, small boats sail; dwellings pepper the mountainside and the composition is primarily pink, brown, black, and cream

Duxiu Peak, 1827

Aoki Mokubei

Not on View
walking tiger with mouth open, baring teeth, emerging from tall, leafy black grasses; wooden roller ends

%C2%A9 Estate Hu Shuang%27an

Tiger, 20th century

Hu Shuang'an

Not on View
standing female figure clutching the hems of her robes in PL hand, near waist; PR arm is raised to mouth; looking over to LL; outer robe is light blue and white; inner robes are red and orange with designs

Standing Beauty, 18th century

Hishikawa Moronobu

Not on View
woman in 3/4 pose wearing white kimono decorated with gold fog and wispy chrysanthemum blossoms; blue and red hems; green obi

Standing Beauty, 18th century

Unknown Japanese

Not on View
framed: tortoise standing on a lotus leaf at C, blowing a large blue bubble that encloses the entire image; two carp swimming along bottom, with a third peeking out from behind lotus leaf; pink and white lotus blossoms

Lotus and Fish in Rondel, 19th century

Unknown Korean

Not on View
cat on ground looking up to cat on rock above at L, amid bamboo; purple and white chrysanthemums

Cats by Bamboo and Chrysanthemums, 18th century

Chin Sen

Not on View
unsigned; 3/4 profile of woman using both hands to place a comb in her hair; bright, boldly colored clothing: red and white outer robe with gray-blue flowers and foliage; tan striped inner garment; bold black outlines

Standing Beauty, early 18th century

Attributed to Kaigetsudō Doshin

Not on View
framed: male figure with demon face; wide, sly grin barring teeth; bright red hair; figure is sneaking past a curtain with sword drawn in PR hand; bird pattern on his clothing

Sketch of a Noh theater scene, second half 19th century

Attributed to Kawanabe Kyōsai

Not on View
three women relaxing together; woman in light blue lying on stomach, supporting head in hands while another woman leans on her back; younger woman in pink at LL holds a bouquet and looks up toward the other two women

Three Beauties, 17th century

Unknown Japanese

Not on View
landscape featuring a male figure sitting on a cliff edge near a blossoming tree at R overlooking a valley enveloped in fog and clouds; rooftops visible amid white blossoming trees; poem at R on separate paper

Fragment from the Illustrated Scrolls of the Tales of Saigyō (Saigyō monogatari emaki), 17th century

Unknown Japanese

Not on View
small pavilion on a clearing on rocky bluff; trees at LR and to L of pagoda; towering rocks above

Landscape with a Solitary Hut, 1760s

Yosa Buson

Not on View
six panel screen: group of people at R carrying and displaying hanging scrolls at the bases of mountains; harbor with ships at C with people traveling on road, with some traveling on horses; mountains at L with men gathered around a table with a paper inside a hut with thatched roof

Four Accomplishments, 17th century

Untaku Toetsu

Not on View
two panel screen: two puppies on R panel: brown puppy is scratching its face, and white puppy is looking on with mouth partially open; three puppies on L panel, one at far L is seated, while the two others are standing near each other; blue background with gold flecks

Puppies, 1781

Maruyama Ōkyo

Not on View
deity Izuna Gongen, with flames, wings, and beaklike nose, standing on a white fox with a flame; holding sword in PR hand, cord in PL; large billowing skirts

Akiba Gongen, Manifestation of Mt. Akiba, 18th century

Unknown Japanese

Not on View
different images of Kannon, images of Buddha figures within large halos, with attendants, on lotus pedestals; text, some in Sanskrit

Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month

Jinken

Not on View
a seated man sharpens a sword and looks up toward a ghostly, disembodied head peering through a window; the ghost figure has bloodshot eyes and a menacing, wide-open grin; two rats scamper around in the lower right corner near the base of a lantern

Ghost Story, late 19th century

Utagawa School

Not on View
figure walking with a staff in LLC; another figure inside a building surrounded by trees with changing leaves, below center; three flying birds with long tail feathers, LLQ; misty rugged mountain peak at top; muted fall colors

Visiting a Recluse in Autumn Mountains, 18th century

Cai Jia

Not on View
short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side

Ōtsu-e, 17th - 19th century

Unknown Japanese

Not on View
inside wooden box with inscription on inside and outside of lid; resting on tissue; paper around roller inside tie; fabric is light grey with geometric floral in blue; image is of black wash with red bamboo; inscription in yellow along R edge

Bamboo in Snow, c. 1926

Fukuda Kodōjin

Not on View
inside two wooden boxes; wrapped in tissue; paper under tie; fabric is teal with geometric and floral pattern; image of a mountain landscape on the L and a body of water with boats on the R; very colorful

Blue-green Landscape, April 1928

Fukuda Kodōjin

Not on View
outer paper carton is cream with grey stripes running the long way; inner box is wooden with inscriptions on the outside and inside of lid; wrapped in tissue; roller is bone; supporting fabric is teal; image is of a pond scene with a single pink open flower, a pink flower bud and many leaves and reeds with a dragonfly above it; curling inscription down the R side with two small red chops at the end

Crimson Lotus Flower, April 1931

Fukuda Kodōjin

Not on View
oval-shaped hay bale (?) at center of image; seated man with head down, resting on his folded arms, to right of bale; smaller figure (child?) in blue tunic comforting man; moon or sun, ULC; tree branches at left at horizon line

Album leaf, c. 1875

Qian Hui'an

Not on View

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