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Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233).

Story of Haftvad, c. 1300

Western Iran or Baghdad

G243

tall reddish mountain peaks at top; 3 trees next to a stream with a small bridge in foreground; wood rollers

Landscape at Han River Bamboo Hall, 1668

Zhu Chang

G203

figure walking with a staff in LLC; another figure inside a building surrounded by trees with changing leaves, below center; three flying birds with long tail feathers, LLQ; misty rugged mountain peak at top; muted fall colors

Visiting a Recluse in Autumn Mountains, 18th century

Cai Jia

G203

pink blossoms and small flowers on a grey branch; inscription and 3 seals at right

Album of Ten Leaves, 1656

Xiang Shengmo

G203

long, slender green leaves at right edge with delicate red flowers encircled by long bud petals; inscription and seal at left, another seal in LRC

Epidendrum Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

small yellow flowers and buds, with pink centers, on a long, delicate branch; inscription and 3 seals at left

Wintersweet Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

2 yellow mum flowers on top of a long, slender stem; 2 partially open buds below; inscription and 3 seals at left

Hibiscus from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

white blossoms with light green centers, spotted with grey; grey branch with small green leaves with brown veins; inscription and 2 seals at right

Pear Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

white blossoms with yellow spotted centers and red buds on a gnarled grey branch; inscription and 3 seals in ULC, seal in LRC

Blossoming plum from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

ball-shaped clusters of tiny yellow flowers on a grey branch with dark green leaves; inscription and 2 seals in LLC

Cassia Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

pink blossoms on dark pink stems, with clusters attached to grey branch; inscription and 2 seals at right

Crab-apple Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

large orange and pink flower on top of a blueish stem, with 4 buds; rock behind flower in LRC; inscription and 2 seals at left

Day-Lily from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

large furry-looking pink and light orange cone-shaped flower with rippled edge on a long stalk with many leaves; red bud at right edge; inscription and 2 seals at left

Cock's-comb from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

abstract image; black curving line in center; yellow circle in ULQ; pale pink circle in center right

%C2%A9 Maki Haku

65 - 6, 1965

Maki Haku

G226

black background; gold abstract shape in center; white linear squiggly abstract shape in ULQ

%C2%A9 Maki Haku

Remembrance - H, c. 1962

Maki Haku

G237

black and white abstract image; smaller geometric shapes pushed together to form two rectangles, with hook shape also consisting of pushed together geometric shapes overlapping rectangles

%C2%A9 Maki Haku

Work (Waku), 1958

Maki Haku

G227

abstract linear image rendered in black pigments on a white background; several small shapes arranged next to each other; black shape in top center with small red circle in center

%C2%A9 Maki Haku

Heap - 14, c.1960

Maki Haku

G227

black ground; white text-like scrolling throughout; brown and grey rectangular forms; yellow teardrop

%C2%A9 Maki Haku

Remembrance - B, mid 1960s

Maki Haku

G237

black ground; white textlike forms; yellow ovoid

%C2%A9 Maki Haku

Remembrance - F, c. 1962

Maki Haku

G237

abstract image; red linear curving shape with texture in center; small yellow circle in URQ; small tear drop shape in red pigment in LLQ; white textured background

%C2%A9 Maki Haku

Poem 71 - 63 (Life), 1971

Maki Haku

G226

grey-blue ground; black scrolling vertical text-like lines; bold black forms with circles and curves in ULQ

%C2%A9 Maki Haku

Work - Mago, 1960s

Maki Haku

G237

soft organic black form LRC with white egg inside; white oval ULQ; partial black border top edge and UL with woodgrain texture; red and white seal UR and LL

%C2%A9 Maki Haku

Work Stone, 1959

Maki Haku

G237

gray-blue background with woodgrain texture; large character in black pigment on right; black squiggly lines (inscriptions?) on left

%C2%A9 Maki Haku

Work - Ho, c. 1962

Maki Haku

G237

black openwork abstract design; black square at top right of center with green circle inside

%C2%A9 Maki Haku

Heap - 100, 1960

Maki Haku

G227

black ground; ovoid form with brown woodgrain design

%C2%A9 Maki Haku

Excavated Item from Japan (1), July 1, 1957

Maki Haku

G237

squarish blue shape against black background; two indented black forms that resemble stylized characters inside; yellow circle UR, green leaf form LL

%C2%A9 Maki Haku

Poem 69 - 12, 1969

Maki Haku

G226

right sheet of a diptych

Women by an Iris Pond, c. 1785

Torii Kiyonaga; Publisher: Kōzuya Isuke

G266-G274

abstract image with bold black rectangle, circle, and lines, and narrower black lines

%C2%A9 Maki Haku

Poem 71 - 91 (Nothing), 1971

Maki Haku

G226

One of three panels mounted as a triptych of kakemono; ink and slight color on paper.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View

Falcon Attacking Goose, c. 1780

Yoshida Rankō

Not on View
Kakemono.

Copyright of the artist%2C artist%27s estate%2C or assignees.

Sanjusangendo Temple, c. 1916

Maeda Seison

Not on View
two long slender stalks of bamboo grow from the left corner; left of bamboo is a lichen-covered rock; two lines of Chinese running script extend down left side

Autumn Reflections, 19th century

Cho_ Shu_koku

Not on View
Unsigned

Noblemen Viewing the Nunobiki Waterfall, Episode 87 of the Tales of Ise, first half 17th century

Attributed to Tawaraya Sōtatsu

Not on View

Seated Man Plucking Beard with Standing Woman, 1741

Ogawa Ritsuō

Not on View
A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble

Scholar, Crane, and Banana Tree, 1630

Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

Not on View

Three Crossbills on a Leafless Tree, c. 1878

Kawanabe Kyōsai

Not on View
One of three panels mounted as a triptych of kakemono; ink and slight color on paper; unsigned

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View
One of three panels mounted as a triptych of kakemono. Unsigned.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View

Shotoku Riding a Lion, 16th century

Traditionally attributed to Ashikaga Yoshitane

Not on View

Fighting Bulls, c. 1700

Unknown Japanese

Not on View

Standing Prostitute with Shamisen at Her Feet, first half 18th century

Unknown Japanese

Not on View

Dancing at the Bon Festival, 19th century

style of Torii Kiyomasu

Not on View

Standing Prostitute, 18th century

Kitagawa Utamaro

Not on View
Chinese scholar-official viewing a hanging scroll with a painting of bamboo held by a young servant boy.

Scholar Viewing a Painting [center of a triptych of Scholar with Heron and Myna], mid 17th century

Kusumi Morikage

Not on View

Ox herder as Mitate of Kengyu_, 19th century

Teisai Hokuba

Not on View
unsigned

Hanasaka Jiji, second half 19th century

After Katsushika Hokusai

Not on View
mounted on a new scroll

Riding in the Mountains, 1637

Zhang Hong

Not on View
Mountains with water below; buildings at right

Autumnal Colors Among Streams and Mountains, 1723

Jin Yongxi

Not on View
unsigned

No. 26, Mochizuki, c. 1835-1838

Utagawa Hiroshige

Not on View
leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below

Flower Painting, late 18th century

Mianyi

Not on View
depicting a composition of objects associated with the scholar's study

Books and Scholar’s Objects (Chaekgeori), 19th century

Unknown Korean

Not on View

Exalted Gathering in the Green Woods, c. 1620

Title written by Dong Qichang

Not on View

Erotic 'Spring Picture', 19th century

Utagawa School

Not on View

Flower Studies [one of a pair], second half 19th century

Shibata Zeshin

Not on View

Kamuro Serving Tea to a Prostitute, mid 18th century

attributed to Suzuki Harunobu

Not on View

Standing prostitute wearing a kimono with plum-blossom motif, c. 1715

Kaigetsudō Anchi

Not on View

The Tenjin Shrine Scrolls [one of a pair], early 17th century

Tosa School

Not on View
elaborate landscape with mountains, trees, buildings and lake with waterfall in black, green and tan; 2 figures in building in front; man in boat near center; stored and shipped rolled

Landscape After Huang Gongwang, 1752

Wang Yu

Not on View
2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings

Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928

Various artists

Not on View
image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions

White and Red Plum Blossom, 1546

Wang Guxiang

Not on View
water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity

Misty River and Layered Peaks, Wanli period, 1608

Gu Yide

Not on View
hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea

Deer By Stormy Sea, c. 1670

Ma Futu

Not on View
old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted

Fan Painting of a Daoist Magician, c. 1650

Wan Shouqi

Not on View
unsigned; scenes of a story involving humanoid animals

A Story of Crickets, second half 17th century

Attributed to Sumiyoshi Jokei

Not on View

Landscape, 1734

Wang Su

Not on View

The Insect Scroll, c. 1710

Torii Kiyomasu

Not on View
unsigned

Cherry Viewing Party, first half 18th century

Attributed to Miyagawa Chōshun

Not on View
2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner

Gathering Herbs, 1612

Xie Daoling

Not on View

Page from the Materia Medica, 1224

Not on View
Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting.

Page from the Manafi al-Hayavan, 14th century

Iran

Not on View
two bulls, one black, one reddish brown

Two Bulls, c. 1810

Maruyama Ōju

Not on View

Flower Studies [one of a pair], second half 19th century

Shibata Zeshin

Not on View
Stream with trees in ink and wash

Bamboo and Trees Enveloped in Cold Mist, 1723

Jin Yongxi

Not on View
Blue mountains in distance; tan rocks; green trees; buildings at center

Mists Rising from Pine Grove in a Ravine, 1723

Jin Yongxi

Not on View
buildings on a small, mountainous island seen from high vantage point; seven boats in water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
spider at the center of a web with a flowering branch in front, across bottom and left edge

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
Rolling mountains and trees in green and tan with buildings at front

Mountain Color on Mount Liangchang, 1723

Jin Yongxi

Not on View
white swooping bird at center; curving flowering branch at top and right

Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684

Gao Qipei

Not on View
Red flower at L with black and wash grey leaf shape at R

Lotus, early 20th century

Qi Baishi

Not on View
Green mountains; tan rocks; buildings in foreground

Green Mountain Just After a Bath, 1723

Jin Yongxi

Not on View
Mountains with buildings

Magnificence of Overhanging Bluff, 1723

Jin Yongxi

Not on View
Open pavillion in front with trees and rolling mountains in ink and wash

Autumnal Contemplation in Clean Pond, 1723

Jin Yongxi

Not on View
blocky rock island with three small buildings near water; five boats

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
Green mountains; red-leafed trees; buildings center

Autumnal Color Among Mount Quan and Mount Hua, 1723

Jin Yongxi

Not on View
Snow-covered mountains; bare trees; ice-covered water

Snow in Mountain Villa, 1723

Jin Yongxi

Not on View
walled garden at L with buildings and trees; bridge-like wall at R; 3 small boats with figures on water at R

Suchou Temple Garden, c. 1549

Yuan Qiu

Not on View
two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
horse with a small pack on its back galloping across waves

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees

Landscape with Scholar Viewing a Waterfall, 1722

Cai Jia

Not on View
thick brown vines and dark green-grey leaves; four yellow, green and brown gourds growing on vines; text, LLC

Gourds, 1932

Zhao Yunhe

Not on View
five white mum blossoms on thick stems with green-grey leaves; text, URC

White Chrysanthemums, 1929

Wang Zhen

Not on View
yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC

Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View
pink, light lavender and white peonies and yellow dandelion-like flowers; two blue rocks in foreground; butterflies, bees and other insects; three-character inscription and seal, LLC

Spring [left of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View
2 seated men with moustaches and beards; man at left wears white and blue kimono and black cap; man at right wears black and white kimono; has storage box

Two Immortal Poets, 15th century

Unknown Japanese

Not on View
body is twisted; tiger looking to left; green floral brocade border

Sitting Tiger, late 19th century

Kishi Chikudō

Not on View

Wisteria Maiden, late 17th - early 18th century

Unknown Japanese

Not on View
seated tiger at bottom; pine tree along L and top edge; tiger's PL paw raised with outstretched claws; blue and yellow eyes; hot-pink highlights on eyes and mouth; aqua blue silk brocade border

Tiger Cleaning Its Paw, early 19th century

Matsui Keichū

Not on View
simple design of vibrant red trees around small building; green mountain in background; block of text, URC

Landscape, 1812

Wang Xuehao

Not on View
seven figures in LLQ blowing horns, playing gongs, cymbals and drums and lighting firecrackers; 3 figures inside a building at R; bare trees and grey sky; wood rollers

Greeting the New Year, 1734

Wang Rusheng

Not on View
peony-like pink bloom with leaves and branches; small opening bud at upper right

Flower Painting, late 18th century

Mianyi

Not on View

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