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man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree

Saint Jerome by the Pollard Willow, 1648

Rembrandt Harmensz. van Rijn

Not on View

Nocturne: Palaces, 1879-80 (printed 1886)

James Abbot McNeill Whistler

Not on View

The Three Trees, 1643

Rembrandt Harmensz. van Rijn

G344

Head of a Bearded Man in Profile, Facing Left, 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View
four-story building on a street corner; two figures looking out of two separate windows, one above open doorway, one to right of same doorway; three women in front of open doorway--two standing, one seated; four other figures on street at left

Beauvais, 1910

D. Y. Cameron

Not on View
three Native Americans riding horses; two dark horses at right and center and one white horse at left; low horizon line; dark clouds in sky

Horses and Riders, 20th century

Carl Oscar Borg

Not on View
thatch-roofed overhang in LRQ, with figure seated in shadows at bottom center; pueblo-type structure above

Kiva, 20th century

Carl Oscar Borg

Not on View
two level dwellings with steps; mule with saddle at center; two figures near doorway at left; another mule near figures

Pueblo, 20th century

Carl Oscar Borg

Not on View
small two-level structure of mud brick or stone; ladder at right leading to rock overhang and second level of structure; thick branch at left holding up overhang

Hopi Houses, Walpi, 1932

Carl Oscar Borg

Not on View
wide, calm river with a dark cluster of human figures and boat sails at R bank; dark object in water at LL; trees on R bank, low foliage on L bank

The Waveney, c. 1832-1834

Thomas Lound

Not on View
image of a crowded street scene with figure on a donkey in foreground and a cathedral in background; images sketched into margin; metal frame

I Made What I Would Call a Good Bargain, from Le Chevalier des Touches, 1878

Félix Buhot

Not on View
3/4 length portrait of a woman with an oval face and dark hair in a bobbed hairstyle, with her PL hand under her chin; woman wears a dark blouse with 3/4 sleeves

© Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Madame Paul Petit, 1935

Jacques Villon

Not on View
(with dark beard)

Head of Old Man, 1787

Jean-Pierre Norblin de la Gourdaine

Not on View
(with eyes closed)

Head of Old Man Facing Forward, 1780

Jean-Pierre Norblin de la Gourdaine

Not on View
head (fully realized) and torso (sketched) of man in 3/4 view, with arms crossed; man has long disheveled hair and small beard

Drouet, 1859

James Abbot McNeill Whistler

Not on View
people on a city street; back of carriage at right; row of street lights on sidewalk; buildings at left edge and URQ

Avenue Trudaine, 1872

Henri-Charles Guérard

Not on View
(seen from above)

Head of a Man with a Turban Adorned with a Feather, 1787

Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Monk, 1787

Jean-Pierre Norblin de la Gourdaine

Not on View

Half-Length Portrait of an Ecclesiastic Dignitary, 1784

Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Young Man with a Beret Adorned with a Feather, 1778

Jean-Pierre Norblin de la Gourdaine

Not on View
river with boats and docks left; city buildings right middle ground; bridge in distance

Battersea Reach, 1863

Francis Seymour Haden

Not on View
man in darkness, LLC; women with large breasts and hips, wearing hats and gowns, walk along sidewalk

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Frontsoldat in BrĂĽssel (Frontline Fighter in Brussels), plate 34 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
kneeling woman with wild hair, wide eyes and bared teeth, clutching her bare breast and pointing to a dead baby with a head wound at her knees

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Die Irrsinnige von St. Marie-Ă -Py (The Insane Woman of St. Marie-Ă -Py), plate 35 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
sketchy head and shoulders of a wide-eyed man with open mouth and bandaged head

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Fliehender Verwundeter (Sommeschlacht 1916) (Wounded Man Fleeing [Battle of the Somme 1916]), plate 10 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
young soldier wearing glasses holds a very large woman, with one very large breast exposed, on his lap

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Besuch bei Madam Germaine in Méricourt (A visit to Madame Germaine in Méricourt), plate 36 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
seated skeleton, wearing ripped clothing and crawling with worms, holds a rifle pointing towards its nose

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Toter Sappenposten (A Dead Trench Sentry), plate 18 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View

Madame Besnard (Charlotte Dubray Besnard) in a Medallion, 1884

Albert Besnard

Not on View
brown ink

An Arch of the Notre-Dame Bridge, 1853

Charles Meryon

Not on View

The Holy Family, 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View

The Little Philosopher, 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View
(with statue of Diana)

The Farewell, 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View

Portrait of a Man, Called "Mazeppa", 1775

Jean-Pierre Norblin de la Gourdaine

Not on View

Polish Woman, Facing Left, 1780

Jean-Pierre Norblin de la Gourdaine

Not on View

Street Vendor, 1781

Jean-Pierre Norblin de la Gourdaine

Not on View

The Conversation, 1779

Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Curled Moustache in Three-Quarters Profile, 1780-1789

Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Full Black Beard, 1778

Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Curled Moustache and Hat, 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View
man holding crucifix

Kneeling Monk, 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View

Combe Bottom, 1860

Francis Seymour Haden

Not on View

View of the Piazza and Basilica of St. John Lateran, 1775

Giovanni Battista Piranesi

Not on View

Combe Bottom, 1860

Francis Seymour Haden

Not on View

The Lovers Walk (The Second Plate), 1864

Francis Seymour Haden

Not on View

Hands Holding a Crayon, 1865

Francis Seymour Haden

Not on View

The Sick Mother, 1889

Albert Besnard

Not on View

The Spinner, 1868-1869

Jean-François Millet

Not on View
dark image in dark brown; street scene with white horse at center harnessed to wagon; shadowy figure at left lifting object over his head to a figure in another wagon behind horse

Trash Collectors, 1900

Edgar Chahine

Not on View
seated slightly stylized cat in profile from PL side, with rings around its neck

A Cat of Bubastis, 1909 (printed 1911)

D. Y. Cameron

Not on View
black ink on tan paper; large ship in center with many open flaps along sides; four small ships in front of large ship; dark wall along LRC; in LLC small boat inscribed on side: A. BARRY FEC. 1880; in background, many other ships; some buildings visible at left side; water has dark pointed crests; many squiggly lines in sky indicate clouds; moon above city to left of large ship

Breaking up of the Agamemnon, 1870

Auguste Barry; Artist: After Francis Seymour Haden

Not on View
black ink on light tan paper; large winding river from LR corner to left of center of image; on right side of river, many buildings packed closely; church spire and building with conical roof on right side; on left side of river, boats with tall masts docked; city along horizontal center of image with bridge; in foreground, human figure and black cat at center and group of humans to left, leaning on walls; small boats on river; small hot air balloon in distance in upper left/center

Battersea Reach, 1863

Francis Seymour Haden

Not on View
black ink on off-white paper; stream running from center to bottom of image; stream curves multiple times; high banks to sides of stream; on right side, dark trees and brush from midground connecting to trees in background; on left side, trees in background connecting to trees in center; sketched short grass in foreground; sky above trees has horizontal shading lightening toward top of image; small birds above trees in UR area and bird in upper center

Sunset in Ireland, 1863

Francis Seymour Haden

Not on View
black ink on off-white paper; fences and walls along waterway across center of image; large trees along bank; house roofs at left edge; houses with chimneys, pointed roofs and windows in upper right and center; one chimney blowing smoke; small birds flying above; shadowing of trees and buildings mostly to left of center; left of center are two small humans at wall; at far right in distance, sketched trees and small figures

Shepperton, 1864

Francis Seymour Haden

Not on View
black ink on beige paper; two cows in LLC; group of cattle standing in water at bank of land at left side; small fences behind cattle; curving river from bottom to center of image; large trees along bank on right side of river; in left background landscape of plateaus; in upper area, faint sketches of hills and clouds (?)

A Lancashire River, 1881

Francis Seymour Haden

Not on View
black ink on off-white paper; large area of water in lower area of image; small boat/canoe with people on it in center (?); large dark area of trees on each side of water in upper area of image; short bank with bushes on left side; trees reflected in water; in background, sketched outline of mountains with trees and one small chimney/rectangular building near center; sky and water are tinted grey; sky has thin flowing horizontal lines; short bank below trees on right

Evening, 1864

Francis Seymour Haden

Not on View
black ink on off-white paper; slightly curved waterway from LLC to center of image; dark brushes and trees, and taller trees sketched in lighter lines on short dark bank at left edge; dark trees along right side of water from center to LRC; at LRC light ground and light wall at right edge; four pieces of wood in a row learning against wall; shadows of trees reflected in water along stream; many ink speckles throughout image

Brentford Ferry, 1864

Francis Seymour Haden

Not on View
black ink on off-white paper; grasses in groups along edge of water across middle of image; behind grasses, dark groups of trees horizontal along image; reflections of grasses and trees in water, mostly indicated by horizontal lines; two pointed-roof houses at center of image; three or four buildings are left edge; pointed roof (?) to left of center; small outline of chimney or building in background to left of center; flying bird in grasses at right edge; lines darker on right side of image

Shere Mill Pond II, 1860

Francis Seymour Haden

Not on View
black ink on off-white paper; horizontal lines across lower area of image creates water; trees along water at middle and right side of image; at right side of image poles support wharf/dock (?) with small pointed-roof building on top; behind dock, pole with lamp on top (?) and small buildings in distance; to right of dock on ground, four small human figures; reflections of dock and trees in water; some faint horizontal lines in sky

Boyle's Farm, 1864

Francis Seymour Haden

Not on View
black ink on off-white paper; tree trunks at left side of image with grassy bank along lower area of image; area of water across middle of image, indicated by horizontal lines; pointed-roofed houses packed closely together on bank above water across image, receding into distance from left to right; tall rectangular buildings at edge of bank on right side; two boats with lowered sails near bank by houses to right of center; at left edge drawing style becomes sketch-like and light; outline of building between trees at right edge also becomes sketch-like and light

Fulham, 1859

Francis Seymour Haden

Not on View
three small figures accompanied by a dog partially hidden in the landscape at right center; many trees; water at center, with rocks

A Forest Marsh with Travelers on a Bank, 1651-1655

Jacob van Ruisdael

Not on View
overhead view of a car with headlights on

%C2%A9 Yvonne Jacquette %2F Courtesy D C Moore Gallery%2C New York

Full Beams, 1985

Yvonne Jacquette; Printer: Anthony Kirk; Publisher: Eldindean Press, New York; Publisher: Yvonne Jacquette

Not on View
Street-level view of Woolworth building, New York City

Woolworth Building (The Dance), 1913

John Marin; Publisher: Alfred Steiglist, Gallery 291, New York

Not on View

Rembrandt and His Wife Saskia, 1636

Rembrandt Harmensz. van Rijn

Not on View

The Lime-Burner, 1859

James Abbot McNeill Whistler

Not on View

Bibi Lalouette, 1859

James Abbot McNeill Whistler

Not on View

The Goldweigher's Field, 1651

Rembrandt Harmensz. van Rijn

Not on View

The Death of the Virgin, 1639

Rembrandt Harmensz. van Rijn

Not on View

Weary, 1863

James Abbot McNeill Whistler

Not on View

The Traghetto, No. 2 from "The First Venice Set", 1879-1880

James Abbot McNeill Whistler

Not on View

Annie Haden, 1860

James Abbot McNeill Whistler

Not on View

The Two Bathers, 1895

Camille Pissarro

Not on View

Rembrandt Drawing at a Window, 1648

Rembrandt Harmensz. van Rijn

Not on View
portrait of Leonie

Dame, 1922

Otto Dix

Not on View
bottom (top: P.2,221)

Portraits de Mm. de Lesseps, Coppée, général Pittié, de Bornier, Henri Martin, Mis de Cherville, 1883

Henri-Charles Guérard

Not on View

A Piece of Newspaper, an Envelope, and a Fly, 19th century

Henri-Charles Guérard

Not on View

Speyside, 1888-1892

D. Y. Cameron

Not on View

A Sunset in Ireland, 1863

Francis Seymour Haden

Not on View

Landscape with an Obelisk, c. 1650

Rembrandt Harmensz. van Rijn

Not on View

Joannis Darius, 1900

D. Y. Cameron

Not on View

Ca d'Oro, 1900

D. Y. Cameron

Not on View

The Towing Path, 1864

Francis Seymour Haden

Not on View

Hand Painting, 1876-1877

Francis Seymour Haden

Not on View

Combe Bottom, 1860

Francis Seymour Haden

Not on View

Shere Mill Pond (The Larger Plate), 1860

Francis Seymour Haden

Not on View

Portrait of Francis Seymour Haden (No. 2) (While Etching), 1862

Francis Seymour Haden

Not on View

A Sunset in Ireland, 1863

Francis Seymour Haden

Not on View

Cranbrook, 1863

Francis Seymour Haden

Not on View

A Likely Place for a Salmon, 1889

Francis Seymour Haden

Not on View

The Goldweigher's Field, 1651

Rembrandt Harmensz. van Rijn

Not on View

Le pendu, 1869

Félicien Rops

Not on View

Amalfi, 1858

Francis Seymour Haden

Not on View

Sub Tegmine, 1854

Francis Seymour Haden

Not on View

Sub Tegmine, 1859

Francis Seymour Haden

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Algerian Doorway, 1929

Clement Haupers

Not on View
woman and barefoot girl, both wearing headscarves, standing at the opening to a shadowy alleyway; shadowy figure at center in alley; two women carrying baskets on yokes and another figure on street and end of alley

The Beggars, 1879-1880

James Abbot McNeill Whistler

Not on View

The Workshop, 1905

D. Y. Cameron

Not on View

Ponte della TrinitĂ , 1907

D. Y. Cameron

Not on View

The Three Sisters, 1868

Francis Seymour Haden

Not on View

The Hay Barge, and the Thmaes at Barnes, 1865

Francis Seymour Haden

Not on View

Portrait of Francis Seymour Haden (No. 3), 1864

Francis Seymour Haden

Not on View

The Turkish Bath - With One Figure, 1865

Francis Seymour Haden

Not on View

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