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National Holiday on the Boulevard de Clichy, 1878

FĂ©lix Buhot

Not on View

The Passage, 1879-1885

FĂ©lix Buhot

Not on View

Landing in England, 1879

FĂ©lix Buhot

Not on View

Moonrise at Dinard, 1891

FĂ©lix Buhot

Not on View

Port with Seagulls, 1886

FĂ©lix Buhot

Not on View
printed with essence of turpentine

Near Gravesend, Remembrance of the Thames, c. 1880-1881

FĂ©lix Buhot

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Little Dog with Ball, c. 1930

Clara Gardner Mairs

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Little Dogs and Ladder, 20th century

Clara Gardner Mairs

Not on View

Bataillon en marche, 19th century

Pierre-Georges Jeanniot

Not on View
publisher: Sagot, Paris, 1899

A Beggar, 1899

Edgar Chahine

Not on View

Wayfarers, 1899

Edgar Chahine

Not on View
matted with P.1,906

Hermangarde's Lament, from "An Old Mistress", c. 1874-1880

FĂ©lix Buhot

Not on View
image of two buildings on a ledge rendered in gold-colored pigment against a dark blue sky; left building resembles a tower with a green slanted roof, green flag at top, and square windows moving up tower to top; right building is a small red house with a slanted roof; dark shading around bottom of both buildings

%C2%A9 Miyamoto Noriaki

Old Memory, 2015

Miyamoto Noriaki

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Minotaure aveugle guidé par une fillette, III, 1934

Pablo Picasso

Not on View

%C2%A9 Steven Beyer

Dissolution, 1981

Steven Beyer

Not on View

A Couple of Sweethearts, 1901

Edgar Chahine

Not on View

The Owl, 1883

FĂ©lix Buhot

Not on View
caricature; plate 20

Doctor Syntax. Rural Sport., February 1, 1815

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature; plate 26

Dr. Syntax/ At Covent Garden Theatre, August 16, 1813

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature; plate 27

The Doctor's Dream, February 1, 1815

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature; plate 8

Doctor Syntax Pursued by a Bull, February 1, 1815

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature

The Rev. Doctor Syntax, May 1, 1812

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature

Art of Scaling, November 5, 1792

Thomas Rowlandson; Etcher: Samuel Alken; Publisher: Messrs Fores, London

Not on View
caricature; plate 5

Doctor Syntax/ Disputing His Bill with the Landlady, February 1, 1815

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature; plate 29

Doctor Syntax/ Taking Possession of His Living, August 16, 1813

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature; plate 25

Dr. Syntax and Bookseller, February 1, 1815

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature; plate 16

Quae Genus With A Portrait Painter, September 1, 1822

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
caricature; plate 5

Dr. Syntax with a Blue Stocking Beauty, November 1, 1820

Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View
man half lying on cloth; group of people surrounding him; man holding torch behind him; man attending to wounds at left; women background left and right

Saint SĂ©bastien, 18th century

Comte de Caylus; Woodcutter: Nicolas Le Sueur; Delineator: After Daniel Saiter

Not on View
two soldiers with rifles surrounded by skulls and bodies

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Die Sappenposten haben nachts das Feuer zu unterhalten (The Trench Sentries Must Maintain the Fire During the Night), plate 48 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
head and torso of man with large wounds on head on PR side, PR eye, chin, PR side of neck, chest and PR hand and arm

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Sterbender Soldat (Dying Soldier), plate 26 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
seated soldier eating from a can at L; parts of skeleton at R

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Mahlzeit in der Sappe (Lorettohöhe) (Mealtime in the Trenches [Loretto Heights]), plate 13 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
heads of two corpses, partially decomposed; body at R wears dog tag

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Tote vor der Stellung bei Tahure (Corpses Before the Position near Tahure), plate 50 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
fence posts and barbed wire, impaled with bodies and body parts

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Totentanz anno 17 (Höne Toter Mann) (Dance of Death, the year 17 [Dead Man's Hill]), plate 19 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
head of a dead man with tongue hanging out, wound to PL cheek and head wound on PR side, with brains spilling out

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Toter (St. Clément) (Dead Man [St. Clément]), plate 42 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
abstracted city landscape with black night sky; thin, dark man with wild eyes and bared teeth in LRC

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

NĂ€chtliche Begegnung mit einen Irrsinnigen (A Nocturnal Encounter with an Insane Man), plate 22 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
two seated dead men; man on L has lost his PR hand; man on R has dislocated PL leg and has lost his lower jaw

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Gesehen am Steilhang von Cléry-sur-Somme (The View from the Precipice of Cléry-sur-Somme), plate 28 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
bunks in background with three sleeping men; two men play cards in middle ground; thin shirtless man at L

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Unterstand (Fox Hole), plate 45 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
standing woman at center in a dark dress; man, holding his hat in his PR hand, looks very closely at woman's face with a small lens in his PL hand; two seated women in background

Ni asi la Distingue (Even so he cannot recognize her), from Los Caprichos, 1799

Francisco José de Goya y Lucientes

Not on View
dove standing on the head of a crying clown; numbers 6102305 below clown

%C2%A9 Estate Mauricio Lasansky

Kaddish 5, 1978

Mauricio Lasansky

Not on View

Robert Besnard (1881-1914) and His Donkey, 1888

Albert Besnard

Not on View
matted with P.1,907

Ryno and Hermangarde, from "An Old Mistress", c. 1874-1880

FĂ©lix Buhot

Not on View
Woman holding an axe while defending a steer from a lion attack

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Casi ro Lion, c. 1969

Francisco Toledo

Not on View
Plate 8

Los ensacados (The Men in Sacks), 1816-1819

Francisco José de Goya y Lucientes

Not on View

Caida de un Picador de su Caballa Debajo de Toro, plate 26 from Tauromaquia, 1816 (1876 edition)

Francisco José de Goya y Lucientes

Not on View
Plate 15

Sin Recomendarse A Dias Ni Al Diablo, 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 16

Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker Than Hasty Words), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 18

Dios Los Crio y Ellos en Junten, 1816-19 (published 1864)

Francisco José de Goya y Lucientes

Not on View
five soldiers wearing gas masks

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Stormtruppe geht unter Gas vor (Storm Troopers Advance under a Gas Attack), plate 12 from Der Krieg (War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View

%C2%A9 Paul Rotterdam

Minnesota II, 1981-1982

Paul Rotterdam

Not on View
Plate 11

Two Heads Are Better Than One, 1816-1819

Francisco José de Goya y Lucientes

Not on View

Mort de Pepe Illo (2nd compostion), plate E from Tauromaquia, 1816 (1876 edition)

Francisco José de Goya y Lucientes

Not on View
Plate 75

Charlatan's Show, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
bullfighter pulling on bull's PR horn and tail; two men standing at right

El Mismo vuelca un Toro en la Plaza de Madrid, plate 16 from Tauromaquia, 1816

Francisco José de Goya y Lucientes

Not on View
Vertical yellow lines along R side; green circle near top center with blue lines and shapes below; one vertical brown and blue streak along L side; small green and red spot at bottom center; flat profile, natural hardwood frame

%C2%A9 Estate of Helen Frankenthaler %2F Artists Rights Society %28ARS%29%2C NY

Sunshine after Rain, 1987

Helen Frankenthaler; Publisher: 2RC Edizioni d'Arte, Rome

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Black-Necked Stilts, 1965

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Scarlet Tanager, 20th century

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Carolina Wren, 1965

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Yellow-billed Cuckoo, 1951

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Meadowlark, 20th century

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Red-breasted Nuthatches, 1966

Maurice R. Bebb

Not on View

Frontispiece for 'L'Illustration Nouvelle', 1877

FĂ©lix Buhot

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Blackburnian Warbler, 1954

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Avocet, 1953

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Rose-breasted Grosbeak, 1954

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Green-winged, 1970

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Yellow-headed Blackbirds, 1957

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Yellow-billed Cuckoo, 1951

Maurice R. Bebb

Not on View
plate 33 from Los Caprichos (second edition)

Count of the Palate, c. 1855

Francisco José de Goya y Lucientes

Not on View
Plate 7

Disparate desordenado (Disorderly Folly), 1864

Francisco José de Goya y Lucientes

Not on View
Plate 12

Disparate allegre (Merry folly), 1816-1819

Francisco José de Goya y Lucientes

Not on View
sketchy image of figures with oversized caricature heads including President Bush, Condoleeza Rice and other political figures; four severed heads at bottom; man's head on dog's body at bottom left of center; dark ground; red stamp in bottom margin at center of bloodshot eye inside a triangle and earth

%C2%A9 Enrique Chagoya

Loyalty, 2003

Enrique Chagoya; Publisher: Segura Arts Studio, South Bend, Ind.

Not on View
soldiers in camouflage with large pairs of wings, floating in black space; each soldier accompanied by a missile, with frontmost soldier at left straddling missile; plane in URC; stamp in black and maroon in lower margin at center of oil well spouting two large drops

%C2%A9 Enrique Chagoya

A Way of Flying, 2003

Enrique Chagoya; Publisher: Segura Arts Studio, South Bend, Ind.

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-C, 1983

Adja Yunkers

Not on View

%C2%A9 Wayne Thiebaud %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Shoe Rows, 1979

Wayne Thiebaud; Printer: Stephen Thomas at Crown Point Press, San Francisco; Publisher: Parasol Press Ltd., New York

Not on View

%C2%A9 Estate Malcolm H. Myers

The Gay Cavalier, 1998

Malcolm H. Myers

Not on View
top image: cream ground with splatter spots of different sizes in black; bottom image: x-ray image of shoulder

%C2%A9 Terry Winters

Untitled (plate 6), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: abstract image of two curved and looping black lines with black dots along lines; thinner, light curves and lines on grey background; bottom image: x-ray image of hip joint

%C2%A9 Terry Winters

Untitled (plate 11), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: abstract image; two groups of concentric circles, one above the other, with arcing lines on top of them; grey ground; bottom image: x-ray image of elbow or knee joint

%C2%A9 Terry Winters

Untitled (plate 12), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: circle with black spots; large black oval at bottom of circle; smaller black circle outline at bottom, right of center; bottom image: x-ray image of elbow

%C2%A9 Terry Winters

Untitled (plate 8), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: dark grey hexagon and square; hexagon made up of triangles with black dots at their corners; square has irregular black dots and lines; light grey ground with some black spots and lines; bottom image: x-ray image of hand

%C2%A9 Terry Winters

Untitled (plate 10), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: abstract image; black circle with slightly irregular hexagon shapes, honeycomb fashion, inside; grey ground; bottom image: x-ray image of knee joint with kneecap at right

%C2%A9 Terry Winters

Untitled (plate 13), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: abstract image; outline of rounded form with three lobes on top; black spots on form; grey ground; bottom image: x-ray image of knee

%C2%A9 Terry Winters

Untitled (plate 7), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: sphere made of triangular forms with white lines and black dots where corners meet; grey sketchy ground; bottom image: x-ray image of shoulder

%C2%A9 Terry Winters

Untitled (plate 5), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: cartoonish flower form in greys; bottom image: x-ray image of ribcage and spine

%C2%A9 Terry Winters

Untitled (plate 4), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: abstract image of dark concentric circles against grey ground; bottom image: x-ray image of skull and neck

%C2%A9 Terry Winters

Untitled (plate 2), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: abstract image; dark grey circles filled with irregular geometric shapes; dark grey mottled ground; bottom image: x-ray image of foot

%C2%A9 Terry Winters

Untitled (plate 14), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: abstract image; grey and black concentric ovals at top center, with black curved shapes in URQ of circles; black organic forms behind and below circles; dark ground; bottom image: x-ray image of skull and neck, facing right

%C2%A9 Terry Winters

Untitled (plate 3), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
top image: dots radiating from two open, undefined circular forms; dots connecting between two forms at center--similar to image of cells dividing; splotchy grey ground; bottom image: x-ray image of bent elbow

%C2%A9 Terry Winters

Untitled (plate 9), from "Fourteen Etchings", 1989

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
slightly abstracted image; lion tamer at right with chair, with lines and decorations on his face and rather undifferentiated, rippling body; male lion seated at left; lioness lying at bottom of image

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Leon (Lion), 1970

Francisco Toledo

Not on View
Four bulls with legs splaying, seemingly superimposed on top of each other; reddish-brown ink on tan paper; plain dark ground. Unsigned

Al toro y al aire darles calle (Make Way for Bulls and Wind), unpublished plate from "Los Proverbios" (The Proverbs), c. 1824 (published 1877)

Francisco José de Goya y Lucientes

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Monarchs, 1959

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Bluebirds, 1957

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Black-capped Chickadee, 1968

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Screech Owl, 1969

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

White-throated Sparrow, 1957

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Yellowthroat, 1952

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Baltimore Oriole, 1955

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Mallard, 1970

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Bob-Whites, 1971

Maurice R. Bebb

Not on View

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