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South Wind, Clear Weather, 1830-1833

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Prostitute Hanaōgi of the Ōgiya House, 1793-1794

Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō

Not on View
towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees

Landscape with Scholar Viewing a Waterfall, 1722

Cai Jia

Not on View
seated man with long beard, with a woman in a fur-trimmed hat behind him; burner with 2 teapots in foreground; table with foliage bouquet in vase, box and cup in background

Beauty in Winter, 17th-18th century

Gao Qipei

G203

depicting a composition of objects associated with the scholar's study

Books and Scholar’s Objects (Chaekgeori), 19th century

Unknown Korean

Not on View

Landscape, 1734

Wang Su

Not on View

Falcon Attacking Goose, c. 1780

Yoshida Rankō

G223

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background

Zhou Dunyi Gazing Out Over Lotus, c. 1500

Liu Jun

Not on View
male figure seated on ground at L with arms crossed wearing billowing, angular black robes, looking toward R; inscription at R

Fujiwara Teika, from One Poet One Poem (Ikkasen isshu), early 14th century

Unknown Japanese

G221

unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned

Cranes under Pine Trees, 16th century

Unknown Japanese

G221

images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures

People of Many Nations, 1649

Unknown Japanese

Not on View
10 panel screen with mounted colorful images of children playing in gardens, climbing trees, swimming, playing games

One Hundred Children at Play, late 19th century

Unknown Korean

G206

tiger to the left of two bamboo; design within a circle, within a square; light blue floral design silk at top and bottom; brown floral design silk, middle; thin strip of dark blue floral design, top and bottom of image; has scroll box

Tiger Emerging from Bamboo, early 18th century

Kano Tsunenobu

Not on View
abstract

%C2%A9 Hagiwara Hideo

Composition P, 1958

Hagiwara Hideo

G226

Benkei with Halberd, second half 17th century

Unknown Japanese

G219

abstracted image; dark purple form of Mt. Fuji with greenish-brown cloud forms; purple mottled sky with brownish cloud forms

%C2%A9 Hagiwara Hideo

Fantasy after Rain, 1981-1986

Hagiwara Hideo

G237

abstracted mountain landscape with tan field in foreground with line of green trees behind it; grey middle ground with darker grey lines; medium to dark blue mountains with lavender and grey clouds; orange at top of sky

%C2%A9 Hagiwara Hideo

Autumn Clouds at Jūrigi, 1986

Hagiwara Hideo

G227

abstracted image of Mount Fuji in dark grey and purple; orang sky; smudgy purplish-grey clouds at top; grey and green wave-like lines at bottom

%C2%A9 Hagiwara Hideo

The Way to Oshino, 1981-1986

Hagiwara Hideo

G227

abstract image with two thin circles, one light blue and one black, in center; spots of multicolored pigment of yellow, orange, red, blue and white in center; lighter blue circular shape encompasses center image

%C2%A9 Hagiwara Hideo

Milky Way, 1959

Hagiwara Hideo

G226

abstract; orange ground; green, red, yellow circles; scratchy circles, star; grey arced form at left

%C2%A9 Hagiwara Hideo

Fireworks (2), 1965

Hagiwara Hideo

G226

Actor Ichikawa Ebizō as Takemura Sadanoshin, 1794, 5th lunar month

Sharaku; Publisher: Tsutaya Jūzaburō

Not on View

A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, late 1830s - early 1840s

Eisen

Not on View

Cherry Blossoms in Full Bloom at Goten-yama, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month

Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

Sunrise on New Year's Day at Kanazawa, 1810s-1830s

Totoya Hokkei

Not on View

One, Nihonbashi, c. 1850-1851

Utagawa Hiroshige; Publisher: Maruya Seijirō

Not on View
walking tiger with mouth open, baring teeth, emerging from tall, leafy black grasses; wooden roller ends

© Estate Hu Shuang%27an

Tiger, 20th century

Hu Shuang'an

Not on View
six paneled folding screen depicting flock of flying cranes in a golden sky with gilded clouds; winding river across lower middle of image; eight pine trees line lower landscape; untranslated characters in black ink in LRC; red stamp in LRC

Cranes and Pines [right of a pair], first half 19th century

Yamamoto Sodō

Not on View
six paneled screen depicting images of a flock of cranes; gilded background with river running diagonally across image behind flock; small, scattered bushes in throughout; untranslated characters in panel sixth from the right in LLQ

Cranes and Pines [left of a pair], first half 19th century

Yamamoto Sodō

Not on View
red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall

Monkey on a snow hill, mid 19th century

Ōhara Donshū

Not on View
three figures seated in long boat; fourth figure standing at rear, steering boat with long pole; some brambles in foreground and behind boat

Boating Scene with Poem, second half 19th century

Hoashi Kyōu

Not on View
rear 3/4 view of a seated older man with a few strands of hair pulled back, scraggly beard; man is wearing billowy garments; folded fan (?) at figure's PR side; cursive inscription at R

Fifty Years Old, late 18th - early 19th century

Matsumura Goshun

Not on View
fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR

Jurojin, early 20th century

Tsuji Kakō

Not on View
unsigned

Cherry Viewing Party, first half 18th century

Attributed to Miyagawa Chōshun

Not on View
seated tiger at bottom; pine tree along L and top edge; tiger's PL paw raised with outstretched claws; blue and yellow eyes; hot-pink highlights on eyes and mouth; aqua blue silk brocade border

Tiger Cleaning Its Paw, early 19th century

Matsui Keichū

Not on View
nine black, grey, brown and flesh-tone drawings of men, attendants and animals; text panels at front and back

The Eighteen Lohans, c. 1690

Leng Mei

Not on View
Hill # R-31

Birds and a Radish, 20th century

after Takeuchi Seihō

Not on View
Hill # R-18

Duck, 1820

Mori Ippo

Not on View
pink blossoms on dark pink stems, with clusters attached to grey branch; inscription and 2 seals at right

Crab-apple Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
large furry-looking pink and light orange cone-shaped flower with rippled edge on a long stalk with many leaves; red bud at right edge; inscription and 2 seals at left

Cock's-comb from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
white blossoms with light green centers, spotted with grey; grey branch with small green leaves with brown veins; inscription and 2 seals at right

Pear Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
2 yellow mum flowers on top of a long, slender stem; 2 partially open buds below; inscription and 3 seals at left

Hibiscus from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
large orange and pink flower on top of a blueish stem, with 4 buds; rock behind flower in LRC; inscription and 2 seals at left

Day-Lily from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View

Three Crossbills on a Leafless Tree, c. 1878

Kawanabe Kyōsai

Not on View
pink blossoms and small flowers on a grey branch; inscription and 3 seals at right

Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
central panel with frog in LRQ; brown band at top & bottom of central panel; central panel surrounded by blue panel; tan panels at top & bottom of scroll; 2 brown strips hanging from top of scroll

Frog, 19th century

Unknown Japanese

Not on View
central image of 5 men in a boat and cliffs starting IRC; brown band at top & bottom of image; surrounded by blue and brown panel; brown panel at top & bottom of scroll; two brown strips at top of scroll; other numbers R25

Red Cliff, 18th century

Komai Genki

Not on View
pink, light lavender and white peonies and yellow dandelion-like flowers; two blue rocks in foreground; butterflies, bees and other insects; three-character inscription and seal, LLC

Spring [left of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View
five white mum blossoms on thick stems with green-grey leaves; text, URC

White Chrysanthemums, 1929

Wang Zhen

Not on View
yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC

Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View

Wisteria Maiden, late 17th - early 18th century

Unknown Japanese

Not on View
delicate landscape with brown-leafed trees, stream and mountain in background; small buildings in middle ground with two small figures; fog; tan, orange, grey, brown, blue

Untitled, Date Unknown

China

Not on View
simple design of vibrant red trees around small building; green mountain in background; block of text, URC

Landscape, 1812

Wang Xuehao

Not on View
man wearing a peach-colored garment, with black hair, thick black eyebrows and heavy black beard, clutching a sword in his PL hand; mounted behing plexi, framed

Samurai Warrior, 20th century

Unknown Japanese

Not on View
seated figure in pink robes, LRC, under an overarcing rock with numerous holes; two long text blocks, ULC and URC; six seals

Sitting in Meditation, 1732

Zhang Shiying

Not on View
rocky formations ascending upward; blue-grey, green and red foliage, flowers and moss; inscription at left edge, ULC

Red Jade and Coral, c. 1685

Cheng Yi

Not on View
two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs

Family of Cranes [left of a pair], c. 1787

Nagasawa Rosetsu

Not on View
two-fold screen; R screen from pair; very young crane at L panel; three cranes at R panel

Family of Cranes [right of a pair], c. 1787

Nagasawa Rosetsu

Not on View
seven cranes, including one baby, with black and white feathers and red heads; pine saplings behind cluster of birds at R and in LLC

Cranes [left of a pair of Cranes and Tortoises], c. 1780

Komai Genki

Not on View
eleven turtles, swimming and sunning on the shore and on rocks; rocks in the water at R; pine saplings and vines with white flowers at L

Tortoises [right of a pair of Cranes and Tortoises], c. 1780

Komai Genki

Not on View
six images mounted together as hanging scroll: man with dark brown skin and bushy black beard wearing white robe; orange bowl with brown dots; brown, black and red insect; blue vessel with brown bottom and black bird on side; blue vessel with black and red flower form; two brown and white bowls--one with black bird--and signature; green and beige mount

%C2%A9 Sugimoto Tatsuo

Untitled, 20th century

Sugimoto Tatsuo

Not on View
leaf from a small album of flower paintings; poinsetta-like flower at bottom center; branch with green leaves and white buds (?) along stem at left

Flower Painting, late 18th century

Mianyi

Not on View
leaf from a small album of flower paintings; five blooms (four red and one white) with leaves and buds

Flower Painting, late 18th century

Mianyi

Not on View
peony-like pink bloom with leaves and branches; small opening bud at upper right

Flower Painting, late 18th century

Mianyi

Not on View
unsigned

No. 26, Mochizuki, c. 1835-1838

Utagawa Hiroshige

Not on View
large rock formation with two tall pine trees at lower center with an elderly couple enjoying tea on boulder; in middle ground, three people sit in a long boat with awning; in background, two rock formations, one with a small, open walled structure and three leafless trees, the other with a few buildings at R; two sailboats in distance at UR; inscription at L; small moon at UL; a few details highlighted in pinkish wash

Boating Past Pine Trees, early 19th century

Ikeno Kanryō

Not on View
rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
two small buildings on stilts at the base of a waterfall; rocky outcropping above

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea

Deer By Stormy Sea, c. 1670

Ma Futu

Not on View
hyper-real painting of overlapping scraps of paper with text, drawings of vessels and pictures of a woman at a round window and a man with a horse; text at top corners; three seals

Paper Fragments, 1937

Yang Weiquan

Not on View
ball-shaped clusters of tiny yellow flowers on a grey branch with dark green leaves; inscription and 2 seals in LLC

Cassia Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
white blossoms with yellow spotted centers and red buds on a gnarled grey branch; inscription and 3 seals in ULC, seal in LRC

Blossoming plum from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
long, slender green leaves at right edge with delicate red flowers encircled by long bud petals; inscription and seal at left, another seal in LRC

Epidendrum Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
small yellow flowers and buds, with pink centers, on a long, delicate branch; inscription and 3 seals at left

Wintersweet Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
frogs in an interior dressed in various types of garments; many frogs writing or reading; screens on R with two frogs outside on street wearing hats

Frogs in Writing Contest, c. 1738

Ogawa Haritsu

Not on View
snow scene with woman with two children close to her body, all in very stong winds that are blowing their clothes; the woman's hat has just flown off of her head; another overturned hat at bottom; all are wearing red kimonos

Lady Tokiwa Fleeing with Children, 1850s

Utagawa Kunitsugu

Not on View
tall reddish mountain peaks at top; 3 trees next to a stream with a small bridge in foreground; wood rollers

Landscape at Han River Bamboo Hall, 1668

Zhu Chang

Not on View
seven figures in LLQ blowing horns, playing gongs, cymbals and drums and lighting firecrackers; 3 figures inside a building at R; bare trees and grey sky; wood rollers

Greeting the New Year, 1734

Wang Rusheng

Not on View
Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting.

Page from the Manafi al-Hayavan, 14th century

Iran

Not on View

Page from the Materia Medica, 1224

Not on View
leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below

Flower Painting, late 18th century

Mianyi

Not on View
water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity

Misty River and Layered Peaks, Wanli period, 1608

Gu Yide

Not on View
image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions

White and Red Plum Blossom, 1546

Wang Guxiang

Not on View
Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233).

The Spinners, 14th century

Iran

Not on View
two bulls, one black, one reddish brown

Two Bulls, c. 1810

Maruyama Ōju

Not on View
old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted

Fan Painting of a Daoist Magician, c. 1650

Wan Shouqi

Not on View
2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner

Gathering Herbs, 1612

Xie Daoling

Not on View
A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble

Scholar, Crane, and Banana Tree, 1630

Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

Not on View

The Tenjin Shrine Scrolls [one of a pair], early 17th century

Tosa School

Not on View

Standing prostitute wearing a kimono with plum-blossom motif, c. 1715

Kaigetsudō Anchi

Not on View

The Insect Scroll, c. 1710

Torii Kiyomasu

Not on View
mounted on a new scroll

Riding in the Mountains, 1637

Zhang Hong

Not on View
unsigned; scenes of a story involving humanoid animals

A Story of Crickets, second half 17th century

Attributed to Sumiyoshi Jokei

Not on View
Mountains with water below; buildings at right

Autumnal Colors Among Streams and Mountains, 1723

Jin Yongxi

Not on View

Standing Prostitute with Shamisen at Her Feet, first half 18th century

Unknown Japanese

Not on View
unsigned

Hanasaka Jiji, c. 1830-1835

After Katsushika Hokusai

Not on View
One of three panels mounted as a triptych of kakemono; ink and slight color on paper.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View
One of three panels mounted as a triptych of kakemono. Unsigned.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View

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