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circlet garland of fabric flowers, embroidered ribbon streamers

Woman's Headpiece, c. 1920s

Poland

Not on View
rectangular body with rounded corners on a slightly smaller base; round speaker with yellow dial below; three chrome knobs and chrome accented handles

Model AC74C radio, 1933

Serge (Sergius) Ivan Chermayeff; Manufacturer: Ecko Works, E. K. Cole, Ltd.

G379

Half-length portrait painted in 1763. Her auburn hair is brushed back from her forehead and tied at the back of her neck with a white satin bow. A small bouquet of blue and white flowers with a white gauze bow is pinned on top of her head. Her dark eyes are directed to the spectator. She wears an olive green silk dress, the neck cut low and trimmed with a narrow white muslin ruffle and a bow of white satin ribbon is fastened at her breast. The sleeves with three long ruffles of the same material as the dress are of elbow length with a ruffle of white muslin (taken from 'Checklist of Portraits of Children painted by Joseph Badger,' 1923).

Portrait of Abigail Gowen, 1763

Joseph Badger

G331

Half-length portrait of a woman.

Portrait of Mary Croswell, 1763

attributed to Joseph Badger

G331

beading and sequins overall; central turquoise drum in front of a gold platform, with an old man with white hair and beard wearing gold pants and a black shirt with green leaves and vines assisting a woman wearing a white hat and blue dress with moons and starts onto the platform; musicians at left and right; man in red knickers and gold shirt playing maracas and man in green pants and black and red shirt playing a lute at right; man in dark blue suit playing an accordion, man in white pants at red shirt with leaves seated on and playing a box-shaped percussion instrument, and man in black tank top playing a harmonica at left; large brown element at top; multicolored beads on border, with symmetrical pattern of maracas, conical horns, and lutes; outer fabric border of patterned khaki, grey, and white fabric, with gold sequined trimming

Bal Kontredans, 2021

Myrlande Constant

G255

Toile, fregment, printed in rose with scenes of children at play, sepereated by large leafy branches. Backed with cotton, lined with cotton batten, and quilted in lozenge design.

Toile Fragment, 19th century

France

Not on View
Toile, fragment, printed in rose with a scene representing a poet(?) reading to a woman seated at a table laden with fruit, etc. A group of women, one playing a lyre, and a boy holding a large dog, surround the central figures. Faded and torn; pathched in spots.

Toile Fragment, 19th century

France

Not on View
rectangular radiating blocks; one black in one corner has I-shape at center; corduroy front and back; tan, browns, pale green, red, and orange; brown backing; Velcro heading band

%C2%A9 Lola Pettway %2F Artists Rights Society %28ARS%29%2C New York

"Housetop" variation quilt, 1970s

Lola Pettway

Not on View
Toile, fragment, copper plate print in rose, from Le Carrousel design. The motif is a flower-filled urn on a vine-clad, trellised balustrade. On the face if the column on which the urn stands is the monogram in a lozenge shield. Below and to the left, clumps of leafy branches.

Toile Fragment, c. 1800

France

Not on View
Chair cover of red k'ossu , of the same color and design as 42.8.198, and the mate to it.

Chair Cover, Kangxi period, 1662-1722

China

Not on View
Toile, fragment, printed oin rose, shoowing one motif of Henri V charging on horseback. Printed fabric.

Toile Fragment, 19th century

France

Not on View
Toile, fragment of mauve medallion, showing another motif of the design on 40.23.20. A cavalier, standing under a spreading tree, eavesdrops on the conversation of two women sitting on a raised platform with a latticed wall at the back. Piece patched at lower right.

Toile fragment, c. 1815

France

Not on View
rug, Oriental; beige background, blue and white geometrical designs; eleven borders, missing end borders; rare; condition poor, very worn, per Alice Best Rogers

Oriental rug, 19th century

Turkey

Not on View
Mat, Samarkand type, small, with one large floral medallion in center and a smaller one below it. Gold field scattered with flowers in profile and stiff vines. Three borders, the outer one plain red, the inner ones carrying the Greek meander on red grounds. Two guard stripes, one black and one pale blue separate the borders. Side sovercast in red wool; one end finished with short web and twisted warp fringe. The other has a short fringe of warp threads. Warp cotton; woof cotton. Senna knot.

Mat, 19th century

Turkey

Not on View
No. 2435; covered with silver fabric spiral sewn, yellow laces and leather fins

"25th Century A.D. Buck Rogers Rocket" football, 1935

Edward K. Tryon Company

Not on View
standing unisex figure, head adorned with tall, rounded headdress; face is simple with flat, white porcelain eyes, a small carved nose, and a mouth somewhat obscured by round, fabric pouch under chin, which ties at back of neck; figure's abdomen is covered by protruding cylinder with mirrored-front; figure's legs and feet are carved directly into a circular base; overall color of piece is the brown of clay in which it is encrusted; however, there is some red in the fabric piece tied at neck

Power figure, early 20th century

Sundi

G250

Columnar bundle of clothing (primarily denim) and other textiles, tied together in a bundle with black and white ribbon; fabrics are predominately blues and purples; mirror on one side decorated with black organic lines; rectangular wooden base partially covered with various fabrics and trims including denim and dripping purple pigments on one side; copper colored metal pendant in a type of dreamcatcher form with a crystal on one side, hanging from twisted black ribbon and yarn

%C2%A9 Shinique Smith

Bale Variant No. 0024 (Everything), 2017

Shinique Smith

G374

3 vertical bands (2 tan bands flanking a maroon band) separated by blue, red and white plaid stripe; floral sprays in blue, pink, green, yellow and white in bands

Shawl fragment, 19th century

Iran

Not on View
Geometric designs in brown, white, rust, blue, orange, green pink and red; background of central section in white with background in border in brown; 2 pieces sewn together lengthwise

Kilim, 18th century

Turkey

Not on View
3 separate textile fragments cut on the diagonal from UL to LR; vertical bands of alternating white and maroon; geometric designs in black, red and blue on white band; floral sprays in white, blue, yellow, green and orange on maroon bands. Woven fabric

Bias Cut Fragments, 19th century

Iran

Not on View
Shawl, printed in colors on fine cream-colored wool. Central panel of interlocking pear-motifs and trailing floral sprays on dark blue ground edged with border of pear-motifs filled with floral vines and geometric designs on red ground. Narrow outer border of running flower and vine pattern. Narrow blue borders at ends with remains of twisted blue silk fringe. Shawl badly worn and torn in center and borders. Printed fabric.

Shawl, early 19th century

England

Not on View
continuous weft patterning; variations on diamond patterns in black, red and natural ecru

Ceremonial Shawl, 20th century

Myanmar (Burma)

Not on View
light brown vertical stripes with light gold horizontal checkerboard-like patterns; joining seam is flat felled seam

Man's Longyi, mid 20th century

Myanmar (Burma)

Not on View
sash-like garment with fringe on short ends; red, black, yellow and turquoise; geometric design with stripes and X's

Shawl, 20th century

Chakma

Not on View
warp face, dark brown with beige stripes running the length; thin lines of color in beige stripes

Women's skirt, 20th century

Tang Khul Naga

Not on View
sleeveless, with V-neck in front and back; blue body with stripes at sides and center in rust, yellow and green; geometric designs at hem

Woman's Blouse, 20th century

Kachin

Not on View
warp face, plain weave; red with black edges through length; two white stripes run the length dividing the design into thirds

Woman's skirt, 20th century

Tang Khul Naga

Not on View
warp face, plain weave with some embroidery; four black stripes run the length on a beige ground; brown and black patterned edge; black/red diamonds in center

Woman's wrapper, 20th century

Tang Khul Naga

Not on View
brocade; white with four blue stripes running through the length with six sections of brocade design, perpendicular to blue stripes; fringe on one end

Woman's wrapper, 20th century

Tangkhul Naga

Not on View
four black stripes run the length near edges; central portion light beige with six small designs, scattered

Woman's wrapper, c. 1975

Naga

Not on View
fabric covered multi-pocket folding thread container; front cover is printed fabric, printed with the words, "fragrant MEMORIES"; fabric covers on small inner pockets, painted (?); eleven compartments in all--largest (center) compartment contains multicolored threads in two sizes

Embroidery and Thread Case, Date Unknown

Miao

Not on View
Twill weave with horizontal striae. Natural Natural Twill

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Haitian Primitive Twill, 1972

Larsen Design Studio, New York; Mill: Artisanat Haitien de Tissage Manuel S.A.; Producer: Jack Lenor Larsen, Inc.

Not on View
printed in black and white; mounted on masonite with staples or tacks

Print sample, 1951

Philippines

Not on View
Plain handwoven heavy silk dual. Olive green. Eucalyptus

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jim Thompson

Shan, 1971-1990

Jim Thompson; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Handwoven horiz. 2" wide stripes Red & black. Poinsettia

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Dona Raquel Vivas

Doria Stripe, 1971-1986

Dona Raquel Vivas; Mill: Penaranda; Producer: Jack Lenor Larsen, Inc.

Not on View
vertical pattern, black and linen color stripes; complex flat weave; ends machine overcast; finished by company as display panel

%C2%A9 Nuno Corporation %2F Basho 80 Stripe%2C Reiko Sudo%2C 1987

Basho 80 Stripe, 1987

SudĹŤ Reiko; Manufacturer: Nuno Corporation

Not on View
two layered weaves sliced apart unevenly to create an edgy counter grain look; black velvet with blue serged ends

%C2%A9 Nuno Corporation %2F Nervous Velvet%2C Reiko Sudo%2C 1992

Nervous Velvet, 1992

SudĹŤ Reiko; Manufacturer: Nuno Corporation

Not on View
backrest and arm of a dark brown Queen Anne style chair in LRQ; golden-yellow wall; window with grey colored panes

%C2%A91974 Helena Hernmarck

Chair, from Lunning Farm Triptych, 1974

Helena Hernmarck

Not on View
weave type (?) red ground with lozenge pattern throughout; 2 vertical bands of brown with 3/4 in. patterning down center and heavier patterning at top and bottom

Panel, 20th century

Myanmar (Burma)

Not on View
Llacolla, alpaca, silk Bolivia, Bolivar region, 19th century; brown monochrome rectangular cloth

Llacolla, 19th century

Bolivia

Not on View
white two-paneled cotton pants, woven; white cotton drawstring

Man's Pants, c. 1980

Tzotzil Maya

Not on View
red striped, with stripes in purple, dark and light green, blue and light blue, yellow, orange, peach, pink and indigo blue with ikat designs; sleeves, cuffs and collar woven apart and sewn to main body

Saint's Shirt, c. 1975-1980

Maya

Not on View
Striped sash with 4 selvedge ends; purple, green, blue warp stripes, all of them with small white warp stripes simulating a checkerboard effect; multicolored stripes are intercepted with red stripes.

Man's sash (Faja), c. 1965

Kaqchikel Maya

Not on View
standing elephant with a small man riding in box on elephant's back; red blanket

"Elephant Howdah (Man Pops Out)" mechanical bank, c. 1880

Enterprise Manufacturing Company

Not on View
rectangular-shaped box bank in blue, gold and black; triangular hanger on top rear; slot on top; flips open with a hinge; scenes of Holland on sides and back; Dutch writing on all 4 sides; gold 6-pointed star, center front; fabric lines coin slot

"Het Apeldoornsche Bosch" still bank, c. 1940s

Bekkers Dordrecht

Not on View
blue cloth with embroidered map; green stitching representing continents; pink and orange stitching form linear pattern over map

%C2%A9 Courtesy of the artist and Tyler Rollins Fine Art%2C New York

Reconstructing an exodus history: flight routes from camps and of ODP cases, 2017

Tiffany Chung

Not on View
four panels joined to form skirt; alternating bands of varying colors red, yellow, blue, red, green, pink and white and varying band widths; panels not lined up to match pattern on each

Skirt, 20th century

Tibet

Not on View
loosely woven plain weave of tan linen with integrated warp-twined strands of wool, in blues, cream and greens

%C2%A9 Nobuko Kajitani

Length, 1969

Kajitani Nobuko

Not on View
panel with three sides which have fringe; pile design, criss-cross pattern at angles, full border around design at two adjoining sides, third longer side has thin partial border; reddish coloring in central field, cinnabar. Surface ornamentation (Dyed)

Panel, 20th century

Democratic Republic of Congo

Not on View
Square shawl, patchwork, of hand-loom woven pieces with inserted scrolls of black and white and river design in border. Field carries pattern of large cones and arabesques converging on the shaped central panel. Inner border has running flower and leaf design. Outer border embroidered. Fringed edges. #9 in Exhibition.

Shawl, 19th century

India

Not on View
medium blue scarf with purple and light blue mixed in; fringe on each short side; wrap-spun with rayon which was chemically removed. Woven fabric

%C2%A9 Yoshitaka Yanagi

Scarf, c. 1960

Yoshitaka Yanagi

Not on View
olive green, purple, maroon, tan and white stripes of various widths; plain weave

%C2%A9 Olga de Amaral

Pillow, 1990

Olga de Amaral

Not on View
1/2 purple plaid and 1/2 green plaid against tan ground; chenille

%C2%A9 Olga de Amaral

Pillow, c. 1990

Olga de Amaral

Not on View

Shawl, mid 19th century

France

Not on View

Hudson at Sunset, 19th century

Joseph Pennell

Not on View
Priest Robe, mulberry and gold brocade with four small squares of light blue and gold brocade set in.

Buddhist priest's robe (kesa), 18th century

Unknown Japanese

Not on View
small figure seated on a velvet covered hat stand. Figure is dressed in laces, wears white hair, holds small ribbon with two candles. All in white with dried flowers twined around base.

%C2%A9 Carol Ann Smith

Frost, 1980

Carol Ann Smith

Not on View
2 strips sewn together; overall design of central black rectangle bordered with solid pink at top and bottom and variegated pink, black and tan stripes at short ends

Woman's shawl, 20th century

Hazara

Not on View
paisley shawl; embroidered on fine wool in shades of blue with red, green, and yellow; plain center

Shawl, 19th century

Scotland

Not on View
Altar apron; made of two pieces, bottom piece cut dark red velvet with large dragon in center; top, cut dark blue velvet background with dragon and geometric border.

Altar Apron, 1368-1644

China

Not on View
Chiné piece of velour sabré; pink, blue and green floral motif on a gold background

Chiné piece, late 19th-early 20th century

France

Not on View
beige silk pants with drawstring; go with tunic (97.189.55)

Pants, 20th century

India

Not on View
all mounted, covered in glass

Fan leaves, 19th century

China

Not on View
repeating horizontal pattern of nude heads and torsos, some with arms raised, with black benday dots; cream fabric

Woodstock, c. 1970

United States

Not on View
5 horizontal bands with multicolored woven geometric designs; alternating black and pink stripes on back; twisted white, pink and black threads form tassels with beaded ends at corners for tying

Breast cloth, 20th century

Khami or Mru

Not on View
woven fabric; open weave in geometric motif; natural, orange, green, yellow, white

Shirt fabric, early 20th century

Indonesia

Not on View
Panel of mustard yellow cut and uncut velvet brocade of armorial and rampant lion design, edged with gold braid and bordered with plain mustard yellow velvet.

Panel, 17th century

Spain

Not on View
orange silk pants; go with tunic (97.189.53)

Pants, c. 1920

India

Not on View
Rug, large, with magenta field on which are naturalistically drawn animals, and variations of the Shah Abbas design. The Shah Abbas pattern is also used in the main border stripe which has an ivory ground. Ends finished with a web doubled under and overcast. Sides have an added selvedge. Thick pile. Senna knot.

Rug, 19th-20th century

Iran

Not on View
woven fabric; stripes of abstract, geometric floral motifs alternating blue, white, red, rust and orange grounds; patterns in same colors plus orange, ocher; cording on corners

Ajemi (sash), 1895-1900

Iran

Not on View
one half coverlet of white linen threads and blue and white squares in center and wavy lines for border.

Coverlet fragment, 19th century

United States

Not on View
silk, gray, orange and white floral and meandering lace patterns

Panel, c. 1755

Not on View
weave type (?) red ground with multi-colored patterning (zig-zags at outside edges and lozenge at center); 2 vertical brown bands; braided cords at 4 corners

Panel, 20th century

Myanmar (Burma)

Not on View
purple, rust, orange and cream Art Deco design; circles, triangles and squares; dark grey on reverse

Panel, c. 1923

France

Not on View
multi-colored design of blues and purples on green

Panel, 20th century

France

Not on View
warp and weft-float weave surfaces in unraveled red traded wool; warps discontinuous; native ramie foundation; red with thin blue stripes at various intervals; vertical white stripe trimmed in blue on approximately 3/4 of fragment

Shirt Fragment, 19th century

Taiwan

Not on View
paisley shawl, silk and wool, cream colored center with border in reds, blues and greens, fringed.

Shawl, 19th century

Scotland

Not on View
6 separate textile fragments cut on the diagonal from UR to LL; vertical bands of alternating white and maroon; geometric design in blue, green and pink on white bands; floral sprays in white, blue, orange and green on maroon bands. Woven fabric

Textile fragments, 19th century

Iran

Not on View
red wool belt woven with balanced weave and gathered at one end with thick braid; short gathered tie at opposite end

Woman's sash, 20th century

Tojolabales Weavers

Not on View
red woolen belt with green stripes; 8 braids at end end which are joined together and attached to a single braid in red and green

Woman's Belt, c. 1988

Tzotzil Maya

Not on View
white two-paneled shirt with extra woven attached sleeves with white, purple and red stripes; cotton panels sewn together with red thread; neck is pleated, with sleeve material pulling pleats together; cord hangs on both ends

Man's Shirt, 1980

Tzotzil Maya

Not on View
Navy tube skirt with sewn seam; 7" bands of pink, beige and navy striped designs near the top and bottom of skirt.; 3 bands of stripes and pattern in center area of navy and light blue.

Skirt, 1950

Laos

Not on View
Tightly woven tube skirt with seam; color is navy with 3 bands of stripe and pattern in off-white and pink; one band is 14: wide and the others are 3.5".

Skirt, c. 1950

Laos

Not on View
natural linen warp with tan and ecru silk weft producing wide stripes; weft is loosely woven to show linen warp between each silk shot

%C2%A9 Cowtan %26 Tout%2C Inc.

Windswept, 20th century

Cowtan & Tout, Inc.

Not on View
Handwoven with horizontal stripe. Brown & natural. Brown Striae

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Haitian Primitive Plain, 1968-1986

Larsen Design Studio, New York; Mill: Artisanat Haitien de Tissage Manuel S.A.; Producer: Jack Lenor Larsen, Inc.

Not on View
two-paneled red cotton shirt; red background is intercepted with five light green, white, light green, yellow, light green stripes

Saint's Shirt, c. 1965

Maya

Not on View
white cotton blouse; lace decoration applied on neckline, breast and sleeve edges; appliqued braid

Blouse, 20th century

Tzotzil Maya

Not on View
striped red blanket with knotted fringe at two ends; stripes are black and pink; stitched 4" wide bands at both ends with fringe; bands are green and white; seven central bands, approximately 18" long, of multicolored stitching in an X pattern in center of blanket

Blanket/ wrapper?, 20th century

Tangkhol

Not on View
long wide red woolen sash with blue/green tin stripes; 8 braids of fringe on each end, gathered together with one long braid

Woman's sash, c. 1970

Tzotzil Maya

Not on View
Striped faja mauve, red, green, blue, white, pink.

Man's sash (Faja), 1910-1920

Maya

Not on View
blue and white horizontal-striped skirt with a dark blue waistband; bottom trip (approximately 7") has patterns in red and white and black with lines, chevrons and diamonds

Thai skirt, 20th century

Daeng

Not on View
Two panels sewn together - stripes black, green, white, brown with two chevron stripes.

Man's wrapper, 20th century

Thako

Not on View
metal rectangular box bank with printing on two sides; third side has a key with pictures of spiders and webs fourth side has door to coin container; top has plastic skeleton head with a piece of felt covering a skeleton hand

"Coffin Bank" mechanical bank, 20th century

Yone

Not on View
White background with red and blue weft stripes on both ends, macrame work at ends, with fringe in red, green, blue.

Woman's tzute, c. 1960

Poqoman Maya

Not on View
White background with blue weft striped sections on both ends and in the center; white twisted warp fringe on both ends.

Woman's tzute, c. 1960

Poqoman Maya

Not on View
astract image; mostly square, rectangle, and triangular shaped torn pieces of paper and fabric in muted tans, pale orange, greys, creams, and some collage elements with drips and lines of black and blue ink; in white shadowbox frame

%C2%A9 Estate of Anne Ryan

Untitled (No. 708), 1953

Anne Ryan

G369

thin tubes of multicolored fabric forming an oblong shape, braces by thin black pieces of fabric at sides; thicker shape at bottom in blue fabric with lace on it, and a pink flower; red and blue entwined tubes of fabric at PL; green fabric with a black flower in C

The Ninth, from Torções series, 2019

Sonia Gomes

G255

Frank Lloyd Wright Hallway, c. 1912-1914

Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Cushions and curtains to the Hallway from the Little House, c. 1915

Frank Lloyd Wright

Not on View
wall hanging made of strips of cloth, with hanging cords, cloth, strings of beads, and tassels, and several globes made of wire

%C2%A9 Igshaan Adams

I was a hidden treasure, then I wanted to be known..., 2016

Igshaan Adams

Not on View

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