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fan shape with line of mice wearing black coats; some standing, sitting and reading; one mouse holding a lamp

Fan with Mice, c. 1885

Henri-Charles Guérard

G310

The Musician, 1768

Jean-Baptiste Le Prince

G317

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Untitled (Ruler) I, 1969

Jasper Johns; Printer: Donn Steward , at ULAE; Publisher: Universal Limited Art Editions (ULAE)

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Poem for Diane Bouchard, 1947

Joan MirĂł

Not on View

Al Conde Palatino, 1797-1798

Francisco José de Goya y Lucientes

Not on View
contemporary binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Franco Goya y Lucientes, Pintor, 1797-1798

Francisco José de Goya y Lucientes

Not on View

Elephant and Monkey, c. 1888

Henri-Charles Guérard

Not on View

Locomotive, effet de neige, c. 1888

Henri-Charles Guérard

Not on View

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
red ink on orange paper

Dix petits sujets japonais, c. 1888

Henri-Charles Guérard

Not on View

Calais Pier, 19th century

Francis Seymour Haden; Artist: after Joseph Mallord William Turner R.A.

Not on View

Chamonix, France, 19th century

George Taylor Plowman

Not on View

Bronze Frog Inkwell, from "Japonisme", 1883

FĂ©lix Buhot

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Target II, 1967-1969

Jasper Johns; Printer: Angoumois ULAE/Donn Steward

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Balcony, 1915-1982

Clement Haupers

Not on View

%C2%A9 Knox Martin %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Female Study, c. 1972

Knox Martin

Not on View
Portrait in profile from PL of a man with moustache and glasses, wearing a suit with a vest and a necktie

Portrait of Herschel V. Jones, c. 1920-1925

Otto J. Schneider

Not on View
Christ as a boy, viewing a scroll shown to him by Joseph; 3 angels with a wreath behind Christ and Joseph; Mary at R, feeding birds; 2 figures in shadows at R

The Holy Family in a Domestic Setting, 1809

Karl Russ

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

La filiacion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Si sabrá mas el discipulo?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Por que fue sensible, 1797-1798

Francisco José de Goya y Lucientes

Not on View
man wearing hat, viewed from top of head, bent over, grasping a tool

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Soldat astiquant, 1907

Jacques Villon

Not on View
Plate 33

What more can be done?, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

%C2%A9 Philip J. von Raabe

Ich bin der Weit Abhanden gekomen, 1968

Philip J. von Raabe

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Back Stage, 1928

Clement Haupers

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Nocturne, c. 1930

Clement Haupers

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Place Denfert-Rochereau, 1928

Clement Haupers

Not on View

%C2%A9 Marino Marini %2F Artists Rights Society %28ARS%29%2C New York

The Surviving Rider, 1963

Marino Marini

Not on View
Plate 2

Rightly or Wrongly, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 7

What Courage, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 34

On Account of a Knife, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 26

One Can't Look, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 8

It Always Happens, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 16

They Make Use of Them, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 50

Unhappy Mother, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 9

They Don't Like It, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 39

¡Grande hazaña! ¡Con muertos! (A Heroic Feat! With Dead Men!), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 13

Bitter to be Present, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 10

Nor (Do-these) Either, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 24

They Can Still Be Of Use, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 40

Algun Partido Saca (He Gets Something Out Of It), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 19

There isn't Time Now, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 57

The Healthy and The Sick, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

%C2%A9 The Willem de Kooning Foundation %2F Artists Rights Society %28ARS%29%2C New York

Revenge, from 21 Etchings and Poems, 1957 (pub. 1960)

Willem de Kooning; Author: Poem by Harold Rosenberg; Publisher: Morris Gallery, New York; Printer: Anderson and Lamb

Not on View
Plate 25

These Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 30

Estragos de la guerra (Ravages of war), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 49

A Woman's Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 17

They Do Not Agree, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 18

Bury Them and Keep Quiet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 15

Y no hay remedio (And it cannot be helped)., 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 6

It Serves You Right, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 21

It Will Be The Same, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 14

It's a Hard Step, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 37

This is Worse, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 58

It's No Use Crying Out, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 20

Get Them Well and On to the Next, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 3

The Same, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 35

One Can't Tell Why, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 23

The Same Elsewhere, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 1

Sad Foreboding of What is Going to Happen, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 28

Rabble, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 5

Y son fieras (And they are like wild beasts), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 14

Alegrias Antinejo, Què Mañana Seras Ceniga (Foolishness at the Carnival), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 79

Truth Has Died, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 52

They Do Not Arrive In Time, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 59

What is the Use of a Cup?, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 77

May The Cord Break, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 43

This Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 3

Andarse por las ramas (To go amongst the Branches, i.e., to Talk through one's Hat), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 2

Por Temor no Pierdas Honor (Do not lose honour through fear), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 71

Against The Common Good, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 41

They Escape Through The Flames, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 55

The Worst Is To Beg, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 68

What Madness!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 32

Por Que? (Why?), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 76

The Carnivorous Vulture, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 51

Thanks To The Millet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 17

Él Que No te Ama, Burlandote te Difama, 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 13

Modo de Volar (A Way of Flying), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 60

There Is No One To Help Them, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 45

And This Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 46

Esto es malo (This is bad), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 61

Perhaps They Are Of Another Breed, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 53

There Was Nothing To Be Done and He Died, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ni asi la distingue, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Se repulen, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

¿Está Vm… pues, Como digo… eh! Cuidado! si no!..., 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tu que no puedes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Correccion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mala noche, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Aquellos polbos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

De que mal morira?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que sacrificio!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tantalo, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Buen viage, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Bien tirada está, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El de la rollona, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Duendecitos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tragala perro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Quien lo creyera!, 1797-1798

Francisco José de Goya y Lucientes

Not on View

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