Looking for medina, metius, media, medic?

man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree — Saint Jerome by the Pollard Willow, 1648
Rembrandt Harmensz. van Rijn

Not on View

Nocturne: Palaces, James Abbot McNeill Whistler — Nocturne: Palaces, 1879-80 (printed 1886)
James Abbot McNeill Whistler

Not on View

The Three Trees, Rembrandt Harmensz. van Rijn — The Three Trees, 1643
Rembrandt Harmensz. van Rijn

G344

Head of a Bearded Man in Profile, Facing Left, Jean-Pierre Norblin de la Gourdaine — Head of a Bearded Man in Profile, Facing Left, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

four-story building on a street corner; two figures looking out of two separate windows, one above open doorway, one to right of same doorway; three women in front of open doorway--two standing, one seated; four other figures on street at left — Beauvais, 1910
D. Y. Cameron

Not on View

three Native Americans riding horses; two dark horses at right and center and one white horse at left; low horizon line; dark clouds in sky — Horses and Riders, 20th century
Carl Oscar Borg

Not on View

thatch-roofed overhang in LRQ, with figure seated in shadows at bottom center; pueblo-type structure above — Kiva, 20th century
Carl Oscar Borg

Not on View

two level dwellings with steps; mule with saddle at center; two figures near doorway at left; another mule near figures — Pueblo, 20th century
Carl Oscar Borg

Not on View

small two-level structure of mud brick or stone; ladder at right leading to rock overhang and second level of structure; thick branch at left holding up overhang — Hopi Houses, Walpi, 1932
Carl Oscar Borg

Not on View

three small figures accompanied by a dog partially hidden in the landscape at right center; many trees; water at center, with rocks — A Forest Marsh with Travelers on a Bank, 1651-1655
Jacob van Ruisdael

Not on View

wide, calm river with a dark cluster of human figures and boat sails at R bank; dark object in water at LL; trees on R bank, low foliage on L bank — The Waveney, c. 1832-1834
Thomas Lound

Not on View

image of a crowded street scene with figure on a donkey in foreground and a cathedral in background; images sketched into margin; metal frame — I Made What I Would Call a Good Bargain, from Le Chevalier des Touches, 1878
Félix Buhot

Not on View

A Cat of Bubastis, 1909 (printed 1911)

D. Y. Cameron

Not on View

3/4 length portrait of a woman with an oval face and dark hair in a bobbed hairstyle, with her PL hand under her chin; woman wears a dark blouse with 3/4 sleeves — Madame Paul Petit, 1935
Jacques Villon

Not on View

(with dark beard) — Head of Old Man, 1787
Jean-Pierre Norblin de la Gourdaine

Not on View

The Little Philosopher, Jean-Pierre Norblin de la Gourdaine — The Little Philosopher, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

(with eyes closed) — Head of Old Man Facing Forward, 1780
Jean-Pierre Norblin de la Gourdaine

Not on View

dark image in dark brown; street scene with white horse at center harnessed to wagon; shadowy figure at left lifting object over his head to a figure in another wagon behind horse — Trash Collectors, 1900
Edgar Chahine

Not on View

head (fully realized) and torso (sketched) of man in 3/4 view, with arms crossed; man has long disheveled hair and small beard — Drouet, 1859
James Abbot McNeill Whistler

Not on View

people on a city street; back of carriage at right; row of street lights on sidewalk; buildings at left edge and URQ — Avenue Trudaine, 1872
Henri-Charles Guérard

Not on View

Portrait of a Man, Called "Mazeppa", Jean-Pierre Norblin de la Gourdaine — Portrait of a Man, Called "Mazeppa", 1775
Jean-Pierre Norblin de la Gourdaine

Not on View

(seen from above) — Head of a Man with a Turban Adorned with a Feather, 1787
Jean-Pierre Norblin de la Gourdaine

Not on View

(with statue of Diana) — The Farewell, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Monk, Jean-Pierre Norblin de la Gourdaine — Head of a Monk, 1787
Jean-Pierre Norblin de la Gourdaine

Not on View

Half-Length Portrait of an Ecclesiastic Dignitary, Jean-Pierre Norblin de la Gourdaine — Half-Length Portrait of an Ecclesiastic Dignitary, 1784
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Young Man with a Beret Adorned with a Feather, Jean-Pierre Norblin de la Gourdaine — Head of a Young Man with a Beret Adorned with a Feather, 1778
Jean-Pierre Norblin de la Gourdaine

Not on View

The Holy Family, Jean-Pierre Norblin de la Gourdaine — The Holy Family, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Street Vendor, Jean-Pierre Norblin de la Gourdaine — Street Vendor, 1781
Jean-Pierre Norblin de la Gourdaine

Not on View

The Conversation, Jean-Pierre Norblin de la Gourdaine — The Conversation, 1779
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Full Black Beard, Jean-Pierre Norblin de la Gourdaine — Head of a Man with a Full Black Beard, 1778
Jean-Pierre Norblin de la Gourdaine

Not on View

man holding crucifix — Kneeling Monk, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Curled Moustache and Hat, Jean-Pierre Norblin de la Gourdaine — Head of a Man with a Curled Moustache and Hat, 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Polish Woman, Facing Left, Jean-Pierre Norblin de la Gourdaine — Polish Woman, Facing Left, 1780
Jean-Pierre Norblin de la Gourdaine

Not on View

Head of a Man with a Curled Moustache in Three-Quarters Profile, Jean-Pierre Norblin de la Gourdaine — Head of a Man with a Curled Moustache in Three-Quarters Profile, 1780-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Annie Haden, James Abbot McNeill Whistler — Annie Haden, 1860
James Abbot McNeill Whistler

Not on View

The Lime-Burner, James Abbot McNeill Whistler — The Lime-Burner, 1859
James Abbot McNeill Whistler

Not on View

Weary, James Abbot McNeill Whistler — Weary, 1863
James Abbot McNeill Whistler

Not on View

The Death of the Virgin, Rembrandt Harmensz. van Rijn — The Death of the Virgin, 1639
Rembrandt Harmensz. van Rijn

Not on View

Rembrandt and His Wife Saskia, Rembrandt Harmensz. van Rijn — Rembrandt and His Wife Saskia, 1636
Rembrandt Harmensz. van Rijn

Not on View

Rembrandt Drawing at a Window, Rembrandt Harmensz. van Rijn — Rembrandt Drawing at a Window, 1648
Rembrandt Harmensz. van Rijn

Not on View

river with boats and docks left; city buildings right middle ground; bridge in distance — Battersea Reach, 1863
Francis Seymour Haden

Not on View

man in darkness, LLC; women with large breasts and hips, wearing hats and gowns, walk along sidewalk — Frontsoldat in Brüssel (Frontline Fighter in Brussels), plate 34 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

kneeling woman with wild hair, wide eyes and bared teeth, clutching her bare breast and pointing to a dead baby with a head wound at her knees — Die Irrsinnige von St. Marie-à-Py (The Insane Woman of St. Marie-à-Py), plate 35 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

sketchy head and shoulders of a wide-eyed man with open mouth and bandaged head — Fliehender Verwundeter (Sommeschlacht 1916) (Wounded Man Fleeing [Battle of the Somme 1916]), plate 10 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

young soldier wearing glasses holds a very large woman, with one very large breast exposed, on his lap — Besuch bei Madam Germaine in Méricourt (A visit to Madame Germaine in Méricourt), plate 36 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

seated skeleton, wearing ripped clothing and crawling with worms, holds a rifle pointing towards its nose — Toter Sappenposten (A Dead Trench Sentry), plate 18 from Der Krieg (The War), 1924
Otto Dix; Publisher: Karl Nierendorf

Not on View

black ink on beige paper; two cows in LLC; group of cattle standing in water at bank of land at left side; small fences behind cattle; curving river from bottom to center of image; large trees along bank on right side of river; in left background landscape of plateaus; in upper area, faint sketches of hills and clouds (?) — A Lancashire River, 1881
Francis Seymour Haden

Not on View

black ink on tan paper; large ship in center with many open flaps along sides; four small ships in front of large ship; dark wall along LRC; in LLC small boat inscribed on side: A. BARRY FEC. 1880; in background, many other ships; some buildings visible at left side; water has dark pointed crests; many squiggly lines in sky indicate clouds; moon above city to left of large ship — Breaking up of the Agamemnon, 1870
A [August?] Barry; Artist: After Francis Seymour Haden

Not on View

black ink on light tan paper; large winding river from LR corner to left of center of image; on right side of river, many buildings packed closely; church spire and building with conical roof on right side; on left side of river, boats with tall masts docked; city along horizontal center of image with bridge; in foreground, human figure and black cat at center and group of humans to left, leaning on walls; small boats on river; small hot air balloon in distance in upper left/center — Battersea Reach, 1863
Francis Seymour Haden

Not on View

black ink on off-white paper; fences and walls along waterway across center of image; large trees along bank; house roofs at left edge; houses with chimneys, pointed roofs and windows in upper right and center; one chimney blowing smoke; small birds flying above; shadowing of trees and buildings mostly to left of center; left of center are two small humans at wall; at far right in distance, sketched trees and small figures — Shepperton, 1864
Francis Seymour Haden

Not on View

black ink on off-white paper; large area of water in lower area of image; small boat/canoe with people on it in center (?); large dark area of trees on each side of water in upper area of image; short bank with bushes on left side; trees reflected in water; in background, sketched outline of mountains with trees and one small chimney/rectangular building near center; sky and water are tinted grey; sky has thin flowing horizontal lines; short bank below trees on right — Evening, 1864
Francis Seymour Haden

Not on View

black ink on off-white paper; tree trunks at left side of image with grassy bank along lower area of image; area of water across middle of image, indicated by horizontal lines; pointed-roofed houses packed closely together on bank above water across image, receding into distance from left to right; tall rectangular buildings at edge of bank on right side; two boats with lowered sails near bank by houses to right of center; at left edge drawing style becomes sketch-like and light; outline of building between trees at right edge also becomes sketch-like and light — Fulham, 1859
Francis Seymour Haden

Not on View

black ink on off-white paper; slightly curved waterway from LLC to center of image; dark brushes and trees, and taller trees sketched in lighter lines on short dark bank at left edge; dark trees along right side of water from center to LRC; at LRC light ground and light wall at right edge; four pieces of wood in a row learning against wall; shadows of trees reflected in water along stream; many ink speckles throughout image — Brentford Ferry, 1864
Francis Seymour Haden

Not on View

black ink on off-white paper; horizontal lines across lower area of image creates water; trees along water at middle and right side of image; at right side of image poles support wharf/dock (?) with small pointed-roof building on top; behind dock, pole with lamp on top (?) and small buildings in distance; to right of dock on ground, four small human figures; reflections of dock and trees in water; some faint horizontal lines in sky — Boyle's Farm, 1864
Francis Seymour Haden

Not on View

black ink on off-white paper; stream running from center to bottom of image; stream curves multiple times; high banks to sides of stream; on right side, dark trees and brush from midground connecting to trees in background; on left side, trees in background connecting to trees in center; sketched short grass in foreground; sky above trees has horizontal shading lightening toward top of image; small birds above trees in UR area and bird in upper center — Sunset in Ireland, 1863
Francis Seymour Haden

Not on View

black ink on off-white paper; grasses in groups along edge of water across middle of image; behind grasses, dark groups of trees horizontal along image; reflections of grasses and trees in water, mostly indicated by horizontal lines; two pointed-roof houses at center of image; three or four buildings are left edge; pointed roof (?) to left of center; small outline of chimney or building in background to left of center; flying bird in grasses at right edge; lines darker on right side of image — Shere Mill Pond II, 1860
Francis Seymour Haden

Not on View

overhead view of a car with headlights on — Full Beams, 1985
Yvonne Jacquette; Printer: Anthony Kirk; Publisher: Eldindean Press, New York; Publisher: Yvonne Jacquette

Not on View

Bibi Lalouette, James Abbot McNeill Whistler — Bibi Lalouette, 1859
James Abbot McNeill Whistler

Not on View

The Goldweigher's Field, Rembrandt Harmensz. van Rijn — The Goldweigher's Field, 1651
Rembrandt Harmensz. van Rijn

Not on View

The Goldweigher's Field, Rembrandt Harmensz. van Rijn — The Goldweigher's Field, 1651
Rembrandt Harmensz. van Rijn

Not on View

Combe Bottom, Francis Seymour Haden — Combe Bottom, 1860
Francis Seymour Haden

Not on View

Combe Bottom, Francis Seymour Haden — Combe Bottom, 1860
Francis Seymour Haden

Not on View

Landscape with an Obelisk, Rembrandt Harmensz. van Rijn — Landscape with an Obelisk, c. 1650
Rembrandt Harmensz. van Rijn

Not on View

View of the Piazza and Basilica of St. John Lateran, Giovanni Battista Piranesi — View of the Piazza and Basilica of St. John Lateran, 1775
Giovanni Battista Piranesi

Not on View

Combe Bottom, Francis Seymour Haden — Combe Bottom, 1860
Francis Seymour Haden

Not on View

Dusty Millers, Francis Seymour Haden — Dusty Millers, 19th century
Francis Seymour Haden

Not on View

The Turkish Bath - With One Figure, Francis Seymour Haden — The Turkish Bath - With One Figure, 1865
Francis Seymour Haden

Not on View

A Castle, County Wicklow, Francis Seymour Haden — A Castle, County Wicklow, 1865
Francis Seymour Haden

Not on View

The Turkish Bath - With Two Figures, Francis Seymour Haden — The Turkish Bath - With Two Figures, 1865
Francis Seymour Haden

Not on View

A Sunset in Ireland, Francis Seymour Haden — A Sunset in Ireland, 1863
Francis Seymour Haden

Not on View

Cranbrook, Francis Seymour Haden — Cranbrook, 1863
Francis Seymour Haden

Not on View

Sub Tegmine, Francis Seymour Haden — Sub Tegmine, 1859
Francis Seymour Haden

Not on View

Bark Refitting, Francis Seymour Haden — Bark Refitting, 1865
Francis Seymour Haden

Not on View

The Hay Barge, and the Thmaes at Barnes, Francis Seymour Haden — The Hay Barge, and the Thmaes at Barnes, 1865
Francis Seymour Haden

Not on View

A Likely Place for a Salmon, Francis Seymour Haden — A Likely Place for a Salmon, 1889
Francis Seymour Haden

Not on View

Amalfi, Francis Seymour Haden — Amalfi, 1858
Francis Seymour Haden

Not on View

The Assignation, Francis Seymour Haden — The Assignation, 1865
Francis Seymour Haden

Not on View

Doge's Palace, Venice, D. Y. Cameron — Doge's Palace, Venice, 1902
D. Y. Cameron

Not on View

Sunset on the Thames, Francis Seymour Haden — Sunset on the Thames, 1865
Francis Seymour Haden

Not on View

The Abbazia, Venice, D. Y. Cameron — The Abbazia, Venice, 1900
D. Y. Cameron

Not on View

The Fisherman, Francis Seymour Haden — The Fisherman, 1864
Francis Seymour Haden

Not on View

The Fisherman, Francis Seymour Haden — The Fisherman, 1864
Francis Seymour Haden

Not on View

The Lovers Walk (The Second Plate), Francis Seymour Haden — The Lovers Walk (The Second Plate), 1864
Francis Seymour Haden

Not on View

A Lancashire River, Francis Seymour Haden — A Lancashire River, 1881
Francis Seymour Haden

Not on View

Fulham, Francis Seymour Haden — Fulham, 1859
Francis Seymour Haden

Not on View

Sunset on the Thames, Francis Seymour Haden — Sunset on the Thames, 1865
Francis Seymour Haden

Not on View

The Mouth of a Brook, No. I, Francis Seymour Haden — The Mouth of a Brook, No. I, 1859
Francis Seymour Haden

Not on View

printed on both faces of paper, both signed, one touched by artist — A Lancashire River, 1881
Francis Seymour Haden

Not on View

Egham Lock, Francis Seymour Haden — Egham Lock, 1859
Francis Seymour Haden

Not on View

before sky was wholly cleared — Egham Lock, 1859
Francis Seymour Haden

Not on View

Thomas Haden of Derby, Francis Seymour Haden — Thomas Haden of Derby, 1864
Francis Seymour Haden

Not on View

Kinderköpf, Trina, Georg Jahn — Kinderköpf, Trina, 19th century
Georg Jahn

Not on View

The Two Bathers, Camille Pissarro — The Two Bathers, 1895
Camille Pissarro

Not on View

The Traghetto, No. 2 from "The First Venice Set", James Abbot McNeill Whistler — The Traghetto, No. 2 from "The First Venice Set", 1879-1880
James Abbot McNeill Whistler

Not on View

Street-level view of Woolworth building, New York City — Woolworth Building (The Dance), 1913
John Marin; Publisher: Alfred Steiglist, Gallery 291, New York

Not on View

A Piece of Newspaper, an Envelope, and a Fly, Henri-Charles Guérard — A Piece of Newspaper, an Envelope, and a Fly, 19th century
Henri-Charles Guérard

Not on View

woman and barefoot girl, both wearing headscarves, standing at the opening to a shadowy alleyway; shadowy figure at center in alley; two women carrying baskets on yokes and another figure on street and end of alley — The Beggars, 1879-1880
James Abbot McNeill Whistler

Not on View

Le pendu, Félicien Rops — Le pendu, 1869
Félicien Rops

Not on View

The Genius of Salvator Rosa, Salvator Rosa — The Genius of Salvator Rosa, c. 1662
Salvator Rosa

Not on View

Algerian Doorway, Clement Haupers — Algerian Doorway, 1929
Clement Haupers

Not on View

showing 100 of 408 results matching medium:"Etching and drypoint". (load 200 more)

Download results as CSV