🔎 medium:"Ink and color on paper" | Mia

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Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233). — Story of Haftvad, c. 1300
Western Iran or Baghdad

G243

depicting a composition of objects associated with the scholar's study — Books and Scholar’s Objects (Chaekgeori), 19th century
Unknown Korean

Not on View

body is twisted; tiger looking to left; green floral brocade border — Sitting Tiger, late 19th century
Kishi Chikudō

G219

walled, mountain community surrounded by a body of water upon which two, small boats sail; dwellings pepper the mountainside and the composition is primarily pink, brown, black, and cream — Duxiu Peak, 1827
Aoki Mokubei

G222

water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity — Misty River and Layered Peaks, Wanli period, 1608
Gu Deyi

G203

seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it — Daruma, 1917
Tsuji Kakō

G239

fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR — Jurojin, early 20th century
Tsuji Kakō

G239

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white — Chaos, 1983
Matsubara Ken

G333

warrior standing with horse in front of large tree — View of Kusunoki's Farewell at Sakurai Station, late 19th century
Kobayashi Kiyochika; Publisher: Daikokuya Heikichi

G219

abstraction/portrait; abstracted image of bearded figure wearing a hat; black and green Cubist ground — Old Mountaineer, 1955
Azechi Umetarō

G226

stylized figure with beard holding a white chicken with a red head; turquoise grainy background — With a Bird, 1958
Azechi Umetarō

G226

stylized figure with beard wearing a black cloak, holding a rope; turquoise background; white shape behind figure; gray bottom — Mountainman in Winter, 1955
Azechi Umetarō

G226

stylized figure with beard holding a white chicken with a burgundy head; turquoise grainy background — With a Bird, c.1958
Azechi Umetarō

G226

abstracted figure wearing a tan hood; stem-like lines in foreground; turquoise and red forms behind figure — Early Spring Mountain, 1963
Azechi Umetarō

G227

abstracted male figure with beard and grey skin; turquoise ground — Village Man, 1954
Azechi Umetarō

G226

abstracted landscape with snow-covered mountain and bare trees — Taishō Pond, 1947
Azechi Umetarō

G226

abstracted male figure, holding a cup and a cigarette, wearing blue shirt — Mountaineer, 1953
Azechi Umetarō

G226

abstracted standing figure wearing brown with a brown and black dog at left — Title unknown [Man with dog], 1956
Azechi Umetarō

G226

man with brown beard dressed in brown; green, grey, and bright blue ground — Mountain-climbing Man, 1953
Azechi Umetarō

G226

abstracted figure wearing black hooded cloak holding a black and white striped bird; blue mottled ground — Rescued Bird, 1957
Azechi Umetarō

G227

figure consisting of three circles connected by a line; top circle filled with white circle and red dot in the center, in eye fashion; two lower circles are filled with brown hash marks; white and teal foreground with blue sky background; — Title unknown [Figure], 1950
Azechi Umetarō

G226

abstract image in blue (bird?) — Title unknown [Abstract bird], 1960
Azechi Umetarō

G227

man in black cloak with hoo with rope around shoulders; man has striped face and teal hands; light blue and teal background; — Man Looking Back, 1957
Azechi Umetarō

G227

Iage of man with grey face, black beard, and wear a white head wrap; wearing a blue full body suit; arms are crossed and he hold a yellow and brown smoking pipe; — Old Man in a Mountain Hut, 1953
Azechi Umetarō

G226

red faced figure in coat, holding ice hammer; white bird to the right; blue and wihte background; — Winter Mountain, 1962
Azechi Umetarō

G227

stylized blue and white male figure holding a blue and red coffee cup in PL hand; two red bars on PL hand; blue background — Resting Man, 1963
Azechi Umetarō

G227

three separate sheets; frowning man with legs wide apart, resting his sword on the ground and leaning on it; man has bleeding wound on head; man wears portion of lavender, white, black and red armor with yellow floral kimono beneath it; many arrows flying across picture plane; pale silhouettes of trees and mountain in background — Theater Reformation: Stories Gleaned at Yoshino, Picture of Kusunoki Masatsura Dying at the Battle of Shijōnawate, December 1886
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Noguchi Enkatsu

G219

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ — Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures — Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head — Preparatory drawing of Sakuma Dennai, 1869
Tsukioka Yoshitoshi

G238

One of three panels mounted as a triptych of kakemono; ink and slight color on paper. — Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century
Traditionally attributed to Kano Eitoku

Not on View

Falcon Attacking Goose, Yoshida Rankō — Falcon Attacking Goose, c. 1780
Yoshida Rankō

Not on View

Kakemono. — Sanjusangendo Temple, c. 1916
Maeda Seison

Not on View

Unsigned — Noblemen Viewing the Nunobiki Waterfall, Episode 87 of the Tales of Ise, first half 17th century
Attributed to Tawaraya Sōtatsu

Not on View

Seated Man Plucking Beard with Standing Woman, Ogawa Ritsuō — Seated Man Plucking Beard with Standing Woman, 1741
Ogawa Ritsuō

Not on View

A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble — Scholar, Crane, and Banana Tree, 1630
Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

Not on View

Three Crossbills on a Leafless Tree, Kawanabe Kyōsai — Three Crossbills on a Leafless Tree, c. 1878
Kawanabe Kyōsai

Not on View

One of three panels mounted as a triptych of kakemono; ink and slight color on paper; unsigned — Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century
Traditionally attributed to Kano Eitoku

Not on View

One of three panels mounted as a triptych of kakemono. Unsigned. — Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century
Traditionally attributed to Kano Eitoku

Not on View

Shotoku Riding a Lion, Traditionally attributed to Ashikaga Yoshitane — Shotoku Riding a Lion, 16th century
Traditionally attributed to Ashikaga Yoshitane

Not on View

Fighting Bulls, Unknown Japanese — Fighting Bulls, c. 1700
Unknown Japanese

Not on View

Standing Prostitute with Shamisen at Her Feet, Unknown Japanese — Standing Prostitute with Shamisen at Her Feet, first half 18th century
Unknown Japanese

Not on View

Dancing at the Bon Festival, style of Torii Kiyomasu — Dancing at the Bon Festival, 19th century
style of Torii Kiyomasu

Not on View

Standing Prostitute, Kitagawa Utamaro — Standing Prostitute, 18th century
Kitagawa Utamaro

Not on View

Chinese scholar-official viewing a hanging scroll with a painting of bamboo held by a young servant boy. — Scholar Viewing a Painting [center of a triptych of Scholar with Heron and Myna], mid 17th century
Kusumi Morikage

Not on View

unsigned — Hanasaka Jiji, second half 19th century
After Katsushika Hokusai

Not on View

mounted on a new scroll — Riding in the Mountains, 1637
Zhang Hong

Not on View

Mountains with water below; buildings at right — Autumnal Colors Among Streams and Mountains, 1723
Jin Yongxi

Not on View

unsigned — No. 26, Mochizuki, c. 1835-1838
Utagawa Hiroshige

Not on View

leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below — Flower Painting, late 18th century
Mianyi

Not on View

Exalted Gathering in the Green Woods, Title written by Dong Qichang — Exalted Gathering in the Green Woods, c. 1620
Title written by Dong Qichang

Not on View

Erotic 'Spring Picture', Utagawa School — Erotic 'Spring Picture', 19th century
Utagawa School

Not on View

Flower Studies [one of a pair], Shibata Zeshin — Flower Studies [one of a pair], second half 19th century
Shibata Zeshin

Not on View

Kamuro Serving Tea to a Prostitute, attributed to Suzuki Harunobu — Kamuro Serving Tea to a Prostitute, mid 18th century
attributed to Suzuki Harunobu

Not on View

Standing prostitute wearing a kimono with plum-blossom motif, Kaigetsudō Anchi — Standing prostitute wearing a kimono with plum-blossom motif, c. 1715
Kaigetsudō Anchi

Not on View

The Tenjin Shrine Scrolls [one of a pair], Tosa School — The Tenjin Shrine Scrolls [one of a pair], early 17th century
Tosa School

Not on View

2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings — Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928
Various artists

Not on View

image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions — White and Red Plum Blossom, 1546
Wang Guxiang

Not on View

hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea — Deer By Stormy Sea, c. 1670
Ma Futu

Not on View

old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted — Fan Painting of a Daoist Magician, c. 1650
Wan Shouqi

Not on View

Landscape, Wang Su — Landscape, 1734
Wang Su

Not on View

The Insect Scroll, Torii Kiyomasu — The Insect Scroll, c. 1710
Torii Kiyomasu

Not on View

unsigned — Cherry Viewing Party, first half 18th century
Attributed to Miyagawa Chōshun

Not on View

Page from the Materia Medica, undefined — Page from the Materia Medica, 1224
Not on View

two bulls, one black, one reddish brown — Two Bulls, c. 1810
Maruyama Ōju

Not on View

Flower Studies [one of a pair], Shibata Zeshin — Flower Studies [one of a pair], second half 19th century
Shibata Zeshin

Not on View

Stream with trees in ink and wash — Bamboo and Trees Enveloped in Cold Mist, 1723
Jin Yongxi

Not on View

Blue mountains in distance; tan rocks; green trees; buildings at center — Mists Rising from Pine Grove in a Ravine, 1723
Jin Yongxi

Not on View

buildings on a small, mountainous island seen from high vantage point; seven boats in water — Finger Painting, from an album of ten, 1684
Gao Qipei

Not on View

spider at the center of a web with a flowering branch in front, across bottom and left edge — Finger Painting, from an album of ten, 1684
Gao Qipei

Not on View

Rolling mountains and trees in green and tan with buildings at front — Mountain Color on Mount Liangchang, 1723
Jin Yongxi

Not on View

white swooping bird at center; curving flowering branch at top and right — Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684
Gao Qipei

Not on View

Red flower at L with black and wash grey leaf shape at R — Lotus, early 20th century
Qi Baishi

Not on View

Green mountains; tan rocks; buildings in foreground — Green Mountain Just After a Bath, 1723
Jin Yongxi

Not on View

Mountains with buildings — Magnificence of Overhanging Bluff, 1723
Jin Yongxi

Not on View

Open pavillion in front with trees and rolling mountains in ink and wash — Autumnal Contemplation in Clean Pond, 1723
Jin Yongxi

Not on View

blocky rock island with three small buildings near water; five boats — Finger Painting, from an album of ten, 1684
Gao Qipei

Not on View

Green mountains; red-leafed trees; buildings center — Autumnal Color Among Mount Quan and Mount Hua, 1723
Jin Yongxi

Not on View

Snow-covered mountains; bare trees; ice-covered water — Snow in Mountain Villa, 1723
Jin Yongxi

Not on View

walled garden at L with buildings and trees; bridge-like wall at R; 3 small boats with figures on water at R — Suchou Temple Garden, c. 1549
Yuan Qiu

Not on View

two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond — Finger Painting, from an album of ten, 1684
Gao Qipei

Not on View

horse with a small pack on its back galloping across waves — Finger Painting, from an album of ten, 1684
Gao Qipei

Not on View

thick brown vines and dark green-grey leaves; four yellow, green and brown gourds growing on vines; text, LLC — Gourds, 1932
Zhao Yunhe

Not on View

five white mum blossoms on thick stems with green-grey leaves; text, URC — White Chrysanthemums, 1929
Wang Zhen

Not on View

yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC — Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

Not on View

pink, light lavender and white peonies and yellow dandelion-like flowers; two blue rocks in foreground; butterflies, bees and other insects; three-character inscription and seal, LLC — Spring [left of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

Not on View

2 seated men with moustaches and beards; man at left wears white and blue kimono and black cap; man at right wears black and white kimono; has storage box — Two Immortal Poets, 15th century
Unknown Japanese

Not on View

Wisteria Maiden, Unknown Japanese — Wisteria Maiden, late 17th - early 18th century
Unknown Japanese

Not on View

simple design of vibrant red trees around small building; green mountain in background; block of text, URC — Landscape, 1812
Wang Xuehao

Not on View

peony-like pink bloom with leaves and branches; small opening bud at upper right — Flower Painting, late 18th century
Mianyi

Not on View

green mountain tops visible through thick, swirling clouds; some small trees on mountains; pinkish sky near horizon — In Praise of Green Hills and White Clouds, 1905
Tanomura Chokunyū

Not on View

woman seated on a folding sling chair, reading a book with a green cover; small black and white cat under woman's chair; woman wears a tan spotted kimono with purple curving patterns; table at left with plant, bowl of grapes and glass; fern at LRC — Woman and Cat, 1933
Yasuma Sodō

Not on View

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