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The Rat-Poison Peddler, 1632

Rembrandt Harmensz. van Rijn

G344

rare proof

Robert Besnard (1881–1914), Little B of Villerville, 1884

Albert Besnard

Not on View

The Invention of Drawing, 1773

Jean-Pierre Norblin de la Gourdaine

Not on View
head of an older man with a thick wavy beard, wearing a turban made of swirling lines, with his head turned toward PL

Head of a Turk, wearing a turban, with a beard, in three-quarter view, plate 23 from "I principii del disegno" (The Principles of Design), c. 1641

Stefano della Bella; Publisher: Pierre Mariette I

G325

Art %C2%A9 Jon F. Anderson%2C Estate of Paul Cadmus %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

YMCA Locker Room, 1934

Paul Cadmus

Not on View

The Besnard Family, 1890

Albert Besnard

Not on View
son of artist

Robert Besnard (1881-1914) in Profile, 1886

Albert Besnard

Not on View

Robert Besnard, Age 9 1/2, 1891

Albert Besnard

Not on View

The Breakfast, from "Woman", 1885-86

Albert Besnard

Not on View

The Two Turkish Merchants, 17th century

Stefano della Bella

G325

The Galley Slave, 17th century

Stefano della Bella

G325

The Flight into Egypt (altered from Tobias and the Angel by Hercules Segers), 1653

Rembrandt Harmensz. van Rijn; Artist: Altered from a plate by Hercules Seghers

G344

The Artist Drawing from a Model, unfinished plate, c. 1639

Rembrandt Harmensz. van Rijn

G344

nude woman with round face and full figure, turned to PR, with legs in a pool; foliage behind woman

Diana at the Bath, c. 1631

Rembrandt Harmensz. van Rijn

G344

The Triumph of Mordecai, c. 1641

Rembrandt Harmensz. van Rijn

G344

Adam and Eve, 1638

Rembrandt Harmensz. van Rijn

G344

Virgin and Child in the Clouds, 1641

Rembrandt Harmensz. van Rijn

G344

The Second Oriental Head, c. 1635

Rembrandt Harmensz. van Rijn; Artist: after Jan Lievens

G344

Bearded Man in Furred Oriental Cap and Robe: Half-Length, 1631

Rembrandt Harmensz. van Rijn

G344

Virgin holding child; sitting on clouds; putti upper corners

Madonna and Child in the Clouds, c. 1581

Federico Barocci

G344

man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree

Saint Jerome by the Pollard Willow, 1648

Rembrandt Harmensz. van Rijn

Not on View
(against a dark background)

Half-Length of Man with White Beard, 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man in Three-Quarters Profile, 1780-1784

Jean-Pierre Norblin de la Gourdaine

Not on View
woman with sword in PR hand and scales in PL hand; facing away from viewer; standing in arched opening

Untitled [woman with sword], 17th century

Italy

Not on View
wreath with Latin type; interspersed among leaves are circles containing the letters IHS or MA

Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640

Abraham Bosse; Artist: or François Collignon

Not on View
old woman seated in 3/4 view wearing a black fur shawl and black headdress with veil down the back; hands in her lap; facing to the L of the picture plane; matted and in frame with four other prints

Rembrandt's Mother, late 18th-early 19th century

Costantino Cumano; Designer: after Rembrandt Harmensz. van Rijn

Not on View
grouping of three ovals with three circles below, each showing a different biblical scene

Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
woman wearing white apron and cap, holding jug in her PR hand, emerging from a doorway; tub to left of doorway on floor; shelf above doorway with bottles and tankard; arched doorway into another room at left

La Sortie de Cave, 1868

François Bonvin

Not on View
small figure standing in landscape with bare trees; foliage, LLC

Three Birch Trees, with a Child, 1853

FĂ©lix Bracquemond

Not on View
man's head and neck in profile wearing a hat that wraps at the bottom and has a fuzzy irregular shape at top; matted and in frame with four other prints

Grotesque Profile: Man in a High Cap, c. 1629

Rembrandt Harmensz. van Rijn

Not on View
man at center with his PR hand up and a lighter coloring around his head; a group of men gathered around him in an interior space; matted and in frame with four other prints

The Tribute Money, c. 1634

Rembrandt Harmensz. van Rijn

Not on View
four cows--one drinking from a body of water at right, one lying down left of center--with seated figure at left; trees in background

Dutch Cows, 1864

Charles-Émile Jacque

Not on View
head and shoulders of an old woman wearing a large fabric headdress and a garment with a fur-lined collar; facing to the R of the picture plane

Bust of Woman in Heavy Headdress, 1631

Rembrandt Harmensz. van Rijn; Artist: Plate reworked by Johannes van Vliet

Not on View
two groupings of three ovals each; each oval showing a different biblical scene

Six Ovals from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
man with unkempt hair and beard, seated on a stool, shoulders slumped, wearing a shirt, pants and vest, looking down at a pipe held in his PR hand; glass held in his PL hand; bottle on table behind him

A Great Sadness, 1868

Augustin Théodule Ribot

Not on View
ghoulish-looking figures; six male dancers wearing bells on bracelets and anklets; man playing a horn in URC; wrinkled woman at center with two goiters holding a staff with sausages in her PL hand and a small jug in her PR hand

Moresca Dancers Surrounding a Sausage Seller, c. 1490-1536

Daniel Hopfer

Not on View
young person seated on ground in LRC; three donkeys at left under an overhang--two standing, one wearing feed bag, one lying down--all with bundles on their backs; bearded figures with turbans in background in URQ

Orientalist Scene, c. 1845

Alexandre-Gabriel Decamps

Not on View
train bridge with tunnel beneath, with train engine in ULQ; tall wooden picket fence at right with steep slope beneath; three round structures at top of image

Un pont boulevard Ney, 1913

Charles Heyman

Not on View
view up at a woman with a bundle on her back climbing up a rocky incline

Till Vera Bookskiold England (?), 1939

Carl Oscar Borg

Not on View
two groupings of two ovals with two circles below, each showing a different biblical scene

Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
man in background and woman in foreground walking toward the right edge of the picture plane; woman holding a walking stick; loose drawing of foliage in background in front of figures; matted and in frame with four other prints

Two Tramps, a Man and a Woman, c. 1634

Rembrandt Harmensz. van Rijn

Not on View
many soldiers, some wearing light-colored cloaks or smocks, carrying guns; soldier on horseback left of center; picket fence with open gate at right; five light poles

Porte d'Orleans, 1870

Auguste Lançon

Not on View
railyard with five standing men at right; train cars in LLQ and one car and engine behind men; power lines above; two tunnels with bridge over them left of center in middle ground; train engine on top of bluff in ULQ; tall building left of center in distance beyond bridge

Les chemis de fer, Station de la Plaine, c. 1912

Charles Heyman

Not on View
river view with two figures and animal in a boat at right, with standing figure rowing; shoreline at left, with hills and trees in background; grey clouds in sky

Un soir, bords de RhĂ´ne Ă  Rix, 1869

Adolphe Appian

Not on View
dark scene with silhouette of man seated in an armchair at a table, bent over his work, with a panel in front of his head, diffusing light from a large hanging lamp in ULQ

The Engraver, 1861

François Bonvin

Not on View
old woman in profile, looking down, with white hair in braids

Old Woman, 20th century

Carl Oscar Borg

Not on View
view of a church built into a hill with long stone staircase and two short spires cropped by image frame; a house is also built into the hillside to the front and R of church

© Estate John Taylor Arms

Estaing (Aveyron), From French Church Series, 1947

John Taylor Arms

Not on View
Freely sketched trees on a gentle embankment at left; open space with distant mounds at right; two tiny figures near the trees.

The Two Landscapes (Right), c. 1630

Claude Gellée (called Le Lorrain)

Not on View
bust of a male figure with narrowed eyes, with a smirk and a large nose, wearing a large hat; ruffles at collar

The Laughing Peasant, c. 1620-1665

Cornelis Bega

Not on View
Jesus on cross with halo and Inri sign over head; flanked by two others on crosses; crowd with daggers standing in front of Jesus

The Crucifixion, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
dais or coffin outside of cave with small group of men seated around it; remnants of pudding and bread are on the table; two men at L with long spears full of fish and sausages, with a woman at far L holding a plate with a turkey; a cartouche of Jesus at top center with light beams, looking down at scene; two figures lying on ground in front of coffin

The Resurrection of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
three men entering the gate of a crude picket fence, carrying staffs with crosses; one man points towards Jesus who is on his knees with his hands raised in front of a cave at URC; cartouche in clouds shows a dead Christ with crucifix

Christ on the Mount of Olives, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
profile and upper body of two men facing each other; L man has wide shoulders and wears a large plume on his hat, and a cape over PR arm; man at R has mustache, a furry hat with a feather, and a furry cloak

Busts of Two Men Wearing Turbans with Feathers, From Recueil de divers griffonnements et preuves, Plate 11, c. 1646

Stefano della Bella

Not on View
tiny figure holding a net at L in front of rows of waves; very high horizon line

Waves, 1892

D. Y. Cameron

Not on View
male figure riding a horse toward L, holding reins out to the PL

A Horseman, early to mid-17th century

Pieter van Laer

Not on View
Jesus kneeling at center under crucifix; man at L crouching and leaning against the crucifix, while another at UR leans on the top of it; others in background watching, some with raised staffs

Christ Carrying the Cross, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
chaotic scene within a walled courtyard: a small group of nude figures at R, one holding a set of stone tablets; figure with staff kneeling over another figure; a beaked figure attempts to enter the doorway in the R wall under a string of papers; two demons peek over wall from outside

Christ's Descent into Hell, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
two men fighting with an epée (or fencing sword) and a dagger in each hand; man at L leans away from the epée near his neck at PL side; man at R is leaning forward, deflecting the sword with his dagger in PL hand

Duel with Sword and Dagger, From Les Caprices, 1617

Jacques Callot

Not on View
free standing stage-like structure with squared columns at corners; "Moliere" written over archway; large cup with flames on top; stains on base; surrounded by wreath with berries

Molière's Tomb (at Père Lachaise), from Eaux-fortes sur Paris, 1854

Charles Meryon

Not on View
wooden scaffolding surrounding large concrete pillar; a row of pillars vanishing in background; construction equipment, vehicles, and workers near base

© Estate Reynold H. Weidenaar

Viaduct Builders, 1950

Reynold H. Weidenaar

Not on View
3/4 profile of woman with slightly open mouth, gazing to LR; high-necked dress; full, curly hair near forehead

© The Estate of Augustus John %2F Bridgeman Copyright

Profile of Bella, 1906

Augustus John

Not on View
group of men having a discussion behind an easel at center; to the R, a man addresses a seated woman holding a fan, while another woman looks down at the table next to her; a few other people, paintings, and art supplies in background

A Painter's Studio, c. 1715-1773

Hubert François Bourguignon Gravelot

Not on View
Jesus bound at R within a small mob of men raising weapons; a man in priestly clothing at L faces the group, elevating a bushy object in his PR hand; smaller man at LL holding a large basket

Christ before Caiaphas, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
3/4 view of an old woman looking down to R; white bonnet covering head, down shoulders, to white collar

Head of an Old Woman, 1802

Michal Plonski

Not on View
three men relaxing in the shade at L: one is seated on a carved bench holding a staff; another is seated on the ground, and one is reclining on stomach, resting head in hand; ruins at R

Three Pilgrims Resting beside a Wall, From Caprices, Plate 6, c. 1642

Stefano della Bella

Not on View
male figure leaning on a desk with his PL fist, watching another male figure, seated on a bench in front of the desk, writing; lightly sketched background

The Sergeant Reporter, 1862

Ernest Meissonier

Not on View
mob of men carrying staffs, ropes, and swords addressing Jesus's body on the ground at lower center; man with sword stands over Jesus

Christ Taken, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
sketchlike scene of scattered people walking along a sidewalk; shaded trees at L; old buildings in background; fence LRQ

Bank Holiday, Corner of Beaufort Street, Chelsea, 1888-1889

Theodore Roussel

Not on View
Jesus wearing a crown of thorns, seated on steps of a large room in shadow; man behind Jesus holds a book onto Jesus's head with a long object; another man behind Jesus lowers a candlestick over his head; man in front of Jesus crouches, offering out a large cup, while other men in back talk

The Mocking of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
profile of three men all facing L: man at far L is the youngest, with light curly hair; center man is bald with sagging, wrinkled face and beak nose; man at R is oldest, with bushy white beard and hair; wears white hat

Row of Three Heads in Profile to Left, From Varie Figurae et Probae (Antwerp), 1645

Wenceslaus Hollar; Artist: After Leonardo da Vinci

Not on View
small group of men at R carry weapons and one man raises a burning candle over Christ, who walks toward R, with back turned away from viewer; man crawling at LL; two men serve a man seated on a throne in back; crucifix stands at R edge

Pilate Washing His Hands, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
front of big church with two spires; light gray coloring

© Estate John Taylor Arms

Notre Dame the Tiny (West Façade of Cathedral of Notre Dame, Paris), 1935

John Taylor Arms

Not on View
airborne cupid whipping a satyr who is tied to a tree

Cupid Whipping a Satyr, c. 1606-1652

Formerly attributed to Jusepe (Giuseppe) de Ribera

Not on View
Jesus at LL beseeching a small mob of men at R who carry nails, large staffs, and a candle; man behind Jesus holds a sword; cliffs, a fence, and gate in background

Christ Confronting His Detractors, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
a group of mourners lowers Jesus's body onto a wide dais or coffin outside a cave

The Entombment of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
small oval print; grove of trees with bare forest floor; thick foliage in background

Study of Woods, 1854

Jean Baptiste Louis Guy

Not on View
interior scene with Christ bound with ropes at LL; man on throne in back at R addressing Christ and his captors; one of the men next to Christ holds up a book

Christ before Annas, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
bust of a male figure with narrowed eyes, smirk, and large nose, wearing a large hat; ruffles at collar

The Laughing Peasant, c. 1620-1665

Cornelis Bega

Not on View
female figure at R in tattered dress carrying a baby in a bundle; cup or pan hanging from her belt at L; shorter figure also in rags standing and facing the woman, leaning on cane; stone building in background

A Poor Woman Standing, Holding an Infant, From Caprices, Plate 7, c. 1642

Stefano della Bella

Not on View
image, circumscribed by an oval, of a bridge with two figures at R talking; smaller figure crossing bridge on L side; hills, stone building in background

A Stone Bridge, From Variae Campestrium Fantasiae, Plate 5, c. 1620-1655

Herman Van Swanevelt

Not on View
elderly woman in profile from PR with her hair in braids

Sa-La-Ko, 20th century

Carl Oscar Borg

Not on View
portrait of a Native American man wearing a headband and many beaded necklaces, looking toward PL

Navajo Medicine Man, 1925

Carl Oscar Borg

Not on View
Jesus bound with ropes at L, held by two men facing other men at R who are arguing. man seated on elevated throne at far R is talking to two men, one of whom is gesturing toward Jesus; women watch in arched window in background

Christ again before Caiaphas, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
profile of male figure facing R with high hat and rough beard; rat perched on his PR shoulder

Head of a Rat Catcher, 1630

Not on View
three faces at L, torso at far R: face at far L is of an old man in profile with hooked nose and bushy beard wearing a hat; center head is a profile of a man facing L with a mustache and cap; man at R faces out to R, with bushy beard, cap; far R is angel-like figure with a pug nose and wavy hair, shirtless

Three Heads of Men Wearing Turbans and a Figure of a Nude Winged Woman, From Recueil de divers griffonnements et preuves, Plate 14, c. 1646

Stefano della Bella

Not on View
Jesus on balcony with two other men in upper center; small crowd in foreground; man R of center in priestly clothing holding out his arms; man at L holds a crucifix

Ecce Homo, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
faintly sketched image of three heads: at L: rear 3/4 view of a bearded figure with helmet; center: profile of a figure with curly hair, looking up as if in awe; R: angelic young figure with curly hair

Study of Three Heads, From Recueil de divers griffonnements et preuves, Plate 3, c. 1646

Stefano della Bella

Not on View
Jesus in loincloth tied to a pillar; a couple of men flog him with a cluster of brush and rope, while others look on; a man at LL gestures to a pile of cloth and ropes at bottom center

The Scourging of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
man in priestly clothing on stairs in middle ground addresses a small group of figures in foreground, including Jesus, who is held between several men at LL; three figures on R with staffs; one of the figures at R is pointing down to a collection of objects including a skull, a candle, and a helmet at lower center

Christ before Pilate, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
portrait of a Native American man wearing pendant earring, bandana tied around his head and beaded necklaces

Captain Navajo, 1930

Carl Oscar Borg

Not on View
large sketchy tree at R, bending slightly to L; fallen log across bottom of image; sketchy grasses; possible outline of a figure at L

The Two Landscapes (Left), c. 1630

Claude Gellée (called Le Lorrain)

Not on View
cacti in desert landscape with mountains

Saguaro Cacti, 20th century

Edward Borein

Not on View
profile of male figure with large nose, wide, open smile, looking to L; sketchy hat and neck

Head of a Laughing Peasant, mid 17th century

Cornelis Bega

Not on View
child reclining near a cannon dangling a long, thin object in PL hand and gazing upward; baby at L crawls over cannon balls near cannon

Two Naked Children Near a Gun, c. 1612-1655

Cornelis Schut

Not on View
stately white building near center of image; small figure with staff near gate around estate; trees at L and R of image; heavy foliage around fence and estate

Blair Adam, 1770-1782

John Clerk of Eldin

Not on View
large stone building with small windows on a cliff at L; sailboat in loch near cliff; high, rugged hills behind low plains at R

Arthur's Seat from Lochend, 1770-1782

John Clerk of Eldin

Not on View
two billboards side by side, one featuring a trumpet player and another a caboose; building at R with tall façade and porch; truck parked at LL

© Reynold H. Weidenaar

Division Avenue, 1968

Reynold H. Weidenaar

Not on View
castle L of C in background, with two men on white horses nearby; wavelike motif in foreground at bottom with a mermaid emerging at R; two cherubs wrestle near sun and ships at URC; flame like motif with armor helmets at ULC with griffin

"The Devil in Love," by Cazotte, Second Vignette, 1878

FĂ©lix Buhot

Not on View
profile bust of man with large, open smile, long pointed nose, dark slouching hat; facing R

Bust of a Laughing Peasant, 1636-1652

Adriaen van Ostade

Not on View
large stone castle or fort surrounded by thick foliage, on a point overlooking a body of water; sailboat at L near trees; another ship at R; low mountains in background

Dunstaffnage, 1770-1782

John Clerk of Eldin

Not on View

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