Looking for medina, metius, media, medic?

plate no. 15 — Small White Magnolia with Red Velvet Ant, 1731-1743
Mark Catesby

Not on View

T.75 — The Ground Squirrel, 1731-1743
Mark Catesby

Not on View

plate no. 5 — Yellow and Black Pye, 1771
Mark Catesby

Not on View

plate II — Yellow Lily and Scarab Beetles, 1731-1743
Mark Catesby

Not on View

T.76 — Blue Heron, 1731-1743
Mark Catesby

Not on View

T. 73 — Flamingo, 1731-1743
Mark Catesby

Not on View

T.73 — Black Squirrel, 1731-1743
Mark Catesby

Not on View

Caricature — Le Grande Maitre de la Frisure a la Mode, c. 1770-1775
Unknown French [?], 18th century

Not on View

plate 58 — The Wampum Snake, 1731-1743
Mark Catesby

Not on View

Plate XXIII — Le Nenuphar rouge de la Chine, 1776
Pierre Joseph Buc'Hoz

Not on View

plate T27 — The Mock-Bird, 1731-1743
Mark Catesby

Not on View

plate 60 — The Bead Snake, 1731-1743
Mark Catesby

Not on View

T.71 — The Green Tree Frog, 1731-1743
Mark Catesby

Not on View

Plate XXXIV — Le Pin de la Chine, 1776
Pierre Joseph Buc'Hoz

Not on View

plate T47 — The Blew-Bird, 1731-1743
Mark Catesby

Not on View

plate no. 1 — Woodcock, 1731-1743
Mark Catesby

Not on View

T. 72 — The Bull Frog, 1731-1743
Mark Catesby

Not on View

plate T31 — The Angel Fish, 1731-1743
Mark Catesby

Not on View

plate 91 — The Great Moth, 1731-1743
Mark Catesby

Not on View

plate 90 — The Maho Tree. Phalaena fusca, 1731-1743
Mark Catesby

Not on View

plate T46 — The Chatterer, 1731-1743
Mark Catesby

Not on View

plate no. 15 — The Crested Jay, with Smilax, 1731-1743
Mark Catesby

Not on View

Plate XXVII — Les Oeillets de la Chine, 1776
Pierre Joseph Buc'Hoz

Not on View

plate T 25 — Anthea quartus rondeletii, 1731-1743
Mark Catesby

Not on View

plate no. 12 — The American Partidge, 1731-1743
Mark Catesby

Not on View

plate T17 — The Large Red-crested Woodpecker. Live Oak, 1731-1743
Mark Catesby

Not on View

Plate XXXI — La Harman, 1776
Pierre Joseph Buc'Hoz

Not on View

The Illumination of the Cross During Lent at Saint Peter's, Rome, Louis-Jean Desprez; Artist: Francesco Piranesi — The Illumination of the Cross During Lent at Saint Peter's, Rome, 1787
Louis-Jean Desprez; Artist: Francesco Piranesi

Not on View

Caricature — Le Lutrin de Village, c. 1770-1775
Unknown

Not on View

Caricature in 2 parts — Plate 2, The Installation Supper as Given at the Pantheon by the Knights of the Bath, on the 26th of May, 1788., 1788
James Gillray

Not on View

Shells — Plate B. II., from "Deliciae Naturae Selectae", 1750-1772
George Wolfgang Knorr

Not on View

Monstrosities of 1819, George Cruikshank — Monstrosities of 1819, November 29, 1819
George Cruikshank

Not on View

A Cognoscenti Contemplating the Beauties of the Antique, James Gillray; Publisher: Mrs. Hannah Humphrey — A Cognoscenti Contemplating the Beauties of the Antique, February 11, 1801
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature — Plate 2, from The Dancing Lesson, Pt. 2, March 6, 1824
George Cruikshank; Publisher: George Humphrey, London

Not on View

Caricature — Very Unpleasant Weather, or the Old Saying Verified. "Raining Cats, Dogs and Pitchforks"!!!, April 27, 1820
George Cruikshank; Publisher: George Humphrey, London

Not on View

Caricature, V5 — The Botanic Macaroni, November 14, 1772
Matthew Darly

Not on View

Caricature — Monstrosities of 1816, Scene from Hyde Park, March 12, 1816
George Cruikshank; Publisher: Mrs. Hannah Humphrey

Not on View

"The Rights of Women" or the Effects of Female Enfranchisement, from The Comic Almanack for 1853, George Cruikshank; Publisher: D. Bogue — "The Rights of Women" or the Effects of Female Enfranchisement, from The Comic Almanack for 1853, February 10, 1826
George Cruikshank; Publisher: D. Bogue

Not on View

Caricature, from Monstrosities of 1818, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1818, October 3, 1818
George Cruikshank; Publisher: George Humphrey, London

Not on View

Caricature No. 579 — A Little Music; or, The Delights of Harmony, May 20, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

The Graces of 1794, S. W. Fores; Artist: attributed to Isaak Cruikshank — The Graces of 1794, July 21, 1794
S. W. Fores; Artist: attributed to Isaak Cruikshank

Not on View

Plate 1; Caricature — Dos a Dos/ Accidents in Quadrille Dancing, from Quadrille Dancing, March 4, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature, from Monstrosities of 1827, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1827, 1827
George Cruikshank; Publisher: George Humphrey, London

Not on View

Caricature; No. 523 — Dilettanti-Theatricals: of a Peep at the Green Room. --vide, Pic-Nic-Orgies, February 18, 1803
James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

Not on View

Caricature No. 569 — La Walse, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Plate 2; Caricature — Vis a Vis/ Accidents in Quadrille Dancing, from series Quadrille Dancing, April 15, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature No. 415 — The Fashionable Mamma; or, the Convenience of Modern Dress, February 13, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, James Gillray — Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, May 23, 1802
James Gillray

Not on View

Caricature No. 432 — The Marriage of Cupid & Psyche, May 3, 1797
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature; No. 257 — The Union Club, January 21, 1801
James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

Not on View

Monstrosities of 1821, George Cruikshank; Publisher: George Humphrey, London — Monstrosities of 1821, May 20, 1821
George Cruikshank; Publisher: George Humphrey, London

Not on View

plate T48 (northern or Baltimore oriole) — The Baltimore Bird, 1731-1743
Mark Catesby

Not on View

See P.17,373. The Conclusion of the 1st Vol. — Title Page, Vol. I, from The Caricature Magazine,/ Or/ Hudibrastic Mirror, September 1, 1807
George Moutard Woodward; Etcher: George Cruikshank; Publisher: Thomas Tegg , 111 Cheapside, London

Not on View

plate T52 — The Crested Flycatcher, 1731-1743
Mark Catesby

Not on View

Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, September 1, 1807
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

Not on View

plate T33 — The Large Lark, 1731-1743
Mark Catesby

Not on View

Frontispiece. Vol. III, Rowlandson's Caricature Magazine, Vol. III, from The Caricature Magazine, Thomas Tegg , 111 Cheapside, London — Frontispiece. Vol. III, Rowlandson's Caricature Magazine, Vol. III, from The Caricature Magazine, 1808
Thomas Tegg , 111 Cheapside, London

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Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., 1807-1809
Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

Not on View

Caricature; No. 17 — Promenade du matin, Rendez-vous de la Course au Bois de Boulogne, from Modes du Jour, early 19th century
attributed to Claude-Louis Desrais

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Vis à Vis. Accidents in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Vis à Vis. Accidents in Quadrille Dancing, April 11, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

Not on View

Les Graces. Inconveniences in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Les Graces. Inconveniences in Quadrille Dancing, April 9, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature — A Dandy, 1818
S. W. Fores , No. 50 Piccadilly

Not on View

Caricature, V6 — The Aurelian Macaroni, July 5, 1773
Matthew Darly

Not on View

Plate 1; Caricature — The 1st Position, from The Dancing Lesson, Pt. 1, July 8, 1822
George Cruikshank; Publisher: George Humphrey, London

Not on View

Advantages of Wearing Muslin Dresses!, James Gillray; Publisher: Mrs. Hannah Humphrey — Advantages of Wearing Muslin Dresses!, February 15, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature — The Ladies Contrivance/ Or The Capital Conceit, April 30, 1777
Matthew Darly

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Caricature; No. 582 — A Barbers-Shop in Assize Time-- from a Picture painted by H.W. Bunbury, Esq., May 15, 1818
after Henry William Bunbury; Etcher: James Gillray; Publisher: George Humphrey, London , 27 St. Jame's St.

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Caricature, V2 — The Female Connoiseur, 1772
Matthew Darly

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Caricature No. 429 — A Peep at Christie's; --or--Tally-ho and his Nimeny-Pimeny Taking the Morning Lounge, September 24, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Plate 3; Caricature — L'Ete, from The Dancing Lesson, Pt. 3, March 1, 1825
George Cruikshank; Publisher: George Humphrey, London

Not on View

Caricature No. 528 — A Broad Hint of Not Meaning to Dance, November 20, 1804
James Gillray; Artist: after Brownlow North; Publisher: Mrs. Hannah Humphrey

Not on View

Lady Godina's Rout: or Peeping-Tom Spying Out Pope-Joan, James Gillray; Publisher: Mrs. Hannah Humphrey — Lady Godina's Rout: or Peeping-Tom Spying Out Pope-Joan, March 12, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature No. 65 — Knave Wins All/ MODERN HOSPITALITY, or a Friendly Party in High Life..., March 31, 1792
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

A Rout, Isaak Cruikshank; Publisher: S. W. Fores — A Rout, February 26, 1790
Isaak Cruikshank; Publisher: S. W. Fores

Not on View

Monstrocities of 1799, Scene Kensington Gardens, James Gillray; Publisher: Mrs. Hannah Humphrey — Monstrocities of 1799, Scene Kensington Gardens, June 25, 1799
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature, from Monstrosities of 1824--Pt. 7, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1824--Pt. 7, July 8, 1824
George Cruikshank; Publisher: George Humphrey, London

Not on View

The Macaroni Print Shop, Edward Topham; Publisher: Matthew Darly — The Macaroni Print Shop, July 14, 1772
Edward Topham; Publisher: Matthew Darly

Not on View

Push-Pin, James Gillray; Publisher: Mrs. Hannah Humphrey — Push-Pin, April 17, 1797
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature No. 413 — Two-Penny Whist, January 11, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature No. 516 — Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, April 2, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature No. 578 — The Graces In a High Wind.-- a Scene taken from Nature, in Kensington Gardens, May 26, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

The Pic-Nic Orchestra, James Gillray; Publisher: Mrs. Hannah Humphrey — The Pic-Nic Orchestra, April 23, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature — Monstrosity of 1829, 1829
H. Heath; Publisher: Si Gans , Southhampton Street, London

Not on View

Caricature — The Supplemental Magazine, January 1, 1786
S. W. Fores , at the Caracature Warehouse, No. 3 Picadilly; Etcher: R. Rusworth

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Caricature, from Monstrosities of 1825 and 1826, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1825 and 1826, February 10, 1826
George Cruikshank; Publisher: George Humphrey, London

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Inconveniences of a Crowded Drawing Room, George Cruikshank; Publisher: George Humphrey, London — Inconveniences of a Crowded Drawing Room, May 6, 1818
George Cruikshank; Publisher: George Humphrey, London

Not on View

Portrait of Mrs. H. Humphrey, Publisher of Gillray's Caricatures, after James Gillray — Portrait of Mrs. H. Humphrey, Publisher of Gillray's Caricatures, 1796
after James Gillray

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A Desert [sic] Imitation of Modern Fashion, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — A Desert [sic] Imitation of Modern Fashion, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

Caricature — Le Postulant, early 19th century
Unknown

Not on View

Caricature — Old Ways, and New Ways No. 2, early 19th century
Unknown English, 16th century; Publisher: Charles Tilt , 86 Fleet Street, London

Not on View

No. 100 — Title Page, Vol. 4, Caricature Magazine/ by G.M. Woodward, Esq., fromThe Caricature Magazine, 1809
George Moutard Woodward; Etcher: Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

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Caricature — Les Anglais au Salon de 1814, early 19th century
Unknown French

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The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, 1807-1809
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, 1808
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

Not on View

plate T. 11 (Carolina Parakeet) — The Parrot of Carolina, 1731-1743
Mark Catesby

Not on View

From original painting by H.W. Bunbury — A Barbers Shop, March 24, 1787
Henry William Bunbury

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plate 71; bird print — Chattering Plover, 1731-1743
Mark Catesby

Not on View

Caricature — Buck's Beauty and Rowlandson's Connoisseur, January 1, 1800
Piercy Roberts; Artist: after Unknown British, 18th century; Publisher: William Holland , No. 50 Oxford Street

Not on View

Caricature — La vien venue./ Le debut de Mad.elle Chameroy en Paradis, early 19th century
Unknown

Not on View

Caricature in 2 parts — Plate 1, The Installation Supper as Given at the Pantheon by the Knights of the Bath, on the 26th of May, 1788, 1788
James Gillray

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Title Page from A Select Collection of Humourous Engravings, Caricatures etc., Unknown English, 19th century — Title Page from A Select Collection of Humourous Engravings, Caricatures etc., 19th century
Unknown English, 19th century

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Title Page from Icones Plantarum Medicinalium, Joseph Jakob Plenck; Etcher: Jo. Ign. Albrecht — Title Page from Icones Plantarum Medicinalium, 1788
Joseph Jakob Plenck; Etcher: Jo. Ign. Albrecht

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Caricature — The Horticultural Fate/ dedicated to the Rainer Family, June 30, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

Caricature — The Captain's so kind as to thrust in a Note" "While old Lady Cuckoo is straining her Throat.", May 9, 1777
William Humphrey

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Caricature — A Swarm of English Bees Hiving in the Imperial Carriage!! Who Would Have Thought It??? A Scene at the London Museum Piccadilly,..., January 1816
William Humphrey; Engraver: George Cruikshank

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Caricature — Much Ado About Nothing!!!, 1828
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

caricature; plate 20 — Doctor Syntax. Rural Sport., February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature; plate 26 — Dr. Syntax/ At Covent Garden Theatre, August 16, 1813
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

caricature; plate 27 — The Doctor's Dream, February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature; plate 8 — Doctor Syntax Pursued by a Bull, February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature — The Rev. Doctor Syntax, May 1, 1812
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature — Art of Scaling, November 5, 1792
Thomas Rowlandson; Etcher: Samuel Alken; Publisher: Messrs Fores, London

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caricature; plate 5 — Doctor Syntax/ Disputing His Bill with the Landlady, February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

caricature — The Two Strings, 1854
John Leech

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The Dress Circle, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — The Dress Circle, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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caricature — The Mere Matter of Form, 1854
John Leech

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Caricature — The Bloomer Polka, 1840-1845
J. Fairburn , No. 21 Featherstone Street City Road

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Waist and Extravagance, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — Waist and Extravagance, March 1, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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caricature — Le Chinoise de Province et son Magot,/ ou le Bon Gout transplante, c. 1800-1810
after? Victor Auger; Publisher: Martinet Publishing Family

Not on View

Caricature — Miss--Ann--Thropy, c. 1830
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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caricature; no. XVII — Les musards de la rue de Coq. No. 124, Martinet Libraire., c. 1800
attributed to Jean François Bosio; Publisher: Martinet Publishing Family

Not on View

caricature — Une Matinee du Luxembourg, c. 1821
Martinet Publishing Family

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caricature — Les invisibles en tete-a-tete, c. 1810-1821
Martinet Publishing Family

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Caricature — Morning, Noon, Night, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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Caricature — The Beau Monde/ "Our modern ladies heads are filled with Bows", July 6, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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caricature — A Master of the Ceremonies Introducing a Partner, November 26, 1795
Thomas Rowlandson; Publisher: Messrs Fores, London

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caricature; plate 29 — Doctor Syntax/ Taking Possession of His Living, August 16, 1813
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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Miseries of London, Thomas Rowlandson; Publisher: Rudolph Ackermann — Miseries of London, February 1, 1807
Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature; plate 25 — Dr. Syntax and Bookseller, February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature; plate 16 — Quae Genus With A Portrait Painter, September 1, 1822
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature; plate 5 — Dr. Syntax with a Blue Stocking Beauty, November 1, 1820
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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stem of a rose plant with pink blossoms on R branch; details of blossom parts and petal at R; seed pods in LLC — L'Eglantier (Wild Rose), from " La Boutique mise a la portee de tout le monde", 1774
Nicolas-François Regnault

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roots, thick stem and leaves at bottom; separate stem with dark pink graduated flowers above stem and leaves; cross-section of blossom, ULC; seed pods in LRQ — La Digitale (Foxglove), from " La Boutique mise a la portee de tout le monde", 1774
Nicolas-François Regnault

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Caricature of George III, Queen Charlotte, and their children shopping. — A Milliner's Shop, March 24, 1787
Henry Kingsbury; Publisher: S. W. Fores

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Sad Sloppy Weather, James Gillray — Sad Sloppy Weather, 1808
James Gillray

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Plate 17 — A Chapter of Noses, 1834
George Cruikshank

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Anglers of 1811, after Henry William Bunbury — Anglers of 1811, 19th century
after Henry William Bunbury

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An Itinerant Theatrical Sketch, after George Woodward, Isaak Cruikshank — An Itinerant Theatrical Sketch, 1797
after George Woodward, Isaak Cruikshank

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Fine Bracing Weather, James Gillray — Fine Bracing Weather, 1808
James Gillray

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Hounds Throwing Off, James Gillray — Hounds Throwing Off, 1800
James Gillray

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Scraps and Sketches, Part 3, George Cruikshank — Scraps and Sketches, Part 3, 19th century
George Cruikshank

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Snips, Thomas Rowlandson — Snips, 1815
Thomas Rowlandson

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Monstrosities of 1822, George Cruikshank — Monstrosities of 1822, October 19, 1822
George Cruikshank

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on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored in dark green ink and the space behind him and on the far left is light green ink — Man in Front of the Door, 1922-1923
Walter Gramatté

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on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored with a stripe of pink and the door and parts of the background are in light green — Man in Front of the Door, 1922-1923
Walter Gramatté

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on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored in green; the door is blue and parts of the background are in yellow — Man in Front of the Door, 1922
Walter Gramatté

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on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored with a stripe of pink and the door and parts of the background are green — Man in Front of the Door, 1922
Walter Gramatté

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Caricature — Can Such Things Be! and Overcome Us like a Summer's Cloud, without Our Special Wonder? Shady Retreats for Summer, or the/ Tip of the Ton!, September 4, 1827
Unknown English, 16th century; Publisher: T. Fairbourn , Broadway, Ludgate Hill, London

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Caricature No. 568 — Les Invisibles, 1810
James Gillray

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Plate 61 from Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands, London, 1731-43 (3rd ed., 1771). — Magnolia grandiflora (The Laurel Tree of Carolina), c. 1743 (3rd ed. 1771)
Georg Dionysius Ehret; Etcher: Georg Dionysius Ehret; Publisher: Mark Catesby

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10 shells of varied shapes and colors, numbered "Fig. 514" through "Fig. 523" — Chamae, Pinnae, from "Neues systematisches Conchylien-Cabinet", 1784
Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz

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23 shells, mostly of conical or bulbous shapes and varied colors; long red and white conical shell at center; numbered "Fig. 1577" through "Fig. 1599" — Trochi, Turbines, Neritae Helices, from "Neues Systematisches Conchylien-Cabinet", 1784
Vogel; Author: Friedrich Heinrich Wilhelm Martini; Author: Johann Hieronymus Chemnitz

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Caricature — An Exquisite Day, 1820
Unknown English, 16th century; Publisher: Cribb, Tavistock Street, Convent Garden, London

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Caricature — Coming it!, November 24, 1824
George Cruikshank; Publisher: George Humphrey, London

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Satire of early 19th-century French society gathering for tea — Le Thé Parisien, 1801
after Fulchran-Jean Harriet; Engraver: Adrien Pierre Francois Godefroy; Publisher: Chez Martinet, Libraire, Paris

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Plate 4; Caricature — The Sailors Hornpipe, from The Dancing Lesson, Pt. 4, March 1, 1825
George Cruikshank; Publisher: George Humphrey, London

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Matrimonial Harmonics, James Gillray; Publisher: Mrs. Hannah Humphrey — Matrimonial Harmonics, October 25, 1805
James Gillray; Publisher: Mrs. Hannah Humphrey

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Harmony Before Matrimony, James Gillray; Publisher: Mrs. Hannah Humphrey — Harmony Before Matrimony, October 25, 1805
James Gillray; Publisher: Mrs. Hannah Humphrey

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brown mussel at right, rust-reddish mussel at left, numbered "Fig. 773" and "Fig. 774" — Chamae, Pinnae, from "Neues systematisches Conchylien-Cabinet", 1784
Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz

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view, vue d'optique — View of the Stables of Versailles from the Courtyard, 18th century
Jacques Rigaud; Engraver: Balthasar Friedrich Leizelt

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Doctor Syntax Preaching, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Preaching, February 1, 1815
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

Doctor Syntax Setting Out in Search of A Wife, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Setting Out in Search of A Wife, October 1, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

view, vue d'optique — View of the Chateau at Versailles, 18th century
after Jacques Rigaud; Engraver: Balthasar Friedrich Leizelt

Not on View

Doctor Syntax Sketching After Nature, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Sketching After Nature, February 1, 1815
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

Doctor Syntax Assisting at an Instrumental Trio, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Assisting at an Instrumental Trio, 1821
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, Thomas Rowlandson; Publisher: Rudolph Ackermann — The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

Doctor Syntax Bound to a Tree by Highwaymen, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Bound to a Tree by Highwaymen, August 16, 1813
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

Doctor Syntax Visits a Boarding School for Young Ladies, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Visits a Boarding School for Young Ladies, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

one of a collection of 15 engravings relating to textile production — Worsted Winder, 1813
Robert Havell Sr.; Artist: after George Walker

Not on View

Plate 5 — Dining Hall, Asylum, 1808-1810
after A.C. Pugin, "Sir" John Hill; Artist: Thomas Rowlandson

Not on View

Tastes Differ, Thomas Rowlandson — Tastes Differ, 1785
Thomas Rowlandson

Not on View

View of the Chateau of Versailles from the Orangery, Pierre Menant — View of the Chateau of Versailles from the Orangery, 1716
Pierre Menant

Not on View

Plate 11 — Caterpillars, Butterflies and Flower, 1705 (1705-1771)
Maria Sibylla Merian

Not on View

Plate 20 — Moths, Caterpillars, and Foliage, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

Not on View

Plate 38 — Sphinx Moth, Larva, Pupa, and Flower, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

Not on View

Plate 53 — Blue Butterflies and Foliage, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

Not on View

Plate 60 — Blue Butterflies and Red Larva, Blue Spines, c. 1705-1717
After Maria Sibylla Merian; Engraver: Joseph Mulder

Not on View

Plate 12 — Inflorescence of Banana, 1705
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

Not on View

Plate 2 — Mature Pineapple with Butterflies, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

Not on View

Plate 5 — Snake, Caterpillar, Butterfly, and Insects on Plant, 18th century
After Maria Sibylla Merian; Engraver: Joseph Mulder; Printer: Cassave ?

Not on View

Plate 7 — Great Blue Butterflies and Red Fruits, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

Not on View

Plate 9 — Blue Butterflies and Pomegranate, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

Not on View

Plate 23 — Bananas and Blue Lizard, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

Not on View

Plate 28 — Citrus Fruit and Beetle, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

Not on View

Plate 29 — Swallowtails and Great Yellow Fruit, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

Not on View

Plate 50 — Red Beetle, White Morning Glory, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

Not on View

Plate 61. LXI. Guajava alba dulcis. — Caterpillars and Insects with Foliage, 1705-1771
After Maria Sibylla Merian

Not on View

Plate 72 — Insects and Fish with Island Background, 1705-1771
After Maria Sibylla Merian

Not on View

seated woman wearing a pink tank top and black heels, holding on her lap a man wearing an unbuttoned blue shirt, yellow shorts and veil-like element on his head; smaller elderly seated woman at L holds out her hands — After Hogarth IV, 2000
Paula Rego; Publisher: Published by the Artist and Marlborough Graphics, New York; Printer: Culford Press, London

Not on View

Plate 4 — Common Provence Rose Bud, c. 1775
after John Edwards; Engraver: William Darling

Not on View

Vase of Flowers, After Jean-Baptiste Monnoyer — Vase of Flowers, c. 1675-1685
After Jean-Baptiste Monnoyer

Not on View

No. 46 — Various Tulips, June 24, 1791
John Edwards

Not on View

Flower Print No. 21: Damask Rose, No. 1; Rose de Meux, No. 2, John Edwards — Flower Print No. 21: Damask Rose, No. 1; Rose de Meux, No. 2, September 1, 1787
John Edwards

Not on View

Tales of Wonder!, James Gillray; Publisher: Mrs. Hannah Humphrey — Tales of Wonder!, February 1, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Very Slippy Weather, James Gillray; Publisher: Mrs. Hannah Humphrey — Very Slippy Weather, February 10, 1808
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Large Orange Lily, No.13, John Edwards — Large Orange Lily, No.13, June 14, 1786
John Edwards

Not on View

Flower Print No. 32, Moss Province Rose Buds, John Edwards — Flower Print No. 32, Moss Province Rose Buds, June 24, 1788
John Edwards

Not on View

Plate 47 — Double & Single Sweet William, January 1, 1791
John Edwards

Not on View

Flower Print No. 26, Nasturtium, John Edwards — Flower Print No. 26, Nasturtium, January 1788
John Edwards

Not on View

Plate 36 — Orange Tree, December 24, 1789
John Edwards

Not on View

Plate 53 — India Pinks, January 3 (?), 1793
John Edwards

Not on View

Plate 37 — Double Peony, June 24, 1789
John Edwards

Not on View

Dwarf Double Poppy, No. 63?, John Edwards — Dwarf Double Poppy, No. 63?, June 24, 1793
John Edwards

Not on View

Large Double-China Aster, John Edwards — Large Double-China Aster, January 2, 1793
John Edwards

Not on View

Large Blue Iris, No. 68, John Edwards — Large Blue Iris, No. 68, 18th century
John Edwards

Not on View

Plate 49 — Rosa gallica (Gallic Rose), 1798
Mary Lawrence; Etcher: Mary Lawrence; Publisher: Mary Lawrence

Not on View

Plate 7 — Rosa gallica, 1796
Mary Lawrence; Etcher: Mary Lawrence; Publisher: Mary Lawrence

Not on View

Long Tom & Mad[emoisel]le G-d. Going to the Pantheon in Their Natural Masks, William Austin — Long Tom & Mad[emoisel]le G-d. Going to the Pantheon in Their Natural Masks, 1773
William Austin

Not on View

Chinoiserie Ornament for a Dedication, 18th century

attributed to François Boucher; Etcher: Jacques Gabriel Huquier

Not on View

L'Herueuse Rencontre de la Marquise Testonniere et du Vicomte de la Bredache Pensionnaire des Petites Maisonee..., c. 1770-1775

Unknown

Not on View

Angelica Aquatica, 18th century

Unknown Italian

Not on View

Smyrnium, 18th century

Unknown Italian

Not on View

A Hunt Over a Bottle or the Corkscrew Chase, 18th century

G.T.

Not on View

Plate VIII, 1776

Peter Brown; Engraver: Peter Brown

Not on View

Tab. VII. (Butterflies), from "Natursystem aller Bekannten in-und-Auslandischen Insekten", 18th century

Carl Gustav Jablonsky; Artist: after junior F.C. Kruger

Not on View

Tab. 1. (Butterflies), from "Natursystem aller Bekannten in-und-Auslandischen Insekten", 18th century

Carl Gustav Jablonsky; Artist: after F.C. Kruger; Engraver: Bodendhr

Not on View

Plate 16, 1776

Peter Brown; Engraver: Peter Brown

Not on View

Tab. XIV., from "Muscheln und andere Geschoepffe welche im Meer gefunden werden" (Shells and other creatures to be found in the Sea), 1757-1773

George Wolfgang Knorr; Artist: after I. C. Keller

Not on View

Tab. III., from "Muscheln und andere Geschoepffe welche im Meer gefunden werden" (Shells and other creatures to be found in the Sea), 1757-1773

George Wolfgang Knorr; Artist: after I.C. Dietzsch

Not on View

P. Polyphemus, 1797

Sir James Edward Smith; Artist: John Abbot; Engraver: J. Harris

Not on View

Tab. LXI. (Butterflies), from "Natursystem aller Bekannten in-und-Auslandischen Insekten", 18th century

Carl Gustav Jablonsky; Engraver: Ludwig Schmidt

Not on View

Plate XII, 1776

Peter Brown; Engraver: Peter Brown

Not on View

Plate 33, 1775

Peter Brown; Engraver: Peter Brown

Not on View

P. regia, 1797

Sir James Edward Smith; Artist: John Abbot; Engraver: J. Harris

Not on View

Tab. IX., from "Muscheln und andere Geschoepffe welche im Meer gefunden werden" (Shells and other creatures to be found in the Sea), 1757-1773

George Wolfgang Knorr; Artist: after I.C. Dietzsch

Not on View

Plate XXXII, 1775

Peter Brown; Engraver: Peter Brown

Not on View

Tab. I., from "Muscheln und andere Geschoepffe welche im Meer gefunden werden" (Shells and other creatures to be found in the Sea), 1757-1773

George Wolfgang Knorr

Not on View

Plate XIX, 1776

Peter Brown; Engraver: Peter Brown

Not on View

P. Stigma, 1797

Sir James Edward Smith; Artist: John Abbot; Engraver: J. Harris

Not on View

P. clemataria, 1797

Sir James Edward Smith; Artist: John Abbot; Engraver: J. Harris

Not on View

P. Dione, 1797

Sir James Edward Smith; Artist: John Abbot; Engraver: J. Harris

Not on View

Tab. LXII. (Butterflies), from "Natursystem aller Bekannten in-und-Auslandischen Insekten", 18th century

Carl Gustav Jablonsky; Engraver: Ludwig Schmidt

Not on View

Phalena Jo. Lea mays., 1797

Sir James Edward Smith; Artist: John Abbot; Engraver: J. Harris

Not on View

Tab. V., from "Auserlesene Schnecken, Muscheln, und Andere Schaalthiere" (Selected snails, shells, and other shellfish), 1758

Franz Michael Regenfuss; Artist: after Gab. Miller

Not on View

Vue de la Place Royale, early 19th century

Henri Courvoisier; Etcher: Pierre-Alexandre Aveline

Not on View

Fontaine ou Chateau d'Eau au Boulevard Saint Martin, early 19th century

Henri Courvoisier; Etcher: Dubois

Not on View

Morning, Noon, Night (Female), c. 1830-1832

William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

La Venus Antique a Sa Toilette, early 19th century

Noel Dieudonné Finart; Etcher: Thiebaut; Publisher: Basset, Rue St. Jacques, No. 64

Not on View

Vue du Chateau des Tuileries. Prise de la Terrasse des Feuillans., 1820

Henri Courvoisier; Etcher: Duran

Not on View

Le Medecin aux Urines, from Modes du Jour, early 19th century

Claude-Louis Desrais; Etcher: Fme. Monchy; Printer: Basset

Not on View

Le The a l'Anglaise, from Modes du Jour, early 19th century

Claude-Louis Desrais; Etcher: Florion; Printer: Basset

Not on View

Tab. II., from "Auserlesene Schnecken, Muscheln, und Andere Schaalthiere" (Selected snails, shells, and other shellfish), 1758

Franz Michael Regenfuss; Artist: after Gab. Miller

Not on View

Depart pour Frascati, c. 1794

Attributed to Claude-Louis Desrais; Printer: chez Chereau, rue St. Jacques pres la Fontaine St. Severin No. 2

Not on View

Plate 7, 1726

Peter Casteels III; Engraver: Peter Casteels III; Publisher: John Bowles & Son, Black Horse

Not on View

Scarabaeus Atlas, 1800

Edward Donovan

Not on View

Plate CCCXXIV, 1779-1792

R. P. Engramelle; Artist: M. Ernst; Artist: after Maria Eleonora Hochecker; Etcher: F. L. Swebach-Desfontaines

Not on View

The Umbrella Tree, 1731-1743

Mark Catesby

Not on View

Papilio Panthous, 1800

Edward Donovan

Not on View

Insects. 259., 1822 (?)

Edward Donovan; Publisher: Simpkins & Marshall

Not on View

Chrysis fasciata. Chrysis oculata. Chrysis splendida., 1798

Edward Donovan

Not on View

Papilio Priamus, 1800

Edward Donovan

Not on View

Papilio caudatus maximus Carolinianus (Antilochus), 1731-1743

Mark Catesby

Not on View

Papilio Coon. Papilio Agener., June 7, 1798

Edward Donovan

Not on View

Vue de la Place Vendome. Prise du Jardin des Tuilleries., early 19th century

Henri Courvoisier; Etcher: Dubois

Not on View

Vue du Chateau de Meudon. Prise du cote du Jardin., early 19th century

Henri Courvoisier

Not on View

Modes et Nouveautes, c. 1810-1821

Martinet Publishing Family

Not on View

A La Mode. 1828. Abroad, 1828

William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

Le gout de jour no. 5, c. 1810-1821

Martinet Publishing Family

Not on View

La societe litteraire, c. 1810-1821

Martinet Publishing Family

Not on View

Le premier pas d'un jeune Officier Cosaque au Palais Royale, c. 1821

Martinet Publishing Family

Not on View

Lady Cauchemar au cafe des mille colonnes, c. 1810-1821

Martinet Publishing Family

Not on View

P. ?imperateria, 1797

Sir James Edward Smith; Artist: John Abbot; Engraver: J. Harris

Not on View

Plate 14, 1775

Peter Brown

Not on View

Papilio Epius. Papilio Demoleus., 1798

Edward Donovan

Not on View

Plate 5, 1726

Peter Casteels III; Engraver: Peter Casteels III; Publisher: John Bowles & Son, Black Horse

Not on View

Title Frontispiece Page. Premiere Partie., 1779-1792

R. P. Engramelle; Artist: M. Ernst; Artist: after Le Sueur; Engraver: J. J. Juillet

Not on View

The Purple Martin, 1731-1743

Mark Catesby

Not on View

Insects. 293., 1822 (?)

Edward Donovan; Publisher: Simpkins & Marshall

Not on View

Anona maxima, foliis oblongis angustis. . .Phalaena magna ex rufo & albo varia Americana, 1731-1743

Mark Catesby

Not on View

Insects. 262., 1822 (?)

Edward Donovan; Publisher: Simpkins & Marshall

Not on View

Rana Terrestrio. Sarracena, 1731-1743

Mark Catesby

Not on View

Curculio Regalis. Curculio Palmarum, 1800

Edward Donovan

Not on View

Bison, 1731-1743

Mark Catesby

Not on View

The Four Eyed Night Butterfly, 1731-1743

Mark Catesby

Not on View

Phalaena Atlas, 1798

Edward Donovan

Not on View

Plate V, 1779-1792

R. P. Engramelle; Artist: M. Ernst

Not on View

Plate CXLVIII, 1779-1792

R. P. Engramelle; Artist: Maria Eleonora Hochecker; Artist: after Fossier et Kraul; Etcher: F. L. Swebach-Desfontaines

Not on View

Erste Luftreise des Marquis D'Arlandes/ und Pilatre de Rozier, late 18th century

Unknown German, 18th century

Not on View

The Parrot Fish, 1731-1743

Mark Catesby

Not on View

Red Wood, The Parrot of Paradise of Cuba, 1731-1743

Mark Catesby

Not on View

Plate CCCXXV, 1779-1792

R. P. Engramelle; Artist: M. Ernst; Artist: after Maria Eleonora Hochecker; Etcher: F. L. Swebach-Desfontaines

Not on View

Plate CLXVII, 1779-1792

R. P. Engramelle; Artist: Maria Eleonora Hochecker; Artist: after Fossier et Kraul; Etcher: F. L. Swebach-Desfontaines

Not on View

The Water Frog, 1731-1743

Mark Catesby

Not on View

Acacia foliis amplioribus, siliquis cincinatis.- Papilio diurna, prima, omnium maxima. Mouffet Plum, 1731-1743

Mark Catesby

Not on View

Plate 4, 1726

Peter Casteels III; Engraver: Peter Casteels III; Publisher: John Bowles & Son, Black Horse

Not on View

Hesperia Atymnus. Hesperia Macenas., 1798

Edward Donovan

Not on View

The Balsam Tree, 1731-1743

Mark Catesby

Not on View

Plate LIII, 1779-1792

R. P. Engramelle; Artist: M. Ernst; Etcher: J. J. Juillet

Not on View

Plate LXII. Suppl. VIII., 1779-1792

R. P. Engramelle; Artist: M. Ernst; Artist: after Fossier et Kraul; Etcher: J. J. Juillet

Not on View

Anguis, etc. Apocynum, etc., 1731-1743

Mark Catesby

Not on View

Insects. 312., 1822

Edward Donovan; Publisher: Simpkins & Marshall

Not on View

Insects. 274., 1822 (?)

Edward Donovan; Publisher: Simpkins & Marshall

Not on View

The Red Belly'd Woodpecker. The Hairy Woodpecker, 1731-1743

Mark Catesby

Not on View

Buprestis sternicornis. Buprestis chrysis. Aenea. 4 maculata., 1800

Edward Donovan

Not on View

The Summer Duck, 1731-1743

Mark Catesby

Not on View

Egaea's Butterfly 12, July 1, 1822

Edward Donovan; Publisher: Simpkins & Marshall

Not on View

The Pigeon of Passage (Palumbus Migratorius), 1731-1743

Mark Catesby

Not on View

Insects. 324., 1822 (?)

Edward Donovan; Publisher: Simpkins & Marshall

Not on View

The White Curlew, 1731-1743

Mark Catesby

Not on View

The Golden Wing'd Woodpecker, 1731-1743

Mark Catesby

Not on View

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