🔎 medium:"Hand-colored etching" | Mia

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Plate XXIII — Le Nenuphar rouge de la Chine, 1776
Pierre Joseph Buc'Hoz

Not on View

plate no. 15 — The Crested Jay, with Smilax, 1731-1743
Mark Catesby

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plate T 25 — Anthea quartus rondeletii, 1731-1743
Mark Catesby

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plate no. 15 — Small White Magnolia with Red Velvet Ant, 1731-1743
Mark Catesby

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Plate XXVII — Les Oeillets de la Chine, 1776
Pierre Joseph Buc'Hoz

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plate 90 — The Maho Tree. Phalaena fusca, 1731-1743
Mark Catesby

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plate no. 12 — The American Partidge, 1731-1743
Mark Catesby

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The Illumination of the Cross During Lent at Saint Peter's, Rome, Louis-Jean Desprez; Artist: Francesco Piranesi — The Illumination of the Cross During Lent at Saint Peter's, Rome, 1787
Louis-Jean Desprez; Artist: Francesco Piranesi

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T. 73 — Flamingo, 1731-1743
Mark Catesby

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T. 72 — The Bull Frog, 1731-1743
Mark Catesby

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plate T31 — The Angel Fish, 1731-1743
Mark Catesby

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plate 60 — The Bead Snake, 1731-1743
Mark Catesby

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plate T47 — The Blew-Bird, 1731-1743
Mark Catesby

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plate 91 — The Great Moth, 1731-1743
Mark Catesby

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Caricature — Le Grande Maitre de la Frisure a la Mode, c. 1770-1775
Unknown French [?], 18th century

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T.71 — The Green Tree Frog, 1731-1743
Mark Catesby

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plate II — Yellow Lily and Scarab Beetles, 1731-1743
Mark Catesby

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T.73 — Black Squirrel, 1731-1743
Mark Catesby

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plate 58 — The Wampum Snake, 1731-1743
Mark Catesby

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plate T17 — The Large Red-crested Woodpecker. Live Oak, 1731-1743
Mark Catesby

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plate no. 1 — Woodcock, 1731-1743
Mark Catesby

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Plate XXXIV — Le Pin de la Chine, 1776
Pierre Joseph Buc'Hoz

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Plate XXXI — La Harman, 1776
Pierre Joseph Buc'Hoz

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plate T27 — The Mock-Bird, 1731-1743
Mark Catesby

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T.76 — Blue Heron, 1731-1743
Mark Catesby

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T.75 — The Ground Squirrel, 1731-1743
Mark Catesby

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plate T46 — The Chatterer, 1731-1743
Mark Catesby

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plate no. 5 — Yellow and Black Pye, 1771
Mark Catesby

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on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored in dark green ink and the space behind him and on the far left is light green ink — Man in Front of the Door, 1922-1923
Walter Gramatté

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on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored with a stripe of pink and the door and parts of the background are in light green — Man in Front of the Door, 1922-1923
Walter Gramatté

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on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored with a stripe of pink and the door and parts of the background are green — Man in Front of the Door, 1922
Walter Gramatté

Not on View

on the right half of the image is a man in a coat holding a hat in one hand and raising the other to chest level; on the left half of the image is a staircase leading to a closed door; the figure is colored in green; the door is blue and parts of the background are in yellow — Man in Front of the Door, 1922
Walter Gramatté

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Title Page from Icones Plantarum Medicinalium, Joseph Jakob Plenck; Etcher: Jo. Ign. Albrecht — Title Page from Icones Plantarum Medicinalium, 1788
Joseph Jakob Plenck; Etcher: Jo. Ign. Albrecht

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Plate 61 from Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands, London, 1731-43 (3rd ed., 1771). — Magnolia grandiflora (The Laurel Tree of Carolina), c. 1743 (3rd ed. 1771)
Georg Dionysius Ehret; Etcher: Georg Dionysius Ehret; Publisher: Mark Catesby

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Shells — Plate B. II., from "Deliciae Naturae Selectae", 1750-1772
George Wolfgang Knorr

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Caricature — Can Such Things Be! and Overcome Us like a Summer's Cloud, without Our Special Wonder? Shady Retreats for Summer, or the/ Tip of the Ton!, September 4, 1827
Unknown English, 16th century; Publisher: T. Fairbourn , Broadway, Ludgate Hill, London

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Caricature — Le Lutrin de Village, c. 1770-1775
Unknown

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Title Page from A Select Collection of Humourous Engravings, Caricatures etc., Unknown English, 19th century — Title Page from A Select Collection of Humourous Engravings, Caricatures etc., 19th century
Unknown English, 19th century

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Monstrosities of 1822, George Cruikshank — Monstrosities of 1822, October 19, 1822
George Cruikshank

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plate T52 — The Crested Flycatcher, 1731-1743
Mark Catesby

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The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, 1807-1809
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Caricature — Les Anglais au Salon de 1814, early 19th century
Unknown French

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Caricature — Old Ways, and New Ways No. 2, early 19th century
Unknown English, 16th century; Publisher: Charles Tilt , 86 Fleet Street, London

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plate T33 — The Large Lark, 1731-1743
Mark Catesby

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Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., 1807-1809
Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

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Caricature — La vien venue./ Le debut de Mad.elle Chameroy en Paradis, early 19th century
Unknown

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No. 100 — Title Page, Vol. 4, Caricature Magazine/ by G.M. Woodward, Esq., fromThe Caricature Magazine, 1809
George Moutard Woodward; Etcher: Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

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plate T. 11 (Carolina Parakeet) — The Parrot of Carolina, 1731-1743
Mark Catesby

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Caricature — Buck's Beauty and Rowlandson's Connoisseur, January 1, 1800
Piercy Roberts; Artist: after Unknown British, 18th century; Publisher: William Holland , No. 50 Oxford Street

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plate T48 (northern or Baltimore oriole) — The Baltimore Bird, 1731-1743
Mark Catesby

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Monstrosities of 1821, George Cruikshank; Publisher: George Humphrey, London — Monstrosities of 1821, May 20, 1821
George Cruikshank; Publisher: George Humphrey, London

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Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, James Gillray — Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, May 23, 1802
James Gillray

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Plate 1; Caricature — Dos a Dos/ Accidents in Quadrille Dancing, from Quadrille Dancing, March 4, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Caricature in 2 parts — Plate 1, The Installation Supper as Given at the Pantheon by the Knights of the Bath, on the 26th of May, 1788, 1788
James Gillray

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Caricature in 2 parts — Plate 2, The Installation Supper as Given at the Pantheon by the Knights of the Bath, on the 26th of May, 1788., 1788
James Gillray

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Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, September 1, 1807
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Frontispiece. Vol. III, Rowlandson's Caricature Magazine, Vol. III, from The Caricature Magazine, Thomas Tegg , 111 Cheapside, London — Frontispiece. Vol. III, Rowlandson's Caricature Magazine, Vol. III, from The Caricature Magazine, 1808
Thomas Tegg , 111 Cheapside, London

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Caricature — Le Postulant, early 19th century
Unknown

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Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, 1808
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

Not on View

See P.17,373. The Conclusion of the 1st Vol. — Title Page, Vol. I, from The Caricature Magazine,/ Or/ Hudibrastic Mirror, September 1, 1807
George Moutard Woodward; Etcher: George Cruikshank; Publisher: Thomas Tegg , 111 Cheapside, London

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From original painting by H.W. Bunbury — A Barbers Shop, March 24, 1787
Henry William Bunbury

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plate 71; bird print — Chattering Plover, 1731-1743
Mark Catesby

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Caricature — A Dandy, 1818
S. W. Fores , No. 50 Piccadilly

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Caricature; No. 523 — Dilettanti-Theatricals: of a Peep at the Green Room. --vide, Pic-Nic-Orgies, February 18, 1803
James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

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Caricature No. 516 — Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, April 2, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 65 — Knave Wins All/ MODERN HOSPITALITY, or a Friendly Party in High Life..., March 31, 1792
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 578 — The Graces In a High Wind.-- a Scene taken from Nature, in Kensington Gardens, May 26, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

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The Macaroni Print Shop, Edward Topham; Publisher: Matthew Darly — The Macaroni Print Shop, July 14, 1772
Edward Topham; Publisher: Matthew Darly

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Caricature; No. 582 — A Barbers-Shop in Assize Time-- from a Picture painted by H.W. Bunbury, Esq., May 15, 1818
after Henry William Bunbury; Etcher: James Gillray; Publisher: George Humphrey, London , 27 St. Jame's St.

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A Cognoscenti Contemplating the Beauties of the Antique, James Gillray; Publisher: Mrs. Hannah Humphrey — A Cognoscenti Contemplating the Beauties of the Antique, February 11, 1801
James Gillray; Publisher: Mrs. Hannah Humphrey

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Plate 1; Caricature — The 1st Position, from The Dancing Lesson, Pt. 1, July 8, 1822
George Cruikshank; Publisher: George Humphrey, London

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The Pic-Nic Orchestra, James Gillray; Publisher: Mrs. Hannah Humphrey — The Pic-Nic Orchestra, April 23, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature, V2 — The Female Connoiseur, 1772
Matthew Darly

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Plate 2; Caricature — Vis a Vis/ Accidents in Quadrille Dancing, from series Quadrille Dancing, April 15, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Caricature No. 569 — La Walse, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

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Inconveniences of a Crowded Drawing Room, George Cruikshank; Publisher: George Humphrey, London — Inconveniences of a Crowded Drawing Room, May 6, 1818
George Cruikshank; Publisher: George Humphrey, London

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Caricature — The Ladies Contrivance/ Or The Capital Conceit, April 30, 1777
Matthew Darly

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Caricature, from Monstrosities of 1827, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1827, 1827
George Cruikshank; Publisher: George Humphrey, London

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Monstrosities of 1819, George Cruikshank — Monstrosities of 1819, November 29, 1819
George Cruikshank

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Caricature No. 413 — Two-Penny Whist, January 11, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature; No. 257 — The Union Club, January 21, 1801
James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

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Vis à Vis. Accidents in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Vis à Vis. Accidents in Quadrille Dancing, April 11, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Caricature, V6 — The Aurelian Macaroni, July 5, 1773
Matthew Darly

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Caricature No. 429 — A Peep at Christie's; --or--Tally-ho and his Nimeny-Pimeny Taking the Morning Lounge, September 24, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature — Monstrosity of 1829, 1829
H. Heath; Publisher: Si Gans , Southhampton Street, London

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Caricature, from Monstrosities of 1825 and 1826, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1825 and 1826, February 10, 1826
George Cruikshank; Publisher: George Humphrey, London

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Caricature — Very Unpleasant Weather, or the Old Saying Verified. "Raining Cats, Dogs and Pitchforks"!!!, April 27, 1820
George Cruikshank; Publisher: George Humphrey, London

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Caricature No. 568 — Les Invisibles, 1810
James Gillray

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Advantages of Wearing Muslin Dresses!, James Gillray; Publisher: Mrs. Hannah Humphrey — Advantages of Wearing Muslin Dresses!, February 15, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 415 — The Fashionable Mamma; or, the Convenience of Modern Dress, February 13, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 579 — A Little Music; or, The Delights of Harmony, May 20, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 432 — The Marriage of Cupid & Psyche, May 3, 1797
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature, V5 — The Botanic Macaroni, November 14, 1772
Matthew Darly

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Caricature — Monstrosities of 1816, Scene from Hyde Park, March 12, 1816
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Caricature No. 528 — A Broad Hint of Not Meaning to Dance, November 20, 1804
James Gillray; Artist: after Brownlow North; Publisher: Mrs. Hannah Humphrey

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A Rout, Isaak Cruikshank; Publisher: S. W. Fores — A Rout, February 26, 1790
Isaak Cruikshank; Publisher: S. W. Fores

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Caricature; No. 17 — Promenade du matin, Rendez-vous de la Course au Bois de Boulogne, from Modes du Jour, early 19th century
attributed to Claude-Louis Desrais

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Monstrocities of 1799, Scene Kensington Gardens, James Gillray; Publisher: Mrs. Hannah Humphrey — Monstrocities of 1799, Scene Kensington Gardens, June 25, 1799
James Gillray; Publisher: Mrs. Hannah Humphrey

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Les Graces. Inconveniences in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Les Graces. Inconveniences in Quadrille Dancing, April 9, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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A Desert [sic] Imitation of Modern Fashion, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — A Desert [sic] Imitation of Modern Fashion, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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