Looking for medina, metius, media, medic?

three small figures accompanied by a dog partially hidden in the landscape at right center; many trees; water at center, with rocks — A Forest Marsh with Travelers on a Bank, 1651-1655
Jacob van Ruisdael

G344

The Goldweigher's Field, Rembrandt van Rijn — The Goldweigher's Field, 1651
Rembrandt van Rijn

G344

Landscape with an Obelisk, Rembrandt van Rijn — Landscape with an Obelisk, c. 1650
Rembrandt van Rijn

G344

Twenty-Two Portraits, Henri-Charles Guérard — Twenty-Two Portraits, 1881
Henri-Charles Guérard

Not on View

Inkwell with Inverted Monkey, Henri-Charles Guérard — Inkwell with Inverted Monkey, 1881
Henri-Charles Guérard

Not on View

man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree — Saint Jerome by the Pollard Willow, 1648
Rembrandt Harmensz. van Rijn

Not on View

The Little Philosopher, Jean-Pierre Norblin de la Gourdaine — The Little Philosopher, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Half-Length Portrait of an Ecclesiastic Dignitary, Jean-Pierre Norblin de la Gourdaine — Half-Length Portrait of an Ecclesiastic Dignitary, 1784
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Curled Moustache in Three-Quarters Profile, Jean-Pierre Norblin de la Gourdaine — Head of a Man with a Curled Moustache in Three-Quarters Profile, 1780-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

The Holy Family, Jean-Pierre Norblin de la Gourdaine — The Holy Family, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Full Black Beard, Jean-Pierre Norblin de la Gourdaine — Head of a Man with a Full Black Beard, 1778
Jean-Pierre Norblin de la Gourdaine

Not on View

(seen from above) — Head of a Man with a Turban Adorned with a Feather, 1787
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Curled Moustache and Hat, Jean-Pierre Norblin de la Gourdaine — Head of a Man with a Curled Moustache and Hat, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

(with dark beard) — Head of Old Man, 1787
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Young Man with a Beret Adorned with a Feather, Jean-Pierre Norblin de la Gourdaine — Head of a Young Man with a Beret Adorned with a Feather, 1778
Jean-Pierre Norblin de la Gourdaine

Not on View

Polish Woman, Facing Left, Jean-Pierre Norblin de la Gourdaine — Polish Woman, Facing Left, 1780
Jean-Pierre Norblin de la Gourdaine

Not on View

(with statue of Diana) — The Farewell, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Monk, Jean-Pierre Norblin de la Gourdaine — Head of a Monk, 1787
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Bearded Man in Profile, Facing Left, Jean-Pierre Norblin de la Gourdaine — Head of a Bearded Man in Profile, Facing Left, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Street Vendor, Jean-Pierre Norblin de la Gourdaine — Street Vendor, 1781
Jean-Pierre Norblin de la Gourdaine

Not on View

man holding crucifix — Kneeling Monk, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

(with eyes closed) — Head of Old Man Facing Forward, 1780
Jean-Pierre Norblin de la Gourdaine

Not on View

Portrait of a Man, Called "Mazeppa", Jean-Pierre Norblin de la Gourdaine — Portrait of a Man, Called "Mazeppa", 1775
Jean-Pierre Norblin de la Gourdaine

Not on View

kneeling woman with wild hair, wide eyes and bared teeth, clutching her bare breast and pointing to a dead baby with a head wound at her knees — Die Irrsinnige von St. Marie-à-Py (The Insane Woman of St. Marie-à-Py), plate 35 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

man in darkness, LLC; women with large breasts and hips, wearing hats and gowns, walk along sidewalk — Frontsoldat in Brüssel (Frontline Fighter in Brussels), plate 34 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

sketchy head and shoulders of a wide-eyed man with open mouth and bandaged head — Fliehender Verwundeter (Sommeschlacht 1916) (Wounded Man Fleeing [Battle of the Somme 1916]), plate 10 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

river with boats and docks left; city buildings right middle ground; bridge in distance — Battersea Reach, 1863
Francis Seymour Haden

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young soldier wearing glasses holds a very large woman, with one very large breast exposed, on his lap — Besuch bei Madam Germaine in Méricourt (A visit to Madame Germaine in Méricourt), plate 36 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

seated skeleton, wearing ripped clothing and crawling with worms, holds a rifle pointing towards its nose — Toter Sappenposten (A Dead Trench Sentry), plate 18 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

3/4 length portrait of a woman with an oval face and dark hair in a bobbed hairstyle, with her PL hand under her chin; woman wears a dark blouse with 3/4 sleeves — Madame Paul Petit, 1935
Jacques Villon

Not on View

four-story building on a street corner; two figures looking out of two separate windows, one above open doorway, one to right of same doorway; three women in front of open doorway--two standing, one seated; four other figures on street at left — Beauvais, 1910
D. Y. Cameron

Not on View

thatch-roofed overhang in LRQ, with figure seated in shadows at bottom center; pueblo-type structure above — Kiva, 20th century
Carl Oscar Borg

Not on View

three Native Americans riding horses; two dark horses at right and center and one white horse at left; low horizon line; dark clouds in sky — Horses and Riders, 20th century
Carl Oscar Borg

Not on View

image of a crowded street scene with figure on a donkey in foreground and a cathedral in background; images sketched into margin; metal frame — I Made What I Would Call a Good Bargain, from Le Chevalier des Touches, 1878
Félix Buhot

Not on View

black ink on light tan paper; large winding river from LR corner to left of center of image; on right side of river, many buildings packed closely; church spire and building with conical roof on right side; on left side of river, boats with tall masts docked; city along horizontal center of image with bridge; in foreground, human figure and black cat at center and group of humans to left, leaning on walls; small boats on river; small hot air balloon in distance in upper left/center — Battersea Reach, 1863
Francis Seymour Haden

Not on View

black ink on off-white paper; grasses in groups along edge of water across middle of image; behind grasses, dark groups of trees horizontal along image; reflections of grasses and trees in water, mostly indicated by horizontal lines; two pointed-roof houses at center of image; three or four buildings are left edge; pointed roof (?) to left of center; small outline of chimney or building in background to left of center; flying bird in grasses at right edge; lines darker on right side of image — Shere Mill Pond II, 1860
Francis Seymour Haden

Not on View

black ink on tan paper; large ship in center with many open flaps along sides; four small ships in front of large ship; dark wall along LRC; in LLC small boat inscribed on side: A. BARRY FEC. 1880; in background, many other ships; some buildings visible at left side; water has dark pointed crests; many squiggly lines in sky indicate clouds; moon above city to left of large ship — Breaking up of the Agamemnon, 1870
Auguste Barry; Artist: After Francis Seymour Haden

Not on View

black ink on off-white paper; horizontal lines across lower area of image creates water; trees along water at middle and right side of image; at right side of image poles support wharf/dock (?) with small pointed-roof building on top; behind dock, pole with lamp on top (?) and small buildings in distance; to right of dock on ground, four small human figures; reflections of dock and trees in water; some faint horizontal lines in sky — Boyle's Farm, 1864
Francis Seymour Haden

Not on View

black ink on off-white paper; stream running from center to bottom of image; stream curves multiple times; high banks to sides of stream; on right side, dark trees and brush from midground connecting to trees in background; on left side, trees in background connecting to trees in center; sketched short grass in foreground; sky above trees has horizontal shading lightening toward top of image; small birds above trees in UR area and bird in upper center — Sunset in Ireland, 1863
Francis Seymour Haden

Not on View

black ink on off-white paper; slightly curved waterway from LLC to center of image; dark brushes and trees, and taller trees sketched in lighter lines on short dark bank at left edge; dark trees along right side of water from center to LRC; at LRC light ground and light wall at right edge; four pieces of wood in a row learning against wall; shadows of trees reflected in water along stream; many ink speckles throughout image — Brentford Ferry, 1864
Francis Seymour Haden

Not on View

black ink on off-white paper; large area of water in lower area of image; small boat/canoe with people on it in center (?); large dark area of trees on each side of water in upper area of image; short bank with bushes on left side; trees reflected in water; in background, sketched outline of mountains with trees and one small chimney/rectangular building near center; sky and water are tinted grey; sky has thin flowing horizontal lines; short bank below trees on right — Evening, 1864
Francis Seymour Haden

Not on View

black ink on beige paper; two cows in LLC; group of cattle standing in water at bank of land at left side; small fences behind cattle; curving river from bottom to center of image; large trees along bank on right side of river; in left background landscape of plateaus; in upper area, faint sketches of hills and clouds (?) — A Lancashire River, 1881
Francis Seymour Haden

Not on View

black ink on off-white paper; fences and walls along waterway across center of image; large trees along bank; house roofs at left edge; houses with chimneys, pointed roofs and windows in upper right and center; one chimney blowing smoke; small birds flying above; shadowing of trees and buildings mostly to left of center; left of center are two small humans at wall; at far right in distance, sketched trees and small figures — Shepperton, 1864
Francis Seymour Haden

Not on View

black ink on off-white paper; tree trunks at left side of image with grassy bank along lower area of image; area of water across middle of image, indicated by horizontal lines; pointed-roofed houses packed closely together on bank above water across image, receding into distance from left to right; tall rectangular buildings at edge of bank on right side; two boats with lowered sails near bank by houses to right of center; at left edge drawing style becomes sketch-like and light; outline of building between trees at right edge also becomes sketch-like and light — Fulham, 1859
Francis Seymour Haden

Not on View

A Cat of Bubastis, 1909 (printed 1911)

D. Y. Cameron

Not on View

A Piece of Newspaper, an Envelope, and a Fly, Henri-Charles Guérard — A Piece of Newspaper, an Envelope, and a Fly, 19th century
Henri-Charles Guérard

Not on View

The Workshop, D. Y. Cameron — The Workshop, 1905
D. Y. Cameron

Not on View

Kidwelly Castle, Francis Seymour Haden — Kidwelly Castle, 1859
Francis Seymour Haden

Not on View

The Turkish Bath - With One Figure, Francis Seymour Haden — The Turkish Bath - With One Figure, 1868
Francis Seymour Haden

Not on View

Pool Dornie, Francis Seymour Haden — Pool Dornie, 1878
Francis Seymour Haden

Not on View

By the Road in Tipperary, Francis Seymour Haden — By the Road in Tipperary, 1860
Francis Seymour Haden

Not on View

Stormtruppe geht unter Gas vor (Storm Troops Advance under a Gas Attack), plate 12 from Der Krieg (The War), Otto Dix — Stormtruppe geht unter Gas vor (Storm Troops Advance under a Gas Attack), plate 12 from Der Krieg (The War), 1924
Otto Dix

Not on View

The Turkish Bath - With Two Figures, Francis Seymour Haden — The Turkish Bath - With Two Figures, 19th century
Francis Seymour Haden

Not on View

A Likely Place for a Salmon, Francis Seymour Haden — A Likely Place for a Salmon, 1889
Francis Seymour Haden

Not on View

dark image in dark brown; street scene with white horse at center harnessed to wagon; shadowy figure at left lifting object over his head to a figure in another wagon behind horse — Trash Collectors, 1900
Edgar Chahine

Not on View

woman and barefoot girl, both wearing headscarves, standing at the opening to a shadowy alleyway; shadowy figure at center in alley; two women carrying baskets on yokes and another figure on street and end of alley — The Beggars, 1879-1880
James Abbott McNeill Whistler

Not on View

Pierrot, James Abbott McNeill Whistler — Pierrot, 1889
James Abbott McNeill Whistler

Not on View

wide, calm river with a dark cluster of human figures and boat sails at R bank; dark object in water at LL; trees on R bank, low foliage on L bank — The Waveney, c. 1832-1834
Thomas Lound

Not on View

small two-level structure of mud brick or stone; ladder at right leading to rock overhang and second level of structure; thick branch at left holding up overhang — Hopi Houses, Walpi, 1932
Carl Oscar Borg

Not on View

two level dwellings with steps; mule with saddle at center; two figures near doorway at left; another mule near figures — Pueblo, 20th century
Carl Oscar Borg

Not on View

people on a city street; back of carriage at right; row of street lights on sidewalk; buildings at left edge and URQ — Avenue Trudaine, 1872
Henri-Charles Guérard

Not on View

head (fully realized) and torso (sketched) of man in 3/4 view, with arms crossed; man has long disheveled hair and small beard — Drouet, 1859
James Abbott McNeill Whistler

Not on View

Becquet, James Abbott McNeill Whistler — Becquet, 1859
James Abbott McNeill Whistler

Not on View

overhead view of a car with headlights on — Full Beams, 1985
Yvonne Jacquette; Printer: Anthony Kirk; Publisher: Eldindean Press, New York; Publisher: Yvonne Jacquette

Not on View

two trees with intertwined trunks at right with walking man with staff over his shoulder; boat with two figures at bottom center; house at center with figures, wagon, and horses; boats at left in distance; village at right in distance — Traveler passing two large trees, mid 17th-century
Anthonie Waterloo

Not on View

Landscape with Sportsman and Dogs, Rembrandt van Rijn — Landscape with Sportsman and Dogs, c. 1653
Rembrandt van Rijn

Not on View

From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; head and shoulders of a man in a garment with an open collar and two buttons; face is shaded with dark horizontal lines running across the forehead, the left eye area, and the right side of the face — Dark Face (Self-Portrait), Plate 5 from Das Gesicht (The Face), 1922
Walter Gramatté

Not on View

portrait of a woman with her head turned toward PL, with her hair in a bun, with her neck and shoulder exposed — [Woman with her hair in a bun], 1876
Adrien de Witte

Not on View

portrait of a man with a short full light-colored beard and thick curly light-colored hair, parted at the center — [Portrait of a man], 1877
Adrien de Witte

Not on View

Weary, James Abbott McNeill Whistler — Weary, 1863
James Abbott McNeill Whistler

Not on View

The Death of the Virgin, Rembrandt van Rijn — The Death of the Virgin, 1639
Rembrandt van Rijn

Not on View

Annie Haden, James Abbott McNeill Whistler — Annie Haden, 1860
James Abbott McNeill Whistler

Not on View

The Two Bathers, Camille Pissarro — The Two Bathers, 1895
Camille Pissarro

Not on View

Rembrandt and His Wife Saskia, Rembrandt van Rijn — Rembrandt and His Wife Saskia, 1636
Rembrandt van Rijn

Not on View

Street-level view of Woolworth building, New York City — Woolworth Building (The Dance), 1913
John Marin; Publisher: Alfred Steiglist, Gallery 291, New York

Not on View

Bibi Lalouette, James Abbott McNeill Whistler — Bibi Lalouette, 1859
James Abbott McNeill Whistler

Not on View

Rembrandt Drawing at a Window, Rembrandt van Rijn — Rembrandt Drawing at a Window, 1648
Rembrandt van Rijn

Not on View

The Lime-Burner, James Abbott McNeill Whistler — The Lime-Burner, 1859
James Abbott McNeill Whistler

Not on View

The Traghetto, No. 2 from "The First Venice Set", James Abbott McNeill Whistler — The Traghetto, No. 2 from "The First Venice Set", 1879-1880
James Abbott McNeill Whistler

Not on View

Old Chelsea Church, Francis Seymour Haden — Old Chelsea Church, 1865
Francis Seymour Haden

Not on View

The Goldweigher's Field, Rembrandt van Rijn — The Goldweigher's Field, 1651
Rembrandt van Rijn

Not on View

Portrait of Francis Seymour Haden (No. 3), Francis Seymour Haden — Portrait of Francis Seymour Haden (No. 3), 1864
Francis Seymour Haden

Not on View

On-the-Test, Francis Seymour Haden — On-the-Test, 1859
Francis Seymour Haden

Not on View

bottom (top: P.2,221) — Portraits de Mm. de Lesseps, Coppée, général Pittié, de Bornier, Henri Martin, Mis de Cherville, 1883
Henri-Charles Guérard

Not on View

View of the Piazza and Basilica of St. John Lateran, Giovanni Battista Piranesi — View of the Piazza and Basilica of St. John Lateran, 1775
Giovanni Battista Piranesi

Not on View

Ca d'Oro, D. Y. Cameron — Ca d'Oro, 1900
D. Y. Cameron

Not on View

Craigmillar Castle, D. Y. Cameron — Craigmillar Castle, 1931
D. Y. Cameron

Not on View

Lens wird mit Bomben belegt (Lens is Destroyed by Bombing), plate 33 from Der Krieg (The War), Otto Dix — Lens wird mit Bomben belegt (Lens is Destroyed by Bombing), plate 33 from Der Krieg (The War), 1924
Otto Dix

Not on View

Le pendu, Félicien Rops — Le pendu, 1869
Félicien Rops

Not on View

Combe Bottom, Francis Seymour Haden — Combe Bottom, 1860
Francis Seymour Haden

Not on View

Algerian Doorway, Clement Haupers — Algerian Doorway, 1929
Clement Haupers

Not on View

Combe Bottom, Francis Seymour Haden — Combe Bottom, 1860
Francis Seymour Haden

Not on View

Combe Bottom, Francis Seymour Haden — Combe Bottom, 1860
Francis Seymour Haden

Not on View

Young Man in a Velvet Cap with Books Beside Him, Rembrandt van Rijn — Young Man in a Velvet Cap with Books Beside Him, 1637
Rembrandt van Rijn

Not on View

Death Appearing to a Wedded Couple from an Open Grave, Rembrandt van Rijn — Death Appearing to a Wedded Couple from an Open Grave, 1639
Rembrandt van Rijn

Not on View

printed on both faces of paper, both signed, one touched by artist — A Lancashire River, 1881
Francis Seymour Haden

Not on View

The Mouth of a Brook, No. I, Francis Seymour Haden — The Mouth of a Brook, No. I, 1859
Francis Seymour Haden

Not on View

The Genius of Salvator Rosa, Salvator Rosa — The Genius of Salvator Rosa, c. 1662
Salvator Rosa

Not on View

Bibi Valentin, James Abbott McNeill Whistler — Bibi Valentin, 1859
James Abbott McNeill Whistler

Not on View

Japonais sur un encrier, Henri-Charles Guérard — Japonais sur un encrier, 1881
Henri-Charles Guérard

Not on View

Joannis Darius, D. Y. Cameron — Joannis Darius, 1900
D. Y. Cameron

Not on View

Antonio Viale, Cadwallader Washburn — Antonio Viale, 19th century
Cadwallader Washburn

Not on View

Self-Portrait with Eyes Wide Open, Rembrandt van Rijn — Self-Portrait with Eyes Wide Open, 1630
Rembrandt van Rijn

Not on View

The Turkish Bath - With One Figure, Francis Seymour Haden — The Turkish Bath - With One Figure, 1865
Francis Seymour Haden

Not on View

Hands Holding a Crayon, Francis Seymour Haden — Hands Holding a Crayon, 1865
Francis Seymour Haden

Not on View

Christ Preaching, Rembrandt van Rijn — Christ Preaching, c. 1652
Rembrandt van Rijn

Not on View

The Fisherman, Francis Seymour Haden — The Fisherman, 1864
Francis Seymour Haden

Not on View

The Coal Crusher, Bror Julius Olsson (B.J.O.) Nordfeldt — The Coal Crusher, 1912
Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

The Punt, James Abbott McNeill Whistler — The Punt, 1861
James Abbott McNeill Whistler

Not on View

David and Goliath, Rembrandt van Rijn — David and Goliath, 1655
Rembrandt van Rijn

Not on View

La Petite Chaumière, Clement Haupers — La Petite Chaumière, 1928
Clement Haupers

Not on View

The Hay Barge, and the Thmaes at Barnes, Francis Seymour Haden — The Hay Barge, and the Thmaes at Barnes, 1865
Francis Seymour Haden

Not on View

The Three Sisters, Francis Seymour Haden — The Three Sisters, 1868
Francis Seymour Haden

Not on View

Jan Lutma, The Elder, Goldsmith and Sculptor, Rembrandt van Rijn — Jan Lutma, The Elder, Goldsmith and Sculptor, 1656
Rembrandt van Rijn

Not on View

Early Morning, Richmond, Francis Seymour Haden — Early Morning, Richmond, 1859
Francis Seymour Haden

Not on View

Rainy Night, Charing Cross Station, Joseph Pennell — Rainy Night, Charing Cross Station, 1886
Joseph Pennell

Not on View

The Turkish Bath - With Two Figures, Francis Seymour Haden — The Turkish Bath - With Two Figures, 1865
Francis Seymour Haden

Not on View

A Castle, County Wicklow, Francis Seymour Haden — A Castle, County Wicklow, 1865
Francis Seymour Haden

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Doge's Palace, Venice, D. Y. Cameron — Doge's Palace, Venice, 1902
D. Y. Cameron

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Sunset on the Thames, Francis Seymour Haden — Sunset on the Thames, 1865
Francis Seymour Haden

Not on View

La ramasseuse de fagots (Firewood Gatherer), Félicien Rops; Publisher: Claude Roger-Marx, Paris — La ramasseuse de fagots (Firewood Gatherer), 1895
Félicien Rops; Publisher: Claude Roger-Marx, Paris

Not on View

The Fisherman, Francis Seymour Haden — The Fisherman, 1864
Francis Seymour Haden

Not on View

Abraham Francen, Rembrandt van Rijn — Abraham Francen, 1657
Rembrandt van Rijn

Not on View

Sunset on the Thames, Francis Seymour Haden — Sunset on the Thames, 1865
Francis Seymour Haden

Not on View

The Abbazia, Venice, D. Y. Cameron — The Abbazia, Venice, 1900
D. Y. Cameron

Not on View

Thomas Haden of Derby, Francis Seymour Haden — Thomas Haden of Derby, 1864
Francis Seymour Haden

Not on View

The Three Trees, Rembrandt van Rijn — The Three Trees, 1643
Rembrandt van Rijn

Not on View

Christ at Emmaus: The Larger Plate, Rembrandt van Rijn — Christ at Emmaus: The Larger Plate, 1654
Rembrandt van Rijn

Not on View

The Lovers Walk (The Second Plate), Francis Seymour Haden — The Lovers Walk (The Second Plate), 1864
Francis Seymour Haden

Not on View

A Lancashire River, Francis Seymour Haden — A Lancashire River, 1881
Francis Seymour Haden

Not on View

Abraham Entertaining the Angels, Rembrandt van Rijn — Abraham Entertaining the Angels, 1656
Rembrandt van Rijn

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La ramoneur (The Chimney Sweep), Henri-Charles Guérard — La ramoneur (The Chimney Sweep), c. 1890
Henri-Charles Guérard

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Jan Antonides Von Der Linden, Professor of Medicine, Rembrandt van Rijn — Jan Antonides Von Der Linden, Professor of Medicine, 1665
Rembrandt van Rijn

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The Sacrifice of Isaac, Rembrandt van Rijn — The Sacrifice of Isaac, 1655
Rembrandt van Rijn

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Jews in a Synagogue, Rembrandt van Rijn — Jews in a Synagogue, 1648
Rembrandt van Rijn

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Kinderköpf, Trina, Georg Jahn — Kinderköpf, Trina, 19th century
Georg Jahn

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brown ink — An Arch of the Notre-Dame Bridge, 1853
Charles Meryon

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The Spinner, Jean-François Millet — The Spinner, 1868-1869
Jean-François Millet

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early impression, with sky still visible — Egham Lock, 1859
Francis Seymour Haden

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Amalfi, Francis Seymour Haden — Amalfi, 1858
Francis Seymour Haden

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Egham Lock, Francis Seymour Haden — Egham Lock, 1859
Francis Seymour Haden

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Archways, Pistoia, Joseph Pennell — Archways, Pistoia, 1883
Joseph Pennell

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Forum Romanum: Veduta di Campo Vaccino, Giovanni Battista Piranesi — Forum Romanum: Veduta di Campo Vaccino, 18th century
Giovanni Battista Piranesi

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oval plate — Christ Crucified Between Two Thieves, c. 1640
Rembrandt van Rijn

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Fishing at Sunset, Clement Haupers — Fishing at Sunset, 1944
Clement Haupers

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Sub Tegmine, Francis Seymour Haden — Sub Tegmine, 1854
Francis Seymour Haden

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Sub Tegmine, Francis Seymour Haden — Sub Tegmine, 1859
Francis Seymour Haden

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Dusty Millers, Francis Seymour Haden — Dusty Millers, 19th century
Francis Seymour Haden

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Fulham, Francis Seymour Haden — Fulham, 1859
Francis Seymour Haden

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Cottages beside a Canal with a Church and Sailing Boat, Rembrandt van Rijn — Cottages beside a Canal with a Church and Sailing Boat, c. 1645
Rembrandt van Rijn

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The Gallic Cock–Long Live the Czar!, Félix Bracquemond — The Gallic Cock–Long Live the Czar!, 1893
Félix Bracquemond

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The Clock Tower, Charles Meryon — The Clock Tower, 1852
Charles Meryon

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Speyside, D. Y. Cameron — Speyside, 1888-1892
D. Y. Cameron

Not on View

Springtime, Paradise Valley, Arizona, George Elbert Burr — Springtime, Paradise Valley, Arizona, 19th-20th century
George Elbert Burr

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Saskia with Pearls in Her Hair, Rembrandt van Rijn — Saskia with Pearls in Her Hair, 1634
Rembrandt van Rijn

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Christ and the Woman of Samaria: Among Ruins, Rembrandt van Rijn — Christ and the Woman of Samaria: Among Ruins, 1634
Rembrandt van Rijn

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Portrait of Francis Seymour Haden (No. 2) (While Etching), Francis Seymour Haden — Portrait of Francis Seymour Haden (No. 2) (While Etching), 1862
Francis Seymour Haden

Not on View

Cranbrook, Francis Seymour Haden — Cranbrook, 1863
Francis Seymour Haden

Not on View

The Agony in the Garden, Rembrandt van Rijn — The Agony in the Garden, 1657
Rembrandt van Rijn

Not on View

Self-portrait, Henri-Charles Guérard — Self-portrait, c. 1888
Henri-Charles Guérard

Not on View

Shere Mill Pond (The Larger Plate), Francis Seymour Haden — Shere Mill Pond (The Larger Plate), 1860
Francis Seymour Haden

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A Sunset in Ireland, Francis Seymour Haden — A Sunset in Ireland, 1863
Francis Seymour Haden

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Bark Refitting, Francis Seymour Haden — Bark Refitting, 1865
Francis Seymour Haden

Not on View

The Artichoke Peeler, Rialto, Venice, Edgar Chahine; Publisher: Edmond Sagot — The Artichoke Peeler, Rialto, Venice, 1906
Edgar Chahine; Publisher: Edmond Sagot

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State Street, Chicago, Bror Julius Olsson (B.J.O.) Nordfeldt — State Street, Chicago, c. 1912
Bror Julius Olsson (B.J.O.) Nordfeldt

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Thomas Jacobsz Haaring (The Young Haaring), Rembrandt van Rijn — Thomas Jacobsz Haaring (The Young Haaring), 1655
Rembrandt van Rijn

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Fourth Street Meeting House, Philadelphia, Joseph Pennell — Fourth Street Meeting House, Philadelphia, 1920
Joseph Pennell

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The Temple of Sibyl, Tivoli and the Broken Side of the Colonnade, Giovanni Battista Piranesi — The Temple of Sibyl, Tivoli and the Broken Side of the Colonnade, 18th century
Giovanni Battista Piranesi

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The Sick Mother, Albert Besnard — The Sick Mother, 1889
Albert Besnard

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Winter Afternoon on the Quay of the Charity Hospital, Félix Buhot — Winter Afternoon on the Quay of the Charity Hospital, 1876
Félix Buhot

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Books and Lantern, Henri-Charles Guérard — Books and Lantern, 1880
Henri-Charles Guérard

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The Conversation, Jean-Pierre Norblin de la Gourdaine — The Conversation, 1779
Jean-Pierre Norblin de la Gourdaine

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Christ Returning from the Temple with His Parents, Rembrandt van Rijn — Christ Returning from the Temple with His Parents, 1654
Rembrandt van Rijn

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Le repas frugal, Pablo Picasso; Printer: Auguste Delâtre — Le repas frugal, September 1904 (printed 1913)
Pablo Picasso; Printer: Auguste Delâtre

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Ponte della Trinità, D. Y. Cameron — Ponte della Trinità, 1907
D. Y. Cameron

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Hand Painting, Francis Seymour Haden — Hand Painting, 1876-1877
Francis Seymour Haden

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Porta Delgada, Azores, Clement Haupers — Porta Delgada, Azores, 1915-1982
Clement Haupers

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Sonning Alms-Houses, Francis Seymour Haden — Sonning Alms-Houses, 1865
Francis Seymour Haden

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The Assignation, Francis Seymour Haden — The Assignation, 1865
Francis Seymour Haden

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Madame Besnard (Charlotte Dubray Besnard) in a Medallion, Albert Besnard — Madame Besnard (Charlotte Dubray Besnard) in a Medallion, 1884
Albert Besnard

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Christ Driving the Money-Changers from the Temple, Rembrandt van Rijn — Christ Driving the Money-Changers from the Temple, 1635
Rembrandt van Rijn

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before sky was wholly cleared — Egham Lock, 1859
Francis Seymour Haden

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Kidwelly Castle, Francis Seymour Haden — Kidwelly Castle, 1859
Francis Seymour Haden

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Joseph's Coat Brought to Jacob, Rembrandt van Rijn — Joseph's Coat Brought to Jacob, c. 1633
Rembrandt van Rijn

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A Sunset in Ireland, Francis Seymour Haden — A Sunset in Ireland, 1863
Francis Seymour Haden

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The Towing Path, Francis Seymour Haden — The Towing Path, 1864
Francis Seymour Haden

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Wheelwright from "The Second Venice Set", James Abbott McNeill Whistler — Wheelwright from "The Second Venice Set", 1879-1880
James Abbott McNeill Whistler

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Limehouse, James Abbott McNeill Whistler — Limehouse, 1859
James Abbott McNeill Whistler

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portrait of Leonie — Dame, 1922
Otto Dix

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thatch roofed buildings at left behind fence; two-wheeled cart at right; other building at center and right — The Large Thatched Cottages, 1881
Félix Buhot

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Portrait of Johann Sobieski, King of Poland, Jean-Pierre Norblin de la Gourdaine — Portrait of Johann Sobieski, King of Poland, 1774-1789
Jean-Pierre Norblin de la Gourdaine

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lion curled up resting its head and paw on a branch — Lying Lion, 1915
Walter Gramatté

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Modern — Christ with the Sick Around Him, Receiving Little Children, 17th century
Rembrandt van Rijn

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Hands Etching - ô Laborum, Francis Seymour Haden — Hands Etching - ô Laborum, 1865
Francis Seymour Haden

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Girard Trust Building, No. II, Philadelphia, Joseph Pennell — Girard Trust Building, No. II, Philadelphia, 1920
Joseph Pennell

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Battersea Bridge, Francis Seymour Haden — Battersea Bridge, 1868
Francis Seymour Haden

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The Inn at Purfleet and Opposite the Inn Purfleet, Francis Seymour Haden — The Inn at Purfleet and Opposite the Inn Purfleet, 19th century
Francis Seymour Haden

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The Inn, Purfleet, Francis Seymour Haden — The Inn, Purfleet, 1869
Francis Seymour Haden

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Hands Etching - ô Laborum, Francis Seymour Haden — Hands Etching - ô Laborum, 1865
Francis Seymour Haden

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Horseley's Cottages, Francis Seymour Haden — Horseley's Cottages, 1865
Francis Seymour Haden

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Harlech, No. II, Francis Seymour Haden — Harlech, No. II, 1880
Francis Seymour Haden

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bridge arching across center of print; New York skyline behind with reflection of city and bridge in lower half; border — Brooklyn Bridge and Lower New York, 1913
John Marin; Publisher: Published by Alfred Stieglitz / Gallery 291, New York; Printer: Peter J. Platt, New York

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The Large Bagpiper, Jean-Pierre Norblin de la Gourdaine — The Large Bagpiper, 1787
Jean-Pierre Norblin de la Gourdaine

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Beggar Seated with a Dog, Jean-Pierre Norblin de la Gourdaine — Beggar Seated with a Dog, 1787
Jean-Pierre Norblin de la Gourdaine

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Beggar Seen from Behind, Jean-Pierre Norblin de la Gourdaine — Beggar Seen from Behind, 1787
Jean-Pierre Norblin de la Gourdaine

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Small Landscape with Distant Village, Jean-Pierre Norblin de la Gourdaine — Small Landscape with Distant Village, 1774-1789
Jean-Pierre Norblin de la Gourdaine

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Rat Poison Seller, Jean-Pierre Norblin de la Gourdaine — Rat Poison Seller, 1774-1789
Jean-Pierre Norblin de la Gourdaine

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Duplicate of L2007.258.18 — Beggar in Profile, Facing Right, 1787
Jean-Pierre Norblin de la Gourdaine

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Duplicate of L2007.258.19 — Beggar in Profile, Facing Right, 1787
Jean-Pierre Norblin de la Gourdaine

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Rat Poison Seller with Dog, Jean-Pierre Norblin de la Gourdaine — Rat Poison Seller with Dog, 1781
Jean-Pierre Norblin de la Gourdaine

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Landscape with Polish Farmstead, Jean-Pierre Norblin de la Gourdaine — Landscape with Polish Farmstead, 1777
Jean-Pierre Norblin de la Gourdaine

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plane flying low over a narrow street, with tops of buildings crumbling; wide-eyed people fleeing in bottom corners, others lying in street — Lens wird mit Bomben belegt (Lens is Destroyed by Bombing), plate 33 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

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male figure in workshop delicately tapping a sculpture with a mallet; sculpture features a standing woman cradling an infant on her PR, and embracing a standing nude toddler at her PL — The Goldsmith, 1655
Rembrandt Harmensz. van Rijn

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lighthouse at center, battered by the waves of a violent sea; ship on each side of lighthouse, swaying in waves — Eddystone Lighthouse, 1770-1782
John Clerk of Eldin

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Man and Woman in a Store, Dwight Case Sturges — Man and Woman in a Store, 1915
Dwight Case Sturges

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portion of a boat shown at L with man sitting on prow near lower center of image; buildings along opposite shore in middle ground with willow trees near L; another boat with silhouetted passengers near middle — Battersea from Chelsea, 1888-1889
Theodore Roussel

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male figure wrapped in blankets, wearing a thorny crown stands with a man in noble clothing and guards on stone steps; man in noble clothing to his R addresses an energetic crowd; some in the crowd point toward the group on the steps, while some push others; three people at far R climbing a large stone bust — Ecce Homo, c. 1774-1789
Jean-Pierre Norblin de la Gourdaine

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white tent at R with light shining toward a shadow of the Sphinx, from the front; small group gathered around embers of a campfire at center; animal in shadows at LRC — The Desolation of Egypt, 1857
William Holman Hunt

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The Old Doorway from "The First Venice Set", James Abbott McNeill Whistler — The Old Doorway from "The First Venice Set", 1879-1880
James Abbott McNeill Whistler

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Nocturne: Palaces, James Abbott McNeill Whistler — Nocturne: Palaces, 1879-80 (printed 1886)
James Abbott McNeill Whistler

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Long Venice, James Abbott McNeill Whistler — Long Venice, 1879-1880
James Abbott McNeill Whistler

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Sub Tegmine, Francis Seymour Haden — Sub Tegmine, 1859
Francis Seymour Haden

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Woman swimming underwater, with shrimp caught in a fishing net — Benda Hua, c. 1969
Francisco Toledo

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Sur la plage, Pierre Auguste Renoir — Sur la plage, c. 1892
Pierre Auguste Renoir

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Oosterdam, Holland, Alexander Schilling — Oosterdam, Holland, 1893
Alexander Schilling

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printed in red; top (bottom: P.2,220) — Portraits de MM. de Lesseps, Coppée, général Pittié, de Bornier, Henri Martin, Mis de Cherville, 1883
Henri-Charles Guérard

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Tenement, 1957, from 21 Etchings and Poems, Ben Nicholson; Author: Poem by Herbert Read; Publisher: Morris Gallery, New York — Tenement, 1957, from 21 Etchings and Poems, 1957 (published 1960)
Ben Nicholson; Author: Poem by Herbert Read; Publisher: Morris Gallery, New York

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From a suite of four etchings, each depicting a metaphorical clockface design. — Second Stencil (Sullivan & Wright), 1978
Philip Larson

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From a suite of four etchings, each depicting a metaphorical clockface design. — Fourth Stencil (Purcell & Elmslie), 1978
Philip Larson

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sketchy scene of city building facades; wavy lines; darkness at top and bottom of scene — Nocturne: Palaces, 1879-1880
James Abbott McNeill Whistler

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black ink on tan paper; horizontal scape of buildings and boats along water's edge; thin ink lines; buildings recede into distance from left edge of image to right; gondola boat to left of center; thin groups of lines at angles above buildings suggest clouds; small lines indicate water below buildings and boats; lower area of image mostly blank; black circle with line design in water in LL area — Long Venice, 1879-80
James Abbott McNeill Whistler

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Old Putney Bridge, James Abbott McNeill Whistler — Old Putney Bridge, 1879
James Abbott McNeill Whistler

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abstract geometric forms — Untitled, 1985
John Newman; Printer: Vermillion Editions Limited, Minneapolis

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Child at a Window, Conrad Felixmüller — Child at a Window, 1920
Conrad Felixmüller

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Landscape with a Fisherman, James Abbott McNeill Whistler — Landscape with a Fisherman, 1861
James Abbott McNeill Whistler

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From a suite of four etchings, each depicting a metaphorical clockface design. — First Stencil (Richardson & White), 1978
Philip Larson

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A Likely Place for a Salmon, Francis Seymour Haden — A Likely Place for a Salmon, 1889
Francis Seymour Haden

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From a suite of four etchings, each depicting a metaphorical clockface design. — Third Stencil (Greene & Greene), 1978
Philip Larson

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A Winter's Walk, James Tissot — A Winter's Walk, 1880
James Tissot

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central rectangular section with an owl perched on a book and an open book; sketches around edges including man smoking pipe, ship, figure playing a lute, lanterns and horse-drawn carriage — The Owl, 1883
Félix Buhot

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group of buff-colored birds with black, white, orange and yellow feathers on the top of their wings and tails, and orange coloring on their heads; birds perched on barbed wire, eating purple berries from a branch in URC; explosions at left and orange and yellow trails from flying bullets around and in front of birds; "Pestvogel" in URC; "Bombycilla garruluz - Bohemian Waxwings - 12-10-1917" at bottom — Pestvogel, 2016
Walton Ford; Printer: Wingate Studio, Hinsdale, N.H.; Publisher: Kasmin Editions, New York

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colored etching; woman in center, PL arm raised throwing yellow flower petals into a well in a sparsely wooded area; large tree next to well, trunk curves upwards toward left; man looking out behind large tree watching woman at well; boarder of white flowers edges LLC, reaching upwards to top left corner and along the bottom toward LRC; pink hearts scattered along top and sides of image — Vignette (Wishing Well), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

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%C2%A9 Robert Colescott %2F Artists Rights Society %28ARS%29%2C New York

Pontchartrain, 1997

Robert Colescott; Printer: Crown Point Press, San Francisco; Publisher: Crown Point Press, San Francisco

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The Lion and the Fly, 1927-1930 (pub. 1952)

Marc Chagall

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