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Landscape, 1734

Wang Su

Not on View
fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background

Zhou Dunyi Gazing Out Over Lotus, c. 1500

Liu Jun

Not on View
towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees

Landscape with Scholar Viewing a Waterfall, 1722

Cai Jia

Not on View
images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures

People of Many Nations, 1649

Unknown Japanese

Not on View
one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkƍ Shƍkei

G221

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkƍ Shƍkei

G221

unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned

Cranes under Pine Trees, 16th century

Unknown Japanese

G221

six richly painted scenes: couple sitting close at R with approaching figure; male and female sitting across from one another in small structures; female figure in stylized rickshaw with male figure nearby; two male figures fighting; male figure at end with sword and open fan

Six No and Kyogen Pieces, 17th century

Unknown Japanese

G219

eight panel screen; lotus leaves with pink blossoms and foliage in pond; blue and black birds perched on or hovering around blossoms; each panel has unique image

Lotus Flowers and Birds, late 19th century

Unknown Korean

G206

male figures on a white-curtained balcony; one man is standing, aiming a longbow toward a cloud carrying grotesque figures brandishing weapons

Fragment from Tengu zƍshi emaki, around 1500

Unknown Japanese

G221

seated man with long beard, with a woman in a fur-trimmed hat behind him; burner with 2 teapots in foreground; table with foliage bouquet in vase, box and cup in background

Beauty in Winter, 17th-18th century

Gao Qipei

G203

depicting a composition of objects associated with the scholar's study

Books and Scholar’s Objects (Chaekgeori), 19th century

Unknown Korean

Not on View
pink blossoms on dark pink stems, with clusters attached to grey branch; inscription and 2 seals at right

Crab-apple Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

small yellow flowers and buds, with pink centers, on a long, delicate branch; inscription and 3 seals at left

Wintersweet Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

tall reddish mountain peaks at top; 3 trees next to a stream with a small bridge in foreground; wood rollers

Landscape at Han River Bamboo Hall, 1668

Zhu Chang

G203

pink blossoms and small flowers on a grey branch; inscription and 3 seals at right

Album of Ten Leaves, 1656

Xiang Shengmo

G203

abstract; backwards maroon C at top center; blue lever- or arm-like elements

%C2%A9 Amano Kazumi

Inner Motion (Embrace), 1963

Amano Kazumi

G226

abstract; stepped form in black and white with circle and geometric lines; blues, green, brown, and black lines and circle

%C2%A9 Amano Kazumi

Moral (Intention), 1964

Amano Kazumi

G227

abstract image; yellow form with geometric rays; grey paper

%C2%A9 Amano Kazumi

Assemblage (Yellow), October 1962

Amano Kazumi

G226

colorful abstract; blue and green upside-down "P" shape at ULC with yellow and orange circle at its center; curved green and blue shape and curved blue and black shape, both on diagonal, with orange and yellow outlines near C; gray circle URQ; framed by black border at L and top, and orange border at R and bottom

%C2%A9 Amano Kazumi

Disjoint, 1969

Amano Kazumi

G237

large rectangular abstract form made up by various shapes and colors; colors conist of dark blue, teal, black, and uninked area;

%C2%A9 Amano Kazumi

Layers, 1962

Amano Kazumi

G226

black, green, blue, red, and dark blue abstract image; over all image is comprised of circles and waves to create an overall rectangle shape;

%C2%A9 Amano Kazumi

From Gauge (Trace) A, 1969

Amano Kazumi

G237

large peanut-shaped form with organic black, red, and green curving forms inside; white circle upper C within form; gray bracket on R side with circles and swooping lines

%C2%A9 Amano Kazumi

Mold (Life) A, 1968

Amano Kazumi

G237

multicolored bars with squared off hooks at ends in warm colors at top and bottom and cool colors at left at right, surrounding text

%C2%A9 Amano Kazumi

A Piece of Poetry, Drawing, Assemblage, March 1965

Amano Kazumi; Poet: Yoshimura Masatoshi

G227

tiger to the left of two bamboo; design within a circle, within a square; light blue floral design silk at top and bottom; brown floral design silk, middle; thin strip of dark blue floral design, top and bottom of image; has scroll box

Tiger Emerging from Bamboo, early 18th century

Kano Tsunenobu

Not on View
abstract; circle made of various forms in predominately red

%C2%A9 Amano Kazumi

Inside and Outside (Round) A, 1968

Amano Kazumi

G237

South Wind, Clear Weather, 1830-1833

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Kyƍgen Dancers Disguised as ƌharame, c. 1854-1859

Tanaka Shƫtei

G219

The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month

Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, late 1830s - early 1840s

Eisen

Not on View

%C2%A9 Amano Kazumi

Chorus, 1967

Amano Kazumi

G237

image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions

White and Red Plum Blossom, 1546

Wang Guxiang

Not on View
2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner

Gathering Herbs, 1612

Xie Daoling

Not on View
Mountains with water below; buildings at right

Autumnal Colors Among Streams and Mountains, 1723

Jin Yongxi

Not on View
old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted

Fan Painting of a Daoist Magician, c. 1650

Wan Shouqi

Not on View
hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea

Deer By Stormy Sea, c. 1670

Ma Futu

Not on View
leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below

Flower Painting, late 18th century

Mianyi

Not on View

Exalted Gathering in the Green Woods, c. 1620

Title written by Dong Qichang

Not on View
water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity

Misty River and Layered Peaks, Wanli period, 1608

Gu Yide

Not on View
walled garden at L with buildings and trees; bridge-like wall at R; 3 small boats with figures on water at R

Suchou Temple Garden, c. 1549

Yuan Qiu

Not on View
two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
spider at the center of a web with a flowering branch in front, across bottom and left edge

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
buildings on a small, mountainous island seen from high vantage point; seven boats in water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
two small buildings on stilts at the base of a waterfall; rocky outcropping above

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
blocky rock island with three small buildings near water; five boats

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
small, towerlike pagoda partially covered by dark grasses; rolling, rust colored mountains behind

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
white swooping bird at center; curving flowering branch at top and right

Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684

Gao Qipei

Not on View
horse with a small pack on its back galloping across waves

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
mounted on a new scroll

Riding in the Mountains, 1637

Zhang Hong

Not on View
A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble

Scholar, Crane, and Banana Tree, 1630

Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

Not on View
Pair of 2-panel screens; slightly abstracted image of gnarled grey tree branches covered in pink dots (blossoms); higher concentration of grey branches in LRC

%C2%A9 Estate Gyokuju Funada

Lying Dragon Plum Tree [right of a pair], 1983

Funada Gyokuju

Not on View
Pair of 2-panel screens; slightly abstracted image of gnarled grey tree branches covered in pink dots (blossoms); some light grey/white ovoid negative spaces in LLC

%C2%A9 Estate Gyokuju Funada

Lying Dragon Plum Tree [left of a pair], 1983

Funada Gyokuju

Not on View
Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting.

Page from the Manafi al-Hayavan, 14th century

Iran

Not on View

Page from the Materia Medica, 1224

Not on View
delicate landscape with brown-leafed trees, stream and mountain in background; small buildings in middle ground with two small figures; fog; tan, orange, grey, brown, blue

Untitled, Date Unknown

China

Not on View
L.J. Wender, NY dealer

Egrets, Lotus and Hibiscus Mutabilis, 18th century

Zhang Yu

Not on View
2 yellow mum flowers on top of a long, slender stem; 2 partially open buds below; inscription and 3 seals at left

Hibiscus from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
large orange and pink flower on top of a blueish stem, with 4 buds; rock behind flower in LRC; inscription and 2 seals at left

Day-Lily from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
white blossoms with yellow spotted centers and red buds on a gnarled grey branch; inscription and 3 seals in ULC, seal in LRC

Blossoming plum from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
ball-shaped clusters of tiny yellow flowers on a grey branch with dark green leaves; inscription and 2 seals in LLC

Cassia Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
large furry-looking pink and light orange cone-shaped flower with rippled edge on a long stalk with many leaves; red bud at right edge; inscription and 2 seals at left

Cock's-comb from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
white blossoms with light green centers, spotted with grey; grey branch with small green leaves with brown veins; inscription and 2 seals at right

Pear Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
nine black, grey, brown and flesh-tone drawings of men, attendants and animals; text panels at front and back

The Eighteen Lohans, c. 1690

Leng Mei

Not on View
long, slender green leaves at right edge with delicate red flowers encircled by long bud petals; inscription and seal at left, another seal in LRC

Epidendrum Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
green, brown and black landscape of mountains with dense trees in foreground; buildings near center and at LRC

Landscape After Huang Kung-wang, 1670

Wang Shimin

Not on View
Snow-covered mountains; bare trees; ice-covered water

Snow in Mountain Villa, 1723

Jin Yongxi

Not on View
Three very tall, thin, straight plant stems with grey and black leaves; on top of each stem is a large red flower

Chrysanthemum, 20th century

Qi Baishi

Not on View
River scene in grey, blue, black and pink; three figures in a canopied boat at center; group of buildings behind on bank; mountains in background

Copyright of the artist%2C artist%27s estate%2C or assignees

River Landscape, 20th century

Huang Binhong

Not on View
Stream with trees in ink and wash

Bamboo and Trees Enveloped in Cold Mist, 1723

Jin Yongxi

Not on View
Green mountains; red-leafed trees; buildings center

Autumnal Color Among Mount Quan and Mount Hua, 1723

Jin Yongxi

Not on View
Tree-dotted mountains; buildings with figures in foreground

Pure Gathering in a Spring, 1723

Jin Yongxi

Not on View
Ink and wash mountains; building in lower left corner

Spring Tree Grove Before Rain, 1723

Jin Yongxi

Not on View
large text block followed by image of 5 men and 3 boys with horse in outdoor setting; 2 men exchanging an object; 2 areas of text following image

Farewell to Hua Yun, 1545

Qian Gu

Not on View
Mountains with walkway and water; grey sky

A Mountain and Stream Without End, 1723

Jin Yongxi

Not on View
Mountains with buildings

Magnificence of Overhanging Bluff, 1723

Jin Yongxi

Not on View
Red flower at L with black and wash grey leaf shape at R

Lotus, early 20th century

Qi Baishi

Not on View
Blue mountains in distance; tan rocks; green trees; buildings at center

Mists Rising from Pine Grove in a Ravine, 1723

Jin Yongxi

Not on View
Rolling mountains and trees in green and tan with buildings at front

Mountain Color on Mount Liangchang, 1723

Jin Yongxi

Not on View
Open pavillion in front with trees and rolling mountains in ink and wash

Autumnal Contemplation in Clean Pond, 1723

Jin Yongxi

Not on View
Green mountains; tan rocks; buildings in foreground

Green Mountain Just After a Bath, 1723

Jin Yongxi

Not on View
figure wearing a hooded garment, seen in profile from PL side, holding a pot with a flowering branch; tree at right side

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
elaborate landscape with mountains, trees, buildings and lake with waterfall in black, green and tan; 2 figures in building in front; man in boat near center; stored and shipped rolled

Landscape After Huang Gongwang, 1752

Wang Yu

Not on View
2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings

Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928

Various artists

Not on View
figure walking with a staff in LLC; another figure inside a building surrounded by trees with changing leaves, below center; three flying birds with long tail feathers, LLQ; misty rugged mountain peak at top; muted fall colors

Visiting a Recluse in Autumn Mountains, 18th century

Cai Jia

Not on View
short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side

ƌtsu-e, 17th - 19th century

Unknown Japanese

Not on View
inside wooden box with inscription on inside and outside of lid; resting on tissue; paper around roller inside tie; fabric is light grey with geometric floral in blue; image is of black wash with red bamboo; inscription in yellow along R edge

Bamboo in Snow, c. 1926

Fukuda Kodƍjin

Not on View
inside two wooden boxes; wrapped in tissue; paper under tie; fabric is teal with geometric and floral pattern; image of a mountain landscape on the L and a body of water with boats on the R; very colorful

Blue-green Landscape, April 1928

Fukuda Kodƍjin

Not on View
outer paper carton is cream with grey stripes running the long way; inner box is wooden with inscriptions on the outside and inside of lid; wrapped in tissue; roller is bone; supporting fabric is teal; image is of a pond scene with a single pink open flower, a pink flower bud and many leaves and reeds with a dragonfly above it; curling inscription down the R side with two small red chops at the end

Crimson Lotus Flower, April 1931

Fukuda Kodƍjin

Not on View
oval-shaped hay bale (?) at center of image; seated man with head down, resting on his folded arms, to right of bale; smaller figure (child?) in blue tunic comforting man; moon or sun, ULC; tree branches at left at horizon line

Album leaf, c. 1875

Qian Hui'an

Not on View
bearded man wearing fur (?) robe, with his hair tied in a bun with a blue cord, and a woman wearing a white dress with a garland of leaves around her neck tending to two infants in a cauldron with red flames; rock overhang in URQ; mount attached at top to foam core board backing

Album leaf, c. 1875

Qian Hui'an

Not on View
male figure stands at LR scratching head with PL hand, and holding red sword in PR hand; woman at man's PR holds other end of sword in PR hand while shyly turning away; both figures are on a bridge or platform; tall tree along L side

Michiyuki, first half 19th century

Hosokawa Rinkoku

Not on View
crooked tree with two entangled trunks at center; monkey in branches at UR, another monkey on rock at LL; praying mantis carrying wasp in front claws at R; valley landscape with cascades in background

Monkeys Watching a Praying Mantis Catching a Wasp, second half 18th century

Iwai Kƍun

Not on View
various suggestive scenes in a petite handscroll: shrimp climbing a clam; two mating insects; phallic mushroom, etc.

Erotic scenes, 19th century

Unknown Japanese

Not on View
rear view of abstracted pear-shaped figure at LR seated behind low table; near center, converging lines resemble abstracted, scattered papers; blocks of inscription weave back and forth down scroll, ending in vertical inscription down LL edge

Figure with Inscription, early 20th century

Higashiyama Bugyoku

Not on View
two men in a boat--one standing, one seated; seated bearded man at left wears a grey cap and holds up a white fan; hunched-over standing man at right has white hair and wears a straw hat; basket with orange fruits in boat; plants at bottom, center and right

Album leaf, c. 1875

Qian Hui'an

Not on View
inside white box with yellow vertical and horizontal lines; inside wooden box with inscriptions; fabric is tan; roller is wood; image of orange colored mountains with trees in white, green, pink and grey; many lines of inscription UL corner

Countless Peaks and Streams, Autumn 1918

Fukuda Kodƍjin

Not on View
frog at LL strutting on two long legs, holding open fan in PR hand, balancing white mochi in mouth; young frog swaddled to back with red cords carrying bag of mochi balls; rabbit in black robes in round vignette at UR fanning tray of white mochi balls

Frogs and Rabbit, mid 19th century

Unknown Japanese

Not on View
red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall

Monkey on a snow hill, mid 19th century

ƌhara DonshĆ«

Not on View
bearded man wearing a hat and carrying a basket on a blue cord walking with a boy; both figures wear grey tunics and white pants; tree with pink blossoms in LRC; small bridge, LLC; mount attached at top to foam core board backing

Album leaf, c. 1875

Qian Hui'an

Not on View

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